MYOLDAUNTSARAH [ABC]

Server: Apache/2.4.33 (Unix) LibreSSL/2.2.7 PHP/7.1.33 Last-Modified: Thu, 27 Nov 2014 01:18:34 GMT ETag: "456d7-508ccec474e80" Accept-Ranges: bytes Content-Length: 284375 X:0000 T: the Boston Collection of Instrumental Music C: Published by Oliver Ditson in New York N: The publication date is variously listed as 1840, 1850, and 1910. F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf F:http://john-chambers.us/~jc/music/book/BostonCollection/BostonCollection.abc 2024-04-27 152545 UT K: %%center THE BOSTON COLLECTION %%center of %%center INSTRUMENTAL MUSIC: %%center containing %%center MARCHES, QUICKSTEPS, WALTZES, AIRS, %%center cotillons, contra dances, hornpipes, quadrilles, arranged with figures, %%center SCOTCH AND IRISH JIGS, REELS, AND STRATHSPEYS, %%center arranged for %%center BRASS, WOODEN, & STRINGED INSTRUMENTS. %%center -------------------- %%center BOSTON %%center Published by OLIVER DITSON, 116 Washington St., %%center C. C. Clapp & Co. 67 Court Street. New York - J. E. Bould & Co. 29 Broadway. %%sep 1 1 500 %%sep 1 1 500 X:0051 T: HYKSHOS MARCH C: Composed by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.5-7 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: C L: 1/8 V: 1 clef=treble nm="FIRST CORNOPEAN\nor BUGLE in Bb" snm="B1" V: 2 clef=treble nm="SECOND CORNOPEAN\nor BUGLE in Bb" snm="B2" V: 3 clef=bass middle=d nm="TROMBONE" snm="T" V: 4 clef=bass middle=d nm="OPHICLEIDE" snm="O" U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! K: Eb %---------- V: 1 K: F |:\ "_ff>"A4 "_>"c4 | "_>"f6 e>e | d2 d>d c>d B>c | A4 G2 c>c | "_>"a4 "_>"e4 | "_>"f4 g>fe>d | e2 e>e {d}d>c d>e | (d4 c2) z2 :| |:\ !p!f2 f>f a2 f2 | f4 e2 g2 | ^c2 Pc>cp !f!d>Qf e>dq | .^cz "_fz>"a2 z4 | !p!_b4- b>a g>b | a4- Pa>gp f>d | !f!c2 c>c (~c2 d>e) | f2 f>f f2 z2 "_FINE."H:| |:\ [K:Bb] !p!d2 f4 d2 | e2 g4 e2 | d2 d>e f>d e>d | .cz .Az "^>"F4 | d2 f4 d2 | e2 g4 a>g | ((3fgf) d2 ((3efe) c>d | B2 [bB]>[bB] [b2B2] z2 :| |:\ !ff!Az A>A Az Az | Bz B>B Bz Bz | Az A>A Az Az | B2 ((3dcB) A2 z2 | !p!d2 f4 d2 | e2 g4 a>g | (3fgf d2 (3efe c>d | B2 [Bb]>[bB] [b2B2]"_D.C. al Fine." z2 :| %---------- V: 2 K: F |:\ "_ff>"F4 "_>"G4 | "_>"A6 A>A | _B2 F>F F2 F2 | F4 E2 z2 | "_>"c4 "_>"_B4 | "_>"A4 z2 G>G | G2 G>G {G}F>E F>G | (F4 E2) z2 :: !p!d2 d>d f2 d2 | d4 ^c2 e2 | A2 PA>Ap !f!Q^G4q | .Az "_fz>"^c2 z4 | !p!g4- g>f e>g | f4 PF>Gp _A>A | !f!=A2 A>A B2 B2 | A2 A>A A2 z2 H:: [K:Bb] !p! B2 d4 B2 | G2 B4 G2 | F2 B>c d>B c>B | .Az .Fz "^>"C4 | B2 d4 B2 | G2 B4 f>e | d2 ((3BcB) c2 ((3ABA) | B2 D>D D2 z2 :: !ff!FF/F/ FF FFFF | FF/F/ FF FFFF | FF/F/ FF FFFF | FF/F/ FF F2 z2 | !p!B2 d4 B2 | G2 B4 f>e | d2 (3BcB c2 (3ABA | B2 D>D D2 z2 :| %---------- V: 3 K: Eb |:\ "_ff>"e'4 d'4 | c'2c'>c' c'2b>b | a2a>a g2f>b | b4- b2z2 | "_>"e4 "_>"f4 | e2c'>c' "_>"c'4 | b2b>b =a2a2 | z2(=a2 b2)z2 :: !p!z2g>g g2g2 | z2g>g g2g2 | z2Pf'>f'p !f!Qe'4q | .g'z"_fz>"g2 z4 | !p!d'4- d'>e' f'>d' | e'2Pc'4pc'2 | !f!z2e'>e' d'2f'2 | e'2e'>e' e'2z2 H::[K:Ab] z2e'>e' e'2e'2 | z2f'>f' f'2f'2 | z2e'>e' e'2e'2 | z2e'2- "_>"e'>[e'e][f'f]>[g'g] | [a'a]z e'>e' e'2e'2 | z2f'>f' f'2f'2 | z2e'2 z2_d'2 | c'2c'>c' c'2z2 :: !ff!"^>"bz b>b bz bz | c'z c'>c' c'z c'z | bz b>b bzbz | c'2(3e'_d'c' b2z2 | !p!z2e'>e' e'2e'2 | z2f'>f' f'2f'2 | z2e'2 z2d'2 | c'2c'>c' c'2z2 :| %---------- V: 4 K: Eb |:\ "_ff>"e4 "_>"d4 | c2 c>c c2 B>B | A2 A>A G2 F2 | z>EG>E B2 z2 | "_>"e4 "_>"=B4 | c2 c>c "_>"=A4 | _B2B>d f2f2 | b2f2 B2z2 :: !p!c2c>c c2c2 | G2g4G2 | G2Pg>gp !f!Q_a4q | .gz "_fz>"g2 z4 | !p!=B2B>B B2B2 | c2z2 c2P=A2p | !f!_B2b4B2 | e2E2e2z2 H::[K:Ab] !p!(3.A.c.e (3.a.e.c A2z2 | (3A_df (3afd A2z2 | Az a>a a2a2 | ez "_>"e2- (3e.f.e (3._d.c.B | (3Ace (3aec A2z2 | (3A_df (3afd A2z2 | Az A>c e2E2 | A>ae>c A2z2 :: !ff![_d'4_d4]- (3[d'd].[gG].[aA] (3.[bB].[gG].[eE] | "^>"[a4A4]-(3[aA].[e'e].[d'd] (3.[c'c].[bB].[aA] | [eE]z "^>"[d'2d2]-(3[d'd].[gG].[aA] (3.[Bb][gG].[eE] | [a2A2](3[aA].A.c e2z2 | !p!(3Ace (3aec A2 z2 | (3Adf (3afd A2z2 | Az A>c e2 E2 | A>ae>c A2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0081 T: BROOKLYN WALTZ C: Composed by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.8-9 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 V: 1 clef=treble nm="FIRST CORNOPEAN\nor BUGLE in Bb" snm="B1" V: 2 clef=treble nm="SECOND CORNOPEAN\nor BUGLE in Bb" snm="B2" V: 3 clef=bass middle=d nm="TROMBONE" snm="T" V: 4 clef=bass middle=d nm="OPHICLEIDE" snm="O" U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! K: Eb %---------- V: 1 K: F |: !p!c4(AB) | c4(dc) | ((3cdc)B2B2 | ((3BcB)A2A2 | (AG^FGAG) | (=Fd)c4 | (AG^FGAG) | =F4z2 :| |: !f!(GAG^F)G2 | c2G4 | d2G2d2 | e4(c=B) | A2(=B^c).d.e | f3.e.d.c | =B2g2B2 | c4z2 :| |: !p!(A_B)c4 | d3(cB).A | G3(dc).B | (dc)A4 | (A_B)c4 | d3(cB).A | G3(dc)E | F4"_FINE"z2 :| K:Bb "TRIO"\ |: !p!B4(dB) | A4(BA) | G3(AB).G | F4z2 | _E3(GF).E | (DF)B4 | A(B=Bcd)c | "_D.C. al fine"B4z2 H:| %---------- V: 2 K: F |: !p!A4(FG) | A4(BA) | ((3ABA)G2G2 | ((3GAG)F2F2 | z2E2E2 | F2A4 | E2z2E2 | F4z2 :| |: !f!E2E2E2 | E2E2E2 | F4F2 | z2G2E2 | F2F2FG | A6 | F2z2F2 | E4z2 :| |: !p!(FG)A4 | _B3(AG).F | E3(BA).G | (BA)F4 | (FG)A4 | B3(AG).F | E2z2G2 | F4z2 H:| K:Bb |: !p!z2F2F2 | z2F2F2 | _E3(FG)E | D4z2 | F3zz2 | z2F4 | F2z2F2 | F4z2 :| %---------- V: 3 K: Eb |: !p!z2b2b2 | z2b2b2 | z2b2b2 | z2b2b2 | z2b2_a2 | g2e4 | a2z2a2 | g4z2 :| |: !f!b2b2b2 | b2b2b2 | =a2c'2f2 | b4b2 | c'2c'2c'2 | c'2c'2c'2 | c'2z2c'2 | b4z2 :| |: !p!z2e2b2 | z2e2b2 | z2B2b2 | z2e2e'2 | z2e2b2 | z2e2b2 | a2z2a2 | g4z2 H:| K: Ab |: !p! z2c'2a2 | z2a2a2 | a2z2a2 | a4z2 | b3(_d'c').b | azc'4 | d'2z2d'2 | c'4z2 :| %---------- V: 4 K: Eb |: !p!e4z2 | e4z2 | d4z2 | e4z2 | B4z2 | e4z2| B2z2B2 | e2E2z2 :| |: !f!B2B2B2 | B2B2B2 | =A2A2A2 | B2d2f2 | e2e2e2 | e2e2e2 | f2z2f2 | B4z2 :| |: !p!E2z2z2 | E2z2z2 | B2z2z2 | E2z2z2 | E2z2z2 | E2z2z2 | B2z2B2 | E4z2 H:| K: Ab |: !p!A4z2 | c4z2 | _d2z2d2 | A4z2 | g3zz2 | azA4 | E2z2e2 | A4z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0101 T: ROCKAWAY QUICK-STEP C: Composed by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.10-11 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The trio section has 25 bars. Bar 38 seems to have some missing dots; add them if you like. U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 2/4 L: 1/16 K: Eb % ------------------------- V: 1 K: F |:"FIRST CORNOPEAN""or BUGLE in Bb"!p!\ c4 d4 | ccc2 c2A2 | BBB2 B2G2 | A2d2 c4 |\ c4 d4 | ccc2 c2A2 | BBB2 GGG2 | .A2.G2 F4 :| |:!ff!\ (GA).B.c .d2._d2 | (c2f2) .c.c.c2 | (c2g2) .c.c.c2 | a(fe.g) f4 |\ d2g^f g4 | (c^cde) f4 | (edc=B) (c_BAG) | F2Ac f2"_FINE"z2 H:| |:[K:Bb]"^TRIO"\ z8 | z8 | "_DOLCE"F4 B3A | B2z2 d2z2 |\ c7 A | c4 z3d | c7 A | B2z2 d3d |\ (3f2=e2_e2 c4 | (3e2d2c2 B4 | (3A2B2c2 (3B2A2G2 | "_CRES."F7 =E | F3P=E pF3E | !p!F3A B3A | B2z2 d2z2 | c7 A |\ B2z2 z3d | c7 A | B2z2 (3B2c2d2 | c2z2 (3c2d2e2 |\ A2z2 (3A2B2c2 | !f!(3.B2.d2e2 (3.f2.g2.a2 | (3.b2.f2.=e2 (3.f2.g2.a2 | b2z2 b3b | "_D.C. AL FINE"b4 z4 H:| % ------------------------- V: 2 K: F |:"SECOND CORNOPEAN""or BUGLE in Bb"!p!\ A4 B4 | AAA2 A2F2 | GGG2 G2E2 | F2B2 A4 |\ A4 B4 | AAA2 A2F2 | GGG2 EEE2 | .F2.E2 F4 :| |:!ff!\ B8 | z2AA A2A2 | z2B2 z2G2 | .c2.B2 A4 |\ z2c2 B4 | z2B2 A4 | z2EE E2E2 | F2F2F2"_FINE"z2 H:| K: Bb |:"^TRIO"!pp!\ F2z2 F2z2 | F2z2 F2z2 | F2z2 F2z2 | F2z2 F2z2 |\ F2z2 F2z2 | F2z2 F2z2 | F2z2 F2z2 | F2z2 F2z2 |\ A2z2 A2z2 | B2z2 F2z2 | F4 =E4 | "_CRES."F7 =E | F3P=E pF3E | !p!F2z2 F2z2 | F2z2 F2z2 | F2z2 F2z2 |\ F2z2 F2z2 | F2z2 F2z2 | F2z2 F2z2 | G2z2 G2z2 |\ F2z2 F2z2 | !f!(3.F2D2E2 (3.F2.G2.A2 | (3.B2.F2=E2 (3.F2.G2.A2 | B2z2 d3d | "_D.C. AL FINE"d4 z4 H:| % ------------------------- V: 3 clef=bass middle=D K: Eb |:"TROMBONE"!p!\ e4 e4 | e4 z2e2 | d4 z2d2 | e2e2 e4 |\ e4 e4 | e2z2 e2e2 | d2z2 B2B2 | B2A2 G4 :| |:!ff!\ f8 | g2ee e2e2 | f4 d4 | .e2.f2 g4 |\ z2g2 f4 | z2f2 e4 | z2BB F2A2 | .G2.B2.G2"_FINE"z2 H:| K: Ab |:"^TRIO"!pp!\ c2z2 c2z2 | c2z2 c2z2 | c2z2 c2z2 | c2z2 c2z2 |\ _d2z2 d2z2 | c2z2 c2z2 | d2z2 d2z2 | c2z2 A2z2 |\ B2z2 B2z2 | A2z2 c2z2 | B3G (3F2G2A2 | "_CRES."G2z2 G4 | PB4 p_d4 | !p!c2z2 c2z2 | c2z2 c2z2 | d2z2 d2z2 |\ c2z2 c2z2 | d2z2 d2z2 | c2z2 (3c2d2e2 | d2z2 (3d2e2f2 |\ B2z2 (3B2c2d2 | !f!(3.c2.C2.D2 (3.E2.F2.G2 | (3.A2.E2.=D2 (3.E2.F2.G2 | A2z2 A3A | "_D.C. AL FINE"A4 z4 H:| % ------------------------- V: 4 clef=bass middle=d K: Eb |:"OPHICLEIDE"!p!\ e4 e4 | e4 z2e2 | B4 z2B2 | e2e2 e4 |\ e4 e4 | e2z2 e2e2 | B2z2 B2b2 | e2B2 e4 :| |:!ff!\ d8 | e2ee e2e2 | d2z2 B2z2 | .e2E2 e4 |\ .a2z2 z2.a2 | b4 z4 | B4 B2B2 | .e2.e2E2"_FINE"z2 H:| K: Ab |:"^TRIO"!pp!\ a2z2 a2z2 | a2z2 a2z2 | a2z2 a2z2 | a2z2 a2z2 |\ g2z2 e2z2 | a2z2 a2z2 | g2z2 e2z2 | a2z2 a2z2 |\ e2z2 e2z2 | a2z2 a2z2 | b4 B4 | "_CRES."e2z2 e4 | Pd4 pB4 | !p!A2z2 a2z2 | a2z2 a2z2 | g2z2 e2z2 |\ a2z2 a2z2 | g2z2 e2z2 | a2z2 a2z2 | d2z2 d2z2 |\ e2z2 E2z2 | !f!(3.A2.c2.d2 (3.e2.f2.g2 | (3.a2.e2.=d2 (3.e2.f2.g2 | a2z2 A3A | "_D.C. AL FINE"A4 z4 H:| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0121 T: MEDLEY QUICK-STEP (Old Dan Tucker, &c.) C: By S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.12-15 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu>U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 2/4 L: 1/16 K: Eb % ------------------------- V: 1 K: F "^12.1.1"\ "FIRST CORNOPEAN""or BUGLE in Bb"!ff!FF |\ F2FF F2FF | F2FF F2F2 |!p! d2d2 c2cc | d2d2 c2zc |\ d2d2 c2c2 | (AB)(GA) F2F2 | d2d2 c2cc | d2d2 c2cc | "^12.2.1"\ d2d2 cccc | (AB)(GA) F4 |[| A3F G2A2 | c6 d2 |\ A3F G2A2 | F6 (FG) | A2A2 G2A2 | c2c2 F2G2 |\ A2cc G2GA | F4 F4 |[| !ff!f4 f3f | .g2.f2 d3c | % Page 13 "^13.1.1"\ (dc)(dc) (Ac).c.c | G2A2 F4 |\ f4 f3f | g2f2 d3c | (dc)(dc) (Ac).c.c | G2A2 F4 \ |:[K:Bb]!p!\ f4e2c2 | (d2f2) f4 | f2ff e2c2 | c2B2 [b3B3]g |\ f3f e2c2 | "^13.2.1"\ d2f2 f3g | a2f2 _e2cc |1 c2B2 z4 :|2 .c2.B2 z2 |[|\ (Bc) |!ff!\ (d4 B2) (Bc) | (d4 B2) (Bc) | .d2(Bc) d2(ed) | (d2c2) z2(AB) |\ (c4 A2) (AB) | (c4 A2) (AB) | % Page 14 "^14.1.1"\ g2f2e2c2 | c4 z2(Bc) |\ (d4 B2) (Bc) | (d4 B2) (Bc) | .d2(Bc) .d2(ed) | (d2c2) z2(AB) |\ (c4 A2) (AB) | (c4 A2) (Ac) | g2f2e2c2 | B4 z2!p!(Bc) |\ d2d2 B2B2 | "^14.2.1"\ A2 c4 d2 | _e2e2 A2A2 | B4 z2(Bc) |\ d2d2 B2B2 | A2 c4 d2 | f2e2 G2A2 | B2BB B2BB |\ B2BB B2F2 | B2BB c2d2 | .F2.F2 .G2.F2 | B2BB B2BB | % Page 15 "^15.1.1"\ B2BB B2F2 | B2B2 ccd2 | .F2.F2(G2B2) |[|\ !ff!d2d>d d4 | .c2.B2 .G2.B2 | c2c>c c4 | F2F2 G2B2 |\ d2d>d e2d2 | c2B2 G2B2 | c3c d2F2 | F2F2 G2B2 | "^15.2.1"\ !pp!B2B2 c2d2 | B2B2 A2F2 | B2B2 c2d2 | (B4 A2)F2 |\ .B2.B2 .c2.d2 | .e2.d2 .c2.B2 | .A2.F2 .G2.A2 |\ !ff!B4 z2A2 | B4 z2A2 | B2z2 B2z2 | B4 z4 |] % ------------------------- V: 2 K: F "^12.1.2"\ "SECOND CORNOPEAN""or BUGLE in Bb"!ff!FF |\ F2FF F2FF | F2FF F2F2 |!p!B2B2 A2AA | B2B2 A2zA |\ B2B2 A2A2 | G2E2 F2F2 | B2B2 A2AA | B2B2 A2AA | "^12.2.2"\ B2B2 AAAA | G2E2 F4 |]| F3F E2F2 | A6 B2 |\ F3F E3E | F6 (FE) | F2F2 E2F2 | A2A2 F2E2 |\ F2AA E2EE | F4F4 |[| !ff!d4 d3d | ._e2.d2 B3A | % Page 13 "^13.1.2"\ (BA)(BA) (FA).A.A | =E2E2 F4 |\ d4 d3d | _e2d2 B3A | (BA)(BA) (FA).A.A | E2E2 F4 \ |:[K:Bb]!p!\ c4 A4 | (B2d2) d4 | d2dd c2A2 | A2B2 d3e |\ c3c c2A2 | "^13.2.2"\ B2d2 d3e | c2AA A2AA |1 A2B2 z4 :|2 A2B2 z2 |[|\ z2 |!ff!\ z2FF D2z2 | z2FF D2z2 | z2D2 z2B2 | z2AA A2F2 |\ z2AA F2z2 | z2AA F2z2 | % Page 14 "^14.1.2"\ A4 A2A2 | B4 z4 |\ z2FF D2z2 | z2FF D2z2 | z2D2 z2B2 | z2AA A2F2 |\ z2AA F2z2 | z2AA F2zz | A4 A2A2 | B4 z4 |\ !p!z2F2 z2F2 | "^14.2.2"\ z2AA A2A2 | z2A2 z2F2 | z2FF F2F2 |\ z2F2 z2F2 | z2AA A2A2 | z2A2 z2F2 | D2DD D2DD |\ D2DD D2D2 | D2DD _E2F2 | .D2.D2 .E2.D2 | D2DD D2DD | % Page 15 "^15.1.2"\ D2DD D2D2 | D2D2 EEF2 | .D2.D2 (E2D2) |[|\ !ff!B2B>B B4 | E2D2 E2D2 | A2A>A A4 | D2D2 E2D2 |\ F2F>F G2F2 | E2D2 E2D2 _E3E E2E2 | D2D2 E2D2 | "^15.2.2"\ !pp!D2D2 E2F2 | D2D2 C2E2 | D2D2 E2F2 | (D4 C2)E2 |\ .D2.D2 .E2.F2 | .G2.F2 .E2.D2 | .C2.D2 .E2.C2 |\ !ff!D4 z2C2 | D4 z2C2 | D2z2 D2z2 | D4 z4 |] % ------------------------- V: 3 clef=bass middle=D K: Eb "^12.1.3"\ "TROMBONE"!ff!EE |\ E2EE E2EE | E2EE E2E2 | !p!E2E2 E2EE | E2E2 E2zE |\ E2E2 E2E2 | D2A2 G2z2 | E2E2 E2EE | E2E2 E2EE | "^12.2.3"\ E2E2 EEEE | D2A2 G4 |[| E3G F2E2 | E2EE E2E2 |\ B4 A4 | G8 | B4 B4 | B6 A2 |\ G2E2 A2A2 | G4 G4 |[| !ff!A4 A3A | A2A2 A4 | % Page 13 "^13.1.3"\ E2z2 G2z2 | B2B2 G4 |\ A4 A3A | A2A2 A4 | E3G B3G | A2A2 G4 \ |:[K:Ab]!p!\ z2d2 z2d2 | z2c2 z2c2 | z2G2 z2E2 | z2AA A2A2 |\ z2d2 z2d2 | "^13.2.3"\ z2c2 z2A2 | E2 B4 dd |1 d2c2 z4 :|2 d2c2 z2 |[|\ z2 |!ff!\ e2ee e2z2 | e2ee e2z2 | e8 | z2_dd d2d2 |\ d2dd d2z2 | d2dd d2z2 | % Page 14 "^14.1.3"\ d4 B2d2 | c4 z4 |\ e2ee e2z2 | e2ee e2z2 | e8 | z2dd d2d2 |\ d2dd d2z2 | d2dd d2z2 | d4 B2d2 | c2QAA qA2A2 |\ !p!z2A2 z2c2 | "^14.2.3"\ z2dd d2d2 | z2B2 z2d2 | z2cc c2c2 |\ z2c2 z2c2 | z2dd d2d2 | z2B2 z2B2 | A2A2 A2A2 |\ A2A2 A2A2 | A2A2 A2A2 | .A2.A2 .A2.A2 | A2A2 A2A2 | % Page 15 "^15.1.3"\ A2A2 A2A2 | A2A2 A2A2 | A2A2 A2A2 |[|\ !ff!e2e>e e4 | z2e2 z2e2 | e2e>e e4 | z2e2 z2e2 |\ z2e>e f2e2 | z2e2 z2e2 | e3e e2e2 | z2e2 z2e2 | "^15.2.3"\ !pp!e8 | z2e2e2e2 | e2e2 e2e2 | e4- e2z2 | A8 | z2A2A2A2 | E2z2 E2E2 | !ff!A2ee e2e2 | e2ee e2e2 | e2z2 e2z2 | e4 z4 |] % ------------------------- V: 4 clef=bass middle=d K: Eb "^12.1.4"\ "OPHICLEIDE"!ff!ee |\ e2ee e2ee | e2ee e2e2 | !p!e2e2 e2e2 | e2e2 e2e2 |\ e2e2 e2e2 | B2B2 e2e2 | e2e2 e2e2 | e2e2 e2e2 | "^12.2.4"\ e2e2 e2e2 | B2B2 e4 |[| E4 E4 | E4 z2e2 |\ e2z2 B2z2 | e2B2 G2B2 | E4 E2E2 | E2E2 E2E2 |\ E2G2 B2B2 | E4 E4 |[| !ff!A4 A3A | A2A2 A4 | % Page 13 "^13.1.4"\ E2z2 E2z2 | B2B2 e4 |\ A4 A3A | A2A2 A4 | E2z2 E2e2 | B2B2 e4 \ |:[K:Ab]!p!\ b2z2 e2z2 | a2z2 A2z2 | E2z2 e2z2 | .A2.c2.e2.a2 |\ g2z2 e2z2 | "^13.2.4"\ a2z2 A2z2 | E2 ee e2e2 |1 A2a2A2z2 :|2 A2a2 z2 |[|\ "^13.2.4"\ z2 |!ff!\ A2aa a2z2 | A2aa a2z2 | A4 A4 | E2G2B2e2 |\ E2ee e2z2 | E2ee e2z2 | % Page 14 "^14.1.4"\ E4E2E2 | A4 z4 | A2aa a2z2 |\ A2aa a2z2 | A4 A4 | .E2.G2.B2.e2 | E2ee e2z2 |\ E2ee e2z2 | E4 E2E2 | A2QAAq A2A2 | !p!A4 A4 | "^14.2.4"\ E4 z4 | E4 E4 | A4 z4 | A4 A4 |\ E4 z4 | E4 e4 | A2A2 A2A2 | A2A2 A2A2 |\ A2A2 A2A2 | .A2.A2 .A2.A2 | A2A2 A2A2 | % Page 15 "^15.1.4"\ A2A2 A2A2 | A2A2 A2A2 | A2A2 A2A2 |[|\ !ff!a2a>a a4 | a2a2 a2a2 | e2e>e e4 | a2a2 a2a2 |\ a2a>a a2a2 | a2a2 a2a2 | e3e e2e2 | a2a2 a2a2 | "^15.2.4"\ !pp!A2A2 A2A2 | A2A2 E2e2 | A2A2 A2A2 | z2E2 e4 |\ A2.a2.g2._g2 | .f2.e2.d2.^d2 | e4 E2E2 | !ff!A4 z2e2 |\ a4 z2e2 | a2z2 a2z2 | a4 z4 |] % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0161 T: DEAD MARCH C: Composed by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.16-17 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The "DOL." in bar 8 instead of p is a mystery. U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: C L: 1/8 K: Cm % ------------------------- V: 1 K: Dm "FIRST CORNOPEAN""or BUGLE in Bb"!ff!A>A |\ f4 {f}e>d e>f | .d2 .^c2 .d2 A>A | e4 a>gf>e | .f2 .e2 .d2 !p!d>d |\ d2 d>d d2 d>d | _e2 c>B A2 f>f | f2 b>b a2 ^c>c | d2 d>d d2 z2 :|\ |: "_DOL."A>A | e2 e>e {f}e>d e>A | f2>>e2 d2 a>a | (3baQg (3feqd ^c4 | !p!d2 f>d ^c2 z2 !ff!|"_>"b4- b>a g>e |\ f2 a>f g2 f2 | e>A {c}B>A G>F E>A | D2 d>d d2 "_FINE"H:|\ "^TRIO"|: "_DOL."c>c | (c4 A2) f>f | f2 c>c c2 c>c | d2 _d>d c2 B>B | (A2 (3f).c.A G2 c>c |\ (c4 A2) f>f | "_CRES."f2 Pc>cp c2 c>c !f!| Q(3gf.dq B2- !p!(3B.c._d E>c | F2 "_D.C. AL FINE"f>f f2 :| % ------------------------- V: 2 K: Dm "SECOND CORNOPEAN""or BUGLE in Bb"z2 |\ !ff!A4 G4 | .F2 .E2 .F2 z2 | A4- A>A A>A | .A2 .A2 .A2 z2 |\ z2 !p!^F>F G2 F>F | G2 C>C C2 _e>e | d2 g>g f2 G>G | F2 F>F F2 z2 :|\ |: z2 | !pp!A8- | A8 | "_fp"Ez z2 (3zBA (3GFE | !p!F2 A>F E2 z2 !ff!| "_>"G4- G>FE>B |\ A2 A>A A2 A2 | G2 z2 E2 G2 | F2 F>F F2 "_FINE"H:|\ "^TRIO"|:"_DOL."A>A | (A4 F2) A>A | A2 A>A A2 A>A | =B2 _B>B A2 G>G | (F2 A)>F E2 A>A |\ (A4 F2) A>A | "_CRES."A2 PA>Ap A2 A>A !f!| QB2q z2 !p!G2 G>E | F2 "_D.C. AL FINE"C>C C2 :| % ------------------------- V: 3 clef=bass middle=D K: Cm "TROMBONE"z2 |\ !ff!G4- G2 G>G | .G2 .G2 .G2 z2 | G4 =B2 f>f | .e2 .g2 .e2 z2 | z2 !p!c>c c2 c>c | B2 F>F E2 B>B | c2 =d>d e2 d>d | c2 c>c c2 z2 :|\ |: z2 | !pp!f8 | e8 | "_fp"[fG]z z2 f4 | !p!e2 G>G G2 z2 !ff!| d4- d>ef>=B |\ c2 e>c =B2 c2 | A2 z2 =B4 | c2 c>c c2 H:|\ "^TRIO"|: z2 | z2 !pp!B>B B2 z2 | z2 B>B B2 z2 | z2 A>A B2 B>B | B2 B>B B2 z2 |\ z2 B>B B2 z2 | "_CRES."z2 e>e e2 e>e | !f!e2 z2 !p!A2 A2 | G2 "_D.C. AL FINE"G>G G2 :| % ------------------------- V: 4 clef=bass middle=d K: Cm "OPHICLEIDE"z2 |\ !ff!c4 =B2 G>G | .c2 .G2 .c2 z2 | =B4 G2 B>B | c2 .g2 .c'2 z2 | z2 !p!_b>b a2 g>g | f2 _d>d e2 g>g | a2 f>f g2 G>G | c2 [cC]>[cC] [c2C2] z2 :|\ |: z2 | !pp!=b2 g2 b2 g2 | c'2 g2 c'2 g2 | "_fp"fz z2 z2 !p!g>g | .G2 .G2 .G2 z2 !ff!| =b2 b>b b2 z2 | c2 c>c G2 c2 | f2 z2 g2 G2 | c2 [cC]>[cC] [c2C2] H:|\ "^TRIO"|: z2 !pp!| E2 e>e e2 z2 | E2 e>e e2 z2 | E2 e>e E2 e>e | E2- (3E.E.G B2 z2 |\ E2 e>e e2 z2 | "_CRES."E2 _d'>d' d'2 d'>d' | !f!c'2 z2 !p! _c2 B2 | e2 "_D.C. AL FINE"E2 E2 :| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0181 T: MANHATTAN GALOPADE C: Composed by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.18-19 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Eb % ------------------------- V: 1 K: F |:"FIRST CORNOPEAN""or BUGLE in Bb"!p!\ f2cc c2c2 | .c2(a2g2).f2 | .c2(g2f2).e2 | (f2e)>d c2cc |\ f2cc c2c2 | .c2(a2g2).f2 | .c2(g2f2).e2 | f4 z4 :| |:!ff!\ g2gg .g2.f2 | .e2.f2 g3e | f3e f3d | "_>"(a4 g2)^f2 |\ g2gg g2=f2 | e2f2 g3e | (d2a2) .g2=B2 | c4 z4 :| |:!p!\ f2cc c2c2 | .c2(a2g2).f2 | .c2(g2f2).e2 | (f2e)>d c2cc |!ff!\ f2cc c2c2 | .c2(a2g2).f2 | .c2(g2f2).e2 | f4 z4 "_FINE"H:| |:!pp!\ z2B2 z2B2 | z2BB B2B2 | z2B2 z2B2 | z2BB B2B2 |\ z2c2 z2A2 | z2B2 "^>"B4 | z2FF =E2_E2 | "_D.C. AL FINE"D4 z4 :| % ------------------------- V: 2 K: F |:"SECOND CORNOPEAN""or BUGLE in Bb"!p!\ A2AA A2A2 | A2(c2B2).A2 | z2(B2A2).G2 | A2B2 A2AA |\ A2AA A2A2 | .A2(c2B2).A2 | .E2(B2A2).G2 | A4 z4 :| |:!ff!\ e2ee .e2.d2 | .c2.d2 e3c | d3c d3=B | "_>"(f4 e2)^d2 |\ e2ee e2=d2 | c2d2 e3c | d3F D2D2 | E4 z4 :| |:!p!\ A2AA A2A2 | z2(c2B2).A2 | z2(B2A2).G2 | A2B2 A2AA |!ff!\ A2AA A2A2 | .A2(c2B2).A2 | .E2(B2A2).G2 | A4 z4 "_FINE"H:| |:!pp!\ z2D2 z2D2 | z2DD D2D2 | z2D2 z2D2 | z2DD D2D2 |\ z2F2 z2F2 | z2F2 "^>"G4 | z2DD C2C2 | "_D.C. AL FINE"D4 z4 :| % ------------------------- V: 3 clef=bass middle=D K: Eb |:"TROMBONE"!p!\ B2BB B2B2 | B4 z2B2 | B4 z2B2 | B2c2 B4 |\ B2BB B2B2 | B2B2B2B2 | B2z2 B2B2 | B4 z4 :| |:!ff!\ B2BB B2B2 | B2B2B2B2 | z2=A2 z2F2 | z2BB B2B2 |\ B2BB B2B2 | B2B2B2B2 | G3E F2F2 | B4 z4 :| |:!p!\ B2BB B2B2 | B4 z2B2 | B4 z2B2 | B2c2 B4 |!ff!\ B2BB B2B2 | B2B2B2B2 | B2z2 B2B2 | B4 z4 H:| |:"^SOLO"!pp!\ E6 c2 | A2EE E2E2 | E6 c2 | A2EE E2E2 |\ .E2_d2c2.B2 | =B2c2 A2F2 | E2EE F2G2 | "_D.C. AL FINE"A4 z4 :| % ------------------------- V: 4 clef=bass middle=d K: Eb |:"OPHICLEIDE"!p!\ e4 e2e2 | e4 z2e2 | d2z2 B2z2 | e2E2 e4 |\ e2ee e2e2 | e2e2e2e2 | b2z2 B2B2 | e4 z4 :| |:!ff!\ B2F2 B2F2 | B2F2 B2F2 | =A2F2 A2F2 | B4 B2B2 |\ B2F2 B2F2 | B2F2 B2F2 | E4 F2F2 | B4 z4 :| |:!p!\ e4 e2e2 | e4 z2e2 | d2z2 B2z2 | e2E2 e4 |!ff!\ e2ee e2e2 | e2e2e2e2 | b2z2 B2B2 | e4 z4 H:| |:!pp!\ A2z2 A2z2 | A2z2 A2z2 | A2z2 A2z2 | A2z2 A2z2 |\ G2z2 E2z2 | A2z2 _d3=d | e2z2 E2E2 | "_D.C. AL FINE"A4 z4 :| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0201 T: WALTZ BY STRAUSS C: Arranged by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.20-21 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: Bb % ------------------------- V: 1 nm="C CLARINET" !ff!b6 | b6 | b2b2b2 | b2b2b2 |\ {a}b6 | {a}b6 | {a}b6- | b4 || |: !p!BB | (Bd) zf f2 |\ (df) zb b2 | (a_e) zg f2 | bd zg f2 |\ (Bd) zf f2 | (df) zb b2 | (ae) zg f2 | b2 z2 :| |: z2 |\ !f!z2 (BAB)c | z2 (df) f2 |\ z2(ce)e2 | z2(Bd)d2 |\ (BABAB)c | B2(df)f2 | z2(ce)e2 | d2z2 :| |: !p!(gf) |\ =ef bBdg | f2(_ec)A2 | (g2f2)(ec) | db (fd)B2 |\ =ef bBdg | f2(_ec)A2 | g2f2(ec) | B2z2 :| |: z2 |\ !ff!A4c2 | A2c2A2 | B4d2 | B2(df)d2 |\ A4c2 | A2c2A2 | B2d2e2 | d2z2 H:| % ------------------------- V: 2 nm="VIOLIN PRIMO" !ff![B6F6] | [B6F6] | [B2F2][B2F2][B2F2] | [B2F2][B2F2][B2F2] |\ "_>"[B6F6] | "_>"[B6F6] | [B6-F6-] | [B4F4] || |: z2 |\ !p!z2 [B2F2] [B2F2] | z2 [B2F2] [B2F2] | z2 [A2F2] [A2F2] | z2 [B2F2] [B2F2] |\ z2 [B2F2] [B2F2] | z2 [B2F2] [B2F2] | z2 [A2F2] [A2F2] | [B2F2] z2 :|\ |: !f!(BA) |\ B(ABcd)e | df (fd') d'2 | (ce) (ec')c'2 | (Bd) (db)b2 |\ (BABcd)e | (df) (fd')d'2 | (ce) (ec')c'2 | b2z2 :|\ |: !p!z2 |\ z2[B2F2][B2F2] | z2[A2F2][A2F2] | z2[A2F2][A2F2] | z2[B2F2][B2F2] | z2[B2F2][B2F2] | z2[A2F2][A2F2] | z2[A2F2][A2F2] | [B2F2]z2 :|\ |: !ff!((3dcB) |\ A2 gggg | (gf).e.cA2 | (db)(fd')b2 | (db)(fd')b2 | A2gggg | (gf).e.c (Af) | (db)(fd')(c'a) | b2z2 H:| % ------------------------- V: 3 nm="VIOLIN SECONDO" !ff![D6B,6] | [D6B,6] | [D2B,2][D2B,2][D2B,2] | [D2B,2][D2B,2][D2B,2] |\ "_>"[D6B,6] | "_>"[D6B,6] | [D6-B,6-] | [D4B,4] || |: z2 |\ !p!z2 [D2B,2] [D2B,2] | z2[D2B,2][D2B,2] | z2[E2C2][E2C2] | z2[D2B,2][D2B,2] |\ z2[D2B,2][D2B,2] | z2[D2B,2][D2B,2] | z2[E2C2][E2C2] | [D2B,2] z2 :|\ |: z2 !f!|\ [D2B,2][D2B,2][D2B,2] | [D2B,2][D2B,2][D2B,2] | [A2F2][A2F2][A2F2] | [B2F2][B2F2][B2F2] |\ [D2B,2][D2B,2][D2B,2] | [D2B,2][D2B,2][D2B,2] | [A2F2][A2F2][A2F2] | [B2F2]z2 :|\ |: z2 |!p!\ z2[D2B,2][D2B,2] | z2[E2C2][E2C2] | z2[E2C2][E2C2] | z2[D2B,2][D2B,2] | z2[D2B,2][D2B,2] | z2[E2C2][E2C2] | z2[E2C2][E2C2] | [D2B,2]z2 :|\ |: z2!ff!|\ [E2C2][E2C2][E2C2] | [E2C2][E2C2][E2C2] | z2[D2B,2][D2B,2] | z2[D2B,2][D2B,2] |\ [E2C2][E2C2][E2C2] | [E2C2][E2C2][E2C2] | [D2B,2][d2F2][e2F2] | [d2F2]z2 :| % ------------------------- V: 4 clef=bass middle=d nm="BASSO" !ff!B6 | B6 | B2B2B2 | B2B2B2 | B6 | B6 | .B2.d2.f2 | [b4B4] || |: z2 | !p!B4 z2 | B4z2 | [f4F4]z2 | B4z2 | B4z2 | B4z2 | [f4F4]z2 | B2z2 :|\ |: z2!f!| B2B2B2 | B2B2B2 | F2f2f2 | b2B2B2 |\ B2B2B2 | B2B2B2 | F2f2f2 | B2z2 :|\ |: z2 |\ !p!B4z2 | F4z2 | F4z2 | B4z2 | B4z2 | [f4F4]z2 | [f4F4]z2 | B2z2 :|\ |: z2!ff!|\ f2f2f2 | f2f2f2 | B4z2 | B4z2 |\ f2f2f2 | f2f2f2 | B2b2f2 | b2z2 :| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0221 T: POLACCA C: Arranged by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.22-24 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/16 K: G % ------------------------- V: 1 nm="FLUTE or CLARINET" %"^p22s1v1"\ z12 | z4 !p!z2dd d2d2 |\ b4 (ag).f.e d2{f}e2 | "^>".d2.B2 z2((3ded) .B2.d2 | "^>".c2.A2 z2((3cdc) .A2.c2 |\ %"^p22s2v1"\ .B2.c2 d2dd d2d2 | b4 (ag).f.e d2{f}e2 | "^>".d2.B2 z2((3ded) .B2.d2 | "^>".c2.A2 z2((3cdc) .A2.f2 |\ g6 !ff!dd d2d2 | g4 (fe).d.c .B2{d}.c2 |\ %"^p23s1v1"\ "_>".B2.G2 z2((3BcB) .G2.B2 | "_>".A2.F2 z2((3ABA) .F2.A2 | .G2.A2 B2BB B2B2 | G4 (fe).d.c B2{d}c2 |\ "_>".B2.G2 z2((3BcB) .G2.B2 | "_>".A2.F2 z2((3ABA) .F2.[c2A2] | [B6G6] |]\ %"^p23s2v1"\ !p!.d.d .d2.d2 | .d2.d2.d2 .d.d .d2.d2 | .d2.d2.d2 .d.d .d2.d2 | .d2.d2 .d2.d2 .d2.d2 | .d2.d2.d2 .d.d "^CRES . . .".d2.d2 |\ .d2.d2.d2 .d.d .d2.d2 |\ %"^p24s1v1"\ .d2.d2 .d2.d.d "^. . . CEN . . .".d2.d2 | .d2.d2 "^. . . DO . . .".d2.d2 .d2.d2 | .d2.d2 .d(d^cd cde)f !ff!|\ g4 (fe).d.c .B2{d}.c2 | "_>".B2.G2 z2((3BcB) .G2.B2 |\ %"^p24s2v1"\ "_>".A2.F2 z2((3ABA) .F2.A2 | .G2.A2.B2 BB B2B2 |\ g4 (fe).d.c .B2{d}.c2 | "_>".B2.G2 z2((3BcB) .G2.B2 |\ "_>".A2.F2 z2((3ABA) .F2.[c2A2] | [B6G6] |]\ % ------------------------- V: 2 nm="VIOLIN PRIMO" %"^p22s1v2"\ !p!B,2D2 B,2D2 B,2D2 | B,2D2 B,2D2 B,2D2 | B,2D2 B,2D2 C2E2 | B,2D2 B,2D2 B,2D2 | z2F2 D2A2 F2A2 | %"^p22s2v2"\ G2D2 B,2D2 B,2D2 | B,2D2 B,2D2 C2E2 | B,2D2 B,2D2 G2D2 | F2A2 F2A2 F2A2 | G2B2G2 !ff!dd d2d2 | b4 (ag).f.e d2{f}e2 | %"^p23s1v2"\ "^>".d2.B2 z2((3ded) .B2.d2 | "^>".c2.A2 z2((3cdc) .A2c2 | .B2.c2 d2dd d2d2 | b4 (ag).f.e d2{f}ed |\ "^>".d2.B2 z2((3ded) .B2.d2 | "^>".c2.A2 z2((3cdc) .A2f2 | g6 |] %"^p23s2v2"\ z2z4 !p!| .a2.b2.c'2 z2z4 | .b2.c'2.d'2 z2z4 | .c'2.b2 .c'2.b2 .c'2.b2 | .c'2.b2.a2 z2z4 | .a2.b2.c'2 z2z4 | %"^p24s1v2"\ .b2.c'2.d'2 z2z4 | .c'2.b2 .c'2.b2 .c'2.b2 | .c'2.b2 .a(d^cd efg)a !ff!|\ b4 (ag).f.e d2{f}e2 | "^>".d2.B2 z2((3ded) .B2.d2 | %"^p24s2v2"\ "^>".c2.A2 z2((3cdc) .A2.c2 | .B2.c2.d2 dd d2d2 |\ b4 (ag).f.e d2{f}e2 | "^>".d2.B2 z2((3ded) .B2.d2 | "^>".c2.A2 z2((3cdc) .A2.f2 | g6 |] % ------------------------- V: 3 nm="VIOLIN SECONDO" %"^p22s1v3"\ !p!G,2B,2 G,2B,2 G,2B,2 | G,2B,2 G,2B,2 G,2B,2 |\ G,2B,2 G,2B,2 G,2C2 | G,2B,2 G,2B,2 G,2B,2 | A,2C2 A,2C2 A,2C2 | %"^p22s2v3"\ G,2A,2 B,2B,2 G,2B,2 | G,2B,2 G,2B,2 G,2C2 | G,2B,2 G,2B,2 G,2B,2 | A,2C2 A,2C2 A,2C2 | B,2D2B,2 z2 z4 !ff!| G,DB,D G,DB,D G,ECE | %"^p23s1v3"\ G,DB,D G,DB,D G,DB,D | A,DCD A,DFD CDA,D | G,DA,D G,DB,D G,DB,D | G,DB,D G,DB,D G,ECE | G,DB,D G,DB,D G,DB,D | A,FDF A,FDF CDA,D | G,DB,D G,2 |] %"^p23s2v3"\ z2z4 !p!|\ .f2.g2.a2 z2z4 | .g2.a2.b2 z2z4 | .a2.g2 .a2.g2 .a2.g2 |\ .a2.g2.f2 z2z4 | "^CRES . . .".f2.g2.a2 z2z4 | %"^p24s1v3"\ .g2.a2.b2 "^. . . CEN . . ."z2z4 | .a2.g2 "^. . . DO.".a2.g2 .a2.g2 | .a2.g2.f2 z2z4 !ff!|\ G,DB,D G,DB,D G,ECE | G,DB,D G,DB,D G,DB,D | %"^p24s2v3"\ A,DCD A,DFD CDA,D | G,DA,D G,DB,D G,DB,D |\ G,DB,D G,DB,D G,ECE | G,DB,D G,DB,D G,DB,D | A,FDF A,FDF CDA,D | G,DB,D B,2 |] % ------------------------- V: 4 clef=bass middle=d nm="VIOLONCELLO" %"^p22s1v4"\ !p!G8 z4 | !p!G8 z4 | G4 z4 G4 | G8 z4 | !p!G8 z4 | %"^p22s2v4"\ G8z4 | G4z4G4 | G8z4 | [d4D4]z4[d4D4] | [g6G6]z2z4 !ff!| G6!trem1!g6 | %"^p23s1v4"\ G6!trem1!g6 | G6!trem1!g6 | G6!trem1!g6 | G6!trem1!g6 | G6!trem1!g6 | d4 z2d'2d2d'2 | g2G2g2 |] %"^p23s2v4"\ z2z4 !p!| .d'2.d'2.d'2 z2z4 | .d'2.d'2.d'2 z2z4 | .d'2.d'2 .d'2.d'2 .d'2.d'2 | .d'2.d'2.d'2 z2z4 | .d'2.d'2.d'2 z2z4 | %"^p24s1v4"\ .d'2.d'2.d'2 z2z4 | .d'2.d'2 .d'2.d'2 .d'2.d'2 | .d'2.d'2.d'2 z2z4 !ff!|\ G6!trem1!g6 | G6!trem1!g6 | %"^p24s2v4"\ G6!trem1!g6 | G6!trem1!g6 |\ G6!trem1!g6 | G6!trem1!g6 | d4 z2d'2d2d'2 | g2G2g2 |] %%sep 1 1 500 %%sep 1 1 500 X:0251 T: THE LOVER'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.25 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G % ------------------------- V: 1 "PRIMO"!p!.d2 |\ .B2.c2.d2 | .e2.f2.g2 | d3ed2 | .B2.c2.d2 |\ c3dc2 | .B2.A2.G2 | .A2.B2.c2 | (e2d2).c2 |\ .B2.c2.d2 | .e2.f2.g2 | d3ed2 | .B2.c2.d2 | .c2(ed).c2 | .B2(dc).B2 | (A2c2).A2 | G4 :|\ |: !ff!(3def |\ g(fgfg)f | g(bagf)g | (dB) (Bd) g2 | (dg) gb b2 |\ a(^gaga)g | a(bc'ba)=g | f(efef)e | g4 :| |: !p!(Bc) |\ {e}d2.^c2.d2 | {=c}B2.A2.B2 | {a}g2.f2.g2 | .e2(ed).c2 |\ {g}f2.e2.f2 | {e}d2.^c2.d2 | (a2g2).f2 | g4 :|\ |: !p!b2 |\ c'2z2c'2 | b2z2b2 | .a2.b2.c'2 | .b2.c'2.d'2 | c'2z2c'2 | b2z2b2 | .a2.b2.c'2 | b4 :|\ |: !ff!f2 |\ f4 (ag) | .f2(ag).f2 | .g2(Bd).g2 | (dg) (gb) b2 |\ f4 (ag) | .f2(ag).f2 | d2(eg)(fa) | g4 H:| % ------------------------- V: 2 "SECONDO"!p!.B2 |\ .G2.A2.B2 | .c2.d2.e2 | B3cB2 | .G2.A2.B2 |\ A3BA2 | .G2.F2.G2 | .F2.G2.A2 | (c2B2).A2 |\ .G2.A2.B2 | .c2.d2.e2 | B3cB2 | .G2.A2.B2 | .A2(cB).A2 | .G2(BA).G2 | (F2A2)[c2C2] | [B4B,4] :|\ |: !ff!z2 |\ B(dBdB)d | B(dBdB)d | (Bd) (dB) (Bd) | Bd (dg) (gd) |\ c(dcdc)d | c(dedc)B | A(GABc)A | B4 :| |:!p!(GA) |\ .B2z2.B2 | {A}G2.F2.G2 | {f}e2.^d2.e2 | .c2(cd).e2 |\ {B}A2.G2.A2 | {G}F2.E2.F2 | (c2B2).A2 | B4 :|\ |:!p!.g2 |\ a2z2a2 | g2z2g2 | .f2.g2.a2 | .g2.a2.b2 | a2z2a2 | g2z2g2 | .f2.g2.a2 | g4 :|\ |: !ff! A2 |\ A4 (cB) | .A2(cB).A2 | B2z2B2 | B2B2d2 |\ A4 (cB) | .A2(cB).A2 | (d2^c2)=c2 | B4 H:| %%sep 1 1 500 %%sep 1 1 500 X:0261 T: COTILLONS. First set. C: Composed by S. Knaebel C: Figures adapted by I. J. Shaw B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.26-31 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> V: 1 nm="VIOLIN" V: 2 nm="C CLARINET" V: 3 nm="POST HORN or\nCORNOPEAN IN G" V: 4 clef=bass middle=d nm="BASE" M: 2/4 L: 1/16 K: G P: 1 % ------------------------- V: 1 nm="VIOLIN" K: G [|\ %"^p26s1v1"\ "_2. Balance and turn."!f!d2z2 g2z2 | [b6d6D6] g2 |\ "_4. Half promenade."f4 (ag).f.e | d4 z4 |\ (ca) c4 (dc) | (Bd).g.b d3d | (^cded) {d}(=cBcA) | G2Bd g2z2 H|]|\ "_1. Right and left."!p!f3e f3g | a3f b3a |\ %"^p26s2v1"\ (g2^g2a2=g2) | f6 f2 | f4 (fef).e | d4 d2cB | (Ad)(A2 AG)EF | "_D.C. 2."D6 z2 |]|[K:C]\ "_3. Ladies chain."!p!E2G2E2G2 | C2G2E2G2 | C2G2E2G2 | C2G,2C2G2 |\ F4!trem1!G,4 | E4!trem1!G,4 | D2G,2 F2G,2 | [E4G,4] "_D.C. 4."z4 |] % ------------------------- V: 2 nm="C CLARINET" K: G [|\ %"^p26s1v2"\ !f!B2z2 d2z2 | g6 B2 | c4 c2c2 | B4 z4 |\ A2 A4 (BA) | (GB).d.g B3B | c4 A3c | B2(3GBd g2z2 H|]|\ !p!d3^c d3e | f3d g3f | %"^p26s2v2"\ (e2^e2f2=e2) | d6 d2 | "^>"(^c8 | B2)z2 =f4 | ^f3f e2g2 | f6 z2 |]|[K:C]\ !p!c3B c3d | e2 g4 (cd) | e2 g4 (cd) | e6 =fe |\ d3c d2ed | c3B c2dc | B2ag gdfe | c4 z4 |] % ------------------------- V: 3 nm="POST HORN or\nCORNOPEAN IN G" K: C [|\ %"^p26s1v3"\ !f!c2z2 c2z2 | c2cc c2c2 | c8- | c2cc c2c2 |\ z2G2 z2G2 | z2cc c2c2 | B4 B2B2 | c2c2c2z2 H|]|\ !p!z2d2 z2d2 | z2dd d2d2 | %"^p26s2v3"\ d4 d2d2 | d4 z4 |\ "^>"B8- | B2z2 "^>"G4 | G2G2 z2^F2 | G6 z2 |]|[K:F]\ !p!A3G A3B | c2 A4 AB | c2 A4 AB | c6 dc |\ B3A B2cB | A3G A2BA | G4 E2E2 | F4 z4 |] % ------------------------- V: 4 clef=bass middle=d nm="BASE" K: G [|\ %"^p26s1v4"\ !f!g4 g4 | g4 z4 | g4 g2g2 | g4 z4 |\ f2z2 f2z2 | g4 z4 | d4 d2d2 | g2G2G2z2 H|]|\ !p!d2z2 d2z2 | d4 z2d2 | %"^p26s2v4"\ A4 A2A2 | d2f2a2d'2 |\ (^a8 | b2)z2 ("^>"^g4 | a2)z2 A2A2 | d6 z2 |]|[K:C]\ !p!c2G2c2G2 | c2G2c2G2 | c2G2c2G2 | c2G2c2G2 |\ B2z2 B2z2 | c2z2 c2z2 | G4 g2g2 | c4 z4 |] % ------------------------- ------------------------- P: 2 % ------------------------- ------------------------- V: 1 M: 6/8 L: 1/8 K: G N: Part 2, phrase 2 has a final repeat but no begin repeat; the most obvious choice is the start of that line, after the fermata. K: G [|\ %"^p27s1v1"\ "_3. Balance and turn partners."\ !p!dBc dBc | d2e d2e | c2d B2c | A3 ed^c |\ !f!dB=c dBc | d2e d2b | b2a c'2b | g3- g2z H|]| |:\ %"^p27s2v1"\ "_1. Forward two and cross over."\ !f!efg f2B | efg f2b |\ "_2. Le chassez."\ e2f g2a | b3 b3 |\ c'2a fed | b2g dBG | e2d ^c=cA | G3- "_D.C. 3."G2z :| % ------------------------- V: 2 M: 6/8 L: 1/8 N: The high notes in bars 29-31 are written in small notes; they're presumably alternatives. K: G [|\ %"^p27s1v2"\ !p!BGA BGA | B2c B2c | A2B G2A | F3 cB^A |\ !f!BG=A B2c | B2c B2[d'd] | [d'2d2][c'c] [e'2e2][d'd] | [d'3-d3-] [d'2d2]z H|]| |:\ %"^p27s2v2"\ !f!gfe ^dB2 | gfe ^dB2 | g2f e2e | ^d3 d3 |\ a2z (=c3 | g2)z (B3 | c2)z A2c | B3- "_D.C. 3."B2z :| % ------------------------- V: 3 M: 6/8 L: 1/8 K: C [|\ %"^p27s1v3"\ !p!zcB zcB | c3 c3 | zG/G/G GGG | G3- G2z |\ !f!zcB zcB | c3 c3 | zG/G/G GGG | c3- c2z |]| |:\ %"^p27s2v3"\ !f!ee/e/e eee | ee/e/e eee | e2d c2d | ee/e/e eee |\ G2z zG/G/G | G2z zG/G/G | G3- GG/G/G | c3- c2z :| % ------------------------- V: 4 M: 6/8 L: 1/8 K: G [|\ %"^p27s1v4"\ !p!gzd gzd | g3 g3 | f3 g3 | dfa [d'2d2]z | !f!gzd gzd | g3 g3 | f3 d3 | GBd g2z H|]| |:\ %"^p27s2v4"\ !f!e2z B^c^d | e2z B^c^d | e2^d e2=c | B3 B3 |\ f2z def | g2z g2z | f2z d2z | gbd' g2z :| % ------------------------- ------------------------- P: 3 % ------------------------- V: 1 M: 2/4 L: 1/16 K: G [|\ %"^p28s1v1"\ "_2. Half Promenade."\ !f!d4 ^c2d2 | e2d2 ^cdb2 |\ "_4. Forward four, right and left to place."d2=c2 cda2 | BgdB A4 |\ d4 g2a2 | b4 a(gfg) | f2e2 dcAd | G4 z4 H|]|\ "_1. Right hand across, and balance in line."\ !p!A2B2c2e2 | d2b2a2g2 | f2g2a2e2 |\ %"^p28s2v1"\ e2d2 d4 | !f!(d2c2) (c2B2) | (B2A2) (A2G2) | (Fe)d2- dcAB | "_D.C. 2."G4 z4 |[|[K:C]\ "_3. Forward two, bak to back."\ !p!c4 cBcd | e3c g3a | (g4 d2) dg | (e4 c2) cB |\ A3B c3A | e4 =f2f2 | e2d2 c2B2 | A4 "_D.C. 4."z4 |] % ------------------------- V: 2 M: 2/4 L: 1/16 K: G [|\ %"^p28s1v2"\ B4 ^A2B2 | c2B2 ^ABg2 | B2A2 ABc2 | GBdg f4 |\ B4 B2c2 | d4 e2e2 | d2c2B2A2 | B4 z4 H|]|\ !p!c4 A4 | B2d2c2B2 | c8 | %"^p28s2v2"\ c2B2 B4 |!f!\ (b2a2) (a2g2) | (d2c2) (c2B2) | c2c2 A2c2 | B4 z4 |[|[K:C]\ !p!e3dc3B | e3G e3f | B8 | (c4 e2)z2 |\ c8 | d8 | c2B2A2^G2 | A4 z4 |] % ------------------------- V: 3 M: 2/4 L: 1/16 K: C [|\ %"^p28s1v3"\ !f!c2cc c2c2 | c4 z2c2 | G4 z2G2 | c2ce g4 |\ c2cc c2c2 | c4 c2c2 | z2c2c2B2 | c4 z4 H|]|\ z2G2 z2G2 | z2G2 z2G2 | z2G2 z2G2 | %"^p28s2v3"\ z2cc c2c2 |!f!\ B4 z4 | c8 | d4 B2B2 | c4 z4 |[|[K:F]\ c2cc c2c2 | c8 | z2cc c2z2 | z2cc c2z2 |\ d8 | e8 | f2g2f2e2 | d4 z4 |] % ------------------------- V: 4 M: 2/4 L: 1/16 K: G [|\ %"^p28s1v4"\ !f!g4 g2g2 | g4 z2g2 | f4 z2f2 | g2g2 d4 |\ g4 g2g2 | g4 e4 | c'4 d'2d2 | g4 z4 H|]|\ !p!f2z2 d2z2 | g2z2 d2z2 | a2z2 d2z2 | %"^p28s2v4"\ g2z2 g2z2 | !f!d4 z4 | d4 z4 | d4 d2d2 | g4 z4 |]|[K:C]\ c'2c'c' c'2c'2 | c'2c'2c'2c'2 | g2gg g2z2 | c2c'c' c'2z2 |\ =f8 | e4 d4 | e4 e2e2 | A4 z4 |] % ------------------------- ------------------------- P: 4 % ------------------------- V: 1 M: 6/8 L: 1/8 K: G [|\ %"^p29s1v1"\ "_2. First tent. turn two opp. ladies."\ !p!d3 BcB | d3 g3 | "_4. Four hands half round, right and left to places."B2G e2d | (d^c=c) A3 |\ f2d/e/ dbg | fga gab | a"_>"d'2 g"_>"b2 | def g2z H|]|\ %"^p29s2v1"\ "_1. First couple forward, leave the lady opposite."!f!bba gfe | ^d^cd efg | aag fed | ^cBc def | fef gbB | edA ^ABG | fef gbB | "_D.C. 2."AeF G2z |]|\ %"^p30s1v1"\ "_3. Forward and back twice."\ !p!!/![E6G,6] | !/![E6G,6] | !/![F6G,6] | !/![E6G,6] |\ [DB,][DB,][DB,] CCE | [DC][DC][DC] [DB,][DB,][DB,] | DCB, CDE | [FG,][FG,][FG,] "_D.C. 4."[E2G,2]z |] % ------------------------- V: 2 M: 3/8 L: 1/8 K: G [|\ %"^p29s1v2"\ !p!B3 ded | b3 B3 | g2d c'2b | b^a=a f3 |\ a2f bgb | agf bag | "_>"d'2a "^>"b2g | c2c B2z H|]| %"^p29s2v2"\ !f!bba gfg | fa2 gfe | aag fef | eg2 fed |\ a3 bg2 | c3 (^cd).B | =c3 Bd2 | c2A B2z |]| %"^p30s1v2"\ !p!e2f (ga).g | e3 c3 | d2g d2g | (cB).c e3 |\ e^f^g a2c' | de^f g2b | =fed edc | {c}B.AB c2z |] % ------------------------- V: 3 M: 6/8 L: 1/8 K: C [|\ %"^p29s1v3"\ !p!cc/c/c ccc | cc/c/c ccc | c3 zc/c/c | G2G G2z |\ G3 zc/c/c | d3 c=fe | z"_>"d2 z"_>"c2 | d2d c2z H|]| %"^p29s2v3"\ !f!ee/e/e eee | eee eee | dd/d/d ddd | ddd ddd |\ =f3 e3 | d3 c3 | zG/G/G c2c/e/ | gzG c2z |]| %"^p30s1v3"\ !p!F2G (A_B).A | F3 A3 | B3 B3 | (AG).A F3 |\ e2e zd/d/d | d2d zc/c/c | c3- cBA | G2G A2z |] % ------------------------- V: 4 M: 6/8 L: 1/8 K: G [|\ %"^p29s1v4"\ !p!ggg ggg | ggg ggg | ggg ggg | ddd d2z |\ d2z g2z | d2z gfg | "^>"f3 "^>"g3 | d'zd g2z H|]| %"^p29s2v4"\ !f!^d2z e2z | BBB eee | ^c2z d2z | AAA ddd |\ d2z g2z | f2z g2z | d'2z g2z | d2d g2z |]| %"^p30s1v4"\ !p!czc czc | czc czc | B2z B2z | ccc ccc |\ ^gze a3 | ^fzd g3 | b2z c'2z | gzG c2z |] % ------------------------- ------------------------- P: 5 % ------------------------- V: 1 M: 2/4 L: 1/16 K: C [|\ %"^p30s2v1"\ "_3. Forward four, 1-2 right and left."\ !f!d4 (ed^cd) | d2 g4 d2- | d2.e2"_4. Forward four, right and left to place.".B2.e2 | (d4 c2)z2 |\ a4- agfe | f4- fedc | .d2(fe) dAcB | G2Bd g2z2 H|]|\ "_1. Forward two, back to back."\ e4 e4 | e6 f2 | g2f2g2a2 |\ %"^p31s1v1"\ (b4 g2)z2 | !p!(f4 a2)z2 | (g4 b2)b2 | b2a2g2f2 | "_D.C. 2."e4 e4 |]|[K:D]\ "_3. Ladies chain."\ !f!f2z2 d2z2 | a6 b2 | a2b2 a2b2 | a6 (3agf |\ .g2.e2 z2(3gfe | .f2.d2 z2(3fed | c2(b2 a2)c2 | "_D.C. 4."d6 z2 |] % ------------------------- V: 2 M: 2/4 L: 1/16 K: C [|\ %"^p30s2v2"\ B4 (cB^AB) | B2BB B2B2 | B8 | z2A2 A4 |\ c8 | z2c2 A4 | F3A c2A2 | B2B2B2z2 H|]|\ e4 e4 | e6 f2 | g2f2g2a2 | %"^p31s1v2"\ (b4 g2)z2 | !p!c8 | B4 g2g2 | g2f2e2^d2 | e4 e4 |]|[K:D]\ !f!d2z2 f2z2 | f6 g2 | f2g2 f2g2 | f6 (3fed |\ .e2.^c2 z2(3edc | .d2.f2 z2(3agf | g4 g2g2 | f6 z2 |] % ------------------------- V: 3 M: 2/4 L: 1/16 K: F [|\ %"^p30s2v3"\ !f!c4 c2c2 | c2cc c2c2 | e8 | z2dd d2d2 |\ G8 | z2G2 z2G2 | z2GG G2G2 | cege c2z2 H|]|\ A4 A4 | A6 B2 | c2B2c2d2 | %"^p31s1v3"\ (e4 c2)z2 |\ !p!d4 B4 | A8- | A2 .f2.e2.d2 | c4 c4 |]|[K:G]\ !f!G2z2 G2z2 | G2GG G2G2 | G2G2G2G2 | G2GG G2z2 |\ z2ddd2z2 | z2GGG2z2 | A4 A2A2 | G2GG G2G2 |] % ------------------------- V: 4 M: 2/4 L: 1/16 K: G [|\ %"^p30s2v4"\ g4 g2g2 | g2gg g2g2 | ^g8 | a2e2a2c'2 |\ f2z2 d2z2 | a2z2 d2z2 | =c'2a2 f2d2 | g2g2g2z2 H|]|\ e4 e4 | e6 f2 | g2f2g2a2 | %"^p31s1v4"\ (b4 g2)z2 |\ !p!"^>"^d8 | e4 e2g2 | .b2z2 B2B2 | e4 e4 |]|[K:D] !f!d2z2 d2z2 | ddd2 d2d2 | d2d2d2d2 | d2fa d'2z2 |\ A4 z4 | d4 z4 | A4 A2A2 | d4 z4 |] % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0312 T: WALTZ For two Clarinets B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.31 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd phrase is missing its initial repeat symbol; fixed. M: 3/4 L: 1/8 K: F % ------------------------- V: 1 (ba) |\ .g(ce)(ba).g | .f(Ac)(ag).f | .e(Gc)(gf).e | .f(Ac)(aba) |\ .g(ce)(ba).g | .f(Ac)(ag).f | .e(Gc)(gf).e | f2 z2 :| |: (ef) |\ (^f2g)(cgb) | (b2a)(cfa) | (a2g)(ceg) | (fc)(ac)(c'c) |\ (^f2g)(cgb) | (b2a)(cfa) | (a2g)(ceg) | f2 z2 H:| % ------------------------- V: 2 gf |\ .e2z(dc).B | A2z(cB).A | G2z(BA).G | A2z(fgf) |\ e2z(dc).B | A2z(cB).A | G2z(BA).G | A2 z2 :| |: (cd) |\ (^d2e)(ceg) | (g2f)(cAc) | (c2B)(cGB) | (Ac)(fc)(ac) |\ (^d2e)(ceg) | (g2f)(cAc) | (c2B)(cGB) | A2 z2 H:| %%sep 1 1 500 %%sep 1 1 500 X:0321 T: COTILLONS. Second set. C: Composed by S. Knaebel C: Figures adapted by A. White B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.32-37 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> V: 1 nm="VIOLIN" V: 2 nm="C CLARINET" V: 3 nm="POST HORN or\nCORNOPEAN IN G" V: 4 clef=bass middle=d nm="BASE" %%staves [1 2 3 4] M: 2/4 L: 1/16 K: D P: 1 % ------------------------- V: 1 K: D [|\ %"^p32s1v1" "_2. Balance and turn partners."\ !f!.d2z2 .d2.f2 | (A3B/c/) .d2.f2 |\ "_4. 1-2 promenade, 1-2 right and left to places."\ d2f2b2a2 | (a3g/f/) e2z2 |\ e4 g4 | b6 _b2 | a2g2e2f2 | d2z2 "^>"[d2F2A,2]z2 H|]|\ "_1. Right and left four."\ !p!D4!trem1!A,4 | D4!trem1!A,4 | E2A,2 C2A,2 |\ %"^p32s2v1" D4!trem1!A,4 | D4!trem1!A,4 | D4!trem1!A,4 | E2A,2 C2A,2 | D2z2 "_D.C. 2.""^>"[d2F2A,2]z2 |[|\ "_3. Ladies chain."\ !p!B2c2d2e2 | f4 d2f2 | g4 d2g2 | f4 d2b2 |\ B4 d2c2 | d2c2d2g2 | f2e2d2c2 | B2z2 "_D.C. 4.""_>"[b2B2D2]z2 |] % ------------------------- V: 2 K: D [|\ %"^p32s1v2" !f!f2z2 f2d2 | f6 d2 | f2d2g2f2 | (e4 c2)z2 |\ "^>"B4 "^>"e4 | "^>"g8 | f2e2 G2A2 | F2z2 d2z2 H|]|\ !p!f2z2 A2z2 | Tf4 g2f2 | {f}e2.^d2.e2.^e2 | %"^p32s2v2" (f4 d2)z2 | f2z2 A2z2 | Tf4 g2f2 | {f}e2.^d2.e2.f2 | =d2z2 "^>"d2z2 |[|\ !p!B2^A2B2c2 | (d4 B2)z2 | Td8- | d8- |\ d2 B4 ^A2 | B2^A2B2e2 | d2c2B2^A2 | B2z2 B2z2 |] % ------------------------- V: 3 K: G [|\ %"^p32s1v3" !f!d2z2 d2z2 | d2dd d2d2 | z2d2 z2d2 | z2dd d2d2 |\ "_>"c4 "_>"e4 | "_>"A8 | ^F4 F2F2 | G2z2 "_>"G2z2 H|]|\ !p!G2z2 B2z2 | d4 e2d2 | {d}c2.B2.c2.^c2 | %"^p32s2v3" (d4 B2)z2 | G2z2 B2z2 | d4 e2d2 | {d}c2.B2.c2.d2 | B2z2 "^>"B2z2 |[|\ !p!z2G2 z2G2 | z2G2 z2G2 | z2G2 z2G2 | z2G2 z2G2 |\ z2G2 z2G2 | z2G2 z2G2 | z2 E4 A2 | G2z2 "^>"G2z2 |] % ------------------------- V: 4 K: D [|\ %"^p32s1v4" !f!d2z2 d2z2 | d6 d2 | d2z2 d2z2 | .c2.e2.A2z2 |\ "_>"g4 "_>"e4 | c6z2 | d4 d2d2 | d2z2 d2z2 H|]|\ !p!d2z2 d2z2 | d2z2 d2z2 | c2z2 A2z2 | %"^p32s2v4" d2z2 d2z2 |\ d2d2d2d2 | d2d2d2d2 | c2c2 A2A2 | d2z2 "^>"d2z2 |[|\ !p!B2z2 B2z2 | B2z2 B2z2 | B2z2 B2z2 | B2z2 B2z2 |\ B2z2 B2z2 | B2g2f2e2 | f4 f2f2 | B2z2 "^>"B2z2 |] % ------------------------- ------------------------- P: 2 % ------------------------- ------------------------- V: 1 M: 6/8 L: 1/8 K: D [|!p!\ %"^p33s1v1" "_3. Balance and turn partners."\ Adf a2b | a2d' fdb | c2b (ba).^g | b3 afd |\ !f!cBA efg | fed fba | ege cBA | def d2z H|] %"^p33s2v1" [K:G]!p!|:\ "_1. First two forward and back, cross over."\ "_2. Chasse de chasse, cross back."\ G,B,D G,B,D | G,B,D G,B,D | G,B,D G,B,D | G,B,D CDF |\ G,B,D G,B,D | CEA CEA | B,DG A,DF | G,DB, "_D.C. 3."G,2z :| % ------------------------- V: 2 M: 6/8 L: 1/8 N: The high notes in bars 29-31 are written in small notes; they're presumably alternatives. K: D [|!p!\ %"^p33s1v2" f2d f2g | f3 a2g | e2g gfe | (^e3 f2)z |\ !f!e3 cde | def agf | gzc edc | def d2z H|] K: G %"^p33s2v2" !p!|:\ BzG Bze | dzb g3 | BzG Bzd | dcB A3 |\ BzG Bzg | ez^g azc' | dzb cza | ab.f g2z :| % ------------------------- V: 3 M: 6/8 L: 1/8 K: G [|!p!\ %"^p33s1v3" G3 G3 | zG/G/G GGG | d3 d3 | G2G G2z |\ !f!d3 zd/d/d | d3 zd/d/d | dd/d/d ddd | Bcd B2z H|] N: Part 2, phrase 3: Voice 3 is marked K:G; it's obviously K:C. K: C %"^p33s2v3" !p!|:\ czG cz=f | ezc e3 | czG cze | edc B3 |\ czG cze | fze fzd | czc BzB | czc c2z :| % ------------------------- V: 4 M: 6/8 L: 1/8 K: D [|!p!\ %"^p33s1v4" !/!d6 | !/!d6 | A2z c3 | dfa d'2z |\ !f!a2z A2z | d2z d2z | A2z a2z | dzd d2z H|] K: G %"^p33s2v4" !p!|:\ gzg gzg | gzg gzg | gzg gzg | dzd dzd |\ gzg gzg | c'2z czc | d2z d2z | gdB G2z :| % ------------------------- ------------------------- P: 3 %M: 2/4 %L: 1/16 %K: D % ------------------------- V: 1 M: 2/4 L: 1/16 K: D [|!p!\ %"^p34s1v1" "_2. Lead up to the couples on the right, chassez out and form two lines."\ "_4. All forward and back, all turn partners to places."\ A2Tf2 A2Tf2 | a2de f4 | (fe)e2 (fe)e2 | B4 A4 |\ A2Tf2 A2Tf2 | a2de f4 | e2ba aegf | d6 z2 H|]|!f!\ "_1. First four forward and back, back to back."\ .B2.c2 d3^A | .B2.c2 d3^A | B2.c2.d2.e2 | f8 | %"^p34s2v1" g2f2 e2g2 | f4 b4 | f2e2d2c2 | "_D.C. 2."B4 z4 |]|[K:G]!p!\ [D2B,2][D2B,2] [D2B,2][E2C2] | [D2B,2][D2B,2] [D2B,2][E2C2] | D2D2 [D2C2][D2C2] | [D2B,2][D2B,2] [D4A,4] |\ [D2B,2][D2B,2] [D2B,2][E2C2] | [D2B,2][D2B,2] [D2B,2][E2C2] | D2E2 D2[D2C2] | [D2B,2][D2B,2] "_D.C. 4."[D2B,2]z2 |] % ------------------------- V: 2 M: 2/4 L: 1/16 K: D [|!p!\ %"^p34s1v2" z2d2 z2d2 | z2dd d2d2 | z2g2 z2g2 | g4 f4 |\ z2d2 z2d2 | z2dd d2d2 | g4 g2e2 | f6 z2 H|]|\ !f!d2e2 f4 | d2e2 f4 | d2c2B2B2 | ^A8 | %"^p34s2v2" e8 | d8 | d2c2B2^A2 | B4 z4 |]|[K:G]!p!\ BDGB dBce | BDGB dBce | dbdb caca | BgdB A4 |\ BDGB dBce | BDGB dBce | (db)(ca) (Bg)(Af) | (ag)dB G4 |] % ------------------------- V: 3 M: 2/4 L: 1/16 K: G [|!p!\ %"^p34s1v3" z2d2 z2d2 | z2dd d2d2 | z2d2 z2d2 | z2GG G2G2 |\ z2d2 z2d2 | z2dd d2d2 | ^f4 f2f2 | g6 z2 H|]|\ !f!E2E2E2z2 | E2E2E2z2 | E2F2G2A2 | B2BBB2z2 | %"^p34s2v3" c2B2A2c2 | B4 e4 | z2c2 z2A2 | G4 z4 |]|[K:C]!p!\ c4 z2c2 | c4 z2c2 | z2c2 z2c2 | c2c2 B4 |\ c4 z2c2 | c4 z2c2 | z2 c4 B2 | c2c2c2z2 |] % ------------------------- V: 4 M: 2/4 L: 1/16 N: MS has K:D for part 2, 3rd phrase; obviously a typo. K: D [|!p!\ %"^p34s1v4" d2z2 d2z2 | d4 z4 | c2z2 c2z2 | d2d2d2d2 |\ d2z2 d2z2 | d4 z4 | A2c2e2a2 | d2A2d2z2 H|]|\ !f!B2B2B2z2 | B2B2B2z2 | B2z2 g2z2 | f8 | %"^p34s2v4" e2f2g2e2 | f4 g4 | e4 f2f2 | B4 z4 |]|[K:G]!p!\ g2g2g2g2 | g2g2g2c'2 | b2b2 a2a2 | g2g2 d4 |\ g2g2g2g2 | g2g2g2c'2 | b2c'2 d'2d2 | g2G2g2z2 |] % ------------------------- ------------------------- P: 4 % ------------------------- V: 1 M: 6/8 L: 1/8 K: D [|!p!\ %"^p35s1v1" [FA,]z[FA,] [FA,]z[FA,] | [FA,]z[FA,] [FA,]z[FA,] | [FA,]z[FA,] [FA,]z[FA,] | [FA,]z[FA,] [FA,]z[FA,] |\ [GA,]z[GA,] [GA,]z[GA,] | [FA,]z[FA,] [FA,]z[FA,] | [EA,]z[EA,] [GA,]z[GA,] | [FA,]z[FA,] [F2A,2]z H|]|\ %"^p35s2v1" "_1. First two right hand across, left hand back and form a line."\ !f!\ e2f g2a | f3 fed | c3 cBA | (df).b a3 | e2f g2a | b2a "_>"d'3 | aef gfe | d3- "_D.C. 2."d2z |]|\ [K:G]\ %"^p36s1v1" "_Forward and back two, 1-2 promenade."\ !p!\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\ [D2C2]z [D3C3] | [D2B,2]z [G3B,3] | [DA,][DA,][DA,] [DA,][DA,][DA,] | [DB,][DB,][DB,] "_D.C. 4"[D2B,2]z |] % ------------------------- V: 2 M: 3/8 L: 1/8 K: D [|!p!\ %"^p35s2v2" "_2. Balance in line, 1-2 promenade."f2d A2f | (a3 d')zf |\ "_4. Forward and back four, 1-2 right and left to places."(ad').f (ad').f | a3- a.g.f |\ !p!\ ^d3 egf | c3 dcB | ABA EGF | D3- D2z H|]|\ %"^p35s2v2" !f!\ c2d e2c | d3 agf | e3 (ed)c | (fd)g f3 |\ c2d e2c | g2f "^>"^f3 | ^fa2 (ba).g | f3- f2z |]|\ [K:G]\ %"^p36s1v2" !p!\ dze dzb | azg fzg | dze dzb | azg fzg |\ azd "_>"d'3 | bzg "_>"d'3 | c'ba {g}f.e.f | g3- g2z |] % ------------------------- V: 3 M: 6/8 L: 1/8 K: G %"^p35s1v3" [|!p!\ GzG GzG | GzG GzG | GzG GzG | GzG GzG |\ d2z F2z | G2z B2z | c2z F2z | GzG G2z H|]|\ %"^p35s2v3" !f!\ d6 | zd/d/d ddd | zdd zdd | zd/d/d ddd |\ d6 | d2d "^>"e3 | zd/d/d ddd | d3- d2z |]|\ [K:C]\ %"^p36s1v3" !p!\ GzA Gze | dzc Bzc | GzA Gze | dzc Bzc |\ dzG "_>"g3 | ezc "_>"g3 | =fed {c}BAB | cGe c2z |] % ------------------------- V: 4 M: 6/8 L: 1/8 K: D [|!p!\ %"^p35s1v4" dzd dzd | dzd dzd | dzd dzd | dzd dzd |\ c2z A2z | d2z d2z | c2z A2z | dfa d2z H|]|\ %"^p35s2v4" !f!\ A2z A2z | d2z d2z | a2z a2z | d2z d2z |\ A2z A2z | d2z "^>"^g3 | a2z a2z | dfa d2z |]|\ [K:G]\ %"^p36s1v4" !p!\ ggg ggg | ggg ggg | ggg ggg | ggg ggg |\ f2z "^>"f3 | g2z "^>"g3 | d2z d'2z | gbd' g2z |] % ------------------------- ------------------------- P: 5 % ------------------------- V: 1 M: 2/4 L: 1/8 K: D [|!p!\ %"^p36s2v1" "_2. Balance at the corners, turn partners."\ A>B A>B | A>f d2 |\ "_4. All Promenade."\ A>B A>B | A>f d2 |\ (3cd^d "^>"e2 | (3de^e "^>"f2 | a>g f>e | dz [dFA,]z H|]|\ %"^p37s1v1" "_1. Forward and back four, four hands round."\ !p!\ c>A ^G>A | d>A ^G>A | e>A ^G>A | (f2 d2) | !f!g>e ^d>e | f>d c>d | e>A f>e | dz "_D.C. 2."[dFA,]z |]|\ [K:G]\ %"^p37s2v1" !p!\ [DG,]z [DG,]z | [DG,]z [DG,]z | [DA,]z [DA,]z | [DG,]z [DG,]z |\ [DG,]z [DG,]z | [DG,]z [DG,]z | [DA,]z [DC]z | [DB,]z "_D.C. 4."[DB,]z |] % ------------------------- V: 2 M: 2/4 L: 1/8 K: D [|!p!\ %"^p__s_v2" fz fz | fz fz | fz fz | fz fz |\ ez "^>"g2 | fz "^>"a2 | f>e (3dAG | Fz dz H|]|\ %"^p37s1v2" !p!\ ez "_CRES."ez | fz fz | gz gz | (a2 f2) |\ !f!e2 a2- | a2 f2 | g4 | fz fz |]|\ [K:G]\ %"^p37s2v2" "_3. Ladies grand chain."\ !p!\ B>c B>c | B>d d>g | f>g a>d | ("_>"b2 g)z |\ B>c B>c | B>d d>g | f>g b>a | gz gz |] % ------------------------- V: 3 M: 2/4 L: 1/8 K: G [|!p!\ %"^p__s_v3" Gz Gz | Gz Gz | Gz Gz | Gz Gz |\ dz "^>"d2 | Gz "^>"G2 | ^Fz F>F | Gz Gz H|]|\ %"^p37s1v3" !p!z2 "_CRES."^F2 | z2 G2 | z2 A2 | zG/G/ GG |\ !f!dz dz | dz dz | zd/d/ dF | Gz Gz |]|\ [K:C]\ %"^p37s2v3" !p!\ G>A G>A | G>e e>c | d>e =f>d | ("_>"g2 e)z |\ G>A G>A | G>e e>c | d>c B>B | cz cz |] % ------------------------- V: 4 M: 2/4 L: 1/8 K: D [|!p!\ %"^p__s_v4" dz dz | dz dz | dz dz | dz dz |\ Az az | dz dz | Az Az | dz dz H|]|\ %"^p37s1v4" !p!Az "_CRES."Az | Az Az | Az Az | d2 z2 |\ !f!cz cz | dz dz | cz Az | dz dz |]|\ [K:G]\ %"^p37s2v4" !p!\ gz gz | gz gz | dz dz | gz gz |\ gz gz | gz gz | dz dz | gz gz |] % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0381 T: COTILLONS. Third set. C: Composed by S. Knaebel C: Figures adapted by A. White B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.38-42 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> V: 1 nm="VIOLIN" V: 2 nm="C CLARINET" V: 3 nm="POST HORN or\nCORNOPEAN IN G" V: 4 clef=bass middle=d nm="BASE" %%staves [1 2 3 4] M: 2/4 L: 1/16 K: C % ------------------------- ------------------------- P: 1 % ------------------------- V: 1 K: C [|!p!\ %"^p38s1v1" "_2. Chassez across, de chassez."\ c4 dcBc | (e4 c2)z2 |\ "_4. Forward a back four, 1-2 right and left to places."\ e4 fede | (g4 e2)(fe) |\ (ed).d2 .d2(ed) | (dc).c2 .c2(dc) | Bag2 gfed | cGed c2z2 H|]|\ "_1. First four forward and back,"\ !mf!A2B2c2d2 | e4 c2B2 | %"^p38s2v1" "_1-2 right and left."\ c2B2A2c2 | B4 E4 |\ A2B2c2d2 | e4 c2f2 | e2d2 B2c2 | "_D.C. 2."A4 z4 |[|[K:F]\ !f!(Tc4 f2).e2 | e2d2c2d2 | c2d2c2d2 | (c4 A2)z2 |\ A4 =B2^c2 | d2e2 f2ed | cfc2- cGBA | "_D.C. 4."F4 z4 |] % ------------------------- V: 2 K: C [|!p!\ %"^p38s1v2" E8 | (G4 E2)z2 | c4 dcBc | (e4 c2)ag |\ !f!(gf).f2 .f2(gf) | (fe).e2 .e2(fe) | d3e d2f2 | e2g2e2z2 H|]|\ !mf!c8- | c2d2 e4 | %"^p38s2v2" A2B2c2A2 | ^G8 |\ A2^G2A2B2 | c4 e2d2 | c2B2 d2e2 | c4 z4 |[|[K:F]\ !f!(A4 d2).c2 | c2B2A2B2 | A2B2A2B2 | (A4 F2)z2 |\ A4 =B2^c2 | d2e2 f2g_a | =a4 e4 | f4 z4 |] % ------------------------- V: 3 N: Part 1, phrase 3 key "changed" to F; it's obviously K:Bb. K: F [|!p!\ %"^p38s1v3" c8 | z2cc c2c2 | c8- | c2cc c2z2 |\ !f!z2c2 z2c2 | z2c2 z2c2 | z2cc c2c2 | c2c2c2z2 H|]|\ !mf!A2z2 A2z2 | A8 | %"^p38s2v3" z2AA A2A2 | A8 |\ A2z2 A2z2 | A8 | A2z2 A2z2 | A4 z4 |[|[K:Bb]\ B8 | z2BB B2B2 | B2B2B2B2 | B2B2B2z2 |\ A2z2 ("^>"c4 | _B2)z2 ("^>"B4 | B2)B2 z2_e2 | d4 z4 |] % ------------------------- V: 4 K: C [|!p!\ %"^p38s1v4" c2c2c2c2 | c2c2c2c2 | c2c2c2c2 | c2c2c2c2 |\ !f!B2z2 B2z2 | c2z2 c2z2 | G2z2 g2g2 | c2c2c2z2 H|]|\ !mf!a2a2a2a2 | a2a2a2a2 | %"^p38s2v4" a2a2a2a2 | e8 |\ A2a2a2a2 | a4 z2a2 | ^g4 g2e2 | a4 A4 |[|[K:F]\ !f!f2f2f2f2 | f2f2f2f2 | f2f2f2f2 | f2f2f2z2 |\ ^c'2z2 ("^>"a4 | d'2)z2 ("^>"=b4 | c'2)z2 c2c2 | f4 z4 |] % ------------------------- ------------------------- P: 2 % ------------------------- V: 1 M: 6/8 L: 1/8 K: C [|!p!\ %"^p39s1v1" "_3. Balance and turn partners."\ G2A G2A | GEF A2G | ^F2G A2G | GAG =F2E |\ G2A G2A | GEF A2G | ^F2G =FED | C2z [c2E2G,2]z H|] %"^p39s2v1" [K:G]\ !mf![DB,]z[DB,] [DB,]z[DB,] | [DB,]z[DB,] [DB,]z[DB,] | [DA,]z[DA,] [DA,]z[DA,] | [DA,]z[DA,] EzD |\ [DB,]z[DB,] [DB,]z[DB,] | [DB,]z[DB,] [DB,]z[DB,] | [DA,]z[DA,] [DA,][DA,][DA,] | [DB,][DB,][DB,] [D2B,2]z :| % ------------------------- V: 2 M: 6/8 L: 1/8 K: C [|!p!\ %"^p39s1v2" E2F E2F | ECD F2E | ^D2E F2E | EFE =D2C |\ E2F E2F | ECD F2E | ^D2E =DCG, | E,2z c2z H|] %"^p39s2v2" [K:G]\ !mf!"_1. Forward and back two, cross over."\ d2b g3 | ded B3 |\ "_2. Chassez de chassez, cross back."\ (c2a) f3 | cBA (^c2e) |\ zdb g3 | ded B3 | zca def | g3- "_D.C.3"g2z :| % ------------------------- V: 3 M: 6/8 L: 1/8 K: C [|!p!\ %"^p39s1v3" C3 C3 | C3 C3 | C3 C3 | C3 C3 |\ C3 C3 | C3 C3 | C3 C3 | C2z C2z H|] %"^p39s2v3" [K:C]\ !mf!e2g e3 | efe c3 | (d2f) d3 | dcB (^d2e) |\ zeg e3 | efe c3 | zdf g^f=f | e3- e2z :| % ------------------------- V: 4 M: 6/8 L: 1/8 K: C [|!p!\ %"^p39s1v4" c3 c3 | c3 c3 | c3 c3 | c3 c3 |\ c3 c3 | c3 c3 | c3 c3 | c2z c2z H|] %"^p39s2v4" [K:G]\ !mf!g2z gzg | gzg gzg | f2z ddd | dzd Gz g |\ gzg gzg | gzg gzg | f2z dzd | GBd g2z :| % ------------------------- ------------------------- P: 3 % ------------------------- V: 1 M: 1/4 L: 1/16 K: C [|\ %"^p40s1v1" "_2. Balance at corners, turn partners. ____ 4. All promenade."\ G6 z2 |\ !f!c4 .e2.f2 | g4 c'3e | g3c e3c |\ B6 Bd | (ce).g2 (ce).g2 | B4- BagB | c4 z4 H|]|\ "_1. First four forward and back, back to back."\ !p!e4 e4 | (g4 f3)e | e3d e3d | dcBc G4 | %"^p40s2v1" e4 e4 | g4 f3e | e3d e3d |\ "_D.C. 2."\ c4 z4 |[|\ "_3. Ladies grand chain."\ !p!A4 c2B2 | A2E2 A4 | A2B2 c2A2 | ^G4 e4 |\ A2B2c2d2 | e2f2 d2e2 | c2e2 B2e2 | (A4 a2)z2 |] % ------------------------- V: 2 M: 1/4 L: 1/16 K: C [|\ %"^p40s1v2" !f!c4 .e2.f2 | g4 c'3e | g3c e3c | G6 z2 |\ d8 | z2e2 z2e2 | d4 d2d2 | e4 z4 H|]|\ !p!c4 c4 | (e4 d3)c | G3F G3F | FE^DE E4 | %"^p40s2v2" c4 c4 | e4 d3c | G3F G3F | E4 z4 |[|\ !p!c8- | c8- | c2d2 e2c2 | B8 | c8- | c2d2 B2c2 | A2c2 ^G4 | (A4 a2)z2 |] % ------------------------- V: 3 M: 1/4 L: 1/16 K: F [|\ %"^p40s1v3" F4 .A2_B2 | c4 f3A | c3F A3F | C6 z2 |\ c8 | z2c2 z2c2 | z2cc c2c2 | c4 z4 H|]|\ !p!c4 c4 | z2cc c2c2 | z2c2 z2c2 | z2c2 z2c2 | %"^p40s2v3" c4 c4 | c2cc c2c2 | z2c2 z2c2 | c4 z4 |[|\ !p!d8- | d8 | z2dd d2d2 | ^c8 | d8 | A4 G4 | F4 E4 | D6 z2 |] % ------------------------- V: 4 M: 1/4 L: 1/16 K: C [|\ %"^p40s1v4" !f!c4 .e2.f2 | g4 c'3e | g3c e3c | G6 z2 |\ G4 g4 | c2z2 c2z2 | G4 G2G2 | c4 z4 H|]|\ c4 c4 | c4 z4 | B2z2 B2z2 | c2e2g2c'2 | %"^p40s2v4" c4 c4 | c4 z4 | B2z2 G2z2 | c4 z4 |[|\ !p!a4 a2a2 | a4 z4 | a4 a4 | e8 |\ a2^g2a2b2 | c'4 b4 | a4 e4 | a2a2 A2z2 |] % ------------------------- ------------------------- P: 4 % ------------------------- V: 1 M: 6/8 L: 1/8 K: C [|\ %"^p41s1v1" "_2. Forward and back six, cross over two."\ "_4. Forward and back six, all turn partners."\ !p!Gce g3 | a2g f2e | dBA G3 | eBd c3 |\ Gce g3 | a2g c'2e | a2d f2B | cGe c2z H|]|\ "_1. First two right hand cross over, left hand back""_ and come between the sides."\ Bed B2g | (g3 B)zB | B2c e2d |\ %"^p41s2v1" (d3 B)zB | (B3 A)BA | GBe "_>"g3 | ded AcB | G3- "_D.C. 2."G2z |[|\ "_3. Six hands round and back."\ z[EG,][EG,] z[EG,][EG,] | z[EG,][EG,] z[EG,][EG,] | z[EG,][EG,] z[EG,][EG,] | z[GB,][GB,] !/![G3B,3] |\ "_3. Six hands round and back."\ z[FG,][FG,] z[FG,][FG,] | z[FG,][FG,] z[FG,][FG,] | z[FG,][EG,] [DG,][EG,][FG,] | !/![E3G,3] "_D.C. 3."[E2G,2]z |] % ------------------------- V: 2 M: 6/8 L: 1/8 K: C [|\ %"^p41s1v2" !p!EGc e3 | f2e d2c | Bzz B3 | cGF E3 |\ EGc e3 | f2e e2c | f3 d3 | e2G E2z H|]|\ GcB B2B | (B3 d)zd | c2A c2B | %"^p41s2v2" (B3 G)zG | B6- | B2z "^>"_B3 | =BcB ^F3 | G3- G2z |[|\ .e2z .G2z | .e2z .G2z | eze fze | d2z z2z |\ d2z G2z | d2z G2z | a2g fed | cGe c2z |] % ------------------------- V: 3 M: 6/8 L: 1/8 N: Part 4 voice 3 has K:C; it should obviously be K:F. K: C [|\ %"^p41s1v3" !p!czc czc | czc czc | czc czc | czc czc |\ ccc !/!c3 | !/!c6 | d3 e3 | f2f f2z H|]|\ !f!cc/c/c !/!c3 | c3- czc | =BzB BzB | %"^p41s2v3" czc czc | (=B6 | A2)z "_>"A3 | G2z =F3 | E3- E2z |[|\ .F2z .A2z | .F2z .A2z | fzf gzf | e2z z2z |\ e2z g2z | e2z g2z | _B2A GFE | F3- F2z |] % ------------------------- V: 4 M: 6/8 L: 1/8 K: C [|\ %"^p41s1v4" !p!c'zc' c'zc' | c'zc' c'zc' | gzg gzg | czc' c'zc' |\ !/!c'6 | !/!c'6 | f2z g2z | ceg c'2z |]|\ !f!ggg !/!g3 | ggg !/!g3 | dzd dzd | %"^p41s2v4" GBd g2z | ^d2z d2z | e2z (^c3 | d2)z d2z | GBd g2z |[|\ .c2z .c2z | .c2z .c2z | c2z c'zc' | !/!g6 |\ g2z b2z | g2z b2z | g2z g2z | ceg c'2z |] % ------------------------- ------------------------- P: 5 % ------------------------- V: 1 M: 2/4 L: 1/16 K: C [|\ %"^p42s1v1" "_2. All turn corners, turn partners."\ "_4. All balance and turn partners."\ !p!c2cB c2e2 | c2Tg2 .a2.g2 | .a2.g2 .a2.g2 | ("_>"f4 e4) |\ !f!(ed).d.d dddd | (dc)cc cccc | (cB)(BA) (Ge)(ed) | c4 z4 H|]|!p!\ "_1. Forward and back four, four hands round."\ A3c f3A | G2 e4 G2 | F3G A3G |\ %"^p42s2v1" A4 E4 | !f!e4 B3B | c4- (3c2.B2.A2 | (3G2A2G2 (3F2E2D2 | (3C2E2G2 "_D.C. 2."c4 |[|[K:F]!p!\ "_3. All grand right and left."\ A2z2 B2z2 | (d4 c2)z2 | a3f c3c | (d4 c2)z2 |\ _B2 g4 B2 | A2 f4 A2 | d2c2B2G2 | F2Ac "_D.C. 4."f2z2 |] % ------------------------- V: 2 M: 2/4 L: 1/16 K: C [|\ %"^p42s1v2" !p!c2cB c2c2 | c2Te2 .f2.e2 | .f2.e2 .f2.e2 | ("_>"d4 c4) |\ !f!(cB).B.B BBBB | (Bc)EE EEEE | ED(dc) (Bg)(gf) | (ec).G.E C2z2 H|]|!p!\ c8- | c8 | B8 | %"^p42s2v2" c8 |\ !f!("_>"d8 | c2)z2 ("_"_e4 | =e2)z2 "_>"B4 | (3c2e2g2 c'4 |[|[K:F]!p!\ F2z2 G2z2 | (B4 A2)z2 | c3A A3A | (B4 A2)z2 |\ G2 B4 G2 | F2 A4 F2 | B4 G2B2 | A2c2A2z2 |] % ------------------------- V: 3 M: 2/4 L: 1/16 N: Part 5 voice 3 has K:C; it should clearly be K:F. K: F [|\ %"^p42s1v3" !p!A2AA A2c2 | A2Tc2 .d2.c2 | .d2.c2 .d2.c2 | (_B4 A4) |\ !f!z2cc cccc | z2cc cccc | z2c2 z2c2 | c4 z4 H|]|!p!\ d8 | c8 | _B8 | %"^p42s2v3" A4 F4 |\ !f!"_>"A8- | A2z2 (3d2e2f2 | c2z2 (3G2A2_B2 | A4 z4 |[|!p!\ z8 | z8 | z8 | z8 |\ z2f2 z2f2 | z2f2 z2f2 | z2ff f2f2 | f2f2f2z2 |] % ------------------------- V: 4 M: 2/4 L: 1/16 K: C [|\ %"^p42s1v4" !p!c'2c'c' c'2c'2 | c'2c'2c'2c'2 | c'2c'2c'2c'2 | c'2c'2c'2z2 |\ g4 z2g2 | c'4 z2c'2 | g2z2 g2g2 | c'4 z4 H|]|!p!\ f2z2 f2z2 | e2z2 e2z2 | d2z2 d2z2 | %"^p42s2v4" c2z2 c2z2 |\ !f!("_>"g8 | a2)z2 ("_>"^f4 | =g2)z2 G2z2 | (3c2g2e2 c4 |[|[K:F]!p!\ f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 |\ e2z2 e2z2 | f2z2 f2z2 | c4 c2c2 | f2f2f2z2 |] % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0431 T: COTILLONS. Fourth set. C: Composed by C. F. Bauer C: Figures adapted by I. J. Shaw B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.43-47 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> V: 1 nm="VIOLINO PRIMO" V: 2 nm="SECONDO" V: 3 nm="BASE" clef=bass middle=d %%staves [1 2 3] M: 2/4 L: 1/16 K: F % ------------------------- ------------------------- P: 1 % ------------------------- V: 1 [|!p!\ %"^p43s1v1" "_2. Balance and turn partners."\ "_4. Promenade four, right and left to places."\ A2AA A2B2 | B2=B2 "^>"c4 | A2AA A2B2 | B2=B2 "^>"c4 |\ c2cc c2bg | c2cc c2af | bcdc gcdc | f6 H|]|\ AB |\ "_1. Right and left."\ Tc3=B c2a2 | f4 z2AB |\ %"^p43s2v1" c2{c}c=B c2d2 | (c4 B2) ef | g3^f g2a2 | b4 z2ge |\ {d'}c'2ge {d'}c'2ce | "_D.C. 2."f4 z4 |[|!f!\ "_3. Ladies chain."\ a2f2a2f2 | agfe fad'2 | bag^f gbd'2 | agfe fad'2 |\ g2e2g2e2 | efga c'bg2 | babc' abgc' | fefe "_D.C. 4."f2z2 |] % ------------------------- V: 2 [|!p!\ %"^p43s1v2" F2FF F2G2 | G2^G2 A4 | F2FF F2G2 | G2^G2 A4 |\ [E2G,2][E2G,2][E2G,2][E2G,2] | [F2A,2][F2A,2][F2A,2][F2A,2] | [E2G,2][E2G,2][E2G,2][E2G,2] | [F2A,2][F2A,2][F2A,2] H|]|\ z2 |\ C2A,2C2A,2 | C2A,2C2A,2 | %"^p43s2v2" C2A,2C2A,2 | B,2G,2B,2G,2 |\ E2C2G2E2 | G2E2G2E2 | E2G2E2G2 | F4 z4 |[|!f!\ [F4A,4] [F4A,4] | [F2A,2][F2A,2][F2A,2]z2 | [G2B,2][G2B,2][G2B,2]z2 | [F2A,2][F2A,2][F2A,2]z2 |\ [E4G,4] [E4G,4] | [E2G,2][E2G,2][E2G,2]z2 | [E2G,2][E2G,2][E2G,2]z2 | [F2A,2][F2A,2][F2A,2]z2 |] % ------------------------- V: 3 [|!p!\ %"^p43s1v3" f2ff f2f2 | f2f2 f4 | f2ff f2f2 | f2f2 f4 |\ c2e2g2c'2 | f2c2A2F2 | c4 c4 | f2f2f2 H|]|\ z2 |\ f4 z4 | f4 z4 | %"^p43s2v3" f4 z4 | c4 z4 |\ c4 z4 | c4 z4 | c4 z4 | f4 z4 |[|!f!\ d4 d4 | d2d2d2z2 | g2g2g2z2 | d2d2d2z2 |\ c4 c4 | c2c2c2z2 | c2c2c2c2 | f2f2f2z2 |] % ------------------------- ------------------------- P: 2 N: Part 2, second phrase has final repeat but no open repeat. Added one at the second phrase. % ------------------------- V: 1 M: 2/4 L: 1/16 K: G [|!f!\ %"^p44s1v1" "_3. Balance and turn partners."\ BcBc d2dd | dede fgaf | gaga g2gg | fabc' d'2d2 |\ (Bc).A.F (d^c).=c.A | (Bc).A.F (d^c).=c.A | (ed).^c.d (cd).A.B | G2B2G2z2 H:| |:!p!\ %"^p44s2v1" "_1. Forward two. 2. chassez, cross to places."\ GGGG G2A2 | (A2G2)(B2A2) | BBBB B2c2 | (c2B2)(e2d2) |\ gggg g2d2 | (f2e2)(e2d2) | (d2A2)(A2F2) | G4 "_D.C. 3."z4 :| % ------------------------- V: 2 M: 2/4 L: 1/16 K: G [|!f!\ %"^p44s1v2" [G2B,2][G2B,2][G2B,2][G2B,2] | [G2B,2][G2B,2] [F2A,2][F2A,2] |\ [G2B,2][G2B,2][G2B,2][G2B,2] | [G2B,2][G2B,2] [F2A,2][F2A,2] |\ [F2A,2][F2A,2][F2A,2][F2A,2] | [F2A,2][F2A,2][F2A,2][F2A,2] |\ [G2B,2][G2B,2] [F2A,2][F2A,2] | [G2B,2][G2B,2][G2B,2]z2 H:| |:!p!\ %"^p44s2v2" [GB,][GB,][GB,][GB,] [G2B,2]z2 | [D2B,2][D2B,2][D2C2][D2C2] |\ [DB,][DB,][DB,][DB,] [D2B,2]z2 | [D2B,2][D2B,2][D2B,2][D2B,2] | [DB,][DB,][DB,][DB,] [D2B,2]z2 | (D2C2)(C2B,2) | [F2A,2][F2A,2][F2A,2][F2A,2] | [G4B,4] z4 :| % ------------------------- V: 3 M: 2/4 L: 1/16 K: G [|!f!\ %"^p44s1v3" g4 g4 | g4 d4 | g4 g4 | d'4 d4 |\ d2d2d2d2 | d2d2d2d2 | g2g2 d2d2 | g2g2g2z2 H:| |:!p!\ %"^p44s2v3" gggg g2z2 | g4 d4 | gggg g2z2 | g4 G4 |\ gggg g2z2 | g4 g4 | d4 d2d2 | g4 z4 :| % ------------------------- ------------------------- P: 3 % ------------------------- V: 1 M: 6/8 L: 1/8 N: Part 3 voice 1 bar 70 isn't clear that the Bs are all flat. Fixed with an extra flat sign. K: G [|!f!\ %"^p44s3v1" "_2. Balance and 1-2 promenade. ____ 4. Promenade four, right and left to places."\ d^ce |\ d2z b3- | bag fgf | e2z c'3- | c'ba ^gae |\ d2z d'3- | d'^c'e' d'=c'a | g3 gdb | g2z [g2B2D2] H|] %"^p45s1v1" "_1. Right hand across, balance in line."\ d |\ d6 | def ga^a | b6- | bga bc'^c' |\ d'6- | d'c'b aba | g3- g2f/e/ | d2z d^ce | %"^p45s2v1" "_Promenade, right and left to places."\ d2z d3- | def ga^a | b2z b3- | bga bc'^c' |\ d'2z d'3- | d'e'd' ^c'd'c' | b3 bfd' | b2z TB^AB | %"^p45s3v1" d2z c3- | c2z A^GA | e2z d3- | d2z G^FG |\ _B2z B3- | _B2z BAG | d3- dA^f | "_D.C. 4."d2z |] % ------------------------- V: 2 M: 6/8 L: 1/8 K: G [|!f!\ %"^p44s3v2" z2z |\ z[BDG,][BDG,] z[BDG,][BDG,] | z[BDG,][BDG,] z[BDG,][BDG,] |\ z[cEG,][cEG,] z[cEG,][cEG,] | z[cEG,][cEG,] z[cEG,][cEG,] |\ z[fAD][fAD] z[fAD][fAD] | z[fAD][fAD] z[fAD][fAD] |\ z[gBD][gBD] z[gBD][gBD] | [g2B2D2]z [g2B2D2] H|] %"^p45s1v2" !p!z |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\ [DC][DC][DC] [DC][DC][DC] | [DC][DC][DC] [DC][DC][DC] |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] | %"^p45s2v2" [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [E^A,][EA,][EA,] [EA,][EA,][EA,] |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] | %"^p45s3v2" [DC][DC][DC] [DC][DC][DC] | [DC][DC][DC] [DC][DC][DC] |\ [DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\ [G_B,][GB,][GB,] [GB,][GB,][GB,] | [G_B,][GB,][GB,] [GB,][GB,][GB,] |\ [^FA,][FA,][FA,] [FA,][FA,][FA,] | [^F2A,2]z |] % ------------------------- V: 3 M: 6/8 L: 1/8 K: G [|!f!\ %"^p44s3v3" z2z |\ g2z g2z | g2z g2z | c2z c2z | c2z c2z |\ d2z d2z | d2z d2z | g2z g2z | g2z g2 H|] %"^p45s2v3" !p!z |\ g2z g2z | g2z g2z | g2z g2z | g2z g2z |\ f2z a2z | f2z d2z | g2z d2z | B2z G2z | %"^p45s2v3" g2z g2z | g2z g2z | g2z g2z | g2z (g3 |\ f2)z f2z | f2z f2z | B2z B2z | B2z B2z | %"^p45s3v3" d2z f2z | a2z f2z | g2z g2z | g2z g2z |\ _e2z e2z | _e2z e2z | d2z d2z | d2z |] % ------------------------- ------------------------- P: 4 % ------------------------- V: 1 M: 2/4 L: 1/16 K: G [|\ %"^p46s1v1" b2bc' d'2ga | b2d2 g4 | gga2 abc'2 | e'd'd'^c' d'2b2 |\ b2bc' d'2ga | b2d2 g4 | fac'e' d'2f2 | g4 z2 H|] %"^p46s2v1" "_1. First couple forward, and leave the lady opposite."\ GF |\ FG^GA _B=B=c^c | defg ^gaba | f'e'd'b agec | dBAG FAGE |\ FG^GA _B=B=c^c | defg ^gaba | (gf)(fe) agfe | (d^c).=c(A "_D.C. 2."dc).A.F |] %"^p46s3v1" "_e. First gentleman turn two opposite ladies."\ g4 f4 | e4 ^d4 | (f^d)e2 (fd)e2 | (e^d)ef e2fg |\ a4 g4 | f4 e4 | fgag fdcA | GAGA "_D.C. 4"G2z2 |] % ------------------------- V: 2 M: 2/4 L: 1/16 K: G [|!p!\ %"^p46s1v2" z2[D2B,2] z2[D2B,2] | z2[D2B,2] z2[D2B,2] | z2[D2C2] z2[D2C2] | z2[D2B,2][D2B,2][D2B,2] |\ z2[D2B,2] z2[D2B,2] | z2[D2B,2] z2[D2B,2] | z2[D2C2][D2C2][D2C2] | [D2B,2][D2B,2][D2B,2] H|] %"^p46s2v2" z2 |\ [F2A,2][F2A,2][E2A,2][G2A,2] | [F2A,2][F2A,2][F2A,2][F2A,2] || [F2A,2][F2A,2][G2A,2][G2A,2] | [F2A,2][F2A,2][E2^C2][E2C2] |\ D2[F2A,2][F2A,2][G2A,2] | [F2A,2][F2A,2][F2A,2][F2A,2] |\ [E2^C2][E2C2][E2C2][E2C2] | [F2=C2][F2C2][F2C2][F2C2] |] %"^p46s3v2" [G4B,4] [A4B,4] | [G4B,4] [F4B,4] | z2[G2B,2] z2[G2B,2] | z2[G2B,2][G2B,2][G2B,2] |\ [F4B,4] [E4B,4] | [A4B,4] [G4C4] | [G2B,2][G2B,2] [F2C2][F2C2] | [G2B,2][G2B,2][G2B,2]z2 |] % ------------------------- V: 3 M: 2/4 L: 1/16 K: G [|!p!\ %"^p46s1v3" g2z2 g2z2 | g2z2 g2z2 | d2z2 d2z2 | g2z2 z4 |\ g2z2 g2z2 | g2z2 g2z2 | d4 d2d2 | g2g2g2 H|]\ %"^p46s2v3" z2 |\ d2f2g2a2 | d2d2d2d2 | d2d2 a2a2 | d2d2d2a2 |\ d2f2g2a2 | d2d2d2d2 | a2a2a2a2 | d4 d4 |] %"^p46s3v3" e4 ^d4 | e4 B4 | e4 e4 | e2e2e2z2 |\ B4 B4 | B4 c4 | d4 d4 | g2g2g2z2 |] % ------------------------- ------------------------- P: 5 % ------------------------- V: 1 M: 6/8 L: 1/8 [|\ %"^p47s1v1" "_2. Forward four, 1-2 right nd left. ___ 4. Forward four, right and left to place."\ d>dd def | gab g2d | (_e2d) (e2d) | c_BA B2=F |\ d>dd def | gab g2d' | e'bd' c'ab | g3- g2 H|] %"^p47s2v1" "_1. Forward two, back to back."\ d/c/ |\ (^GA).F D(dB) | (^GA).F Ddd | (ce).e .e.e.e | (df).f .d(dB) |\ (^GA).F D(dB) | (^GA).F DAA | (^de).A ae^c | d3- d2z |] %"^p47s3v1" "_3. Ladies chain."\ Bdg g2f | Bdg g2f | c'fg add | c'fg add |\ ^cea a2^g | ^cea a2^g | =ge^c dfa | Afe "_D.C. 4."d2z |] % ------------------------- V: 2 M: 6/8 L: 1/8 [|\ %"^p47s1v2" [FA,][FA,][FA,] [FA,][FA,][FA,] | [GB,][GB,][GB,] [G2B,2]z | z[AC][AC] z[G_B,][GB,] | z[_EC][EC] z[D_B,][DB,] |\ [FA,][FA,][FA,] [FA,][FA,][FA,] | z[GB,][GB,] z[GB,][GB,] | z[GB,][GB,] z[FB,][FB,] | [G3-B,3-] [G2B,2] H|] %"^p47s2v2" z |\ [FA,][FA,][FA,] [FA,]z2 | [FA,][FA,][FA,] [FA,]z2 | [EA,][E^C][EC] z[GA,][GA,] | z[FA,][FA,] [FA,]z2 |\ [FA,][FA,][FA,] [FA,]z2 | [FA,][FA,][FA,] [FA,]z2 | [GA,][GA,][GA,] [GA,][GA,][GA,] | [F3A,3] [F2A,2]z |] %"^p47s3v2" !p!z[DB,][DB,] z[DC][DC] | z[DB,][DB,] z[DC][DC] | z[DC][DC] z[DA,][DA,] | z[DC][DC] z[DA,][DA,] |\ z[E^C][EC] z[ED][ED] | z[E^C][EC] z[ED][ED] | z[E^C][EC] zDD | z[EA,][EA,] [D2A,2]z |] % ------------------------- V: 3 M: 6/8 L: 1/8 [|!p!\ %"^p47s1v3" d2z d2z | g2z g2z | f2z g2z | a2=f _b2z |\ d2z d2z | g2z g2z | d2z d2z | gdB G2 H|] %"^p47s2v3" z |\ d'2z d2z | d'2z d2z | a2z a2z | d2z d2z |\ d'2z d2z | d'2z d2z | a2z a2a | d'af d2z |] %"^p47s3v3" g3 a3 | g3 a3 | d2z z2z | d2z z2z |\ a3 b3 | a3 b3 | ^c'2z d'2z | a2a d2z |] % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0481 T: TREMONT QUADRILLES C: Composed by C. F. Bauer B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.48-52 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> V: 1 nm="VIOLINO PRIMO" V: 2 nm="SECONDO" V: 3 nm="BASSO" clef=bass middle=d M: 2/4 L: 1/16 K: D % =========================================================================== % NOTE: This unusual order of the P: and V:1 parts is a temporary kludge to % get around a bug in abcm2ps, which messes up initial M: and K: symbols if % the P: lines are first. When the bug is fixed, we can reverse the order of % the V:1 and P: lines. V: 1 P: 1 %"^p48s1v1" zdcB |\ A2cd e2A2 | f2d2 zefg | a2e2g2f2 | fed2 zdcB |\ A2cd e2A2 | f2d2 zdef | gfga ^ab=ag | fedc d2z2 H|] %"^p48s2v1" e6 dc | cdBc A2BA | ^GAFG EGBd | caec A2Bc |\ df^ga cega | Bd^ef Ac^d"^(\=)"e | "^(#)"GB^de E"^(#)"GcB | "_D.C."A4 |] %"^p48s3v1" [K:G]\ g2fg b2ag | fgb2 d4 | e2cB A2e2 | defg d2f2 |\ g2fg b2ag | fgbg e4 | d2fg b3a | "_D.C."g4 |] % ------------------------- V: 2 %"^p48s1v2" z4 |\ z2[E2C2] z2[E2C2] | z2[F2D2] z2[F2D2] | z2[E2C2] z2[E2C2] | z2[F2D2] z2[F2D2] |\ z2[G2A,2] z2[E2C2] | z2[F2D2] z2[F2D2] | z2[G2A,2] z2[E2C2] | D2[G2A,2] [F2A,2]z2 H|] %"^p48s2v2" c6 BA | A2^G2A2C2 | E2A,2^G,2[E2D2] | [E2C2][E2C2][E2C2][E2C2] |\ A2F2 A2E2 | F2D2E2C2 | B,2E2[E2D2][E2D2] | "_D.C."[E4C4] |] %"^p48s3v2" [K:G] G,DB,D G,DB,D | G,DB,D G,DB,D | A,DCD FDCD | G,DB,D B,DA,D |\ G,DB,D G,DB,D | G,DB,D [G4_B,4] | =B,GDG FDCD | "_D.C."[D4B,4] |] % ------------------------- V: 3 %"^p48s1v3" z4 |\ A2z2 A2z2 | d2z2 d2z2 | A2z2 A2z2 | d2z2 d2z2 |\ c2z2 A2z2 | d2z2 A2z2 | c2z2 z2A2 | d2A2d2z2 H|] %"^p48s2v3" A2ce a4 | e2d2c2A2 | B2^d2e2e2 | a2A2a2a2 |\ f2d2e2c2 | d2B2c2A2 | e2^g2b2e2 | "_D.C."a2A2 |] %"^p48s3v3" [K:G] g4 g4 | g4 g4 | f4 d4 | g4 G4 |\ g4 g4 | g2B2 ^c4 | d4 d2d2 | G4 |] %%begintext fill %% Right and left four --- %% Balancez, turn partners --- %% Ladies chain --- %% Promenade half round --- %% Half right and left. %%endtext % =========================================================================== V: 1 M: 2/4 L: 1/16 K: D K: A P: 2 [|\ %"^p49s1v1" c2f2e2^d2 | e2ac' e2c2 | e2fe B2cB | A2GF EGBd |\ c2f2e2^e2 | fb d'4 c'a | c'aec ^de=dB | (B4 A2) H|] %"^p49s2v1" |: c>d |\ e>^d=d>c B>AG>F | E>GA>B c>Bc>d | e>^de>^e f>ef>g | a>ga>f e>dc>d |\ e>^d=d>c B>AG>F | E>Ac>e a2g>f | e>ec>A B>^Bc>=B | (B3c/B/ A2) :| % ------------------------- V: 2 M: 2/4 L: 1/16 K: D K: A [|\ %"^p49s1v2" A2d2c2^B2 | c2A2c2A2 | A2A2 F2F2 | ^D2[D2A,2][E2G,2]G2 |\ A2d2 c4 | d2 f4 f2 | ec AE FEB,D | (D4 C2) H|] %"^p49s2v2" |: A>B |\ c>^B=B>A G>FE>D | C>EF>G A>GA>B | c>^Bc>c d>cd>B | c>Bc>d c>BA>B |\ c>^B=B>A G>FE>D | C2E>A c2e>d | c>AE>C D>^DE>=D | (D3E/D/ C2) :| % ------------------------- V: 3 M: 2/4 L: 1/16 K: D K: A [|\ %"^p49s1v3" a8 | a2a2a2A2 | c2c2 d2^d2 | f2B2 e2E2 |\ A8 | d2d2d2d2 | e4 e2e2 | a2e2 A2 H|] %"^p49s2v3" |: a2 |\ e2e2e2e2 | a2e2 c2A2 | a2A2 d2e2 | a2a2 A2A2 |\ e2e2e2e2 | a2e2 c2A2 | e2e2 E2E2 | A2a2A2 :| %%begintext fill %% Forward two, cross over. --- %% Chasses de chassez, cross over to place. --- %% Balancez, turn partners. %%endtext % =========================================================================== V: 1 M: 6/8 L: 1/8 K: D P: 3 %"^p50s1v1" dcd | e2B efe | dfa gab | ag/f/e/d/ cdf |^d2e aba |\ e'2a aba | g2e efe | a2e efe | d3 H|] %"^p50s2v1" f2f |\ a2g g2f | f2e e2d | d2c Bdc | A3 g2g |\ b2a a2g | g2f f2f | ^efa d'c'e | f3- f2f | %"^p50s3v1" ged cBA | dfb a3 | egb a3 | b/a/^g/a/b/c'/ d'2f |\ ged cBA | dfb a3 | fbd' c'(c'/d'/)(b/c'/) | "_D.C."a3 |] % ------------------------- V: 2 M: 6/8 L: 1/8 K: D %"^p50s1v2" FEF |\ G2G GAG | FDF EFG | FAF EFA | GAc [cG][cG][cG] |\ [cG][cG][cG] [cG][cG][cG] | [cG][cG][cG] [cG][cG][cG] | [cG][cG][cG] [AG][AG][AG] | [A3F3] H|] %"^p50s2v2" d2d |\ f2e e2d | d2c c2B | B2A ^GFE | C3 e2e |\ g2f f2e | e2d d2c | cAc ^E^GB | A3- A2A | %"^p50s3v2" EGF EDC | [A3F3] FGA | E3 EFG | [A2G2][AG] [A2F2]D |\ EGF EDC | [A3F3] dAF | Bdf e(e/f/)(d/e/) | "_D.C."[c3E3] |] % ------------------------- V: 3 M: 6/8 L: 1/8 K: D %"^p50s1v3" d3 |\ ccc ccc | ddd ccc | ddd ddd | aaa aaa |\ aaa aaa | aaa aaa | aaa aaa | d3 H|] %"^p50s2v3" d3 |\ c3 d3 | a3 f3 | e3 e3 | A3 A3 |\ d3 c3 | d3 f3 | c3 c3 | f3- f2d | %"^p50s3v3" c3 A3 | d3 def | c3 cde | A2A d2d |\ c3 A3 | d3 fdA | d3 e2e | "_D.C."A3 |] %%begintext fill %% First two forward and back. --- %% Right hand between the side couples, forward and back. --- %% Turn partners to places. --- %% All chassez across. %%endtext %sep 5 200 5 % =========================================================================== V: 1 M: 2/4 L: 1/16 K: A P: 4 [|\ %"^p51s1v1" e2{g}a2c2{^d}e2 | A2AB c2A2 | e2dc B2f2 | e2c2A2z2 |\ {^d}e2{g}a2{^B}c2{d}e2 | A2AB c2A2 | e2dc B2cB | A2A2A2z2 H|] %"^p51s2v1" c4 A2c2 | f4 e4 | c4 A2c2 | f4 e4 |\ (e2G2)(G2e2) | (e2G2)(G2e2) | =f6 e2 | E4 z4 | %"^p51s3v1" c4 A2c2 | f4 e4 | c4 A2c2 | f4 e4 |\ (e2G2)(G2e2) | (e2G2)(G2e2) | =f6 e2 | A4 "_D.C."z4 |] % ------------------------- V: 2 M: 2/4 L: 1/16 K: A [|\ %"^p51s1v2" z2[E2C2] z2[E2C2] | z2[E2C2] z2[E2C2] | z2[E2D2] z2[E2D2] | z2[E2C2] z2[E2C2] |\ A,ECE A,ECE | A,ECE A,ECE | G,EB,E G,EB,E | A,ECE A,2z2 H|] %"^p51s2v2" z2[E2C2] z2[E2C2] | z2[E2C2] z2[E2C2] | z2[E2C2] z2[E2C2] | z2[E2C2] z2[E2C2] |\ z2[D2B,2] z2[D2B,2] | z2[D2B,2] z2[D2B,2] | z2[D2G,2] z2[D2G,2] | z2[D2G,2] z2[D2G,2] | %"^p51s3v2" z2[E2C2] z2[E2C2] | z2[E2C2] z2[E2C2] | z2[E2C2] z2[E2C2] | z2[E2C2] z2[E2C2] |\ z2[D2B,2] z2[D2B,2] | z2[D2B,2] z2[D2B,2] | z2[D2G,2] z2[D2G,2] | [E4C4] "_D.C."z4 |] % ------------------------- V: 3 M: 2/4 L: 1/16 K: A [|\ %"^p51s1v3" A2z2 A2z2 | A2z2 a2z2 | g2z2 e2z2 | a2z2 A2z2 |\ A2a2A2a2 | A2a2A2a2 | e2e2e2e2 | A2A2A2z2 H|] %"^p51s2v3" A2z2 A2z2 | A2z2 A2z2 | A2z2 A2z2 | A2z2 A2z2 |\ e2z2 e2z2 | e2z2 e2z2 | e2z2 e2z2 | e2z2 e2z2 | %"^p51s3v3" A2z2 A2z2 | A2z2 A2z2 | A2z2 A2z2 | A2z2 A2z2 |\ e2z2 e2z2 | e2z2 e2z2 | e2z2 e2z2 | A4 "_D.C."z4 |] %%begintext fill %% Four ladies right hand across, left hand back, right hand to partners. --- %% Balancez, turn partners. --- %% All promenade round. (Gentlemen the same.) %% Ladies half grand chain, promenade half round. %% Ladies half grand chain again, promenade to place. --- %% All chassez across de chassez. %%endtext % =========================================================================== V: 1 M: 6/8 L: 1/8 K: D P: 5 [|\ %"^p52s1v1" d2A d2f | d2A d2f | eAc ece | ged cBA |\ d2A d2f | d2A d2f | eBe gBc | d3- d2 H|] %"^p52s2v1" [K:G] d |\ g3- gfe | d2B e2d | d2A e2d | cAB G2d |\ g3- gfg | A2A e2e | dcB AcB | G3- "_D.C."G2 |] %"^p52s3v1" [K:A]A | A2c e2c | dcd f^ga | fec A2c | cB^G EFG |\ A2c e2c | Bcd e2e/d/ | cfe efg | a3- "_D.C."a2 |] % ------------------------- V: 2 M: 6/8 L: 1/8 K: D [|\ %"^p52s1v2" [FA,][FA,][FA,] [FA,][FA,][FA,] | [FA,][FA,][FA,] [FA,][FA,][FA,] |\ [GA,][GA,][GA,] [GA,][GA,][GA,] | [GA,][GA,][GA,] [GA,][GA,][GA,] |\ [FA,][FA,][FA,] [FA,][FA,][FA,] | [FA,][FA,][FA,] [FA,][FA,][FA,] |\ [GB,][GB,][GB,] [GA,][GA,][GA,] | [F3-A,3-] [F2A,2] H|] %"^p52s2v2" [K:G] z |\ B,DG B,DG | B,DG B,DG | A,CD A,CD | A,CD B,DG |\ B,DG B,DG | CEA CEA | B,DG CDF | [D3-B,3-] "_D.C."[D2B,2] |] %"^p52s3v2" [K:A]z |\ C2C A,2E | F2D D2F | DCE CEA | AGE B,A,B, |\ C2A, A2E | F2F EDB, | A,DC [E2D2][ED] | [E3-C3-] "_D.C."[E2C2] |] % ------------------------- V: 3 M: 6/8 L: 1/8 K: D [|\ %"^p52s1v3" d2z d2z | d2z d2z | A2z a2z | A2z a2z |\ D2z d2z | d2z d2z | A2z a2z | d3 d2 H|] %"^p52s2v3" [K:G] z |\ g2z g2z | g2z g2z | f2z f2z | d2z g2z |\ g2z G2z | c2z c2z | d2z d2z | g3- "_D.C."g2 |] %"^p52s3v3" [K:A]z |\ A2e c2A | d2f a2d' | a2z A2z | c2b d'c'b |\ a2e c2A | dcB ^ABd | e2z e2z | A3 "_D.C."A2 |] %%begintext fill %% First 2 right hand across, left hand back between side couples --- %% Forward 6, turn part. to places. --- %% All turn corners, turn part. to places. --- %% First four 1-2 promenade, 1-2 right and left to places. %%endtext %%sep 5 5 3 % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:0531 T: QUICK-STEP For two Post Horns or Bugles C: B. A. Burditt B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.53 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C % ------------------------- V: 1 "IN B\b"\ gg |\ g2e2c2 ee | G2c2e2 gg | f2d2B2G2 | c2e2g2 gg |\ e2ee c2cc | A2c'2 "_>"c'afd | (ag).e.c (gf).d.B | c2e2c2 :| % V: 2 ee |\ e2c2G2 GG | E2G2c2 ee | d2B2G2F2 | E2c2e2 ee |\ c2cc G2GG | F2 [a4A4] z2 | E2G2 [G2D2]F2 | E2G2E2 :| % ------------------------- V: 1 |: !f!g2 |\ gggg g2c'2 | b2a2 g4 | aaaa c'2a2 | a2g2 g4 |\ eeee e2f2 | .^f2.g2.a2.g2 | .d2.e2.f2.d2 |1 !/!c2!/!d2!/!e2!/!f2 :|2 c4 z2 |] % V: 2 |: !f!e2 |\ eeee e2e2 | g2f2 e4 | ffff a2f2 | f2e2 e4 |\ cccc c2d2 | .^d2.e2.f2.e2 | .B2.c2.d2.F2 |1 !/!E2!/!G2!/!c2!/!d2 :|2 E4 z2 |] % ------------------------- V: 1 |: !p!ef |\ gga2 g2ef | ggc'2 e2de | ffd2 a2g2 | (e4 c)def |\ gga2 g2ef | ggc'2 e2de | ffd2 a2g2 | c2e2c2 :| N: Phrase 3 has an extra 1/4 rest in the last bar; deleted. % V: 2 |: !p!cd |\ eef2 e2cd | eee2 c2Bc | ddB2 f2e2 | c2G2 EGcd |\ eef2 e2cd | eee2 c2Bc | ddB2 f2e2 | c2e2c2 :| % ------------------------- V: 1 |: !f!ee |\ "_>"g4- ggee | !/!g2!/!e2!/!g2!/!e2 | !/!c'2!/!b2!/!a2!/!g2 | !/!f2!/!e2!/!d2!/!e2 |\ f4- ffdd | !/!f2!/!d2!/!f2!/!d2 | !/!b2!/!a2!/!g2!/!f2 | !/!e2!/!d2 c2 H:| % ------------------------- V: 2 |: !f!cc |\ "^>"e4- eecc | !/!e2!/!c2!/!e2!/!c2 | !/!a2!/!g2!/!f2!/!e2 | !/!d2!/!c2!/!B2!/!c2 |\ d4- ddBB | !/!d2!/!B2!/!d2!/!B2 | !/!g2!/!f2!/!e2!/!d2 | !/![c2G2]!/![B2F2] [c2E2] H:| %%sep 1 1 500 %%sep 1 1 500 X:0541 T: ZITTER WALTZ For two Clarinets, concertante C: A. P. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.54 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: F % ------------------------- V: 1 |:!p!\ .a2 .f2 .d2 | .c.c.c.c c2 | .a2 .f2 .d2 | .c.c.c.c c2 |\ .e2 .g2 .b2 | d'd'd'd' d'2 | .c'2 .b2 .a2 | .g.g.g.g g2 |\ !f!a2 f2d2 | cccc c2 | a2 f2 d2 | cccc c2 |\ e2 g2 b2 | d'd'd'd' d'2 | c'2 b2 e2 | f4 z2 :| % V: 2 |:!p!\ A2 A2 A2 | A2 A2 A2 | A2 A2 A2 | A2 A2 A2 |\ B2 B2 B2 | B2 B2 B2 | B2 B2 B2 | B2 B2 B2 |\ !f!AcAcAc | AcAcAc | AcAcAc | AcAcAc |\ B2 B2 B2 | B2 d2 B2 | B2 B2 B2 | A4 z2 :| % ------------------------- V: 1 |:!p!\ A2 A2 A2 | A2 A2 A2 | B2 B2 B2 | B2 G2 G2 |\ B2 g2 g2 | g2 B2 B2 | A2 A2 A2 | G2 G2 G2 |\ AcAcAc | AcAcAc | AcAcAc | AcAcAc |\ c2 B2 B2 | B2 B2 B2 | B4 B2 | A4 z2 :| % V: 2 |:!p!\ .a2 .f2 .d2 | .d.d.d.d d2 | .^c2 .e2 .g2 | .b.b.b.b b2 |\ .g2 .b2 .^c'2 | e'eee e2 | g2 f2 d2 | cccc c2 |\ a2 f2 d2 | cccc c2 | a2 f2 d2 | cccc c2 |\ e2 g2 b2 | d'd'd'd' d'2 | c'2 b2 e2 | f4 z2 :| % ------------------------- V: 1 |:!f!\ G=B dg=bd' | f'2 (e'd'^c'd') | (e'2 d'c'=b)a | (a2 g^f g2) |\ G=B dg=bd' | f'2 (g'f'e'd') | (c'b) (ag).a.b | c'4 z2 :|\ |:!p!\ c2 c2 c2 | c2 c2 c2 | c2 c2 c2 | c2 c2 c2 | !f!_ee e2 e2 | c2 d2d2 | c4 B2 | A4 z2 |\ !p!_b2 ^f2 g2 | ("_>"a2 g)e c2 | b2 ^f2 g2 | ("_>"a2 g)e c2 |\ !f!ff f2 f2 | "_>"g3 f'd'b | ("_>"a3 g)ec | f4 z2 H:| V: 2 |:!f!\ G=BGBGB | G=BGBGB | c2 bag^f | (f2 e^d e2) |\ G=BGBGB | G=BGBGB | e2 f2 f2 | e4 z2 :|\ |:!p!\ _b2 ^f2 g2 | ("_>"a2 ge) c2 | b2 ^f2 g2 | ("_>"a2 ge) c2 |\ !f!ff f2 f2 | "_>"g3 f'd'b | ("_>"a3 g)ec | f4 z2 |\ !p!c2 c2 c2 | c2 c2 c2 | c2 c2 c2 | c2 c2 c2 |\ _ee e2 e2 | c2 d2 d2 | c4 B2 | A4 z2 H:| %%sep 1 1 500 %%sep 1 1 500 X:0551 T: GALOPADE For two Flutes C: S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.55 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G % ------------------------- V: 1 |:!p!\ .g2(Td2 B2).d2 | ("_>"g4 b2)z2 | .g2(Td2 B2).d2 | ("_>"g4 b2)z2 |\ !mf!\ .d'2(c'a) .f2e'2- | e'2(d'b) g3e | (de)d2 .b2.a2 | (gag).f g2z2 :| |:!ff!\ "^>"e4 "^>"e4 | "^>"d'4 "^>"d'4 | .a2.g2.f2.e2 | .^d2.f2 ("^>"c2B2) |\ "^>"a4 "^>"a4 | b2((3gag) .f2.g2 | .a2((3ded) b2a2 | .g2.b2.g2"_FINE"z2 H:| |:[K:C]!p!\ .c2.d2.e2.f2 | .g2.a2 g2e'2- | e'2 "^>"d'4 b2 | c'2ba gggg |\ .c2.d2.e2.f2 | .g2.a2 .g2e'2- | e'2 "^>"d'4 b2 | "_D.C. AL FINE"c'2c'2c'2z2 :| % ------------------------- V: 2 |:!p!\ .G2.B2 .G2.B2 | .G2.B2 .G2.B2 | .G2.B2 .G2.B2 | .G2.B2 .G2.B2 |\ .F2.A2 D2"^>"c'2- | c'2(bg) .B2(c^A) | .B2(GB) .d2.c2 | B2B2B2z2 :|\ |:!ff!\ e4 e4 | ^d6 dB | .=c2.B2.A2.G2 | ("^>"F4 G4) |\ "^>"c6 AG | G2((3BcB) d2B2 | c3B d3c | B2d2B2"_FINE"z2 H:|\ |:[K:C]!p!\ E2G2 .c2.d2 | .e2.f2 .e2g2- | g2 "^>"f4 d2 | e2f2 eeee |\ E2G2 .c2.d2 | .e2.f2 .e2g2- | g2 "^>"f4 d2 | "_D.C. AL FINE"e2e2e2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0552 T: DUET For two Violins C: J. H. SEIPP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.55 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G d2 & !p!B2 |\ dBgdBd & BGB2GB |\ dccBce & BAA^GAc |\ cAAcec & ADDAcA |\ Bc^cdd2 & GA^ABB2 |\ dBgdBd & BGGBGB |\ dccBce & BAA^GAc |\ cAAcaf & ADDAcA | g4 & B4 :| |: Bd & !p!GB |\ dc a2 Ac & BA !f!c2 !p!DA |\ cB g2 Bd & AG !f!B2 !p!GB |\ dccBce & BAA^GAc |\ [A4D4] Bd & x4 GB |\ dc a2 Ac & BA !f!c2 !p!DA |\ cB g2 Bd & AG !f!B2 !p!GB |\ dccBcA & BAA^GAD |\ [G4B,4] H:| %%text - %%sep 1 1 500 %%sep 1 1 500 X:0561 T: WALTZ. For two Post Horns or Bugles. C: Kilburn Smith B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.56 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 3/4 L: 1/8 K: C %---------- V: 1 !p!G2 |\ e4e2 | (e2d2).c2 | (a4g2) | (d4^d2) | e4e2 | (e2g2).c2 | (e2d2).d2 | d4 (G2 |\ e4)e2 | (e2f2^f2) | (Pa4g2)p | !f!c'4Qg2 | qb2a2fd | (a2g2).B2 | (d2c2).c2 | c2z2 H:| |: !f!G2 |\ d2ddd2 | d2z2z2 | f2fff2 | e4G2 | e2eee2 | e2z2z2 | a2aaa2 | (g4^f2) | =f2fff2 | e2z2c2 | (e4d2) | c2z2 :| |: !p!C2 |\ A2z2A2 | A2z2AA | A2c2f2 | e2AAAA | d4c2 | G2z2B2 | A2z2A2 | A2z2AA | A2c2f2 | e2BBBB | d2cccc | A2"_D.C."z2 :| %---------- V: 2 G2 |\ c4c2 | (c2G2).E2 | (f4e2) | (B4G2) | c4c2 | (c2e2).G2 | (c2B2).B2 | G2B2(G2 |\ c4)c2 | c2c2c2 | (Pf4e2p) | !f!e4Qe2 | (qd2f2).d2 | (f2e2).G2 | (^F2G2) G2 | E2z2 :| |: z2 |\ B2BBB2 | .B(G^FG).A.G | d2ddd2 | c4G2 | c2ccc2 | .c(G^FG).A.G | f2fff2 | (e4^d2) | =d2ddd2 | .c(G^FG).A.G | c4G2 | E2z2 :| |: C2 | F2z2F2 | F2z2FF | F2A2c2 | A2FFFF | B4G2 | E2z2G2 | F2z2F2 | F2z2FF | F2A2c2 | B2GGGG | B2AAAA | F2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0562 T: GOV. CLEVELAND'S REEL. C: John R. Bassett B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.56 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: C L: 1/8 K: D |: (dcd)A (BdAd) | (Fd)(Ed) (Dd)(Ed) | (dcdA) (BdAd) | faef d2d2 :|\ |: (fdf).d (Bd)(Ad) | (fae).f (dcBA) | (fef).d (Bd)(Ad) | (fae).f d2d2 :| a2ba (gfed) | eAfA (gfed) | a2ba faef | dcBe d3A |\ dfBd AdFd | DdEd FdEd | fef.d BdAd | faef d2d2 |] %%sep 1 1 500 %%sep 1 1 500 X:0571 T: NATCHEZ HORNPIPE C: S. Jackson B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.57 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: A E2 |\ A2ce aece | fefg aecA | GAFA EAGA | BcdB AGFE |\ A2ce aece | fefg aecA | GAFA EAGA | BcdB B2A2 :| |:\ eAAA eAAA | fefd fefd | dcdB dcdB | cded dcBA |\ A2ce aece | fefg aecA | GAFA EAGA | BcdB B2A2 :| %%sep 1 1 500 %%sep 1 1 500 X:0572 T: FISHER'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.57 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf N: The rhythms of the endings don't quite work. M: 2/4 L: 1/16 K: F |: \ fcAc BdcB | AcAc BdcB | AFAF BGBG | AFAF G4 |\ fcAc BdcB | AcAc BdcB | ABcd efge | f2f2f2 :| |: ef |\ gece gebg | afcf afc'a | gece geba | gfed c2 Bc |\ dBFB dBfd | cAFA cAfc | dfed cBAG | F2F2F2 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0573 T: COLLEGE HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.57 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: C cB |\ c2C2C2 GF | EGc2- cedc | d2D2D2 dc | Bdg2 g2ab |\ c'bag agfe | fedc cBAG | AcBd cedf | e2c2c2 :| |: GE |\ EGcG EGcG | A2F2F2 AG | ^FAdA FAdA | B2G2G2 cB |\ c2a2 agfe | fedc cBAG | AcBd cedf | e2c2c2 :| %%sep 1 1 500 %%sep 1 1 500 X:0574 T: SMITH'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.57 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: D A2 |\ dcdA Bcde | gfed cBAG | FA df gfed | c2A2 A2Bc |\ dAeA fAgA | gfed dcBA | dfeg faeg | f2d2d2 :| |: fg |\ agfe dfga | b2e2e2 ed | cAeA fAed | c2A2 A2Bc |\ dAeA fAgA | afbe dcBA | dfeg faeg | f2d2d2 :| %%sep 1 1 500 %%sep 1 1 500 X:0581 T: KELLEY'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.58 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G dc |\ BGdB gdBd | cAag fedc | BGdB gdBd | cBAG DFAc |\ BGdB gdBd | cAag fedc | Bgfg ecAF | G2B2G2 :| |: Bc |\ dcBA GBdg | e2c2c2e2 | dcBc Afag | f2d2d2c2 | BGdG BGdG | AFDF AFcA | Bgfg ecAF | G2B2G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0582 T: MISS BAKER'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.58 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: C ed |\ c2GF ECEG | AFAc BGBd | ecfd gedc | Bcde dfed |\ c2GF ECEG | AFAc BGBd | ecfd ecdB | c2c2c2 H:| |: (3gab |\ c'2g2 eceg | f2dc BGBd | ecfd gedc | B2G2G2 cB |\ AFAc BGBd | cBce dcde | fedc edcB | A2A2 Afed "^D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:0583 T: DELAWARE HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.58 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf N: The rhythms aren't right at the phrase boundaries. M: 2/4 L: 1/16 K: G |:\ BGBd BGBd | gfge dBG2 | ecdB cABG | E2A2 A2c2 |\ BGBd BGBd | gfge dBG2 | ecdB cABG | DGFA G2 :| |: g2 |\ dgBg dgBg | dgba gfed | eaca eaca | e2ag fedc |\ dgBg dgBg dgba gfed | ecdB cABG | D2GA G4 :| %%sep 1 1 500 %%sep 1 1 500 X:0584 T: LORD NELSON'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.58 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf N: The rhythms aren't right at the phrase boundaries. M: 2/4 L: 1/16 K: G D2 |\ G2GG G2G2 | BGBd gdBG | D2DD D2D2 | FDFA cAFA |\ G2GG G2G2 | BGBd g2g2 | fafd ege^c | d2d2d2 :| |: Bc |\ d2dd d2dd | dBgf edcB | efgf edcB | ABAG GFED |\ DGGG EGEG | DGGGEGEG | cedc BAGF | G2G2G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0591 T: BUNKER HILL HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.59 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: F cB |\ Acfc A2cB | Acfc {A}a2gf | ecge bege | fagf edcB |\ Acfc A2cB | Acfc a2gf | ecge bege | [f2A2][a2c2][f2A2] :| |: ga |\ bgbg gege | afaf cAcA | Bcde fgab | a2g2g2 ga |\ bgbg gege | afaf cAcA | dBFB ecBG | [f2A2][f2A2][f2A2] :| %%sep 1 1 500 %%sep 1 1 500 X:0592 T: HULL'S VICTORY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.59 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: F c2 |\ fcfa fcfa | agfe f2 AB | c2cd c2B2 | ABGA F2c2 |\ fcfa fcfa | g2g2g3g | fedc =BcdB | c2c2c2 :| |: c2 |\ fcfg agfe | d2B2B2 de | gfga bagf | e2c2c2 de |\ fcfa fcfa | gcgb gcgb | agfa gfeg | f2f2f2 :| %%sep 1 1 500 %%sep 1 1 500 X:0593 T: FANNY ELSSLER'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.59 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: F fg |\ "_>"agfe "_>"gfed | cdc=B cdef | cdc=B cdef | ga^fa g2=fg |\ agfe gfed | cdc=B cdef | defg efga | fcag f2 H:| fg |\ ("_>"af).f.f ("_>"ge).e.e | ("_>"fd).d.d ("_>"e^c).c.c | (dAfe defd) | eAaA e2fg |\ ("_>"af).f.f ("_>"ge).e.e | ("_>"fd).d.d ("_>"e^c).c.c | dAdf agef | dAfe d2 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:0594 T: DURANG'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.59 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: D A2 |\ DAFA DAFA | BcdB BAFA | DAFA DAFA | [AA,][eE][cC][eE] [AA,][eE][cC][eE] |\ DAFA DAFA | BcdB BAFA | fgaf bgec | d2d2d2 :| |: A2 |\ defe dcBA | Bcdc BAGF | E2E2 edcB | Acec dBA^G |\ A^GAB cBcd | edef gfge | fgaf bgec | d2d2d2 :| %%sep 1 1 500 %%sep 1 1 500 X:0601 T: PUTNAM'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.60 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: D AG |\ FDAF dAfa | gfed cBAG | FAdf gefd | ecdB AFGE |\ FDAF dfaf | gfec dcBA | dfeg faeg | f2d2d2 :| (3gfg |\ afdA FAdf | gfed cdeg | fdba gfed | cdef ecAG |\ FAdf bagf | edcB AGFE | FAdf ebag | f2d2d2 :| %%sep 1 1 500 %%sep 1 1 500 X:602 T: MONEY MUSK B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.60 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/2 L: 1/8 K: A f |\ eAcA eAdf | eAcA Bcdf | eAcA ceea | fdBe cAAf |\ eAcA eAdf | eAcA Bcdf | eAcA cdea | fdBe cAA :| |: a |\ aefa eaca | aeda caBa | aefa eaca | fdBe cAAa |\ aefa eaca | aeda caBa | aefa eafa | caBa caa :| %%sep 1 1 500 %%sep 1 1 500 X:0603 T: THE DEVIL'S DREAM B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.60 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/2 L: 1/8 K: A e2 |\ agae agae | agae fedc | dfBf dfBf | dfBf agfe |\ agae agae | agae fedc | dfed cABA | E2A2A2 :| |: e2 |\ ceAe ceAe | ceAe fedc | dfBf dfBf | dfBf agfe |\ ceAe ceAe | ceAe fedc | defg aefd | c2A2A2 :| %%sep 1 1 500 %%sep 1 1 500 X:0604 T: CLAPP'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.60 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/2 L: 1/8 K: G D2 |\ G2B2 B2AG | FGAB A2GF | EFGA BcdB | ecAG GFED |\ E2e2 e2dc | B2d2 d2ge | dBGB cAFA | G2G2G2 :| |: D2 |\ GBdg gdBG | FGAB cAGF | EFGA BcdB | ecAG GFED |\ E2e2 e2dc | B2d2 d2ge | dBGB cAFA | G2G2G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0611 T: KEITH'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.61 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G D2 |\ GBAG FDEF | GBAG FDEF | GFAG BAcB | AGFE D2EF |\ GBAG FDEF | GBAG FDEF | Ggfe dcBA | G2G2G2 :| |: Bc |\ dBed c2AB | cAdc B2GA | BGcB AGFG | Ad^cd D2 B=c |\ dBed c2AB | cAdc B2GF | Eedc BAGF | G2G2G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0612 T: YOUNG'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.61 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/2 L: 1/8 K: D A2 |\ d2f2 f2ef | g>f e>d c>B A>G | FAdA BAGF | EFGE dcBA |\ d2f2 f2ef | g>f e>d c>B A>G | FAdA BGFE | F2D2 D2 :| a>g |\ (3fga ce dfeg | (3fga ce dfeg | fad'a bagf | efge dcBA |\ (3fga ce dfeg | (3fga ce dfeg | fad'a bgfe | d2f2 d2 :| %%sep 1 1 500 %%sep 1 1 500 X:0613 T: CHORUS JIG B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.61 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G dc | BGGB dedc | BGGB d2 dc | BGGB dedc | BGGB c2 :|\ |: de/f/ | g2f2e2d2 | dgfg d2 de/f/ | gefd ecdB | cBAB c2 :| |: ab/c'/ | bggb bggb | bggb d'2 d'c' | bggb bggb | agab c'2 :|\ |: ba | gefd ecdB | dgfg d2 de/f/ | gefd ecdB | cBAB c2 :| %%sep 1 1 500 %%sep 1 1 500 X:0614 T: TURNER'S HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.61 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G D2 |\ GDGB dGBd | gfed cBAG | ABcd ecAG | GFAF D2EF |\ GDGB dcBd | gfed cBAG | ABcd ecAF | G2G2G2 :| |: FG |\ ADFD ADFD | cCBC A2GA | BDGD BDGD | dDcD B2D2 |\ GDGB dGBd | gfed cBAG | ABcd ecAF | G2G2G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0621 T: LUCY NEAL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.62 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G D2 |\ G2G2G2G2 | G2G2G2 EF | G2GA G2F2 | E2 BG E2 FG |\ A2F2 D2F2 | A2c2 B2A2 | G2G2 F2A2 | G2G2G2 :| |: BA |\ G2D2 G2A2 | BDGA B2d2 | c2B2 A2G2 | E2 GF E2 FG |\ A2F2 D2F2 | A2cB dBcA | G2G2 F2A2 | G2B2G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0622 T: DAT NIGGER'S IN LUB WID DINAH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.62 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: D A |\ dc BA | BF FA | dc BA | B2 zA |\ dc BA | BF F>D | EE FF | [BB,][BB,]/[BB,]/ [BB,] :| |: D |\ DD/D/ DF | AF FD | EE/E/ FA | B^A Bd |\ DD/D/ DF | AF FD | EE/E/ FF | [B2B,2] z :| %%sep 1 1 500 %%sep 1 1 500 X:0623 T: LUBLY DINE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.62 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: G G/B/ |\ d2 BG | g2 fe | dDGB & d2x2 | d3 d |\ d2 cB | Ae dc | cDEF & c2x2 | [B2G2] Bc | d2 ef | ag fe | d3 d | d^c BA | fe d^c | d2 z |]\ [cA] | [B2G2] [B2G2] | [B3G3] [AF]/[BG]/ | [dB][cA] [AF][BG] | [c3A3] [cA] | .[c2A2] .[c2A2] | .[c3A3] [BG]/[cA]/ | [ec][dB] [BG][cA] | [d3B3] \ |: [dB] | [e3c3] [ec] | [f3A3] [fA] | [g3B3] G | [AE][eG] [dF][AF] |1 [B3G3] :|2 g3 |] %%sep 1 1 500 %%sep 1 1 500 X:0631 T: DANIEL TUCKER B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.63 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: D (3ABc |\ df(ec d)fec | df(ec d2)B2 | df(ec d)fec | A2A2B2d2 |\ df(ec d)fec | df(ec d2)B2 | df(ec d)fec | dAFA D2 |] (3ABc |\ d2d2d2d2 | d2d2d2B2 | d2d2d2d2 | A2A2B2d2 |\ d2d2d2d2 | d2d2d2B2 | d2d2d2d2 | A2A2B2d2 | [fA][f2A2][gB] [f4A4] | [e2c2][d2B2][B2G2][d2F2] | [ec][e2c2][fd] [e4c4] | [A2F2][A2F2][B2G2][d2F2] |\ [fA][f2A2][gB] [f4A4] | [e2A2][d2F2][B2G2][d2F2] | [e2c2][f2d2] [d2F2][d2F2] | [A2F2][A2F2] [B2G2][d2F2] |] %%sep 1 1 500 %%sep 1 1 500 X:0632 T: DANDY JIM OF CAROLINE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.63 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: F c2 |\ f2c2 d2c2 | A2c2 c2c2 | f2c2 d2c2 | A2F2F2 c2 |\ f2c2 edcB | A2c2 c2c2 | d2f2 c2B2 | A2F2F2 :| |: FG |\ A2A2 G2F2 | D2F2 F2G2 | Acfe dcBA | B2G2G2 FG |\ A2BA G2F2 | D2F2 F4 | f2c2 edcB | A2F2F2 :| %%sep 1 1 500 %%sep 1 1 500 X:633 T: WALK ALONG, JOHN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.63 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G [|\ A3B A3B | A3A A2F2 | A2A2 G2G2 | D2D2 F2A2 |\ A3B A3B | A3A A2F2 | A2BA G2AG | F2D2 F2A2 |] A2B2 c3d | c2A2 F2D2 | B2B2 G3B | D2E2 F2A2 |\ A2B2 c3d | c2A2 F2D2 | B2B2 G3B | D2E2 F2G2 |] d>BG>B d>BG>B | d>BG>B d4 | c>AF>A c>AF>A | c>AF>A c4 |\ G2A2B2c2 | d2c2B2z2 | c>AB>G D2c2 | B>GA>F G4 |] %%sep 1 1 500 %%sep 1 1 500 X:0641 T: WHAR DID YOU COME FROM? B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.64 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G GA |\ B2BB B2B2 | B2dB A3A | c2c2c2c2 | e2dc B2D2 |\ B2B2B2B2 | B2dB A3B | c2c2c2c2 | e2dc B2 |] !p!dc |\ B2AG EGD2 | !f!EA[AE][AE] [A2F2] !p!dc | B2AG EGD2 | !f!DG[GB,][GB,] !p!dc |\ BBAG EGDG | !f!EA[AE][AE] [A2F2] !p!dc | BBAG EGFA | !f!DG[GB,][GB,] [G2B,2] |] %%sep 1 1 500 %%sep 1 1 500 X:0642 T: OLD SANDY, BOY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.64 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: Dmix A>B |\ c>dB>d A>dG>B | F>AG>B D2 B>d | c>dB>d A>dG>B | A6 A,2 |\ D2E2F2G2 | A2B2c2c2 | B>AG>B A2[A2A,2] | D4 z2 |] A2 |\ A2A2A2A2 | F2G2 F2D2 | D2c2 A2F2 | G2D2 B2d2 |\ A2A2A2A2 | F2G2 F2D2 | F2AF | E2GE | D4 z4 |] A2AA A2AA | FGEF D2z2 | D2 cc A2F2 | G4 z2D2 |\ c2B2 A2G2 | F2E2 D2D2 | F2AA GGE2 | F4 z2 |] D2 |\ D2E2 F2G2 | A2B2 c2z2 | E2F2G2z2 | E2F2G2 D2 |\ D2E2 F2G2 | A2B2 c2d2 | BAGB AA[A2A,2] | D4 z2 |] %%sep 1 1 500 %%sep 1 1 500 X:0643 T: BOSTON GALS B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.64 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G D2 |\ G2G2 A2A2 | G2G2 D2D2 | G2G2 A2A2 | GA Bc dB cA |\ G2G2 A2A2 | G2G2 D2D2 | G2G2 A2c2 | BG AF G4 |] [d2B2][d2B2] [d3B3][dB] | [e2c2][d2B2] [c2A2][B2G2] |\ [c2A2][c2A2] [c3A3][BG] | [d2B2][c2A2] [B2G2][c2A2] |\ [d2B2][d2B2] [d3B3][dB] | [e2c2][d2B2] [c2A2][B2G2] |\ [cE]z [cE]z [c2E2] z2 | [A2F2] [A2F2] G4 |] %%sep 1 1 500 %%sep 1 1 500 X:0651 T: OLD GREY GOOSE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.65 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: C A2 |\ G2AB c2d2 | c2c2c2 A2 | G2E2 G2G2 | A2G2 A3B |\ c2d2 e2d2 | c2A2 G2E2 | c2A2 G2D2 | D4 D2z2 | A2G2E2z2 | A2G2E2z2 | G3G G2E2 | G4 G2z2 |\ A2G2 A3B | c2d2 e4 | c2A2 G2E2 | D4 D2 |] cA |\ G2AB cBcd | edcB dcBA | GAGE AGFD | [E4C4] [E2C2] |] %%sep 1 1 500 %%sep 1 1 500 X:0652 T: CYNTHIA SUE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.65 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G DG |\ B2B2B2B2 | c2c2c2c2 | B>dg>f e>dc>B | A2 (3ded A2 DG |\ B2B2B2 AB | c2c2c2 Bc | d>gf>e d>cB>A | G6 |] DG |\ B2B2B2B2 | c2c2c2c2 | d2c2 A2F2 | (G2 B4) DG |\ B2B2B2B2 | c2c2c2c2 | d2d2 c2A2 | G2G2G2z2 |] ([d6B6] [B2G2]) | [c2A2][e6c6] | [d4B4] [c4A4] | [B2G2][B2G2] z2[d2B2] |\ [d6B6] [B2G2] | [g6B6] [fd][ec] | [d2B2][c2A2] [B2G2][A2F2] | G6 |] %%sep 1 1 500 %%sep 1 1 500 X:0653 T: CLARE DE KITCHEN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.65 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: D D/E/ |\ FFF D/F/ | AAA F/A/ | ddd c/d/ | eee A |\ f>d e>c | dA FA | f>d e>d | dA FA |\ G>F EG | EG EG | A>G FA | FA FA | B>d c/d/e/c/ | d3 |] D/E/ |\ FFF D/F/ | AAA F/A/ | df/d/ c/d/e/c/ | dfd |] %%sep 1 1 500 %%sep 1 1 500 X:0654 T: JONNY BOKER B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.65 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: D A |\ dd ee | fd g>g | fd ec/c/ | dd AA |\ dd ee | fd g>g | fd/d/ ec | dd A2 | dd/d/ c/e/z | df g/e/z | dd/d/ c/e/z | dA[dF]z & d2x2 |]\ dA/A/ eA/A/ | fd/d/ g/e/c | d/e/f/d/ c/d/e/g/ | f/d/e/c/ d |] X:0 T: MY OLD AUNT SARAH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.66 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G D2 |\ DGGB Adde | ddcA dd zd | DGGB Adde | ddcA AG zD |\ DGGB Adde | ddcA dd zd | DGGB Adde | ddcA AG zg | =fd zg fd zg | =fefg fd z^c | dgg^f ggg2 | ggag gdz2 |\ ggz2 dd zA | B2G2 FDz2 | G2A2 B2c2 | decA AGz2 | Gg=fd c2AF | Gg=fd c2AF | GBAc Bdd2 | ddcA G2 |] %%sep 1 1 500 %%sep 1 1 500 X:0662 T: THE DAYS WHEN WE WENT HOEING CORN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.66 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: C G>G |\ c>c c>c | d>c B>A | G>G F>G | E3 D |\ C>D E>F | G>A B>c | d>c A>B | G3 G | A>A A>B | d>G G>G | F>G E>F | D3 G |\ c>c c>c | c>cc A | G>c e>d | c3 G | G>F E>F | A>G G>G | AB cd | HB2 G>G |\ c>c c>c | c>c c>c | c>B c>d | e2 e>e | f>e dd | e>c c>A | G>c e>d | c2 |] %%sep 1 1 500 %%sep 1 1 500 X:0663 T: 'TWILL NEBBER DO TO GIB IT UP SO! B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.66 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: D d2 |\ e2e2 f2f2 | e2f2 a3a | e2e2 f2f2 | ecdB A3 d |\ e2e2 f2ff | e2f2 a2f2 | g2f2 e2dd | f2e2 d2fa | gefd edB2 | e6 fa | gefd edB2 | d6 fa |\ gefd edB2 | dgfd Hg2fe | defd ecdB | A6 |] de |\ fdfd edBA | defg a2fa | gabd' c'd'e'c' | d'4 z2 |] %%text page 67: MISSING PAGES 67-70 %%text page 68: MISSING PAGES 67-70 %%text page 69: MISSING PAGES 67-70 %%text page 70: MISSING PAGES 67-70 %%sep 1 1 500 %%sep 1 1 500 X:0711 T: OLD PEE DEE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.71 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: Dmix A |\ AB cd | cA F>A | AB cd | cA D>A |\ AB cd | cA F>A | AB cd | cA D2 |] A>B G2 | F>A E2 | D/E/F/G/ AB/B/ | AE D2 |\ AA G>G | FA E2 | D/E/F/G/ AB/G/ | AE D |] %%sep 1 1 500 %%sep 1 1 500 X:0712 T: CHARLESTON GALS B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.71 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: Bb F |\ FF AB | cd BF | BB df | ed c2 |\ FF AB | cd BF | Ac GG | AF F2 |] f2f>f | ecc2 | e2e>e | dB B2 |\ AF f2 | ec AF/F/ | c/B/ A/G/ F/ e e/ | dB/B/ B2 |] %%sep 1 1 500 %%sep 1 1 500 X:0713 T: COAL BLACK ROSE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.71 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/8 K: C [|\ eg fa | eg d2 | e/e/e/e/ ff | ed c2 |\ eg fa | eg d2 | e/e/e/e/ ff | ed c2 | e2 f>f | ed cd | e/e/e/e/ ff/f/ | ed c2 |\ e2 f>f | edcz | c'/b/a/g/ f/e/d/c/ | GA/B/ c2 |] %%sep 1 1 500 %%sep 1 1 500 X:0714 T: CHING A RING CHAW B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.71 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 4/4 L: 1/8 K: G [|\ dd BG d2 z2 | ec cd eg z2 |\ dd BG d2 z2 | AB cd BG z2 | dd ge d2 z2 | dd ge ed z2 |\ dB ge d2 z2 | ec cd eg z2 | d/d/d/d/ BG d2 z2 | e/e/e/e/ cd eg z2 |\ d/d/d/d/ BG d2 z2 | AB cd BG z2 |] %%sep 1 1 500 %%sep 1 1 500 X:0721 T: GUMBO CHAFF B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.72 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 4/4 L: 1/8 K: C G>G |\ c2cc c2ce | ggag f2d2 |\ d2dd defg | aaba a2g2 |\ gggg c'2g2 | ggag g2ee | cccc cdef | g2ag f2de |\ ffdd d2gf | eccc c2ef |\ gc'ba gfed | eccc c2 |] %%sep 1 1 500 %%sep 1 1 500 X:0722 T: JUMBO JUM B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.72 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 4/4 L: 1/8 K: C ef |\ g>ag>e f2e>f | g>ag>f d2e>f |\ g>ag>e f2d>B | c>ed>B G2e>f |\ g>ag>e f2e>f | g>ag>e d2e>f | g>ag>e f2d>B | c>ed>B G2G2 |\ c2e>d c2A2 | d8 |\ c2e>d c2G2 | c8 |\ c2e>d c2A2 | d8 |\ c2e>d c2G2 | c4 z2 |] %%sep 1 1 500 %%sep 1 1 500 X:0723 T: CAMP TOWN HORNPIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.72 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: G |: g3d B2d2 | c2e2B2d2 | gfgd B2d2 | e2f2 g4 :|\ |: gfga b2d'2 | c'2b2a2g2 | babg e2a2 | d2f2 g4 :| |: g3dB2d2 | c2e2B2d2 | g3dB2d2 | e2f2 g4 :|\ |: gfgd BdBd | cece BdBd | gfgd BdBd | egfa g4 :| %%sep 1 1 500 %%sep 1 1 500 X:0724 T: YALLER GALS B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.72 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 2/4 L: 1/16 K: C e2 |\ f2e2d2c2 | d2e2g3e | f2e2d2c2 | e2c2B3e |\ f2e2d2c2 | d2e2g3e | f2e2d2c2 | e2c2G4 | G2G2 A2c2 | c6de | f2e2f2g2 | a2c'6 |\ G2G2 A2c2 | c6de | f2e2f2d2 | c6eg | c'bc'a g2ag | fefg e2ag | fedc B2g2 | c4 z2 |] %%sep 1 1 500 %%sep 1 1 500 X:0731 T: MISS CAMPBELL'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.73 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 4/4 L: 1/8 K: G D | G>AB>G D>GB>G | G>AB>G F>AA>B | G>AB>G E>GD>G | c>AF>d BGG :| d | Tg>ab>g e>gd>g | Tg>ab>g faTa>b | Tg>ab>g d>g B>G | c>eA>d BGG || d | g>abg dgBg | g>ab>g f<aa>b | g<bd<g d<bB<g | c<eF<d BGG |] %%sep 1 1 500 %%sep 1 1 500 X:0732 T: BYNG'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.73 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf M: 4/4 L: 1/8 K: D d |\ d/c/B/A/ {c}d>A FDDF | GE {E}e>d cAA{c}d |\ d/c/B/A/ {c}d>A FDDF | G>E{E}A>F D3 :| G |\ F>DA>D FD~D>F | GEB>E GE~E>G |\ FDA>D FDDF | {F}G<E {E}A>F D3 || G |\ FD A>D FD~D>F | GE B>E GEE>G |\ F>DA>F B>GA>F | {F}G>EA>F D3 |] %%sep 1 1 500 %%sep 1 1 500 X:0733 T: MANCHESTER STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.73 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf N: The 4th part has an initial repeat but no final repeat. Fixed by omitting the initial repeat, giving 32 bars. M: 4/4 L: 1/8 K: G D |\ G<GG>G TB>GBd | e<gdB {B}A2A>B |\ G<GG>G B>GBd | e<gTd>B G2G :| |: d |\ Tg>aba gedg | e<gTd>B {B}A2A>B |\ g>aba b/a/g/e/ dg | e<gTd>B {A}G3 :| |: B |\ DGEG DG ce | d<BG>B {B}A2A>B |\ DGEG D>G ce | d>Bg>B G3 :| d |\ g>ab>a ged>g |\ d>egb Ta2a>b |\ Tg>ab>a b/a/g/e/ d>g | e<gd>B {A}G2G || d |\ Tg>ab>a ged>g | d>egb Ta2ag/a/ |\ b>g b/a/g/f Tg>ed>g | d>cB>A G3 |] %%sep 1 1 500 %%sep 1 1 500 X:0741 T: MR BAILLIE'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.74 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: G BA |\ G2A2 GAGE D3ED3F | G3ED3E {G}A4 A2BA |\ G3A GAGE D3EG2g2 | d2B2 G2B2 d6 :| |: e2 |\ g3a gaba g2e2 d3B | gaba gabg a4 a2b2 |\ d'4 d'3b a2ge2a | g3e d3B {B}d6 :| |: g2 |\ G3dB3d A3GA3B | G3dB3d e4 e2g2 |\ G3dB3d A3GA2 ef | g3e d3B d6 :| |: d2 |\ g2a2 gabg g2e2 d2B2 | gaba gabg a4 a3b |\ g2a2 gaba g2e2 d2B2 | B2d2 D3E {EF}G6 :| |: d2 |\ B3dG3d Bd3g3d | B2d2 G2g2 a4 a3b |\ Bd3G2d2 B3dg3a | bagf g3B G6 :| b2 |: g2d'2b3d' c'3d'b2d'2 | g3d'b2g2 a4 a2b2 |\ [1 g3d'bd'3 c'3d'b2d'2 | b2d'2 d3e g4 g2b2 :|\ [2 g3d'b2g2 a3ge2g2 | Bd3D3E G6 |] %%sep 1 1 500 %%sep 1 1 500 X:0742 T: LADY CARMICHAEL'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.74 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: D G2 |\ FGA2 TA3d c3de3f | g3e f2ed ce3 e3f | FGA2 TA2d2 Tc3dTe3f | g3ef3d Ad3d3A | FGA2 TA3d c3de3f | g3e f2ed ce3e3f | FGA2 A3d c3de3f | gfed c3a f2d2d2 |] fg |\ a3dfa3 d3afd3 | g3e gfed c2e2Te2 fg | a3df3a Td3afd3 | g3eA3g fd3~d2 fg | a3dfa3 d3afd3 | g3e gfed ce3e2 fg | f3dB3d A3dF3d | (Bcd2) (cde2) f2d2d2 |] %%sep 1 1 500 %%sep 1 1 500 X:0751 T: MISS SITWELL'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.75 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: D FE |\ D2A2F2A2 B2E2E2 FE | D2A2F2d2 A2f2d2a2 | f3e defd e2E2E2 FE | D2A2F2d2 TA4 AGFE | D2A2F2A2 B2E2E2 FE | D2A2F2d2 A2f2d2a2 | f3e defd e2E2E2 FE | A2d2F2A2 {A}d4 d2 |] fg |\ a2d'2Tf3a b2e2e2 fg | a2d'2Tf3g a2b2f3d' | af3d'3a b2e2e2 fg | a3d'f3g Ta4 a2fg | A2d'2Tf3a b2e2e2 fg | a3b/c'/ d'2c'2 Tb2a2Tg2f2 | {f}e3d {de}f3d e2E2E2 FG | A3d {B}A2GF {F}A4 A2d2 |] %%sep 1 1 500 %%sep 1 1 500 X:0752 T: MRS. F. GRAY'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.75 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: G g2 |:\ Td3eTg3a bagf Tg4 | Td3eg3b a2A2ce3 | Td3eg3a bagf g3e | dB3g3e d2G2Bd3 :| Td2B2d3B b2B2Td2B2 | d2B2g3d e2A2c2e2 | Td2B2g3d b3ga2f2 | g3deg3 B2G2 Bg3 | d2B2g3B b2B2Td3B | d2g2f2g2 a2A2 ce3 | d2B2b3g a3fg3e | d3g fgaf g3G Bg3 "^D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:0753 T: MISS BAIRD'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.75 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: Em e2 |\ E3FG3A Be3 Te4 | d3ed3A FGAG F3D | E3FG3A Be3 Te4 | f3c' bagf ge3 e3G | E3FG3A Be3 Te4 | d3ed3A FGAG F3D | E3FG3A Be3 Te4 | b2g2 bagf g2e2e2 |] ga |\ b3eg3e be3 Tg4 | fa3a3g fgag fd3 | b3eg3e be3 Tg4 | fgag bagf ge3Te3g | b3eg3e b3e Tg4 | fa3a3g fgag fd3 | b3ge3B e3c B3G | A3c BAGF G2E2E2 |] %%sep 1 1 500 %%sep 1 1 500 X:0761 T: CORIMONY'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.76 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D B | A>DA>F d>FA<B | A<DA>F E>FG>B | A>DA>F d>FA>B | d>fe>g fdd :| g | Tf2d>f g>ef<d | edf>d g<e=c>e | f2d>f g<ef<d | e/e/e e/e/e fdd || g | f2d>f g<ef<d | e>df<d g=ceg | f<ae<f d>ef<d | A<F A>g fee |] %%sep 1 1 500 %%sep 1 1 500 X:0762 T: STRATHDOWN, A STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.76 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D D | D/E/F/G/ AF D/D/D B2 | A<dA>F G<EE<F | D/E/F/G/ AF D/D/D B2 | A<dAG FDD :| g | f>ed<e d/d/d f2 | d<ef>d e>EE<g | f>ed<e d/d/d f2 | B<dAG FDD || g | f>ed<e d/d/d f2 | d>ef>d e>EE<g | f>be>f d>ec>d | B<dA>G FDD |] %%sep 1 1 500 %%sep 1 1 500 X:0763 T: JOHNNY PRINGLE, A STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.76 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: G |:\ D3G G3g d2G2 TB4 | D3G G3g d2G2 Bg3 |\ D3G G3g d2B2 TB4 | c3A B3G {B}A2G2 EA3 :| G2g2 g3b bagf Tg4 | ~e3f ~g3a b2e2g2b2 |\ e3f agfe d2B2 cd3 | eg3 d3B cBAG E2A2 || G2g2 g3b bagf g4 | e3fg3a b2e2a2b2 |\ e3f agfe d2B2 c3d | eg3 d2B2 cBAG E2A2 |] %%sep 1 1 500 %%sep 1 1 500 X:0764 T: McFARLANE'S STRATHSPEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.76 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D f |\ dATA2 F<DTD2 | f>ae>g dBTe2 |\ d<ATA3 F<D D>g | f>ae>g d/d/d d :| f |\ a>baf Te>def | d>AB>F {c}dFE2 |\ a>baf Te>def | d>AA>B d>ed>f | Ta>baf Te>def | d>AB>F dFE>F |\ D>FE>G FA A>g | f>ae>f d/d/dd2 |] %%sep 1 1 500 %%sep 1 1 500 X:0771 T: MRS. McLEOD'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.77 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: A c2 |\ A2ag fefa | c2c>d c2c>B | A2ag fefa | B2B>c BdcB |\ A2ag fefa | c2c>d c2ce | f2fe fefg | afec B2 || c2 |\ A2cA eccf | c2c>B c2ca | A2cA eccf | B2B>A B2Bc |\ A2cA eccf | c2cB c2ce | fgfe f2 ef/g/ | afec B2 |] %%sep 1 1 500 %%sep 1 1 500 X:0772 T: THE TWO SISTERS B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.77 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf N: This is a variant of Boys (or Beaux) of Blue Hill. %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D dB |\ AFDF AFAd | BABd e2de | f2af e2fe | defd B2dB |\ AFDF AFGA | BABd e2de | f2af e2de | f2d2d2 :| |: de |\ fefg a2gf | efga b2ag | f2af e2fe | defd B2dB |\ AFDF AFGA | BABd e2de | f2af e2de | f2d2d2 :| %%sep 1 1 500 %%sep 1 1 500 X:0773 T: SPEED THE PLOUGH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.77 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: A |:\ ABcd efec | eaec efec | dedB cdcA | FBBA GBBc |\ ABcd efec | eaec efec | dedB cdcA | FBAG A2z2 :| |:\ aAce aece | aAgA fAeA | dedB cdcA | FBBA GBBc |\ aAce aece | fdBf ecAc | dedB cdcA | FBAG A2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0781 T: LASSIE WI' THE YELLOW COTTIE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.78 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf N: Oddly, the 2nd part consists of 2 identical 4-bar phrases, thus played 4 times, giving 24 bars total. %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: G A | TG2G>B d>egd | e/e/e gd edeg | g>G GB Td>egd | e/f/g dB AGE :| |: a | g>abg aegd | Bdde =fged | Tg>abg aegd | e/f/g dB TAGE || a | Tg>abg aegd | Bdde =fged | Tg>abg aegd | ef/g/ dB AGE :| %%sep 1 1 500 %%sep 1 1 500 X:0782 T: McDONALD'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.78 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: G B | d3e d>Bg>B | dBgB aA AB | Td^cde dBgB | A/B/c BA BGG :| |: B | DGBG AGBG | DGBG AGAB | DGBG AGBG | dedc BGG || d | dgbg agbg | dgbg agec' | bagf gfed | efga bgg :| %%sep 1 1 500 %%sep 1 1 500 X:0783 T: LADY HOP'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.78 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/2 L: 1/8 K: G B | GBdg edcB | g2bg aA AB | GBdg edcB | cAdB G/G/G G :| |: d | gdga b2ag | fdad bdad | gdga b2ag | dg fa g/g/g a2 | gdga b2ag | agab c'bab | gedc B2ge | d>B c>A G/G/G G :| %%sep 1 1 500 %%sep 1 1 500 X:0784 T: LOCH EARN, A REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.78 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: G d | g2dB ~G2BG | ~E2AE FD Dd | g2dB ~G2BG | EAFD G2G :| d | efge fgab | Tgfge fddf | efge fgag | Tfefd g2B || d | efge dBgB | ceBd AFED | GABG EG ce | dB cA G2G |] %%sep 1 1 500 %%sep 1 1 500 X:0791 T: MARGARET STEWART'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.79 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: Bm g | Tf2Bf dBfB | f/^g/a ef cAec | Tf2Bf dBfd | ecac B/B/B B :| A | FB TB>c dBcA | EA Ac Tc>dec | FB B>c dBdb | a>fec B/B/B TB2 | FB B>c dBcA | EA A>B Tc>dec | dBdb cAce | dfec B/B/B B |] %%sep 1 1 500 %%sep 1 1 500 X:0792 T: MISS HAY'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.79 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ d2fd e2ge | fafd cecA | d2fd e2ge | fa Ac d2D2 :| D2 FD AF dB | AFED E>DEF | D2 FD AF dB | AFGE D2D2 | D2 F/E/D AF dB | AFED E>DEF | D2 F/E/D AF dB | Agec d2D2 |] %%sep 1 1 500 %%sep 1 1 500 X:0793 T: MRS. GRAHAM'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.79 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: It would make sense to repeat the part labelled "C", giving 32 bars in ABCB form. M: 4/4 L: 1/8 K: D "A: "[|] d | ADFD FAAB | GBFA BEEd | ADFD FAGB | Agfe dDD :| "B1:"[|] B | Adfd edfd | gefd eg=ce | ddfd eeae | fdec dDD || d | d2fd edfd | gefd cdeg | fdcd AdFd | Agfe dDD |] "C: "[|] F | AdFd AdFA | BdFA BEEF | AdFd AdFd | GBAc dDD |] "B2:"[|] F | Adfd edfd | gefd eg=ce | d2fd eeag | fdec dDD || c | d2fd edfd | gefd cdeg | fdcd AdFd | Agfe dDD |] %%sep 1 1 500 %%sep 1 1 500 X:0801 T: GORDON'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.80 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ d2fd Adfd | GeFd eAcA |\ d2fd Adfd | gbaf d/d/d d2 :| (3faf df (3gbg eg | (3faf df geeg |\ (3faf df (3gbg eg | afge d/d/d dg | (3faf df (3gbg eg | (3faf df geeG |\ FDGE AFdA | GBAG D/D/D D2 |] %%sep 1 1 500 %%sep 1 1 500 X:0802 T: ARTHUR'S SEAT, A REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.80 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |: DFAd fedf | efgf e/e/ee2 | DFAd fedc | dBAF D/D/DD2 :|\ |: BAdA BAGF | GBAF E/E/EE2 | BAdA BAGF | GBAF D/D/DD2 :| |: dfAf egAg | fgaf e/e/ee2 | dfAf egAg | fgaf d/d/dd2 :|\ |: BAdA BAGF | GBAG E/E/EE2 | BAdA BAGF | GBAG D/D/DD2 :| %%sep 1 1 500 %%sep 1 1 500 X:0803 T: REPUBLICAN SPIRIT B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.80 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The MS has 4/4, but with 8 1/16-notes per bar. M: 2/4 L: 1/16 K: D dcde |\ fafd cABc | dAFA DFAF | EGBG AFDF | E2E2 DF Ad |\ fafd cABc | dAFA DFAF | EGBG Acec | d4 :| |:\ Acef | gfge Adfg | a^gag d3A | Bcde f3g | fed2 Acde |\ fdAF EGBe | gfge dcBA | BAGF GBEc | [d4F4] :| %%sep 1 1 500 %%sep 1 1 500 X:0804 T: DALKEITH FAIR, A REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.80 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: G |: g2dB g2dB | TA>GAB A/A/AA2 | g2dB g2dB | TA>GAB G/G/GG2 :|\ |: GBdB gBdB | GBdB A/A/AA2 | GBdB gBdB | TA>GAB G/G/GG2 :| |: g2bg afge | dBgB A/A/AA2 | g2bg afge | dBcA G/G/GG2 :|\ |: GBdB gbgd | GBdB A/A/AA2 | GBdB gbgB | dBcA G/G/GG2 :| %%sep 1 1 500 %%sep 1 1 500 X:0811 T: LADY MURRAY'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.81 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: Amix e |\ cA A/A/A EAAc | BGdB gded |\ cA A/A/A EAAc | BG gB A/A/A A :| g |\ agab abae | gaeg BGdB |\ agab abae | degB A/A/A A || g |\ abga egdg | Bgdg BGdB |\ cAdB dega | gegB A/A/A A |] %%sep 1 1 500 %%sep 1 1 500 X:0812 T: GRAY'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.81 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D F |\ DFAF DGBG | FAdF GEEF |\ DFAF G/A/B/c/ dg | fd e/f/g/e/ fdd :| g |\ ~fdaf ~gebg | ~fdaf Tgeeg |\ ~fdaf gbag | fd AG FDD || g |\ fd f/g/a/f/ ge g/a/b/g/ | fd f/g/a/f/ geeg |\ fd AF G/A/B/c/ dg | fd e/f/g/e/ fdd |] %%sep 1 1 500 %%sep 1 1 500 X:0813 T: MISS HAWKES'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.81 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G d>c |\ B>GTG2 D>GTG2 | B>Gd>B g>dB>d | c>ATA2 F>ATA2 | c>ed>c B>cA>c |\ B>GTG2 D>GTG2 | B>Gd>B g>dB>d | (ce).d.c (Bc).A.B | G2B2G2 :| |: d>c |\ B>dTd2 B>dTd2 | Bdef gdcB | c>eTe2 c>eTe2 | ceag fedc |\ B>dTd2 B>dTd2 | BGAB cdef | gdec BcAB | G2B2G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0814 T: GIBSON'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.81 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D FG |\ Adcd fdcd | adcd fdcd | Adcd fdcd | g2e2e2 FG |\ Adcd fdcd | adcd fdcd | ABcd efge | f2d2d2 :| |: f>g |\ a3b afge | dcde f2e2 | edcd Adfa | g2e2e2 fg |\ a3b afge | dcde f2e2 | edcd BAGE | A2D2D2 :| %%sep 1 1 500 %%sep 1 1 500 X:0821 T: LEFT HANDED REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.82 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ dcdA (3Bcd AF | DFAF GEEc |\ dcdA Bd AF | dfeg fdd2 :| |:\ d>fa>f b>ga>f | dfaf geef |\ dfaf bgaf | gfeg fdd2 || dfaf bgaf | dfaf geeg |\ fdec d2AF | DF Ad fdd2 :| %%sep 1 1 500 %%sep 1 1 500 X:0822 T: THE WIND THAT SHAKES THE BARLEY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.82 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ d2dc dA FA | B2BA B2d2 |\ A2A^G AFD f | gfed B2d2 :| f2fd g2ge | f2fd cecA |\ f2fd g2ge | afed B2d2 || f2fd g2ge | f2fd cecA |\ fa fd gb ge | afed B2d2 |] %%sep 1 1 500 %%sep 1 1 500 X:0823 T: ROHAN'S REEL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.82 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ A2A^G Add2 | A2AG Ec cB |\ A2A^G Add2 | cAGE D2D2 :| edcd eAA2 | edcd eaa2 |\ edcd edcA | GA cd edd2 || edcd edcd | edcd eaa2 |\ gefd edcA | GA cd edd2 |] %%sep 1 1 500 %%sep 1 1 500 X:0824 T: PETER STREET DANCE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.82 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: A |:\ A2(3cBA eA (3cBA | eAaA gAfA |\ eA (3cBA eA (3cBA | (3GFE BE dE (3GFE |\ A2(3cBA eA (3cBA | eAaA gAfA |\ efec eaec | (3cBA Bc AAA2 H:| E2(3GFE BE (3GFE | GE dE BE (3GFE |\ A2(3cBA eA (3cBA | eAaA gAfA |\ efec agaf | efec agaf |\ ecag fedc | BAGF "DA CAPO"EdcB |] %%sep 1 1 500 %%sep 1 1 500 X:0831 T: KINLOCH OF KINLOCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.83 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C c |\ e>dc G<EG | A<FA G<EG | e>dc GEG | A2Bc2d |\ e>dc GEG | A<FA GEG | e>dc A<fe | dcB c2 :| |: g |\ e2g d2g | cBc B2g | e2g d2g | ^fef g2g |\ a2a g2g | f2f e2c/d/ | e>dc A<fa | g2B c2 :| %%sep 1 1 500 %%sep 1 1 500 X:0832 T: LAND OF SWEET ERIN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.83 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Bb G/A/ |\ BcB BFD | FGF FGA | BcB BFD | Ccc c2~d |\ BcB BFD | FGF F2f/e/ | dcd BFD | GBB B2 :| |: F |\ Bdf fdB | Ace ecA | Bdf fdB | dff f2F |\ Bdf fdB | ABc cde | dcd BFD | GBB B2 :| %%sep 1 1 500 %%sep 1 1 500 X:0833 T: PADDY O'RAFFERTY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.83 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C |:\ Gee Gdd | Gee dcd | Gee Gdd | c>dc cAG |\ Gee Gdd | Gee dcd | ceg geg | c>dc cAG :| |:\ {cd}e2G GEG | {cd}e2c {e}dcd | {cd}e2G GEG | c>dc cAG |\ {cd}e2G GEG | {cd}e2c {e}dcd | ceg geg | c>dc cAG :| %%sep 1 1 500 %%sep 1 1 500 X:0834 T: PADDY CAREY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.83 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D [|\ A2d dcd | f2d dcd | B2e e^de | g2e c2A |\ A2d dcd | f2d dcd | cBA ABc | def e2d || ||\ d2f g2b | a2b afd | d2f g2b | afd e2f |\ d2f g2b | a2b afd | cBA ABc | def e2d |] %%sep 1 1 500 %%sep 1 1 500 X:0841 T: IRISH WASHERWOMAN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.84 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G d |\ BGG DGG | BGB dcB | cAA DAA | cAc edc |\ BGG DGG | BGB dcB | cBc Adc | BGG G2 :| |: g/a/ |\ bgg dgg | bgb bag | aff dff | afa agf |\ egg dgg | cgg Bgg | cBc Adc | BGG G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0843 T: OVER THE WATER TO CHARLIE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.84 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F F |\ FAc cAc | dfd cAF | FAc cAc | (d3 f2)F |\ FAc cAc | dfd cAF | faf gec | (d3 f2) :| |: f |\ faf gec | dfd cAF | faf gec | (d3 f2)f |\ faf gec | dfd cAF | FAc cAc | (d3 f2) :| %%sep 1 1 500 %%sep 1 1 500 X:0844 T: THE STOOL OF REPENTANCE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.84 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G d/e//f// |\ g2d B2d | gfe dcB | gee Te2d | egf Te2d |\ g2d B2d | gfe dcB | ~c2d ~e2d | e<g B TA2G :| |:\ BGG dGG | BGG dcB | cAA eAA | cAA edc |\ BGG dGG | BGG dcB | ~c2d ~e2d | e<g B TA2G :| %%sep 1 1 500 %%sep 1 1 500 X:0851 T: BLACK, BUT LOVELY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.85 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Em |:\ B2d e2f | g>ag f2e | dBg f2e | dBe E2F |\ G>AG dBd | e/d/e/f/g/a/ f2e | {e}d{c}B{A}G A>cB/A/ | GEE TE3 :| g2a b2c' | bag fed | Tgfe agf | bag fed |\ g2a b2c' | bag f/g/e/f/d | (3g/a/g (3f/g/f/ e (3a/b/a/ (3g/a/g/ f | bag (3f/g/f/ (3e/f/e/ d | Tbc'/b/a/g/ Tab/a/g/f/ | ga/g/f/e/ f/a/g/f/e/d/ |\ Tbc'/b/a/g/ Tab/a/g/f/ | ga/g/f/e/ f/a/g/f/e/^d/ |\ eEE EFG | GAB B^c^d | eEE GAB | B>AB E3 |] %%sep 1 1 500 %%sep 1 1 500 X:0852 T: PERKINS' HAT JIG B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.85 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C |:\ gec c2c | Bcd G2G | A2A f2e | dec dBG |\ gec c2c | dBG G2F | EGc fdB | c3- c2z :| |:\ efg a2a | def g3 | A2A f2e | dec B2G |\ efg a2a | b2b c'3 | egc f2e | dcB c3 :| %%sep 1 1 500 %%sep 1 1 500 X:0853 T: MAX HAWKES'S FAVORITE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.85 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G B/c/ |\ dBG BGE | EAA A2G/A/ | B>AG dBG | Bdd Td2c/B/ |\ cec dc/B/A/G/ | EAA A2G/A/ | B>AG EGD | EGG G2 :| g/a/ |\ b>ag egd | eaa a2g/a/ | b>ag egd | egg Tg2B |\ cec dBG | EAA A2G/A/ | B>AG EGD | EGG G2 g/a/ | b>ag egd | eaa a2g/a/ | b>ag egd | egg Tg2B |\ egg Tg2B | c/e/d/c/B/A/ B/d/c/B/A/G/ | EAA A2B/c/ | d>c B/A/ GBD | EGG G2 |] %%sep 1 1 500 %%sep 1 1 500 X:0861 T: THE MALTMAN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.86 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: G D | E/F/GG G2g dBG | F2A AFA TF2D | E/F/GG G2g def | g2G G>AG G2 :| |: c | Bcd efg dBG | TF2A AFA TF2D | dBd ece def | g2G GAG G2 :| |: d//e//f/ | g3 Tf2e dBG | TF2A AEA TF2D | gag Tf2e def | g2G GAG G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0862 T: HOT MUTTON PIES B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.86 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has 5 bars. M: 9/8 L: 1/8 K: A e |\ c>BA AE^G A2c | B>AG GBc d2e/d/ |\ c>BA AE^G A2c/c/ | B>cd dec B3 :| |: G |\ cde ece e2c | cde e^fg d2B |\ cde ece e2e | ddd dec B2e |\ c>BA AE^G A3 :| %%sep 1 1 500 %%sep 1 1 500 X:0863 T: WOOED AND MARRIED B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.86 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: F f |\ c2B ABG F3 | ABc cfA c2f |\ dcB ABG FGA | D2d de^c d2 :| f |\ cde fgf edc | ABc cfA c2f |\ cde fgf edc | A3d de^c d2 || f |\ cde fgf edc | ABc cfA c2f |\ dcB ABG FGA | D2d de^c d2 |] %%sep 1 1 500 %%sep 1 1 500 X:0864 T: JACK IN THE WEST B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.86 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: Edor |:\ E2e E2F G3 | D2d D2B AFD |\ E2e E2F G3 | D2e d2A BGE :| e2b bag Tf3 | d>ef/g/ a2g fed |\ e2b bag Tf3 | B2e d2c BGE | e2b bag f3 | d>ef/g/ a2g fed |\ bag agf Te3 | B2e d2A BGE |] %%sep 1 1 500 %%sep 1 1 500 X:0871 T: EDINBURGH QUICK STEP C: Dr. A. S. Grenville B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.87 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Bb g |\ f>ed Td>cB | B<GG G3 | F<BB B>cd | Td<cc c2g |\ f>ed Td>cB | B<GG G3 | F<BB ceA | B2B B2 :| |: F |\ D<FB dbg | f<dd Td2c | B>df gfd | Tc2c c2F |\ D<FB dbg | f<dd Td2c | Bgf dBc | B2B B2 :| %%sep 1 1 500 %%sep 1 1 500 X:0872 T: FLAGG'S JIG B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.87 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Amix e |\ AAA AAA | AAA c2e | AAA AcA | d2c BGe |\ AcA AcA | AcA c2A | d2B c2A | d2c BGe :| |:\ AAA e3 | AAA cAc | AAA e2c | d2c BGB |\ AAA e3 | AAA c2A | d2B c2A | d2c BGB :| %%sep 1 1 500 %%sep 1 1 500 X:0873 T: MISS DAWSON'S WHIM B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.87 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G B/c/ |\ dBG Gge | dBG Gge | dcB dcB | ABA/B/ A2B/c/ |\ dBG Gge | dBG Gge | dcB cBA | GAG/A/ G2 H:| |: G |\ Bdd Add | gag f2d | Bdd Add | gec d3 |\ Bdd Add | gag f2d | Bdd Add | gfe d3 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:0874 T: MR. BLAIR'S JIG B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.87 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G B/c/ |\ dBG GBG | AFD DFD | EFG ABc | BAG FED |\ dBG GBG | AFD DFD | EFG AFD | G3 G2 :| |: B/c/ |\ dBd dBd | gfg dBG | cec BdB | ABG AFD |\ dBd dBd | Tgfg dBG | EFG AFD | G3 G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0881 T: THE NEW POLKA DANCE No. 1 C: Offenbach B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.88 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C |:\ def2 b2a2 | a2g2 e'3e | g2f2 "^>"a2B2 | {d}c>Bc>d e2c2 |\ def2 b2a2 | a2g2 e'3e | g2f2 e'2d'2 | c'2c'2c'2z2 H:| |:\ d'4 c'ba^g | a2^g2a2b2 | d'2c'2^f'2e'2 | e'2d'2 d'4 |\ d'4 c'ba^g | a2^g2a2b2 | d'2c'2b2a2 | g2b2g2z2 "^Da Capo":| K: F |:\ "^>"c'2f2f2a2 | a2g2g4 | "^>"d'2d2d2e2 | {g}f>ef>g a2f2 |\ "^>"c'2f2f2a2 | a2g2g4 | d'2d2e2c2 | f2a2f2z2 "^Da Capo":| %%sep 1 1 500 %%sep 1 1 500 X:0882 T: THE POLKA DANCE No. 2 C: Muller B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.88 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C (c2 |\ B2)GG G2(d2 | c2)GG G2e2 | f<a "^>"a4 B2 | c2{a}g^f g2(c2 |\ B2)GG G2(d2 | c2)GG G2e2 | f<d' "_>"d'4 B2 | dc{d}cB c2 H:| |: z2 |\ d'f' "_>"f'4 b2 | c'<e'a2 a<c'^f2 | a<c' "_>"c'4 ^f2 | g<bd2 d<bB2 |\ d2 "_>"b4 g2 | e<gc2 c<eA2 | ^F<e "_>"e4 ^F2 | G2G2G2 "^Da Capo":| K: F !p!Acfg a2f2 | d'c'fg a2f2 | cega b2g2 | e'2d'2 Td'2c'2 |\ Acfg a2f2 | d'c'fg a2f2 | cega b<d'g2 | g<be2 e<gB2 | !f!Acfg a2f2 | d'c'fg a2f2 | cega b2g2 | e'2d'2 Td'2c'2 |\ Acfg a2f2 | d'c'fg a2f2 | egbd' c'2e2 | faca f2 "^Da Capo"|] %%sep 1 1 500 %%sep 1 1 500 X:0891 T: WASHINGTON'S MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.89 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: G |:\ G4D3G B4G3B | d4B3d g8 | e4g3e d4g3e | d3cB3A B4G4 |\ e4g3e d4g3e | d3cB3A B4G4 | BcBc d2d2 e2d2c2B2 | A4d3d d4z4 | BcBc d2d2 e2d2c2B2 | A4A3A A8 | g2f2e2d2 f2e2d2^c2 | d4d3d d8 :|\ |:\ ABAB c2c2 d2c2B2A2 | BcBc d2d2 e2d2c2B2 | ABAB c2c2 d2c2B2A2 | B4A3A A8 | dedc BcBA G4G4 | d2=f2e2d2 e8 | efed cdcB A4A4 | e2g2f2e2 f6ef |\ g4d3d d4g3e | d4B3B B4d4 | g2g2f2e2 d2c2B2A2 G4G3G G8 :| %%sep 1 1 500 %%sep 1 1 500 X:0892 T: CHAMPION'S MARCH C: B. F. Richardson B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.89 #2 %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: Bb B>d |\ f2 (3gf=e f2 (3gfe | f2 d>d d2 b>a | g>f e>d c>B A>G | F2 f>g f>e d>e |\ f2 (3gf=e f2 (3gfe | f2 d>d d2 (3Bdf | b>a (3gfe d>f (3ecA | B2 B>B B2 || B>d |\ c>d c>A F2 B>d | f>g f>d B2 (3fga | b>b a>b a>g f>=e | f>a g>=e f2 B>d |\ c>d c>A F>A c>d | e4 g4 | f>b g>e d>f e>c | B2 B>B B2 || B>d |\ c4 f2 =e/f/g/a/ | bf dB f2 B/c/d/e/ | f>g f>=e f>g f>e | f>=e f>g f>_e d>c |\ c4 f2 =e/f/g/a/ | bf dB f2 B/c/d/e/ | f>g f>=e f>g f>e | f>_e c>d B2 |] %%sep 1 1 500 %%sep 1 1 500 X:0893 T: LONDON MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.89 #3 %: 2012 John Chambers <jc:trillian.mit.edu> N: Corrected odd, inconsistent beaming in bars 3, 7. M: 4/4 L: 1/8 K: D |:\ F2 F>F F2 E2 | D>F A>d B2 A2 | B>dA>d G>dF>d | E>DE>F E2 E>E |\ F2 F>F F2 E2 | D>F A>d B2 A2 | B>dA>d G>cd>g | f2 e2 d4 H:| A>GF>G A>AG>F | E>FG>E F2 E2 | D>DD>E F>FF>G | A>AG>F F2 E2 |\ A>GF>G A>AG>F | E>FG>E F2 E2 | D>DD>E F>FF>G | A>AG>F "^DA CAPO"F2 E2 |] %%sep 1 1 500 %%sep 1 1 500 X:0901 T: BONAPARTE'S RETURN FROM ELBA B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.90 $1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D (3ABc |\ d2f>g a2A2 | B>cd>e f2A2 | B>cd>e f>de>c | d2d>d d2A/B/c/d/ |\ e2c>A e2d>B | e2c>A a2f>d | e>e c>A d>d B>^G | A2A>A A2 :| |: A2 |\ A>AA>A A>AA>A | (3faf (3dfd A2A2 | Aaaa ag gf | f3g/f/ e2z2 |\ A>AB>B c>cd>d | e>ef>f g3e | f2df e>dc>A | d2d>d d2 :| |: A2 |\ d4 c2B2 | B>A A>A A2z2 | B4 A2G2 | G2F>F F2A2 |\ dd/e/ fe dcBA | B2b2 A2a2 | G>e F>d E2c2 | d2d>d d2 :| %%sep 1 1 500 %%sep 1 1 500 X:0902 T: HIGHLAND MARCH C: Joseph W. Turner B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.90 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Today known as March of the Diehards. M: 4/4 L: 1/8 K: F c2 |\ f>ef>g a2g>f | d<f d<f c<A F<A | B<d B<d c<A F<A | G2G2 G2z2 |\ f>ef>g a2g>f | d<f d<f c<A F<A | B<d B<d c<b g<e | f2f2 f2 :| |: FG |\ A<F c<A "^>"f2 ed | c<A c<A G2 FG | B<d B<d c<A F<A | G2G>G G2FG |\ A<F c<A f2ed | c<A c<A G2FG | A<c A<c G<B AG | F2F>F F2 :ee %%sep 1 1 500 %%sep 1 1 500 X:0903 T: GRAND MARCH IN NATHALIE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.90 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: F C>F |\ A6 (3CFA | c6 (3FAc | f3e gfed | c>dB>c A2C>F |\ A6 (3CFA | c6 (3Gce | g3f e2ef | d>cd>e c2 :| |: B>A |\ G2AB c2de | f2c2 f4 | f2e>f g4 | g2f>g afcA |\ G2AB c2de | f2c2 f4 | g2g2 fede | f2f2 f2 :| K: Bb |: F>B |\ d2d2 c2d2 | e6 A2 | B2B2 c2c2 | d2f2 c2F>B |\ d2d2 c2d2 | e6 A2 | BFBc decd | c4 B2 :| %%sep 1 1 500 %%sep 1 1 500 X:0911 T: DUKE OF REICHSTADT'S MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.91 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: D ^GABA |\ d4 ^GABA e4 GABA | f4 f2e2 d4 ^GABA |\ g4 ^GABA f4 GABA | a2^gf edcB A2^GA ^AB^Bc | d4 ^GABA e4 GABA | f4 f3f g3g^g3g |\ a4 gfed g4 fedc | d4 d3d d4 z4 |\ A2B2c2d2 (^d4e4) | d2e2f2g2 (^g4a4) | =g4 c'bag f4 bagf | ea^gf edcB A4 A3A |\ A2B2c2d2 (^d4e4) | d2e2f2g2 (^g4a4) |\ G2e^d ec AE F2dc dAFD | A4 A3A A4 ^GABA | d4 ^GABA e4 GABA | f4f3f g3g^g3g |\ a2=gf edcB A3A B3c | d4d3d d4z4 H|] K: G [B2G2][c2A2] [d8B8] [c2A2][B2G2] | [e2c2][f2d2] [g8e8] [f2d2][e2c2] |\ [d4B4] [B3G3][BG] [c2A2][B2G2][A2F2][B2G2] | [c4A4] [A3D3][AD] [A4D4] z4 |\ [B2G2][c2A2] [d8B8] [c2A2][B2G2] | [e2c2][f2d2] [g8e8] [f2d2][e2c2] |\ [d4B4] [g3B3][gB] [a4c4] [f3A3][fA] | [g4B4] [g3B3][gB] [g4B4] || B3B |\ E2F2 G4 A2G2F2E2 | ^D4 B4- B2A2G2F2 |\ E2^D2E2F2 G4E4 | [B4F4][B3F3][BF] [B4F4]z4 |\ [B2G2][c2A2] [d8B8] [c2A2][B2G2] | [e2c2][f2d2] [g8e8] [f2d2][e2c2] |\ [d4B4] [g3B3][gB] [a4c4] [f3A3][fA] | [g4B4] [g3B3][gB] "^da Capo"[g4B4] |] %%sep 1 1 500 %%sep 1 1 500 X:0912 T: THE HERO'S MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.91 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D Bc |\ d2A>A A2A2 | A>BA>G F2A>A | G2G>G F>AG>F | E2E>E E2A2 |\ d2A>A A2A2 | A>BA>G F2A>A | B2B>B c2c>c | d2d>d d2 || e>f |\ g2e>e e2e2 | f2d>d d2d2 | g>fe>d c>BA>G | F2E>E E2e>f |\ g2e>e e2e2 | f2d>d d2d2 | e>gc>e d2c2 | d2d>d d2 || fg |\ a2f2 Adfa | g2e2 Aceg | f2d2 f2d2 | e2a2 a2fg |\ a2f2 Adfa | g2e2 Aceg | f2d2 e2c2 | d2d>d d2 |] %%sep 1 1 500 %%sep 1 1 500 X:0921 T: PRUSSIAN MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.92 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: C |:\ C4 E4 | G4 z>GA>B | c>BA>G F>ED>C | G2G>G G2e>d |\ c2c2 c2f>e | d2d2 d2g>f | e2e2 d>cd>e | c2c2 c2z2 :| |:\ g2g2 agfe | d4 g4 | c2B2 A2d2 | G2G>G G2e>d |\ c2c2 c2f>e | d2d2 d2g>f | e2e2 d>cd>e | c2c2 c2z2 :| K: G |:\ d2dc B2B2 | d2c2 A2dB | G2G2 AGFG | ^G2A2 z2G/A/B/c/ |\ d2dc B2B2 | d2c2 A2d2 | g2d>B A>GA>B | G2G2 G2z2 H:| |:\ [A4F4] [B4G4] | [c2A2][B2G2] [A4F4] | [B2G2][B2G2] [c2A2][c2A2] | [B4G4] [A4F4] {GABc}|\ [d4B4] [c4A4] | [B4G4] ABcA | [G4B,4] [F4C4] | [G2B,2][G2B,2] [G2B,2]"da Capo"z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0922 T: PANHARMONICON MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.92 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: C |:\ c2c>c c2e2 | d2d>d d2g2 | d2d>d d2f2 | e2e>e e2fg | agfe agfe | d2d>d d2z2 :| d2d>d f2d2 | e2ef agfe | d2d>d f2d2 | e2ef agfe | a2a>a c'2a2 | g3c' bagf | egce dfBd | c2c>c c2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0923 T: SWISS GUARDS' MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.92 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ D4 EDGF | F4 GFBA | A3A B2c2 | d2D>D D2de |\ f2f>f fagf | e2e>e e2d2 | (3cde (3fed c2B2 | A2A>A A2z2 :| |:\ e2e>e e2(3fed | e2e>e e2fg | aafg aagf | e2e>e e2z2 |\ D4 EDGF | F4 GFBA | B3g fedc | d2d>d d2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0931 T: NORMA GRAND MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.93 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: F F>A |\ c2A>c f2c>f | a6 g>a | b>ag>f g>fe>d | (c4 A2)d>c |\ (c2>>B2) G2d>c | (c2>>A2) F2f>e | d2d>e f>ef>g | c6 :| |: c2 |\ d2d>d d>cd>e | (f4 c2)d>c | B>AB>c d>ef>g | (a4 f2)c>c |\ d2d>d d>cd>e | (f4 c2)f>e | d>cd>e f>ca>g | f6 H:| K: Bb |: F2 |\ F2B>c d2f2 | f2e>d c2z2 | c2=B>c d2e2 | e2d>c B2z2 |\ F2B>c d2f2 | f2e>d c2g2 | g2c>d f>ec>d | B3d/c/ "da Capo"B2 :| %%sep 1 1 500 %%sep 1 1 500 X:0932 T: SPANISH PATRIOTS' MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.98 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/16 K: D A4 |\ d4 d3d d4 fafd | e4 e3e e4 f3g |\ a4 a3b a2f2d2f2 | efed cdcB ABAG FGFE | D4 d3d d4 fafd | e4 e3e e4 f3g |\ a2d'2 c'bag f4 e4 | d4 d3d d4 :: f3g | a4 a3a a4 d'3a | b4 a3a a4 f3g |\ a4 a3b a2f2d2f2 | efed cdcB ABAG FGFE | D4 d3d d4 fafd | e4 e3e e4 f3g |\ a2d'2 c'bag f4 e4 | d4 d3d d4 :| %%sep 1 1 500 %%sep 1 1 500 X:0933 T: PORTSMOUTN MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.98 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: F |:\ fcfa gbeg | f2f>f f2z2 | [B4G4] A2G2 | A2c>A F2z2 |\ f2f>f f2a>f | d2d>d dbag | f2f>f e2e>e | f2f>f f2z2 :| |:\ [B4G4] A2G2 | A2c>A F2z2 | b2a2 g2f2 | g2g>g g2z2 |\ f2f>f f2a>f | d2d2 db/a/ c'/b/a/g/ | f2f>f e2e>e | f2f>f f2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0941 T: BUFFALO MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.94 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: F c>c |\ a4 f4 | c2c>d c>AB>c | d2d>f e2e>g | f3g a2c>c |\ a4 g4 | f2d>d e2c'>c' | f2a>a g2=B2 | c2c>c c2 :| |: c>c |\ b3a g>fe>d | c2d2 e2f2 | g3a b>da>g | (f4 e2)c>c |\ ~d3f e>cd>e | f>ad'>c' g2b>b | a2f2 g2e2 | f2f>f f2 :| |: c>c |\ (f4 c2)a>g | (f4 c2)a>g | f>ef>e f>ef>a | g2c'>c' c'>ba>g |\ (f4 c2)a>g | ^f2d>d g2=f>f | e2c>c c'2b>b | a2f>f f2 :| %%sep 1 1 500 %%sep 1 1 500 X:0942 T: LOUISVILLE MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.94 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: F |:\ f2f>f f2g/f/e/d/ | c2A>A A2c>A | B>Bd>B A>Ac>A | G2c>c c2de |\ f2f>f f2g/f/e/d/ | c2A>A A2c>A | (3Bdc (3BAG F2E2 | F2F>F F2 H:| [A2F2][AF]>[AF] [A2F2][G2C2] | [F2A,2] [FA,]>[FA,] [F2A,2][G2C2] |\ [AF]>[AF][cA]>[cA] [BG]>[BG][AF]>[AF] | [G2C2][GC]>[GC] [G2C2]c2 |\ [A2F2][AF]>[AF] [A2F2][G2C2] | [F2A,2] [FA,]>[FA,] [F2A,2]c2 |\ f>f c>c A>A F>F | c2c>c "da Capo"c2de |] %%sep 1 1 500 %%sep 1 1 500 X:0943 T: GEN. KNOX'S MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.94 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: C (3GAB |\ c2c>c c2 (3def | e2e>e e2 (3fga |\ g2e>c g3e>c | a2g>g g2f/e/d/c/ |\ d2d>d d2g/f/e/d/ | e2c>c c2e2 |\ dcBc B2A2 | G2G>G G2 :| |: G/A/B/c/ |\ d2d>d d2G/B/c/d/ | e2e>e e2de |\ gfed fedc | d2d>d d2c/d/e/f/ |\ g2e>g f2d>f | e2c>e d2c/d/e/f/ | (3gec (3gec (3fdB (3fdB | (3ecG (3ecG d2 (3GAB |\ c2c>c c2 (3def | e2e>e e2 (3fga |\ (3gc'b (3agf e2d2 | c2c>c c2 :| %%sep 1 1 500 %%sep 1 1 500 X:0951 T: SOMERVILLE MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.95 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: G d>d |\ g2d>d d2d>c | B2G>G G2d>d | e2c>c A2A>G | F2d>d d2(3def |\ g2d>d d2d>c | B2G>G G2d>d | e>g A>c B>d F>A | G2G>G G2 :| |: F>G |\ A2A>A Ad^cd | B2G>G G2B>^d | e2e>e egfg | f2d>d d2d>d |\ g2d>d d2d>c | B2G>G G2d>d | e>g A>c B>d F>A | G2G>G G2 :| |: z2 |\ [B4G4] [A4D4] | [G2B,2][GB,]>[GB,] [G2B,2][A2D2] |\ [B2G2][dB]>[dB] [cA]>[cA] [BG]>[BG] | [A2D2][AD]>[AD] [A2D2]z2 |\ [B4G4] [A4D4] | [G2B,2][GB,]>[GB,] [G2B,2][A2D2] |\ B>d G>B A>c F>A | [G2B,2][GB,]>[GB,] [G2B,2] :| |: z2 |\ g4 d4 | B2G>G G2d>d | e2c>c ABAG | F2d>d d2d>d |\ g4 d4 | B2G>G G2d2 | (3egf (3edc (3Bcd (3cBA | G2G>G G2 :| %%sep 1 1 500 %%sep 1 1 500 X:0952 T: RODERICK DHU'S MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.95 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf N: Also known as "Hail to the Chief". %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ A2B>c d2c>B | A>BA>F E2D2 | A2d>e f2e>d | e>de>f edcB |\ A2B>c d2c>B | A>BA>F E2D2 | A2d>c B<dA<F | A2d>e d2z2 :| |:\ f2f>f f2g>f | e>de>f e2A2 | f2f>f f2e>d | e2a>a agfe |\ d2d>c B>cd>B | A2d>e f2d2 | B2d>B A>BA>F | A2d>e d2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0953 T: BONAPARTE CROSSING THE RHINE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.95 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: Am E2 |\ A2AB AGE2 | cdec d2eg | aged cAGE | G2GA G2EG |\ A2AB AGE2 | cdec d2eg | aged cAGE | A2A2 A2 :| |: eg |\ aged cdeg | agec d2eg | aged cAGE | G2GA G2EG |\ A2AB AGE2 | cdec d2eg | aged cAGE | A2A2 A2 :| %%sep 1 1 500 %%sep 1 1 500 X:0961 T: DUKE OF YORK'S MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.96 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D |:\ D2D>D F2F>F | A>FA>F D2A>A |\ d>Ad>A dAFD | A2A>A A2z2 |\ a3f d2d>f | e2e>g fefg |\ a3g fdgf | e2e>e e2 :| |:\ A2A>A Aceg | A2A>A Adfa |\ geee fddd | bagf f2e2 |\ d3f/e/ dAB=c | cBBB B2c/d/e/f/ | g2f2 e2d2 | c2e>e e2z2 |\ D2D>D F2F>F | A>FA>F D2zg |\ faaf gedc | d2d>d d2z2 H:| [K:A] |:\ A3c BABG | A2c2 A2c2 |\ c3e dcdB | c2e2 c2e2 |\ e3a a3e | f3g bagf |\ e2ae eddc | (c4 B2)z2 :| |:\ B3c dcdB | c2e2 a2c'2 | B3c dcdB | c2A>A A2z2 |\ f3g bagf | e2a2 a2c'2 | b2a2 b2g2 | a3a>a a2"^da Capo"z2 :| %%sep 1 1 500 %%sep 1 1 500 X:0962 T: BONAPARTE'S GRAND MARCH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.96 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 4/4 L: 1/8 K: D A>A |\ d2A>A e2A>A | f2f>g a2a>g | f2f2 e2e2 | f>ga>f d2A>A |\ d2A>A e2A>A | f2f>g a2a>g | f2f2 e>de>f | d2d>d d2 :| |: f>f |\ a2f>f a2f>f | a>gb>a g2e>e | g2e>e g2e>e | g>fa>f d2e>e |\ f2a>a bagf | e2e>e e2A>A | d2A>A e2A>A | f2f>g a2a>g | f2f2 e>de>f | d2d>d d2zb |\ a2d>d d2zb | a2d>d d2zb | (3aga (3bag f2e2 | d2d>d d2 :| %%text page 97: ISSUE "S" MISSING NOT AVAILABLE pgs 97-98 %%text page 98: ISSUE "S" MISSING NOT AVAILABLE pgs 97-98 %%sep 1 1 500 %%sep 1 1 500 X:0991 T: KEITH'S QUICK-STEP C: S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.99 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The repeat pattern is ambiguous. Fixed in one obvious way, but it may not be "correct". M: 2/4 L: 1/16 K: C G2 |\ c4 G3c | e4 c3e | a4 agfe | gfef d2z2 | B4 G3B | d4 B3d | g4 gfed | fede c2z2 |\ A6 Bc | c4 G2 Bc | d4 G2 cd | e4 c2 Bc | A6 Bc | c4 cdef | g4 gfde c4 z2 :| gg |\ g2dd d2ff | f2BB B2dd | d2G2 ^F2G2 | A4 G2 gg | g2dd d2ff | f2BB B2dd | d2Bc d2de | f4 E2F2 | G4 c>de>E | G2F2 d>cB>A | A2G2 B>AG>F | E4 E2F2 | G4 c>de>E | G2F2 d>cB>A |\ A2G2 B>AG>F | E2 e>f g4- | g2a>g e2d>e | f2d>e f4- | f2g>f d2c>d | e2d>e c2B>c | A2f>d c>BA>G |\ c2e>f g4- | g2a>g e2d>e | f2d>e f4- | f2g>f d2c>d |\ e2de c2Bc | A2fd cBAG | |:\ c2c'c' c'4- | c'2c'c' c'4- | c'2c'c' c'4- | c'2c'c'c'4 |\ z2c'2 z2c'2 | z2b2 z2b2 :| c'3ge3d | c3ge3d | c2z2 c'2z2 | c'2z2z2 | |: C2 |\ F6 A2 | c6 f2 | e2c2 B2G2 | E6 C2 |\ E6 G2 | d6 c2 | =B2c2 _B2G2 | A6 C2 |\ F6 A2 | c6 f2 | g2f2 d2c2 | B6 d2 |\ c6 d2 | c6 d2 | c2G2 B3A |"_da Capo"F6 :| %%sep 1 1 500 %%sep 1 1 500 X:0992 T: HIGHLAND QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.99 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The lengths of pickups and last bars don't add up correctly. M: 2/4 L: 1/16 K: F c3A |\ F2F2 G2A2 | f3ed2c2 | d3c def2 | g3f g<az2 |\ F2F2 G2A2 | f3ed2c2 | d3c d2e2 | f4 z2 :| |: c2 |\ fa3 gf3 | df3 cA3 | ~c4 b2a2 | g4 c'3b |\ ac'3 af3 | df3 cA3 | ~c4 d2e2 | f4 :| %%sep 1 1 500 %%sep 1 1 500 X:1001 T: COOLIDGE'S QUICK-STEP C: J.G. Jones B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.100 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Bb B4 d4 | f6 f2 | g2f2g2a2 | b6 |: F2 |\ d2ed c2B2 | FFFF "^>"d4 | cccc "^>"f4 | dddd "^>"b4 |\ d2ed c2B2 | FFFF "^>"d4 | cccc f2A2 | B6 :| K: F |: c2 |\ (3e2e2e2 (3e2e2e2 | f2e2f2 ^f2 | (3g2g2g2 (3^f2f2f2 | g2^f2g2 AB |\ d2c2 GGGG | B2A2 F4 | f2e2 d2e2 | f2c2 d2c2 |\ d2c2 GGGG | B2A2 F4 | f2e2 d2e2 | f6 :| K: Bb F2 |\ d2ed c2B2 | FFFF "^>"d4 | cccc "^>"f4 | dddd "^>"b4 |\ d2ed c2B2 | FFFF "^>"d4 | cde=e f^fga | b6 H|] [K:Eb] |: BB |\ B2a2 g2f2 | dede f2e2 | e2d2c2B2 | =abab c'2b2 |\ B2a2g2f2 | dede f2e2 | e2d2 c2d2 | e6 :| |: gg |\ g8 | g2gg g2gg | f8 | f2ff b2 BB |\ B2a2g2f2 | dede f2e2 | e2d2c2B2 | =abab c'2b2 |\ B2a2g2f2 | dede f2e2 | e2d2 c2B2 | e4 "^da Capo"z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1002 T: THE WRECKER'S DAUGHTER B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.100 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D |:\ AAAz AAAz | AAAz AAAz | F2A2 d4 | d2c2B2A2 |\ BBBz BBBz | BBBz BBBz | B2d2 g4 | g2f2e2d2 | cccz cccz | cccz cccz | A2ce a4 | A2ce a4 |\ f2e2d2f2 | e2d2c2e2 | dddz dddz | d4 z4 :| |:\ e2e2f2e2 | c2c2d2c2 | B2B2f3e | c3^G ABcd |\ e2e2f2e2 | c2c2d2c2 | B2B2f2e2 | A2z2 a4 :| |:\ (F4A2)d2 | (F4A2)d2 | (G4B2)d2 | (F4A2)d2 |\ (E4G2)B2 | (A4d2)f2 | e2^gg g2g2 | a2z2 a4 | (F4A2)d2 | (F4A2)d2 | (G4B2)d2 | (F4A2)d2 |\ (E4G2)B2 | (A4d2)f2 | e2AA B2c2 | "^da Capo"d6 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1011 T: BARTLETT'S QUICK-STEP C: Dr. J. C. Bartlett B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.101 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F (3c/d/e/ |\ f2f f2f | f2f f2f | a2f gfe | f3- f2z |\ g2g g2g | g2g g2g | g2e fed | c3- c2 :| |: A/B/ |\ c3 d2c | cfz z2A/B/ | c3 d2c | cgz z2A/B/ |\ c3 d2c | caz gfz | dfz cfz | egz cde | f3- f2 :| A/B/ |\ czz czz | c3- c=Bc | A6- | A3- ABc |\ d6- | (d3 f)ed | c6- | c3- cBA |\ G6- | GAB cde | f2c/c/ cc e | f2c/c/ cc e |\ f2e f2e | f3- f2 |] A/B/ |\ czz czz | c3- c=Bc | A6- | A3 ABc |\ d6- | d3 fed | c6- | c3 cBA |\ G6- | GAB cde | f2z z2e | f2z z2e |\ f2e f2e | f3- f2 |] %%sep 1 1 500 %%sep 1 1 500 X:1012 T: IRON BOOTS QUICK-STEP C: C. E. Bennett B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.101 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: There's a missing 1/8 note bfore the first bar. (Added.) N: The 3rd part has very odd beaming, transcribed as-is. N: The time signature was wrong: 2/2, corrected to 2/4. M: 2/4 L: 1/16 K: F z2 |\ F2AA A2A2 | A2B2 B4 | B2G2 G4 | G2A2 A4 |\ F2AA A2A2 | A2B2 B4 | G4 c4 | F2F2 z2 :| |: c2 |\ a2gf edcB | A2B2c2z2 | c3e gege | c3f afaf |\ a2gf edcB | A2B2c2z2 | c3e geag | f4 z2 H:| |: f2 |\ e2 c2d2 d2 | c2 A2c2 c2 | B2 G2A2 G2 | A2B2c2 f2 |\ e2 c2d2 d2 | c2 A2c2 c2 | B2z2 a2g2 | f4 z2 :| |:[K:C] G2 |\ G2GG GGGG | c2c2 z2cd | e2dc e2dc | d2d2 z2G2 |\ G2GG GGGG | c2c2 z2^f2 | g2g2 ^fgaf | g2g2 z2 :| |: cd |\ ed3 A3B | c2e2 G4 | dcBc d2e2 | f2^f2 g4 |\ ed3 A3B | c2e2 G4 | dcBc d2e2 | c4 "^da Capo"z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1021 T: HENNESSEY'S QUICK-STEP C: Zetzsche B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.102 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The initial pickup should probably be a triplet. N: The last part duplicates the key change with redundant accidentals. M: 2/4 L: 1/16 K: G DEF |\ G4 G3G | A4 AGFE | D2^CD EFGA | B4 z4 |\ B4 B3B | c4 B2A2 | G2FG B2A2 | G2z2 D2e2 | d4 D2c2 | B4 D2c2 | B2A2 C2B2 | A2G2 D2e2 |\ d4 D2c2 | B4 D2c2 | B2A2 B2A2 | G4 z2 :| |: A2 |\ d4- d^cBA | BA^GA F4 | d4- d^cBA | BA^GA F4 |\ e4- ed ^cB | ^c4- cBA^G | B4- BAA=G | GFFE EAA^c | d4- d^cBA | BA^GA F4 | d4- dcBA | cB^AB G4 |\ EBA2- AGFE | DBA2- AFED | ^CDEF GAB^c | d4 z2 :| |: DG |\ B3B B2B2 | B2B2 B2B2 | d2Az B2Gz | d2Az B2Gz |\ E3E E2E2 | E2c2 B2A2 | G4- GFAG | F3D EFGA | B3B B2B2 | B2B2 B2B2 | d2Az B2Gz | e2Bz c2Az |\ d4- dcBA | c4- cBAG | B4- BAGF | G4 z2 :| |:[K:C] cd |\ (e4 c2)E=F | (A4 G2) de | (=f4 d2) dc | cBBA G2cd |\ (e4 c2) EG |(_B4 A2) ag | g=ffe eddg | c4 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1022 T: YORKTOWN QUICK-STEP C: D. W. Lothrop B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.102 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The times at the part's ends don't add up properly. M: 2/4 L: 1/16 K: D (3ABc |\ d4 c4 | d2dd d2d2 | f2e2d2c2 | d2d2z4 |\ B4^A4 | B2BBB2 c2 | d2c2B2^A2 | B2B2z2 :| |: FG |\ A2AB A2AB | ABA^G A2d2 | f2ff f2e2 | edcd B2d2 |\ g2gg g2g2 | g2a2 b4 | a4 cdec | d4 :| |:[K:G] dedc |\ B4 b4 | g4 d4 | ^cded d4 | ^cded d4 |\ c4 c4 | c4 A4 | ^cded cded | G4 z2BB | f4 g4 | a4 z4 | d2Bc d4 | d2Bc d4 |\ c4 c4 | c4 z4 | g2g2 fgaf | g4 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1031 T: DENNIS'S QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.103 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F c/c/ |\ c2c/c/ c2c/c/ | c2c/c/ czc | (d2c) (A2F) | (F3 E2)c/c/ |\ c2c/c/ c2c/c/ | c2c/c/ czc | (e2d) (cBG) | (E3 F) zf | g2f c2_e | d2z z2d | _e2d A2c | B2z z2c |\ (d2c) (d2c) | (a3 f2)z | edc BAG | F3 z2 :| |: c/d/ |\ e3- ef^f | g3- g=fd | c3- cd^d | (e3 d)c=B |\ A3- A=Bc | c2G c2e | g3- gfd | ccc c2 :| |: z |\ c'2z e2z | f2z a2z | g2z b2z | abc' f2z |\ c'2z e2z | f2z g2z | a2z =b2b | c'2c c2 :| |: A/c/ |\ (f3 e)GB | (d3 c)FA | (c3 B)^FG | BAG FAc |\ (f3 e)GB | (d3 c)FA | (c3 B)GA | F3 z2 :| |: [K:Bb] B/c/ |\ d2d d2d | d2d d2d | g3- gfe | c3 z2c |\ f3- fec | e3- edB | d3- dcA | B3 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1032 T: SAILOR'S QUICK-STEP C: S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.103 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G d2 |\ d6 ef | g2a2 b4 | c'2e2 a3g | f2e2 d2d2 |\ d6 ef | g2a2 b4 | e2a2 gfef | g6 :| |: b2 |\ b4 g2e2 | B6 b2 | c'b^ab =agfg | e6 a2 |\ a4 g2e2 | d6 f2 | e2 b2a2 ^c2 | d4 z2d2 | d6 ef | g2a2 b4 | c'2e2 a3g | f2e2d2 d2 |\ d6 ef | g2a2 b4 | e2a2 gfef | g6 H:| |: [K:C] g2 |\ c'6 b2 | c'2b2 c'2b2 | a6 ^g2 | a2^g2 a2=g2 |\ f6 a2 | g2c'2 e2e2 | d2f2 a2g2 | "^da Capo"c4 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1041 T: LYNN QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.104 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The junction between the 2nd and 3rd parts has a rhythm problem. M: 2/4 L: 1/16 K: D |:\ d4 f4 | a6 (3ABc | d3c B3d | A4 F4 |\ c4 e4 | e3B c4 | c2dc B2^G2 | A4 z4 |\ d4 f4 | a6 (3ABc | d3c e3d | f4 d4 |\ Bdcd B2z2 | Adcd A2z2 | ABcd egce | D4 z4 :| |:\ dced B4 | d2g2 b4 | b2c'b a2f2 | g2b2 d'4 |\ dced B4 | d2g2 b4 | b2c'b a2f2 | g6 z2 :|\ |: Ad |\ f6 g2 | ^g2a2 b4 | agfg e2c2 | dced f3d | f6 g2 | ^g2a2 b4 | agfg e2c2 | d4 z4 :|\ |:\ FGAB A4 | A2d2 f4 | f2g2 c2e2 | b2a2 f4 |\ FGAB A4 | A2d2 f4 | f2g2 c2e2 | d6 A2 :| |:\ A6 G2 | G2F2 F2A2 | f6 e2 | e2d2 d2A2 |\ B4 A4 | G4 F4 | E2F2 G2B2 | (B4 A2)A2 |\ A6 G2 | G2F2 F2A2 | f6 e2 | e2 d4 A2 |\ B4 c4 | dcde f2z2 | f2ag e2c2 | d4 z4 :| %%sep 1 1 500 %%sep 1 1 500 X:1042 T: WINSLOW BLUES' QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.104 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D |:\ d4 f4 | e2f2 g4 | fdfa bagf | agfe dcBA |\ d4 f4 | e2f2 g4 | fafd egec | d2f2 d4 :| |:\ c4 f4 | d2c2 B4 | B4 e4 | c2B2 A4 |\ d4 f4 | e2f2 g4 | fafd egec | d2f2 d4 H:| |:[K:G]\ B3cd2e2 | d2b2g2b2 | a3gf2a2 | c'2b2 g4 |\ GABc dedc | d2b2g2b2 | a3gf2a2 | g2b2 g4 :| |:\ D2DD D2D2 | (_E4 D2)z2 | (c4 A2)z2 | (=E4 F2)z2 |\ (A4 c2)z2 | B2c2 d4 | (A4 c2)z2 | B2c2 d4 | B3c d2e2 | d2b2g2b2 | a3gf2a2 | c'2b2 g4 |\ GABc dedc | d2b2g2b2 | a3gf2a2 | g2b2 "^da Capo"g4 :| %%sep 1 1 500 %%sep 1 1 500 X:1051 T: GORDON'S QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.105 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G %%indent 500 (3def |\ g2z2 e3e | d2z2 F3F | G4 G4 | G4 || |: D3D |\ G4- (3G2B2d2 | g4- (3g2f2e2 | (3d2c2A2 F4 | F4 D3D |\ F4- (3F2A2c2 | e4- (3e2d2^c2 | (3^c2d2B2 G4 | G4 D3D | G4- (3G2B2d2 | g6 f2 | (3e2^d2e2 a4- | a3g (3g2f2e2 |\ e4- (3e2d2B2 | d4- (3d2c2A2 | G2GG G2GG | G2GG G2G2 | c3c dcBc | (e4 d2)^cd | (g4 f2)ef | (a4 g2)Bd |\ e3f g2fe | d2g2 d4 | (ed)(dc) (cB)(BA) | G4 :| |: A4 |\ f4 f3f | g2f2 e4 | e4 e3e | f2e2 d4 |\ B6 _B2 | A2d2 f4- | f2g2 e2f2 | d4 :| |: d3g |\ f6 z2 | z3 dc3e | d6 z2 | z3 ed3e |\ d3e d3e | d3c A3B | G3B A3c | B2z2 d3g | f6 z2 | z3 dc3e | d6 z2 | z3 dc3e |\ d3e d3e | d3c A3B | G8- | G4 G3G | g8- | g3e c3e | d3e d3B | G4 G3G |\ g8- | (3g2f2a2 (3g2f2e2 | (3d2e2d2 (3c2d2c2 | B2z2 d3g | f6 z2 | z3dc3e | d6 z2 | z3 ed3e |\ d3e d3e | d3c A3B | G4 g3g | g4 z2 H:| |: [K:C] Gc |\ e6 ed | cdcB cd^de | (g4 =f2) ^cd | (g4 f2) Bc |\ (f4 e2) Bc | (_e4 d2)c2 | =e2fe d2ed | "^da Capo"c6 :| %%sep 1 1 500 %%sep 1 1 500 X:1052 T: PALMER'S QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.105 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C G |\ cBc e2d | cBc e2d | cBc edc | dBG G2G |\ cBc e2d | cBc g2f | edc GAB | c3 c2 :| |: z |\ gfe a2g | fed g2f | edc cde | fef d2e |\ gfe a2g | fed g2f | edc GAB | c3 c2 :| %%sep 1 1 500 %%sep 1 1 500 X:1061 T: RORY O'MOORE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.106 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Added missing 1/8 rest as initial pickup. M: 6/8 L: 1/8 K: F z |\ f3 f3 | fef agf | ede gfe | d3 d3 |\ d^cd fed | cde efg | f3 z2z | f3 z2 || |: A |\ AGG GBB | BAA Acc | cBB Bdd | dcc cde |\ f3 f3 | fef agf | ede gfe | f3 z2 :| |: d |\ cFF GFF | cFF F2d | cBA AGF | EGG GAB |\ cFF GFF | cFF d2c/B/ | ABc cde | fFF F2 :| |: f |\ fed dAA | BAG F2E | DEF FGA | Adc c2e |\ fed dAA | BAG F2E | DEF FGA | Adc c2d | cFF GFF | cFF F2d | cBA AGF | EGG GAB |\ cFF GFF | cFF d2c/B/ | ABc cde | fFF F2 :| %%sep 1 1 500 %%sep 1 1 500 X:1062 T: HARVARD QUICK-STEP C: J. B. Smith B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.106 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D |:\ f4 d4 | c4 z2AA | A2A2B2A2 | f2d2 z4 |\ f4 d4 | g4 ^g4 | a2f2 g2e2 | e2d2 z4 :| E2CD EA^GB | AEAc e4 | ^GEGB edcB | cABc def^g |\ aece A4 | afdf B4 | ^gfed cBA^G | A2AB AGFE | f4 d4 | c4 z2AA | A2A2B2A2 | f2d2 z4 |\ f4 d4 | g4 ^g4 | a2f2 g2e2 | e2d2 z4 H|] [K:G]\ BAB2 dcd2 | bagf edcB | cBc2 AGA2 | agfe dcBA |\ Bcde =f2ed | dc=fe agfe | fef2 ede2 | edcA "^da Capo"G4 |] %%sep 1 1 500 %%sep 1 1 500 X:1071 T: SOMERVILLE QUICK-STEP C: Henry Berlyn B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.107 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The note lengths don't add up at several phrase boundaries. M: 2/4 L: 1/16 K: F |:\ f3ef3g | a3f c3A | c3eg3e | e6z2 |\ c2ba g4 | c2ag f4 | c2gf e2g2 | f4z2 :| |: b2a2g2f2 | e2f2g4 | a2g2a2b2 | d'2c'2c'4 |\ b2a2g4 | a2g2f4 | g2f2e2g2 | f4z2 H:| K: Bb d4 d4 | d4 d4 \ |:\ f8 | (3e2d2e2 (3g2f2e2 | d4 d4 | d4 g2f2 |\ e6 c2 | d2g2 f2ed | c2f2 =e2ag | f4 z4 | e2ed c4 | d2de f4 | g2e2 g4 | f2d2 f4 |\ e2ed c2e2 | d2de f4 | g2f2 c2d2 | B4 z2 :| |: (3FFF |\ F2A2c2 (3FFF | F2 B2d2 (3FFF | F2 (3FFF A2c2 | d4 B2 (3FFF |\ F2A2c2 (3FFF | F2 B2d2 (3FFF | F2 (3FFF A2(3AAA | B4 "^da Capo"z4 :| %%sep 1 1 500 %%sep 1 1 500 X:1072 T: ROBERT LE DIABLE QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.107 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A |\ d2d d2d | dcB AGF | E3 A3 | D3 Dz f |\ e2c B2e | ca^g fed | cfe dcB | A3- A2 :| |: A |\ D2F AAA | A2f d3 | c2c dcd | e3- e2A |\ g3 gfe | f3- fed | e2d cBc | d3- dAf | d3 zAf | d3 efg | aba efe | d3 zAf |\ d3 zAf | d3 efg | aba efe | d3- d2 H:| |: [K:G] B/c/ |\ d3- def | g3 gc'b | a2g fef | (g3 d)Bc |\ d3- def | g3 gc'b | a2g fef | g3- "_da Capo"g3 :| %%sep 1 1 500 %%sep 1 1 500 X:1081 T: MARION QUICK-STEP C: Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.108 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: There's no initial repeat and a fat bar line in the middle of the first phrase. N: Fat bar lines are transcribed as ] alone, which some ABC software may not understand. N: If this is a problem, rewrite ] as || or |], or just a plain | bar line. N: The note lengths don't add up right at the part boundaries. N: There really are 53 bars. M: 2/4 L: 1/16 K: D |:\ A2A2 {B}A2Bc | d2d2 {e}d2cd | e2e2 {f}e2^de | f6 (3edc |\ B2B2 {c}B^ABc | d2d2 {e}dcde | f2f2 fecd | B4 z4 ] A4- A>gf>^e | f>Ad>f b3a | g2gf gba^g | a2f2 d2cB |\ A4- A>gf>^e | f>Ad>f b3a | g2gf gABc | d2f2d2z2 :| |: cd |\ e4 e4 | e2de fedc | B2c2 d2^d2 | (e4 cE)Ac |\ e4 e4 | e2de fedc | B2f>f e>e ^G>G | A2BA ^GABc ] d2dd dddd | d2 D2F2A2 | d2A2 F2D2 | A4 F3G ]\ (B4 A4) | z3AB3c | (e4 d4) | z3dc3B |\ A4 A3A | B3AG3F | A3GF3G | E2F2G2^G2 | (B4 A4) | z3AB3c | (e4 d4) | z3dc3B |\ (B4 A3)F | (A4 G3)E | D2d2 dcde | f2c2 dcde | f2gf edcB | A2 a4 c2 | d2d2 dcde | f2A2 dcde |\ f2gf edcB | A2 a4 c2 | defg afge | d4 d4 | d4 z4 :| %%sep 1 1 500 %%sep 1 1 500 X:1082 T: HENRY'S RETURN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.108 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Called "A Drumeddie" in the Robert Petrie Collection, 1790. N: Called "Prince William Henry's Return" in "Sources of Irish traditional music, c. 1600-1855", 1998 (Aloys Fleishcmann) N: Called "Prince William Henry's Return" in Aird's Airs, 1801 v.6 #1163 (Jack Campin's transcription) M: 6/8 L: 1/8 K: D A |\ dfd B2d | AFA A2d | AFA Ade | f3 gfe |\ dfd B2d | AFA A2d | B2g fge | d3 d2 :| |: A |\ dfg a2f | b2g a2f | dfg a2f | g2e bge |\ dfg a2f | b2g a2f | fdA Ade | f3 f2e/d/ | B2B B2d | A2A A2d | AFA Ade | f3 f2e/d/ |\ B2B B2d | AFA A2d | B2g fge | d3 d2 :| %%sep 1 1 500 %%sep 1 1 500 X:1091 T: SEMINARY QUICK-STEP C: C. E. Bennett B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.109 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The repeat notation is strange. I've tried to replicate it, but may not have succeeded. N: The rhythm isn't quite correct for all part boundaries. U: T=!/! % tremolo M: 6/8 L: 1/8 K: F c |\ f2z c2z | d2c A2z | AAA A2A | F2G A2c |\ f2z c2z | d2c A2z | D2E F2G | TA3 A2 :|\ Tg3 a2g | f3 z2 ] c |\ cdc c2A | A2A A2B | BcB B2G | G2G G2c |\ cdc c2A | A2A A2d | c2c c2d | c2A AB :| c | f3 c3 | A3 c3 | G2A G2^F | G3 z2 |: ^G |\ A2z Adc | G2A B2c | cAc F2c | cAc F2^F |\ G2z GBA | Fdc A2d | dBd f2d | dBd F2 :| A |\ A2G A2G | A2B c2c | f3 fed | d3 z2A |\ B2A B2A | B2c d2c | c3 cde | f3 z2 :| f/g/ |\ Ta6 | a3- a2A | d2e f2A | d2e f2e/f/ |\ Tg6 | bag bag | Ta6 | c'ba c'ba |\ Tg6 | g3- g2f | e6 | f3 z2 H:| K: Bb F |\ dcB c2F | dcB c2F | FBd cAF | FBd cAF |\ d2d c2c | B2B F2F | FBd cAF | B3 "^da Capo"z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1092 T: CLAPP'S QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.109 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D A |\ de fg | ag/b/ a2 | Ag f2 | Af d2 |\ de fg | {g}ag/b/ a2 | A{f}g A{f}g | d2 z2 H:|\ d'c' b2 | ee/e/ ee | c'b a2 | ee/e/ ee | d'c' b2 | ee/e/ ee | c'b a2 | ee/e/ "^da Capo"e ]\ D |\ D2 GB | D2 GB | dd/d/ dd | B/d/B/G/ D2 |\ D2 GB | D2 GB | dd/d/ dd | "^da Capo"G3 |] %%sep 1 1 500 %%sep 1 1 500 X:1101 T: PROMENADE QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.110 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G %%indent 450 d/e/f/ |\ g2z B2z | c2z e2z | d2z ezf | g3 z || |: DG |\ BGB dz^c | (d3 B)DG | BGB dz^c | (d3 B)zG |\ A2A A2A | A2A A2A | ^G2A BcA | G3 z2 :| |: G |\ e3- edc | d3- dcB | A2D E2F | G2A BAG |\ EF^G A3 | DGA B3 | dcB ABA | G3 z2 H:| K: C G |\ EzG ^FzG | AzG Gzc | czB Bzd | dzc czG |\ EzG ^FzG | AzG GzA | czB BzA | G3 z2 :| |: G |\ =f2z e2z | d2z c2z | BcB ABA | GGG G2G |\ B2z c2z | d2z e2z | dcB c2A | GGG G2G | EzG ^FzG | Az=F (d2c) | cBA G^FG | (A2G) EzG |\ EzG ^FzG | Az=F c3- | cBA GFE | C3 "^da Capo"z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1102 T: COL. STEWART'S QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.110 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: F AB |\ c2f2d2f2 | cdcB A2c2 | B2B2 A2A2 | G6 AB |\ c2f2d2f2 | cdcB A2c2 | d2g2 e2c2 | f6 z2 :| |:\ f2z2 e2z2 | f6 d2 | c2c2 B2A2 | A2G2 z2c2 |\ f2z2 e2z2 | fcag fedc | BAGF E2c2 | AFGA Bcde | fgaf efge | fcde fcdf | cfac' bgaf | a2g2 z2c2 |\ fgaf efge | fcde fcdf | cfac' =bc'_bg | f2a2 f4 :| %%sep 1 1 500 %%sep 1 1 500 X:1111 T: JOHN SMITH QUICK-STEP C: Henry Berlyn B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.111 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: There's a ^f keysig in the middle of the 3rd phrase, after the key has changed to C. M: 2/4 L: 1/16 K: G |:\ G4 B2c2 | {e}d2^c2 d4 | {a}g2f2g2d2 | B2d2 B2G2 |\ d2de d2f2 | g2d2b2g2 | d2de d2A2 | B2dg b2g2 |\ d2de d2f2 | g2d2b2g2 | d2de d2f2 | g4 "^>"g2z2 :| |:\ d2c'2 baga | bgdB G2z2 | A^ceg b2a2 | d4 d2z2 |\ d2c'd agfa | d2bd agfg | e^gac' fedf | g4 g2z2 :|\ |: [K:C] !segno!\ e3f g3f | e3g ag^fg | a2g2f2e2 | d2e2 d4 | d3e f3e | d3f gfef | a2f2 d2ed | c2e2c2z2 H:|\ c'3bc'3a | g2^f2 g4 | a2g2 f4 | g2f2 e2 |\ c'3bc'3a | g2^f2 g2e2 | d2c'2b2a2 | g2z2 "^D.S."f4 !segno!|] %%sep 1 1 500 %%sep 1 1 500 X:1112 T: HOME QUICK-STEP C: Wm. Smith B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.111 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Bb F/E/ |\ DEF G2F | d2B BAB | cde FGA | Bdc BFE |\ DEF G2F | d2B BAB | cde FGA | B3 z2 :| |: z |\ c2F/F/ FFF | BFd Bfd | c2F/F/ FFF | BFB dBd |\ c2F/F/ FFF | BFd Bfd | c2F/F/ FAc | B3 z2 :| F/E/ |\ DEF G2F | d2B BAB | cde FGA | Bdc BFE |\ DEF G2F | d2B BAB | cde FGA | B3 z2 H|] K: Eb |: B/A/ |\ G2G A2A | B>cB G2G | A>BA F2F | G2F E2F |\ G2G A2A | B>cB G2G | A2A F2F | E3 z2 :| |: B |\ e2d c2B | B>cB G2G | A>BA F2F | G2FE2B |\ e2d c2B | B>cB G2G | A2A F2F | E3 "^da Capo"z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1121 T: LOVE NOT QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.112 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G [|\ g4 b4 | [d'6d6] [c'2c2] | b2a2g2f2 | e2d2c2B2 |\ A4 a4 | c'6 b2 | a2g2f2e2 | d2c2B2A2 |\ G2z2 D2z2 | D2z2 D2z2 | ([d8B8] | [B4G4]) z4 |\ ([g8B8] | [d4B4]) z3[cA] | [B4G4] [B4D4] | B2A2G2A2 & C8 | ([G8B,8] | [G4B,4]) z4 | [G8E8] | [G4E4] [e4G4] |\ ([d8D8] | [B4D4]) z3G | [F2D2]G2 [c2F2][B2G2] | ([A8F8] |\ [A4F4])z4 | [G8B,8] | [G4B,4][A4C4] | [B8D8] |\ [d8D8] | [^c6E6][c2E2] | [=c6D6][c2F2] | ([B8G8] | [B4G4])z4 | [g8B8] | [f2A2][g2B2][a2c2][g2B2] | [f2d2]z2 "^>"[e4c4] |\ z4 (3[c2A2][d2B2][e2c2] | ([d8B8] | [d2B2])[c2A2][B2G2][c2A2] | ([B8G8] |\ [B4G4]) z4 | [g8B8] | [f2A2][g2B2][a2c2][g2B2] | [f2d2]z2 [e4c4] |\ z4 [G3B,3][AC] | [B8D8] | B2A2G2A2 & C8 | ([G8B,8] | [G4B,4])z4 | ([d4B4] [B4G4]) | [g8B8] | [B4D4] BAGA & x4 F4 |\ G2G2 B2d2 | B2d2 g4 | g2fg agfg | a2d2 c'4 |\ c'2d'c' bagf | [e8c8] | e2f2 g4 | d2^cd edc'b |\ agfe dcBA | B2d2 g4 | g2fg agfg | a2d2 c'4 |\ c'2d'c' bagf | e8 | e2f2 g4 | d4 f4 | g4 z4 H|] %%sep 1 1 500 %%sep 1 1 500 X:1122 T: STEAMBOAT QUICK-STEP B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.112 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F |:\ f2c A2F | cde f3 | fed cBA | GcB AGF |\ f2c A2F | cde f3 | fed cBA | cBG F3 :| |:\ A2c cdc | cdc A2F | B2d ded | def c3 |\ A2c cdc | cdc A2F | fed cBA | cBG F3 :| %%sep 1 1 500 %%sep 1 1 500 X:1131 T: MERRY DANCE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.113 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F c/B/ |\ A2A Afe | d2d def | cdc cBA | AGG G2c/B/ |\ A2A Afe | d2d def | cdc BAG | F2A F2 ] f/g/ |\ a2f g2e | fef cBA | Bcd cfA | AGG G2f/g/ |\ a2f g2e | fed gfe | agf efd | cfe dcB | A2A Afe | d2d def | cdc cBA | AGG G2c/B/ |\ A2A Afe | d2d def | cdc BAG | F2A F2 |] %%begintext align First two ladies chassez through. Gentlemen the same. First couple down the middle, up again, cast off right and left to place, cross hands or swing four to place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1132 T: BASKET COTILLON B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.113 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D [|\ f2fe f2g2 | b2a2f4 | a2g2e4 | g2f2d4 |\ f2fe f2g2 | b2a2f4 | a2g2 e2c2 | egfe d2z2 ] c2cB c2d2 | f2e2c4 | e2d2B4 | d2c2A4 |\ c2cB c2d2 | f2e2c4 | e2d2 B2^G2 | AEcB A2z2 |] %%begintext align Forward two, cross over, chassez de chassez, cross to place. Four ladies join hands, half round and retain position. Four gentlemen forward, join hands, half round and back. The whole form a wreath. Balance, and turn partners to places. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1133 T: THE MISTLETOE BOUGH B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.113 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A |\ AAA AAA | A2A A2A | BAB cBc | edd d2A |\ AAA AAA | A2A A2A | BAB cBc | edd d2 ] A |\ dcd ede | f2d d2F | GFG A2A | d2d d2A |\ dcd ede | f2d d2F | GFG A2A | d2d d2 :| %%begintext align Forward two and cross over. Chassez, and cross over to place. All promenade. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1141 T: SOLDIER'S GLORY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.114 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: It's not clear whether the final repeat means just the 2nd half, or the entire tune. M: 6/8 L: 1/8 K: D A |\ f2f fgf | ede d3 | c2d e2c | d2e f2d |\ f2f fgf | ede d3 | g2f e2d | cBc d2 ] A |\ e2e c2A | d2f e2z | efe c2A | def e2e |\ a2a ^g2g | fef e2c | d2d cfe | dcB "^da Capo"A2 :| %%begintext align Forward two and cross over. Chassez and cross to place. Balance and turn partners. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1142 T: THE SEA SHORE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.114 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D (3ABc |\ dfag fedc | Bgba gfed | cdef gbag | fedc dABc |\ dfag fedc | Bgba gfed | cdef geag | fedc d2 |] fg |\ adcd cBge | dcba ^gafd | adcd cBge | dece defg |\ adcd cBge | dcba ^gafd | adcd cBge | dece "^da Capo"d2 ] f2 |\ f>ff>f b3b | ^abc'a bc'd'2 | e>ee>e a3a | ^gabg a2fg |\ adcd cBge | dcba ^gafd | adcd cBge | dece "^da Capo"d2 ] %%begintext align One lady forward and back twice. Opposite gentleman the same. Chassez across, lead to sides and form two lines. Forward eight and turn partners. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1143 T: KITTY CLOVER B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.114 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A E |\ A2c e2e | fe^d e2c | dcd B2B | cBc A2E |\ A2c e2e | fe^d e2c | dcd B2c | A3- A2 |] |: e |\ a2a g2g | f2f e3 | aba gag | fef e2e |\ A2c eee | fe^d e2c | dcd B2c | A3- A2 :| %%begintext align Leading couples right and left. Side couples the same. Promenade all round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1151 T: ALL THE BLUE BONNETS B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.115 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D [|\ d2z d2z | d>fe dBA | d>BB B2b | bag f>ed |\ d2z d2z | d>fe dBA | gab afd | def e2d |] |:\ d>fa afd | b>ag f>ed | d>fa bc'd' | d>ed d>BA |\ d>fa afd | b>af ede | g>ab afd | def e2d :| %%begintext align Forward two and cross over. Chassez and cross over to place. Promenade all. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1152 T: CHERRY RIPE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.115 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D A2 |\ FAA2 BAA2 | A3d/e/ d2c2 | d3c B3A | G>AF>A E3A |\ FAA2 BAA2 | d2fe d2c2 | d3d ed BG | FAGE D2 |] A2 |\ A3A A3A | d3c B4 | E3F/^G/ A3A | ^GFcB A3A |\ e3c d3B | A3B/c/ E3E | A3^G FGAB | A2^G2"^da Capo"A2 ] A2 |\ d3d c2BA | B3B A2z2 | G3A/G/ F2d2 | E2GF E2z2 |\ =c3c cBB2 | d3d d2c2 | d3d ec BG | FAGE "^da Capo"D2 |] %%begintext align Right hand across, left hand back. Balance on a line and half promenade. Forward two and back to back. Forward four and back, right and left to place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1153 T: FAR O'ER THE HILL AND DELL B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.115 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Another ambiguous repeat: maybe the entire tune, maybe just the 2nd part. M: 2/4 L: 1/16 K: D [|\ d4 c2d2 | B2d2 A4 | f2d2 g2e2 | d2c2 dABc |\ d4 c2d2 | B2d2 A4 | defa gfge | d2c2 d4 |] f4 e2f2 | gafg e4 | f4 e2f2 | agfg eage |\ d4 c2d2 | edcB A4 | f3a g2e2 | d2ce "^da Capo"d4 :| %%begintext align Four ladies advance and retire. Four gentlmen the same. Chassez all. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1161 T: THE FAIRIES B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.116 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C G2 |\ (3cdce2 (3cdce2 | (3gage2 (3gage2 | (3fgfd2 e2c2 | dcde d2G2 |\ (3cdce2 (3cdce2 | (3gage2 (3gage2 | d2d2 d>cd>e | c>Bc>d c2 |] g2 |\ G2G2 G2AB | c>Bc>d c2{^f}g2 | G2G2 G2AB | c4 z2{f}g2 |\ G2G2 G2AB | cBcd c2d2 | e2g2 ^f2a2 | g2ba g=f"^da Capo"ed ] e2 |\ d>cd>e d2f2 | e>de>f e2g2 | d>cd>e d2f2 | e4 z2g2 |\ d>cd>e d2f2 | e>de>f e2g2 | g2d2 d>cd>e | c>Bc>d "^da Capo"c2 |] %%begintext align Right and left. Balancez. Ladies' chain. Half promenade, and right and left to place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1162 T: THE ALPINE MAID B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.116 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The repeat pattern and rthym for phrase boundaries are confusing. M: 6/8 L: 1/8 K: D A |\ a3 f3 | d2f Adf | e3 eee | e3 AAA |\ a3 a3 | f2d eaA | d3 ddd | d2z |] FBd |\ f3 f2c | d3 dcB | f2f FFF | F3 FBd |\ f3 f2c | d3 dcB | f2z f2z | f3 "^da Capo"Adf ] A |\ ABA A2a | f3 dcd | efe A2a | f3 dFG |\ ABA A2a | f3 dcd | efe A2a | d3- d2 |] %%begintext align First four lead to right, chassez out, form lines across. All right and left across, all chassez across. All forward and back, swing to place. Ladies' grand chain. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1163 T: GAILY THE TROUBADOUR B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.116 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G |:\ B2dB G2G2 | A2GA B2G2 | B2dB G2G2 | A2BA G2z2 |\ B2dB G2G2 | A2GA B2G2 | B2dB G2G2 | A2BA G4 :| |:\ g2fe dBG2 | e2dc B4 | GAB2 cde2 | d2F2 G2 Bd |\ g2fe dBG2 | e2dc B4 | GAB2 cde2 | d2F2 G4 :| %%begintext align First couple balance to the right, four hands round and balance to the opposite, four hands round and all chassez. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1171 T: THE BOSTON SET C: John E. Bewins B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.117 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Bb P: 1 de |\ f2fg f2fg | f2df d'2c'2 | b2de g2f2 | e2ce d2B2 |\ f2fg f2fg | f2df g2f2 | e2c2 c'2a2 | b2 z2 H|] de |\ f2gf f2b2 | baga b2e2 | edcd e2g2 | gfed c2de |\ f2gf f2b2 | baga b2ag | gfdB fecA | B2d2"^da Capo"B2 ] de |\ f2b2 d2e2 | g4 f2d2 | c2d2e2g2 | f4 dcde |\ f2b2 d2e2 | g2f2 fgfe | d2d2 edcA | B2B2"^da Capo"B2 |] %%begintext align 1. -- Right and left four. 2. -- All balance. 3. -- Ladies' chain. 4. -- Promenade four. %%endtext P: 2 B2 |\ g6 f2 | e2d2c2B2 | A2FA c2cB | A2F2 GABc |\ g6 f2 | e2d2c2B2 | AcF2 AcF2 | B4 z2 H|] z2 |\ d2dd d2c2 | B2c2 B2G2 | A2FA c2cB | A2F2 GA Bc |\ d2dd d2c2 | B2c2 B2G2 | A2FA c2AF | B2d2"^da Capo"B2 |] %%begintext align 1. -- First two forward; give right hand, join the sides. 2. -- Forward and back six; give right hand, turn to place. 3. -- Lead up four to the right; chassez out and form a line. 4. -- All forward and back; turn partners to places. %%endtext P: 3 FE |\ DFBc d2d2 | decd BFFE | FB df gfed | cBAB c2FE |\ DF Bd fgfd | DF Bd fgfd | edcB AFGA | B2B2B2 H|] f2 |\ fgfd gfed | cBAB c2c2 | cdcB edcB | AFGA Bcde |\ fgfd gfed | cBAB cedc | Bdfd gecA | B2B2"^da Capo"B2 ] f2 |\ fdBd gfed | eFAc B2B2 | BAAB ceed | cegf f2f2 |\ fdBd gfed | eFAc B2B2 | BAAB ceec | B2d2"^da Capo"B2 |] %%begintext align 1. -- First couple balance to the right, four hands round to place. 2. -- Right and left with the opposite couple. 3. -- Ladies chain with the next couple. 4. -- All promenade. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1181 T: MAY DAY B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.118 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G d2 |\ d2gf g2d2 | B2d^c d2B2 | A2e2 d2c2 | BABc B2d2 |\ d2gf g2d2 | B2d^c d2B2 | A2e2 d2F2 | G6 H|] d2 |\ A2e2 d2c2 | BABc B2B2 | A2e2 d2c2 | BABc B2d2 |\ d2gf g2d2 | B2d^c d2B2 | A2e2 d2F2 | "^da Capo"G6 ] d2 |\ d4 e2f2 | a2g2 d2B2 | A2c2 F2A2 | G2B2 D2d2 |\ d4 e2f2 | a2g2 d2B2 | A2e2 d2F2 | "^da Capo"G6 |] %%begintext align First four right and left. Balance four. Ladies' chain. Promenade four. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1182 T: THE SOCIABLE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.118 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D D |\ D2D D2D | DDD D2A | d2d e2f | gfe a2f |\ D2D D2D | DDD D2A | d2d e2f | gfe d2 H|] f |\ a2a fga | fga b3 | g2g efg | efg a3 |\ f2f def | def g3 | b2b agf | efd cBA | a2a fga | fga b3 | g2g efg | efg a3 |\ f2f def | def g3 | b2b agf | edc "^da Capo"d2 |] %%begintext align Forward four and back. Half right and left. Side couples the same. Chassez all, and change partners. Promenade half round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1183 T: TURKISH DANCE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.118 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D A2 |\ d2AA A2f2 | d2AA A2f2 | e2c2 A2c2 | d2f2 a4 |\ d2AA A2f2 | d2AA A2f2 | e2c2 A2c2 | d6 H|] A2 |\ g2gf e2e2 | f2fe d2d2 | e2e^d efge | d2f2 a4 |\ g2gf e2e2 | f2fe d2d2 | e2eg c2ce | "^da Capo"d6 |] %%begintext align First two forward and back twice. Back to back. Balance to partners. All promenade. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1191 T: WILLIAM TELL C: Gioachino Rossini B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.119 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The composer isn't attributed. M: 2/4 L: 1/16 K: D AA |\ A2AA A2A2 | d2e2f2 AA | A2AA d2f2 | e2c2 A4 |\ A2AA A2A2 | d2e2f2 AA | A4 agec | d2f2d2 H|] ff |\ f2ff f2ff | f2b2 f2b2 | f2b2 f2e2 | d2c2B2 ff|\ f2ff f2ff | f2b2 f2b2 | f2b2 f2^g2 | a2"^da Capo"e2a2 ] A2 |\ e2 "^>"e4 f2 | g2 "^>"e4 g2 | f2 "^>"d4 f2 | e2 "^>"a4 A2 |\ e2 "^>"e4 f2 | g2 "^>"e4 f2 | f2 "^>"d4 f2 | "^da Capo"e2 a4 |] %%begintext align Two ladies forward and back. Cross over, balance each other's partners. Two gentlemen the same. Forward and back four, half right and left to place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1192 T: SING, SING, MUSIC WAS GIVEN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.119 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A [|\ A3 c3 | BAB cAF | EFG A2f | edc cBA |\ A3 c3 | BAB cAF | EFG A2f | edB A3 H|] cde ef=g | fed cBA | cde ef^g | gfg a2A |\ Ace agf | edc B2A | AEA AEA | Adc "^da Capo"B2A ] f3 a3 | g2a f2a | c'2a f2a | ggg g2c |\ f3 a3 | g2a f2a | c'2a f2f | gfg "^da Capo"f2z |] %%begintext align Grand right and left. All balance to partners, and turn. Grand chain. All promenade. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1193 T: DEAREST LASSIE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.119 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A A |\ EEE A2A | BAB c3 | E2E F2E | E2E E2A |\ EEE A2A | BAB cAF | E2E F2E | E2E EA H|] c/d/ |\ efe edc | BAB c3 | E2E F2E | E2E EA c/d/ |\ efe edc | BAB c3 | E2E F2E | E2E "^da Capo"EA |] %%begintext align First two forward and back, swing between side couples. Forward six, swing to place with partners. Balance four. Next two, &c. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1201 T: COMING THRO' THE RYE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.120 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D A |\ A>A A<f | e>d e>f | A>A B>c | d2 dB |\ A>A a<f | e>d e<f | A>A Bc | d3 H|] f |\ a>f d<f | e>c Af | a>f ga | b2 g<b |\ a<f g<e | f<d e<a | A>A Bc | "^da Capo"d3 |] %%begintext align Grand right and left. All balance and turn partners. Grand chain. All promenade. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1202 T: MY HEART AND LUTE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.120 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G dc |\ B3d g2f2 | a2g2 e2c2 | e3d B2G2 | B2A2 z2dc |\ B3d g2f2 | a3g2 e2c2 | e2d2 dc AF | G6 H|] B2 |\ d3c A2F2 | e3d B2G2 | d3c AF fe | (e2 d4) d2 |\ d2^c2 cAfe | e2d2 dAaf | feea age^c | d4 "^da Capo"d2 |] %%begintext align First four right and left. Ladies' chain. Balance to partners. Sides the same. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1203 T: BONNIE BREAST KNOTS B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.120 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: A [|\ A3B ce3 | d3e fa3 | e3c A3c | B4 e4 |\ A3B ce3 | d3e f2ga | e3c Be3 | A6 H|] A2 |\ A3G A2F2 | Ec3 A4 | A3G A2F2 | Ec3 A3B |\ c3c c3c | ca3 f3e | ^dB3 c3d | e2fe "^da Capo"dcdB |] %%begintext align Ladies balance to the right and swing. Balance to the next, &c. All promenade. Gentlemen the same. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1204 T: THE STORM B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.120 #4 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A |\ f2d g2e | a3 faf | d2f ecA | dfa e2A |\ f2d g2e | a3 faf | d2f ABc | d3- d2 H|] A |\ e2e f2f | gfg B2d | cec ABc | dfa e2A |\ e2e f2f | gfg bge | dcd dfa | eAB "^da Capo"cde |] %%begintext align First couple lead to the right. Balance and swing to place. Balance to partners. All promenade to seats. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1211 T: SWEDISH WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.121 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Corrected note length in last bar of 3rd part and 1st bar of 4th part. N: The 4th part has 18 bars. M: 3/8 L: 1/16 K: D (FG) |\ A2(A^G)A2 | d4(fg) | a2(a^g)a2 | f4FG |\ A2(A^G)A2 | d4ed | B2^G2E2 | A4 :| |: A2 |\ (A^G)(BA)(cA) | (edcB).A2 | (dF).A.d(fe) | d2{e}dcd2 |\ (eA)ce(gf) | e2{f}e^de2 | (ce).AA(Bc) | d4 H:| |: (FG) | .A2(FGAB) | (Ad).d.d.dd | (dcecdB) | (ABAGFG) |\ .A2(FGAB) | (Ad).d.d.d.d | (fe).e.A.B.c | d4 :| |: B2 |\ B2 (FBdc) | .B2(fedc) | (B^ABc).d.B | (edcB).A2 |\ (AB).c.d.e.f | g4z2 | e4z2 | c4z2 | A4z2 | z4(FG) | .A2(FGAB) | (Ad).d.d.d.d | (dc).e.c(dB) | (ABAG).F.G |\ .A2(FGAB) | (Ad).d.d.d.d | (fe).e.A(Bc) | d4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1212 T: LONG ISLAND WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.121 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: D |:\ {^G}A2{G}A2{G}A2 | f4(ed) | (cdef).g2 | (cdef).g2 |\ {^G}A2{G}A2{G}A2 | f4(ed) | (cde)f.g.e | d4 H:| |: cd |\ e3(fge) | b(a^ga).=g.f | (e^def).g.e | (dcdf).a2 |\ e3fge | b(a^ga).=g.f | (e^def).g.e | d4 :| |: (Ad) |\ f2e2d2 | B4(ed) | (dcBA).B.c | (defd).A.d |\ f2e2d2 | B4ed | (dcBA).B.c | d4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1221 T: KNIGHT'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.122 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G D/GB/ |\ .d2(^cded) | B>dg2g2 | (fa)d2c2 | Bd G>DG>B |\ .d2(^cded) | Bdg2g2 | (fa)d2 ef | g4 :| |: d/ed/ |\ a>fd>AB>c | (cB).e.d.d2 | (^cd)(Ad)(=cA) | _B=BG2 d/ed/ |\ a>fd>AB>c | (cBe).d.d2 | (^cde).d.d2 | (^cded).=c.A | G4 H:| G2 |\ (e^def).^f.g | (cBcd).^d.e | (fdcG).A.B | (cGAB).c.d |\ (e^def).^f.g | (cBcd).^d.e | (fdBG).A.B | c4 :| K: C |: g2 |\ (fdBG) .F.D | (CEGc) .e.g | (fdBG) .F.D | (cGAB).c.d |\ (e^def).^f.g | (cBcd).^d.e | (fdBG).A.B | c4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1222 T: SEVILLE WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.122 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G (Bc) |\ .d2(ded^c) | d2"_>"g4 | .B2(BcB^A) | B2"^>"d4 |\ (GABc).d.e | e4d2 | (fedc).B.A | G4 H:| |: dd |\ (^cd).d.d.d.d | (^cd).d.d.d.d | gfedcB | dccccc |\ (Bc).c.c.c.c | (Bc).c.c.c.c | (fedc).B.A | G4 :| |: Gc |\ .e2e(=fe^d) | "^>"e4d2 | .c2(cdcB) | "^>"c4B2 |\ A2B2c2 | e4d2 | (fedc).B.A | G4 :| |: d>d |\ f3ecA | e3dBG | d3cAF | (GABc).d.e |\ f3ecA | e3dBG | d3cAF | G4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1231 T: MAHON WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.123 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G D>G |\ B2 G>DG>B | d>B g3B | d>cA>ed>^c | d>BG2 D>G |\ B2 G>DG>B | d>B g3B | d>cA>ed>F | G4 H:| |: B2 |\ c>B^A>Bc>B | e2 z2 e2 | f2f2fg | e2 z2 A2 |\ {c}B>A^G>AB>A | d2 z2 df | e2e2e2 | d4 D>G | B2 G>DG>B | d>B g3B | d>cA>ed>^c | d>BG2 D>G |\ B2 G>DG>B | d>B g3B | d>cA>ed>F | G4 :| K: C G/GG/ |\ e4d2 | c3Gce | (gfdG).A.B | ceg2 G/GG/ |\ e4d2 | c3cde | f3edB | c4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1232 T: BELVIDERE WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.123 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: F %%slurgraces 0 A>B |\ c4 {A}a>g | gff2 (3Acf | fee2 (3Gce | g>ff2 A>B |\ c4 {A}a>g | gff2 (3Acf | fee2 (3Gce | f4 H:| |: c2 |\ (Bc)(Gc)(Bc) | (Acfc).a2 | (bagf).e.g | (gfed).c2 |\ (Bc)(Gc)(Bc) | (Acfc).a2 | (bagf).e.g | f4 :| |: c'2 |\ c'4a2 | a4gf | (eg) c2(eg) | ac'f2c2 |\ c'4a2 | a4(gf) | (eg).c2 (eg) | f4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1241 T: FIRTH'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.124 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Added missing beat between 2nd and 3rd parts. M: 3/8 L: 1/16 U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! K: C E>F |\ (QG4{B})q(AG) | (G4y0)(AB) | (c4y0)(de) | g4fe |\ d4ef | B4cd | F4AG | A2G2 E>F |\ (G4{B}AG) | (G4AB) | c4de | g4fe | d4ef | B4cd | (GB) (Ac) (Bd) | c4 H:| C2 |\ (E4F2) | (G4^G2) | (A4B2) | (c4^c2) |\ (d4e2) | (f4g2) | (a4g2) | (c4C2) | .E.E.E.E.F.F | .G.G.G.G.^G.G | .A.A.A.A.B.B | cccc^cc |\ ddddee | ffffgg | aaaagg | c4 :| |: z2 |\ c2e2g2 | c2e2g2 | .c2(BA) (G/F/E/D/) | (C4G2) |\ c2d2e2 | f4e2 | ^c6 | d4G2 |\ G2B2d2 | G2B2d2 | g2fe (d/c/B/A/) | G4G2 | B2c2d2 | e4d2 | (cBce).g.e | c4 :|\ e2 |\ {g}f(efg).a.f | (d^cde)f.d | {f}(e^def)g.e | (cBcd).e.c |\ (d^cde).f.d | (BABc).d.B | [1 {d}(cBcd).e.f | g4e2 :|[2 c2e2g2 | c4 z2 |] [K:F]\ AB |\ c2(fe).f.d | c2(fe).f.d | c2d2B2 | (A^GAB).c.d |\ (c2f).e.f.d | (c2f).e.f.d | (ce)(df)(eg) | f4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1242 T: LELAND'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.124 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Added missing beat between 2nd and 3rd parts. M: 3/4 L: 1/8 K: C |:\ {^f}g2{f}g2{f}g2 | age3c | gfd3B | {d}(cB).c.d(ef) |\ {^f}g2{f}g2{f}g2 | age3c | gfd3B | cec2z2 H:| |:\ {^c}d2{c}d2{c}d2 | edb3d | dca3c | cBAGAB |\ {^c}d2{c}d2{c}d2 | edb3d | dca3c | cBG4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1251 T: COVERT'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.152 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: A |:\ {f}e>^de>ag>f | e>^de>=dc>B | A>GA>cB>d | c>E A>Bc>d |\ e>^de>ag>f | e>^de>=dc>B | A>GA>cB>d | AcA2z2 :| |:\ (EGBd).B.G | (Ac).e.ga2 | (EG).B.d(BG) | (Ac).e.ga2 |\ (fe).A.d.f2 | ecAce2 |1 (fedcB)A | e4z2 :|2 (3fed (3dcB (3AGF | E4z2 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1252 T: HYDE'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.125 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: C ef |\ g2ecG2 | g2ecG2 | g2cegc' | (c'4b2) |\ a2Bba2 | g2cag2 | f2dfGB | c4 H:| |: B>c |\ d>cB>cd>e | d>Bg>db>g | ^f>da>fc'>f | g4g2 |\ a2Aaa2 | g2^fag2 | badf GB | c4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1253 T: MANN'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.152 #3 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: C e>f |\ g>ec>eG>c | B>G d>B f2 | a>fd>f G>B | c>eg>ec'2 |\ g>ec>c'a>f | d>Af>da2 | g2f>GB>d | c4 H:| |: Bc |\ d2(Bb)g2 | e2(cc')a2 | .^f(e'd'c'af) | (gd').b.g.d2 |\ d2(Bb)g2 | e2(Bc')a2 | .^f(e'd'c'a)f | g4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1261 T: ALPINE WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.126 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: Bb .d(de) |\ f3(fd')c' | (b2d2)g>f | f2(Acg>f) | (f2B2)(de) |\ ~f3(fd')c' | (b2d2)g>f | f=egf_ec | B2z2 :| g>f |\ (fA) (Acgf) | (fB) (Bdgf) | (fA) ((3Acf (3a)gf | f2z.d(de) |\ ~f3(fd')c' | (b2d2)g>f | f=egf_ec | B2z2 H|] |: f2 |\ (gf) (dF)B2 | (Acec)a2 | (gf) (eF)A2 | (Bdfd)b2 |\ (gf) (dF)B2 | (Acec)a2 | (gf) (eF)A2 | B4 :| FB |\ .d2.d2zd | .d2.d2zd | dgg3f | fee2z2 |\ {A}c2c2zc | c2c2zc | {A}g3(feA) | B4 "^D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:1262 T: DOWNES' WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.126 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G d2 |\ (db)(fg)(^de) | d4(Bd) | .c.a.B.g.A.f | (gfgd).B.G |\ d(b^abg)d | ec'ac'ag | (fd').d.f.a.b | g4 ] (Bd) |\ (Bc)(ac)(dc) | (Bd)(bd)(gd) | d(cBcA)c | (Bd)GBdg |\ (Bc)(ac)(dc) | (Bd)(bd)(gd) | c^cd^def | g4 H:| K: C |: G2 |\ (cG)(ec)(ge) | fadfBd | GABcdB | ec'gc'eg |\ c(defg)e | (da)(df)(Bd) | (GBdg)fg | (3ege c2 :| |: G2 |\ Gfefaf | Ge^dege | dfBdGB | cegedB |\ Gfefaf | Ge^dege | dfBdGB | c4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1271 T: FRANKFORT WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.127 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G DEF |\ G3FGA | B3AGF | (F2E2)E2 | E3GFE |\ (E2D2)D2 | D3edc | B3dce | d3def | g3fga | b3agf | (f2e2)e2 | e2(agfe) |\ (ed)(^cd)(cd) | d(efga)b | g3bab | f2z2 H:| d'>d' |\ d'2d2_e2 | ^c2d2=c2 | _B2A2G2 | d3def |\ gabdef | gabdef | gabc'd'f | g4 ] K: C |: g>^f |\ (gc')(eg)(ce) | G3ceg | fdBagf | ^d2e ^fgf |\ (gc')(eg)(ce) | G3ceg | f(dBag)B | c4 :| |: Bc |\ dBGg^fg | (ecG)g^fg | fdBdag | f(e^de)f^f |\ (gc')(eg)(ce) | G3ceg | fdBagB | c4 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1272 T: BRATTLEBORO' WALTZ C: Geo. Hews B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.127 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The last phrase has final repeat but no initial repeat sign. Fixed. M: 3/8 L: 1/16 K: C G>c |\ e2e2 f>d | c2c2 d>B | c2c2c2 | e4 c>e |\ g2g2 a>f | e2e2[fd]>[dB] | c2c2 d>B | c4 :| |: G>e |\ g4 ag | ge3 ce | ed3 Bd | dc3 G>e |\ g4 ag | ge3 ce | e3d Bd | c4 :| |: GB |\ Bd3 Bd | df3 ag | ge3 ag | ge3 GB |\ Bd3 Bd | df3 ag | fd3 Bd | c4 :| |: ef |\ g3agf | eg3 c'2 | bd'3 d'2 | c'e'3 ef |\ g3agf | eg3 g2 | fd3 Bd | c4 H:| %%sep 1 1 500 %%sep 1 1 500 X:1281 T: CONGRESS WALTZ O: Arranged by E. A. la Forrest B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.128 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The time signature is 3/4, but the music is in 3/8 time. M: 3/8 L: 1/16 K: G % V: 1 "PRIMO"d2 |\ g2d2e2 | dd/c/ B2d2 | c2cB A2c2 | B2Bc d2G2 |\ g2d2e2 | dd/c/ B2d2 | c2cB A2c2 | G4 :| |: D2 |\ D4 FA | d^cdefd | ^cdefge | f2d2A2 |\ D4 FA | d^cdefd | ^cdefge | d4 :| |: B2 |\ (dc)(Bc)(Bc) | A4 c2 | (cB)(AB)(e>d) | d4B2 |\ (dc)(Bc)(Bc) | A4 c2 | {c}BABdcA | B4 :| % V: 2 "SECONDO"G2 |\ B2B2c2 | BB/A/ G2B2 | A2AG F2A2 | G2GA B2G2 |\ B2B2c2 | BB/A/ G2B2 | A2AG F2A2 | B4 :| |: z2 |\ F2F2F2 | F2F2F2 | E2G2G2 | F2A2d2 |\ F2F2F2 | F2F2F2 | G2G2G2 | F4 :| |: G2 |\ BA^GAGA | F4 A2 | AGFGc>B | B2^cdBG |\ BAGAGA | F4 A2 | GFGBAG | G4 :| %%sep 1 1 500 %%sep 1 1 500 X:1282 T: TAGLIONI'S GARLAND DANCE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.1282_ F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Fixed first repeat to not include the initial g pickup note. M: 3/4 L: 1/8 K: C %%slurgraces 0 g2 |:\ .c'2.c'2.c'2 | (c'4b2) | .c'2.c'2.c'2 | (c'4b2) |\ c4d2 | e4f2 |[1 g2c'2a2 | g3a/g/ f/e/f/d/ :|[2 g2a2^f2 | g4 || |: g2 |\ g2e2c'2 | (c'4b2) | d2B2a2 | a4g2 |\ g2e2c'2 | c'4b2 | d2B2a2 | a4g2 | g2e2a2 | f2d2g2 | {f}e>d c2d2 | {c}B>A G2G2 |\ c4c2 | d4e2 | f2A2B2 | c4 H:| %%sep 1 1 500 %%sep 1 1 500 X:1291 T: CANARY BIRD WALTZ C: J. Parry B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.129 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a final repeat but no initial repeat. Initial repeat added. M: 3/8 L: 1/16 K: C V: 1 % |:\ !p!(e<c)(e<c)(g<e) | .c2.c2.c2 | (d<B)(d<B)(f<d) | .B2.B2.B2 |\ (d<c)(e<c)(g<e) | (e<g)(e<g)(a>f) | (e<c)(g<c)(f<d) | c6 :| |:\ (Bd)(Bd)(Bd) | (ce)(ce)(df) | (eg)(eg)(ce) | d4e2 |\ (Bd)(Bd)(Bd) | (ce)(df)(eg) | (fa)(df)(Bd) |[1 c6 :|[2 c4g2 |] |:\ Tg6- | g4.c'2 | Tc'6- | c'4g2 |\ Tg6- | g4c'2 | Tc'6- | c'4g2 | g4g2 | g4g2 | g4g2 | g4f2 |\ ececfd | gegeaf | ecgefd | c6 H:| % V: 2 |:\ z6 | E2G2c2 | z6 | D2G2B2 |\ .c2.c2.c2 | .e2.e2.f2 | g2G2B2 | c6 :| |:\ G2G2F2 | E2E2G2 | c2G2E2 | G4z2 |\ G2E2F2 | E2G2c2 | F2G2G2 |[1 E6 :|[2 E4z2 |] |:\ z2z2.e2 | .d2.B2z2 | z2z2a2 | .g2.e2z2 |\ z2z2e2 | .d2.B2z2 | z2z2a2 | g2.e2z2 | z2cez2 | z2dfz2 | z2cez2 | z2Bdz2 |\ c2c2d2 | e2e2f2 | g2G2B2 | c6 H:| %%sep 1 1 500 %%sep 1 1 500 X:1292 T: BARTLETT'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.129 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D |:\ f3def | {a}gfgec2 | f3def | gaceA2 |\ f3def | {a}gfgec2 | (ga).d.f (ec) | d4D2 H:| (ed).c.e(c'a) | e4c2 | (ed).G.E(GB) | (dc).A.E(Ac) |\ (ed).c.e(c'a) | e4c2 | (ed).G.E(GB) | d2c2A2 "^D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:1301 T: ELLSLER'S CACHUCHA C: Auber B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.130 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G % V: 1 |:\ g6- | g2 {a}gfga | b2g2d2 | d2e2B2 |\ (d6 | c2) {b}a^gab | c'2a2f2 | d2e2c2 | d4 c2 | B2 gfga | b2g2f2 | d2e2B2 |\ (d6 | c2)a^gab | c'2a2f2 | d2e2c2 | B2dedc | B2.B2.A2 | c2 "^>"B4 | G2B2c2 |\ d2e3d | A2A2^G2 | B2 "^>"A4 | A2B2c2 | d2e3d | b2b2a2 | c'2 "^>"b4 | g2b2c'2 |\ d'2e'3d' | a2a2^g2 | b2 a4 | a2b2c'2 |\ d'2e'3d' :| g2g'2g'2 | f'4z2 |] % V: 2 |:\ GBdBdB | G4z2 | G2B2B2 | B2 z2 G2 |\ (B6 | A2)cBcd | e2c2A2 | F2z2A2 | B4 A2 | G2 BcBA | G2B2B2 | B2z2G2 |\ (B6 | A2)cBcd | e2c2A2 | F2z2A2 | G2BcBA | G2G2F2 | B2"^>"G4 | G2G2A2 |\ B2c3B | F2F2^E2 | G2 "^>"F4 | F2G2A2 | B2"^>"c3B | g2g2f2 | a2 "^>"g4 | g2g2f2 |\ b2c'3b | f2f2^e2 | g2 f4 | f2g2a2 |\ b2c'3b :| b2b2b2 | b4z2 |] %%sep 1 1 500 %%sep 1 1 500 X:1302 T: SPANISH DANCE C: S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.130 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: Bb (df) |\ (cd)e2(dc) | (df)B2(AG) | (GF)F2EC | DCB,2(df) |\ (cd)e2(dc) | (df)B2(AG) | (FGF)edc | B4 :| |: (AB) |\ c2F2(Bc) | d2F2(de) | (d2c2)(fe) | (^cd)d2ba |\ agc2eg | (gf)B2(AG) | F2e2(cd) | B4 H:| %%sep 1 1 500 %%sep 1 1 500 X:1311 T: BRADFORD'S WALTZ C: S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.131 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: C % V: 1 |:!p!\ c2 cc c2 | e4 c2 | c2 (Bc) .G.E | ((3EFE) D2 D2 |\ d2 dd d2 | f4 d2 | G2 A2 B2 | c4 z2 :| |:!f!\ d2 dd d2 | g4 d2 | (d2 e2) .B2 | d4 c2 |\ A2 aa a2 | ^f4 e2 | e2 dd d2 | G2 z2 z2 :| |:!p!\ (E=F).G.A.B.c | e2"^>"d4 | (BA) G2 =f2 | ("^>"^d2 e2) (GF) |\ (EF).G.A.B.c | e2 d3 G | (G2 e2) .d2 | c4 z2 H:| K: F |:!p!\ c4 A2 | (c2 f2) cc | (c2 g2) cc | c2 a2 c2 |\ c4 A2 | c2 g2 cc | c2_b2 (ag) | f4 z2 :| % V: 2 |:!p!\ E2 EE E2 | C2 E2 G2 | E2 E2 C2 | (C2 B,2) .B,2 |\ F2 D2 B,2 | [G2G,2] d2 B2 | G2 ^F2 =F2 | E4 z2 :| |:!f!\ B2 BB B2 | B2 B2 B2 | (B2 c2) G2 | ^F4 A2 |\ D2 cc c2 | c2 c2 c2 | c2 B2 A2 | B2 z2 z2 :| |:!p!\ (CD).E.=F.D.E | c2 "^>"B4 | (DC) B,2 d2 | c4 (ED) |\ (CD).E.F.D.E | c2 B3 G | F2 z2 F2 | E4 "^FINE"z2 H:| K: F |:!p!\ z2 (A2 F2) | z2 (A2 B2) | z2 (_B2 c2) | A2 F2 A2 |\ z2 (A2 F2) | z2 (A2 c2) | z2 d2 (cB) | "^D.C. AL FINE"A4 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1321 T: BIRD'S WALTZ C: Composed for two violins, by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.132 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D % V: 1 .A,.B,.C |\ .D.E.F.G.A.B | (A2 f).A d2 | (c2 g).f.e.d | .c.B.A.G.F.E |\ .D.E.F.G.A.B | (A2 f)A d2 | (A2 g).f(ef) | d2 z :| |: !mf!.d.c.B |\ .A.B.c.d.e.f | (gfga) g2 | (fefg) f2 | (ed)cB A2 |\ !f!.b.a.g.f.e.d | .c.B.A.G.FE | (DF) A2 [c2E2A,2] | [d2D2] z H:| K:G |: !p!.D.E.F |\ (GA).B.c.d.e | (ed) "^>"[b4d4] | (dc) [a4c4] | (cB) "^>"[g4B4] |\ .e(gfgfe) | (ed) (^cd) d2 | (=ca) (Bg) (Af) | g2 z :| % V: 2 .A,.B,.C |\ .D.C.D.E.F.G | FA DA FA | [E3C3] .D.E.F | .E.D.C.B, A,2 |\ .D.C.D.E.F.G | (FD) (AD) (FD) | (CE) (BA) (GA) | F2 z :| |: !mf!.F.E.D |\ .C.D.E.F.G.A | ("^>"_B2 A2) c2 | (dcde) d2 | (cB).A.^G A2 |\ !f!.=g.f.e.d.c.B | .A.G.F.E.D.C | D2 F2 [A2G2] | [A2F2] "^FINE"z H:| K:G |: zz2 |\ !p!B,D G,D B,D | B,D GD GD | FD FD FD | GD GD GD |\ .c(e^de=dc) | (cB) (^AB) B2 | (A2 B2) [c2D2] & D4 x2 | "^D.C. AL FINE"[B2D2G,2] zy :| %%sep 1 1 500 %%sep 1 1 500 X:1322 T: HALL'S WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.132 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: It's not clear which staff/bar/note the single "p" annotation is attached to. (Bar 1 or bar 13). M: 3/8 L: 1/16 K: G !p!g6 | g6 | f3ef2 | g2z2 |: (Bc) |\ (d2B2).B2 | (B2A2).A2 | (c2A2).A2 | B4 (Bc) |\ (d2B2)B2 | (B2A2)A2 | (c2F2).F2 | (A2G2) zG | (c2A2).A2 | (B2G2)G2 | (c2A2).A2 | B4z2 |\ g6 | g6 | f3ef2 | g4z2 |\ {d}"^>"b4 (ag) | (Tfe) (Tdc) (TBA) | G(Fedc)A | G2 z2 H:| %%sep 1 1 500 %%sep 1 1 500 X:1331 T: BRAINARD'S WALTZ C: J. H. Seipp B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.133 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: Bb % V: 1 .d2 |\ .c2.d2.e2 | (g2f2).d2 | (f2e2).c2 | (g2f2).d2 |\ .c2.d2.e2 | (g2f2).d2 | (f2e2).c2 | B4 :|\ |: c2 |\ .c2.d2.=e2 | (f2c2).a2 | (b2c2).=e2 | f(=egf_e)d |\ .c2.d2.e2 | (g2f2).d2 | (f2e2).c2 | (g2f2).d2 |\ .c2.d2.e2 | (g2f2).d2 | (f2e2).c2 | B4 H:| % V: 2 .B2 |\ .A2.B2.c2 | (e2d2).B2 | (d2c2).A2 | (e2d2).B2 |\ .A2.B2.c2 | (e2d2).B2 | (d2c2).A2 | B4 :|\ |: c2 |\ .c2.=B2._B2 | (A2c2).F2 | (G2c2).B2 | A2z2z2 |\ .A2.B2.c2 | (e2d2).B2 | (d2c2).A2 | (e2d2).B2 |\ .A2.B2.c2 | (e2d2).B2 | (d2c2).A2 | B4 H:| %%sep 1 1 500 %%sep 1 1 500 X:1332 T: ALEXIS WALTZ O: Arranged by J. H. Seipp B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.133 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G % V: 1 !p!(b>c') |\ (b2 a2) (a>b) | (a2 g2) (g>a) | (g2 f).d.e.f | (a2 g2) (b>c') |\ (ba)(.a~.a)(ba) | (ag).g~.g(ag) | (gf).f.d.e.f | g2 z2 :|\ |: !f!(A>G) | (F2 A2) d>f | (ba) f3 d | (^cd)(ba).g.e | d2 z2 (b>c') |\ (b2 a2) (a>b) | (a2 g2) (g>a) | (g2 f).d.e.f | (a2 g2) (b>c') |\ (ba).a~a(ba) | (ag)g~g(ag) | (gf).f.d.e.f | g2z2 H:| % V: 2 !p!(d>e) |\ (d2c2) (c>d) | (c2 B2) (B>c) | (B2 A).F.G.A | (c2 B2) (d>e) |\ (dc).c~.c(dc) | (cB).B~.B(cB) | (BA).A.F.G.A | B2 z2 :|\ |: !f!(F>E) | DAFAFA | (GF) DFAF | A2 GFEG | F2 z2 (d>e) |\ (d2c2) (c>d) | (c2 B2) (B>c) | (B2 A).F.G.A | (c2 B2) (d>e) |\ (dc).c~.c(dc) | (cB)B~B(cB) | (BA).A.F.G.A | B2 z2 H:| %%sep 1 1 500 %%sep 1 1 500 X:1341 T: QUICK WALTZ For two Violins and Base C: J. H. Seipp B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.134 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: That "Base" is not a mistake; this collection spells it that way several times. U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 3/8 L: 1/16 K: G %---------- V: 1 !p!d2 |\ d2c2.c2 | (c2B2).d2 | (d2c2).c2 | (c2B2).B2 |\ Pe6p | (f2e2f2) | g6 | (f2g2f2) |\ (e4B2 | Qg4)f2q | e6- | e4 :| |: !f!(dg) |\ agfedc | (Bd)g4 | agfedc | (Bd)"^>"g4 |\ (gd)b2 (gd) | g2(dBGB) | d2F2F2 | G4 H:| K: C "TRIO"\ |: !p!(GB) |\ (d2f2)B2 | c2(ed)c2 | .d2.e2.f2 | (a4g2) |\ (gf)(fe)(ed) | (^d2e2) (=dc) | B2(fd)(Bd) | c4 "^D.C.":| %---------- V: 2 !p!B2 |\ (B2A2).A2 | (A2G2).B2 | (B2A2).A2 | (A2G2).G2 |\ P(G3!trem2!E3)p | (^D3!trem2!B3) | (E3!trem2!B3) | (FcAcAc) |\ (G3!trem2!B3) | Q(A3!trem2!B3)q | [B6-G6-] | [B4G4] :| |: z2 |\ [D2C2][D2C2][D2A,2] | [D2B,2]"_>"[D4B,4] | [D2C2][D2C2][D2A,2] | [D2B,2]"_>"[D4B,4] | [D2B,2] z2 [D2B,2] | [D2B,2] z2 [D2B,2] | !/![D6C6] | [D4B,4] H:| K: C |: !p!z2 |\ z2[D2G,2][F2G,2] | z2[E2G,2][E2G,2] | .B,2.C2.D2 | z2[E2C2][E2C2] |\ [D2G,2][D2G,2][F2G,2] | z2[E2G,2][E2G,2] | z2[D2G,2][F2G,2] | [E4G,4] "^D.C.":| %---------- V: 3 clef=bass middle=d z2 |\ d4 z2 | g4 z2 | d4 z2 | g4 z2 |\ Pc6p | B6 | e6 | a6 | b6 | QB6q | e2g2b2 | e4 :| |: !p!z2 |\ !/!d6 | g2 g4 | !/!d6 | g2 g4 |\ g2 z2 g2 | g2 z2 g2 | !/!d6 | g4 H:| K: C |: !p!z2 |\ g4 z2 | c4 z2 | g4 z2 | c4 z2 |\ !/!B6 | c2z2e2 | g2z2g2 | c4 "^D.C.":| %%text page 135: ISSUE "S" MISSING NOT AVAILABLE %%text page 136: ISSUE "S" MISSING NOT AVAILABLE %%sep 1 1 500 %%sep 1 1 500 X:1371 T: FREISCHUTZ WALTZ O: Arranged by J. H. Seipp B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.137 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D %---------- V: 1 (Adf |\ baf)(Adf | baf)(Adf | age)(Ace | gfd)(Adf |\ baf)(Adf | baf)(Adf | age)(Ace | d3) H|] "8va. Ad lib."(EAc |\ fec)(Ece | fec)(EAc | edB)(E^GB | dcA)(EAc |\ fec)(Ece | fec)(EAc | edB)(E^GB | A3) "^D.C."|] %---------- V: 2 zz2 |\ [F2D2][A2F2][A2F2] | [F2D2][A2F2][A2F2] | [E2C2][A2E2][A2E2] | [F2D2][A2F2][A2F2] |\ [F2D2][A2F2][A2F2] | [F2D2][A2F2][A2F2] | [E2C2][A2E2][A2E2] | [A3F3] H|] zz2 |\ z2[E2C2][E2C2] | z2[E2C2][E2C2] | z2[E2D2][E2D2] | z2[E2C2][E2C2] |\ z2[E2C2][E2C2] | z2[E2C2][E2C2] | z2[E2D2][E2D2] | [E3C3] "^D.C."|] %---------- V: 3 clef=bass middle=d zz2 |\ d2z2z2 | d2z2z2 | A2z2z2 | d2z2z2 |\ d2z2z2 | d2z2z2 | A2z2z2 | d3 H|] zz2 |\ A2a2a2 | A2a2a2 | e2g2e2 | A2a2a2 |\ A2a2a2 | A2a2a2 | e2g2e2 | A3 "^D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:1372 T: GERMAN WALTZ B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.137 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The first part has 9 bars, with bar 6 repeated. M: 3/8 L: 1/16 K: G d2 |\ d4{f}g2 | d2c'ba2 | d3af2 | gdbgd'2 |\ d4{f}g2 | d2c'ba2 | d2c'ba2 | d3af2 | g4 :| |: !f!AG |\ .F2(DFAd) | (fed^cBA) | .G2(EG^cG) | (ed^cBAG) |\ .F2(DFAd) | (fed^cBA) | G2(EG^ce) | d4 :| |: dc |\ Bcdefg | a4d^c | defga^a | b2g2 dc |\ Bcdefg | a4d^c | defgaf | g4 :| %%sep 1 1 500 %%sep 1 1 500 X:1381 T: GIPSEY WALTZ C: von Weber B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.138-139 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The last part has an initial repeat, but no final repeat, only a "D.C."; dropped the initial repeat. N: The bass part really is notated "BASE". M: 3/4 L: 1/8 K: D %---------- V: 1 "^1st VIOLIN, or FLUTE"|:!f!\ (DF).A.F.d.A | .f.d.a.f.d'.a | f2b>fg2 | a>ef2g>^d |\ e2f>c=d2 | e>Bc2A2 | .d2.c2.d2 | .e2.f2.^g2 |\ .a2.[c'2c2].[d'2d2] | .[e'2e2].[a'2a2]z2 :| |:\ "^>"^g(a=gecA) | "^>"b(afdAF) | "^>"^g(a=gecA) | "^>"b(afdAF) |\ (DF).A.F.d.A | .f.d.a.f.d'.a | f2b>fg2 | a>ef2g>d |\ .e2.a2.c'2 | .e'2.d'2"_FINE"z2 H:| |:!p!\ d6 | A6 | .F2.A2.d2 | f6 |\ "^>"(^d4e)z | "^>"(^d4e)z | (a6 | e2)z2z2 |\ "^8va _ _ _"d6 | A6 | .F2 .A2 .d2 | f6 |\ (^d4e2) | a4z2 | (e6 | d2)z2z2 :| "^LOCO""_DOLCE"(e4^de | fe^dcBA) | (g4fe | (^d4e))z |\ (b4ag | fe^defe) | (gfe=dcB | A^GBA=GE) |\ !pp!B6 | A6 | F2A2.d2 | f6 | "^>"(^d4e)z | "^>"(^d4e)z | (a6 | e2)z2z2 |\ "8va _ _ _"d6 | A6 | F2A2d2 | f6 |\ (^d4e2) | (a4c2) | "^>"(e6 | d2)z2z2 "^D.C."|] %---------- V: 2 "^2d VIOLIN"|:!f!\ !/![F6A,6] | !/![F6A,6] | [F2A,2]!/!B4 | !/!A4GG | GG !/!F4 | !/!E6 | .[A2D2].G2.F2 | .A2.A2.d2 | .c2.e2.d2 | .c2.[a2c2]z2 :| |:\ "_>"[c6E6] | "_>"[d6D6] | "_>"[c6E6] | "_>"[d6D6] |\ !/![F6D6] | !/![F6D6] | [A2F2]!/!B4 | !/!A4GG | .G2.c2.e2 | .[g2A2].[f2A2]z2 H:| |:!p!\ z2(.[F2A,2].[F2A,2] | .[F2A,2].[F2A,2].[F2A,2]) | z2(.[F2A,2].[F2A,2] | .[F2A,2].[F2A,2].[F2A,2]) |\ z2(.[G2A,2].[G2A,2] | .[G2A,2].[G2A,2].[G2A,2]) | z2(.[G2A,2].[G2A,2] | .[G2A,2].[G2A,2].[G2A,2]) |\ z2(.[F2A,2].[F2A,2]) | (.[F2A,2].[F2A,2].[F2A,2]) | z2[F2A,2][F2A,2] | [F2A,2][F2A,2][F2A,2] |\ z2[G2A,2][G2A,2] | [G2A,2][G2A,2][G2A,2] |\ "^>"([G6A,6] | [F2A,2])z2z2 :| % z2.[G2A,2](.[G2A,2] | .[G2A,2].[G2A,2]).[G2A,2] |\ z2[G2A,2][G2A,2] | [F2A,2][F2A,2][G2A,2] |\ z2[G2A,2][G2A,2] | [G2A,2][G2A,2][G2A,2] |\ ([G6A,6] | [F2A,2])z2z2 | !pp!z2(.[F2A,2].[F2A,2] | .[F2A,2].[F2A,2]).[F2A,2] |\ z2[F2A,2][F2A,2] | [F2A,2][F2A,2][F2A,2] |\ z2[G2A,2][G2A,2] | [G2A,2][G2A,2][G2A,2] |\ z2[G2A,2][G2A,2] | [G2A,2][G2A,2][G2A,2] |\ z2[F2A,2][F2A,2] | [F2A,2][F2A,2][F2A,2] |\ z2[F2A,2][F2A,2] | [F2A,2][F2A,2][F2A,2] |\ z2[G2A,2][G2A,2] | [G2A,2][G2A,2][G2A,2] |\ "^>"([G6A,6] | [F2A,2])z2z2 "^D.C."|] %---------- V: 3 clef=alto middle=c "^ALTO"|:!f!\ !/!d6 | !/!d6 | d2f2g2 | e2f2^d2 | e2c2=d2 | B2c2c2 |\ .e2.A2.A2 | .g2.f2.e2 | .e2.a2.a2 | .a2.[a2c2]z2 :| |:\ "^>"[g6A6] | "^>"[f6A6] | "^>"[g6A6] | "^>"[f6A6] |\ !/!d6 |!/!d6 | d2f2g2 | e2f2d2 | .e2.g2.a2 | .c'2.d'2"_FINE"z2 H:| |:!p!\ z2(.d2.d2 | .d2.d2.d2) | z2.d2(.d2 | .d2.d2.d2) |\ z2(.c2.c2 | .c2.c2.c2) | z2(.c2.c2 | .c2.c2.c2) |\ z2(.d2.d2) | (.d2.d2.d2) | z2d2d2 | d2d2d2 |\ z2c2c2 | c2c2c2 | "^>"(c6 | d2)z2z2 :| z2.c2(.c2 | .c2.c2).c2 | z2c2c2 | ^B2B2c2 |\ z2c2c2 | c2c2c2 | c6- | c2z2z2 | !pp!z2.d2(.d2 | .d2.d2.).d2 | z2d2d2 | d2d2d2 |\ c2c2c2 | c2c2c2 | z2c2c2 | c2c2c2 |\ z2d2d2 | d2d2d2 | z2d2d2 | d2d2d2 |\ z2c2c2 | c2c2c2 | "^>"(c6 | d2)z2z2 "_D.C."|] %---------- V: 4 clef=bass middle=d "^BASE"|:!f!\ d2d2d2 | d2d2d2 | .d2.^d2.e2 | .c2.=d2.B2 | .c2.A2.B2 | .^G2.A2.=g2 |\ .f2.e2.d2 | .c2.d2.B2 | .A2.g2.f2 | .e2.A2z2 :| |:\ "_>"A6 | "_>"A6 | "_>"A6 | "_>"A6 | d2d2d2 | d2d2d2 |\ .d2^d2.e2 | .c2.=d2.B2 | .c2.e2.g2 | A2d2z2 H:| |:!p!\ !/!D4z2 | z6 | !/!D4z2 | z6 | A4z2 | z6 | A4z2 | z6 |\ !/!D4z2 | z6 | !/!D4z2 | z6 | A4z2 | A2z2z2 | "^>"(A6 | d2)z2z2 :| A4z2 | z6 | A4z2 | z6 | A6- | A6 | A6- | A2z2z2 |!pp!\ !/!D4z2 | z6 | !/!D4z2 | z6 | A4z2 | z6 | A4z2 | z6 |\ !/!D4z2 | z6 | !/!D4z2 | z6 | A4z2 | A2z2z2 | "^>"(A6 |d2)z2z2 "^D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:1401 T: STARTING WALTZ C: J. H. Seipp B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.140-141 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Dynamics are randomly omitted, and positioned sloppily. N: I've added the missing ones to agree with the other parts, and lined them up a bit better. M: 3/8 L: 1/16 K: F %---------- V: 1 "^1st Violin"|:\ !f!.c.c.c.c~c2 | !p!.a2.e2.f2 | .a2.e2.f2 | .d'2.=b2.c'2 |\ !f!.g.g.g.g~g2 | !p!.d'2.g2.a2 | .b2.d2.g2 | {f}.e2.d2.c2 |\ !f!.c.c.c.c~c2 | !p!.a2.e2.f2 | .a2.e2.f2 | d'2a2_b2 |\ !f!gggg~g2 | !p!._d'2.g2.a2 | .b2.d2.e2 | f4z2 :|\ |:!f!\ (cb){c}b4 | (cg){c}g4 | (cc'){c}c'4 | (ca){c}a4 |\ (dd'){d}d'2 (d'c') | (c'4b2) | % ----- page ----- (cc'){c}c'2 (c'b) | (b4a2) |\ (ag)(gf)(fe) | (ed)(dc)(cB) | (Ad)(cf)(eg) | f4z2 H:| [K:Bb]\ "^TRIO"|:!p!\ .d.d .d2.e2 | f2d'3d | c2f3e | d2b3f |\ .d.d .d2e2 | f2d'3d | c2f3A | B4z2 :|\ |:!ff!\ .g._a.g.a.g.f | _e3.=e.f.g | ._a.b.a.b.a._g | f3._g.=g._a |\ .b.c'.b.=a.b.c' | _d3.=a.b.c' | ._d'._e'.d'.c'.b.d' | f'4"^D.C."z2 |] %---------- V: 2 "^2d Violin"|:\ !f!.[AF].[AF].[AF].[AF].[A2F2] | !p!z2 [c2A2][c2A2] | z2 [c2A2][c2A2] | z2[c2G2][c2G2] | !f![BG][BG][BG][BG][B2G2] | !p!z2[B2G2][B2G2] | z2[B2G2][B2G2] | z2[B2G2][B2G2] | !f![AF][AF][AF][AF][A2F2] | !p!z2[c2A2][c2A2] | z2[c2A2][c2A2] | z2[d2F2][d2F2] | !f![BG][BG][BG][BG][B2G2] | !p!z2[B2G2][B2G2] | z2[B2G2][B2G2] | [A4F4]z2 :|\ |:!f!\ (cg){c}g4 | (ce){c}e4 | (ca){c}a4 | (cf){c}f4 | .[A^F].[AF].[AF].[AF].[A2F2] | z2[B2G2][B2G2] | % ----- page ----- [GG,][GG,][GG,][GG,][G2G,2] | z2[A2F2][A2F2] |\ [A2F2][A2F2][A2F2] | [B2F2][B2F2][B2F2] | [A2F2][A2F2][B2G2] | [A4F4]z2 H:| [K:Bb] "^TRIO"|:!p!\ .[BF].[BF] .[B2F2].[c2F2] | z2[d2F2][d2F2] | z2[A2F2][A2F2] | z2[B2F2][B2F2]\ .[BF].[BF] .[B2F2].[c2F2] | z2[d2F2][d2F2] | z2[A2F2][A2F2] | [B4F4]z2 :|\ |:!ff!\ =B2B2B2 | c2c2c2 | c2c2c2 | _d2d2d2 |\ _d2d2d2 | _d2d2d2 | _d2d2d2 | [f4=A4]"^D.C."z2 |] %---------- V: 3 clef=alto middle=c "^Viola"|:\ !f!.[fA].[fA].[fA].[fA].[f2A2] | !p!z2[a2c2][a2c2] | z2[a2c2][a2c2] | z2[e2c2][e2c2] |\ !f![dB][dB][dB][dB][d2B2] | !p!z2[d2B2][d2B2] | z2[d2B2][d2B2] | z2[e2c2][e2c2] |\ !f![fA][fA][fA][fA][f2A2] | !p!z2[a2c2][a2c2] | z2[a2c2][a2c2] | z2[b2d2][b2d2] |\ !p![ec][ec][ec][ec][e2c2] | !p!z2[e2c2][e2c2] | z2[e2c2][e2c2] | [f4c4]z2 :|\ |:!f!\ [b2g2][b4g4] | [g2c2][g4c4] | [a2c2][a4c4] | [f2A2][f4A4] |\ .d.d.d.d.d2 | z2[d2B2][d2B2] | % ----- page ----- [ec][ec][ec][ec][e2c2] | z2[f2c2][f2c2] | c2c2c2 | d2d2d2 |\ c2c2[e2c2] | [f4c4]z2 H:|\ "^TRIO"[K:Bb]|:!p!\ .[dB].[dB] .[d2B2].[e2c2] | z2[d2B2][d2B2] | z2[e2c2][e2c2] | z2[d2B2][d2B2] |\ .[dB].[dB] .[d2B2][e2c2] | z2[d2B2][d2B2] | z2[e2c2][e2c2] | [d4B4]z2 :|\ |:\ !ff![d2G2][d2G2][d2G2] | [e2G2][e2G2][e2G2] | [e2_A2][e2_A2][e2_A2] | [f2_A2][f2_A2][f2_A2] |\ [f2B2][f2B2][f2B2] | [_g2B2][g2B2][g2B2] | [b2=g2][b2g2][b2g2] | [=a4f4]"^D.C."z2 |] %---------- V: 4 clef=bass middle=d "^Violoncello"|:\ !f!F2.c2A2 | !p!F2z2z2 | F2z2z2 | C2z2z2 |\ !f!B2g2d2 | !p!B2z2z2 | G2z2z2 | c2z2z2 |\ !f!F2c2A2 | !p!F2z2z2 | f2z2z2 | B2z2z2 |\ !f!C2G2E2 | !p!C2z2z2 | c2z2z2 | F4z2 :|\ |:\ !f!c2c4 | c2c4 | f2f4 | f2f4 | ddddd2 | G2g2z2 | % ----- page ----- ccccc2 | F2f2z2 | F2F2F2 | B2B2B2 | c4C2 | F4z2 H:|\ "^TRIO"[K:Bb]|:\ !p!B2b2f2 | B2z2z2 | F2z2z2 | B2z2z2 |\ B2b2f2 | B2z2z2 | F2z2z2 | B4z2 :|\ |:\ !ff!G2G2G2 | c2c2c2 | _A2A2A2 | _d2d2d2 |\ B2B2B2 | _G2G2G2 | =E2E2E2 | F4"^D.C."z2 |] %%sep 1 1 500 %%sep 1 1 500 X:1421 T: GERMAN QUICK-STEP O: Arranged by A. F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.142 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> V: 1 nm="B CLAR. PRIMO" V: 2 nm="B CLAR. 2do" V: 3 nm="TROMBONE" clef=bass middle=D V: 4 nm=OPHICLEIDE" clef=bass middle=d N: The dynamics (p,f,ff) are ambiguous for which staff they apply to. N: I've guessed they go with the staff below, based on other tunes in the collection, but I may be wrong. N: When they're all the same, I've put them in all 4 voices. M: 2/4 L: 1/16 K: Bb %---------- V: 1 K: C !p!e2ee e2e2 | e2g2f2e2 | f2ff f2f2 | f2a2g2f2 |\ e2ee e2e2 | e2g2f2e2 | d2f2 B2d2 | c4 "_>"c'4 |\ !f!e2ee e2e2 | e2g2f2e2 | f2ff f2f2 | f2a2g2f2 |\ e2ee e2e2 | e2g2f2e2 | d2f2B2d2 | c4 "^>"c'4 \ |:\ !p!b2d'2g4 | b2d'2c'2b2 | c'2e'2"^>"a4 | c'2e'2d'2c'2 | B2d'2 "^>"g4 | b2d'2 c'2b2 | a2c'2^f2a2 | g4 g4 :|\ |:\ !f!(d^cde) (^fefg) | (a^gab) c'4 | (^fefg) (a^gab) | (c'bc'd') e'4 |\ (c'bc'd') e'4 | (a^gab) c'4 | (d2d'^c' d'c'd'c') | (d'^c'd'c' d'c'd'c') | d'4 "^>"d'4 | !p!b2d'2g4 |\ b2d'2c'2b2 | c'2e'2a4 | c'2e'2d'2c'2 | b2d'2g4 |\ b2d'2c'2b2 | a2c'2^f2a2 | g4"^>"g4 H:| %---------- V: 2 K: C !p!c2cc c2c2 | c2e2d2c2 | d2dd d2d2 | d2f2e2d2 |\ c2cc c2c2 | c2e2d2c2 | B2B2 G2F2 | E4 "^>"e4 |\ !f!c2cc c2c2 | c2e2d2c2 | d2dd d2d2 | d2f2e2d2 |\ c2cc c2c2 | c2e2d2c2 | B2z2 G2z2 | c4"^>"e4 \ |:\ !/!d8 | z2d2d2d2 | z2!/!d6 | z2!/!d6 | z2!/!d6 | z2g2g2g2 | ^f2a2c4 | B4 B4 ::\ !f!A2A2A2A2 | !/!A8 | !/!A8 | !/!A8 | !/!A8 | !/!A8 | (B2d^c dcdc) | (d^cdc dcdc) | d4 "^>"d4 | !p!!/!d8 | !/!d8 | !/!c8 |\ e2g2f2e2 | d2d2 d4 | d2f2e2d2 | d4 c2c2 | B4 "^>"B4 H:| %---------- V: 3 K: Bb !p!B4 B2B2 | B4 d4 | A4 c2c2 | c4 c4 |\ B4 c2d2 | B4 B4 | F4 e2e2 | d4"^>"B4 |\ !f!B2d2d2d2 | !/!d8 | !/!e8 | !/!c8 |\ B2d2d2d2 | !/!d8 | f4 e2e2 | d4"^>"B4 \ |:\ !p!A2z2 A2z2 | A2z2 A2z2 | B2z2 B2z2 | G2z2 G2z2 |\ A2z2 A2z2 | c2z2 c2z2 | c2z2 c2z2 | F4 F4 :|\ |:\ !ff![B2=E2]z2 [B2E2]z2 | [B2=E2]z2 [B2E2]z2 | [B2=E2]z2 [B2E2]z2 | [B2=E2]z2 [B2E2]z2 | [B2=E2]z2 [B2E2]z2 | [B2=E2]z2 "^>"[B2E2]z2 | c2z2 z4 | z8 | c4 "^>"c4 |\ !p!A4 z4 | A4 z4 | c4 z4 | G4 z4 |\ A4 z4 | c4 z4 | c4 c4 | A4 "^>"F4 H:| %---------- V: 4 K: Bb !p!B4 B2f2 | b4 B4 | A4 f2f2 | f4 f4 |\ B4 f2f2 | f4 b4 | f4 f2a2 | b4 "^>"B4 |\ !f!B2b2b2b2 | !/!b8 | a2f2f2f2 | !/!f8 |\ B2b2b2b2 | B2b2b2b2 | f4 f2a2 | b4 "^>"B4 \ |:\ !p!F2z2 f2z2 | c2z2 c'2z2 | =e2z2 e2z2 | c2z2 =e2z2 |\ f2z2 F2z2 | F2z2 f2z2 | c2z2 c2z2 | f4 F4 :|\ |:\ c2z2 c2z2 | c2z2 c2z2 | c2z2 c2z2 | c2z2 c2z2 |\ c2z2 c2z2 | c2z2 c2z2 | c2z2 z4 | z8 | c'4 "^>"c4 |\ !p!F4 f4 | c4 c4 | =e4 e4 | c4 c4 |\ F4 f4 | z4 z4 | c'4 c4 | f4 "^>"F4 H:| %%sep 1 1 500 %%sep 1 1 500 X:1441 T: JEWETT'S GALOPADE O: Arranged by S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.144-145 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: F %---------- V: 1 nm="C CLAR" c2 |!p!\ c2{g}fe .f2.g2 | .a2.c2 f4 | c2{g}f.e f2g2 | a2c2 f4 |\ .c'2(bg) c'2(bg) | .c'2(d'c') b(agf) | (^fgag) (=fede) | .f2.a2.f2 :| |: !f!z2 |\ A2 c4 A2 | c2A2 c2A2 | z2BB B2B2 | z2AA A2A2 |\ A2 c4 A2 | c2A2 c2A2 | z2BB B2B2 | A4 z2 "_FINE"H:| K: Bb |: f2 |!p!\ (=e2f2) .d2.B2 | A2g2 f4 | (=e2f2) .a2.c'2 | .d'2.b2 f4 |\ (=e2f2) .d2.B2 | A2g2 f4 | (=e2f2) .d'2c'2 | b4z2 :| |: !mf!f2 |\ (=e2f2) (e2f2) | .g2.f2 d4 | (^c2d2) (c2d2) | ._e2.d2 B4 |\ !p!B2b2 a2g2 | f2B2 d4 | _e2F2 A2c2 | "^D.C. AL FINE."B4z2 :| %---------- V: 2 nm="1st VIOLIN" z2 |!p!\ z2[A2F2][A2F2][A2F2] | z2[A2F2][A2F2][A2F2] | z2[A2F2][A2F2][A2F2] | z2[A2F2][A2F2][A2F2] |\ z2[B2G2] z2[B2G2] | z2[A2F2][A2F2][A2F2] | !/!"_...."[B8G8] | [A2F2][A2F2][A2F2] :| |: !f!cc |\ (cf).A2 (Ac).F2 | (FA).C.C C2C2 | (GB).C.C C2C2 | (FC).F.A c2cc |\ (cf)A2 (Ac)F2 | (FA)CC C2C2 | (GB)CC C2C2 | F4 z2 H:| K: Bb |: z2 |!p!\ z2[B2F2][B2F2][B2F2] | z2[A2F2][A4F4] | z2[E2C2] z2[E2C2] | z2[B2F2][B2F2][B2F2] |\ z2[B2F2][B2F2][B2F2] | z2[A2F2][A4F4] | z2[A2F2] z2[A2F2] | [B4F4]z2 :| |: !mf!d2 |\ (^c2d2) (c2d2) | .e2.d2 B4 | (=E2F2) (E2F2) | .G2.F2 D4 |\ !p!z2G2F2E2 | D2F2 B,2B2 | [A4F4][A2F2][A2F2] "^D.C. AL FINE."[B4F4]z2 :| %---------- V: 3 nm="2d VIOLIN" z2 |!p!\ z2[F2C2][F2C2][F2C2] | z2[F2C2][F2C2][F2C2] | z2[F2C2][F2C2][F2C2] | z2[F2C2][F2C2][F2C2] |\ z2[E2C2] z2[E2C2] | z2[F2C2][F2C2][F2C2] | !/!"_...."[E8C8] | [F2C2][F2C2][F2C2] :| |: z2 !f!|\ z2[F2A,2] z2[F2A,2] | z2[FA,][FA,] [F2A,2][F2A,2] | z2[FA,][FA,] [F2A,2][F2A,2] | !/![F8A,8] |\ z2[F2A,2] z2[F2A,2] | z2[FA,][FA,] [F2A,2][F2A,2] | !/![E8G,8] | [F4A,4]z2 "_FINE"H:| K: Bb |: z2 |!p!\ z2[D2B,2][D2B,2][D2B,2] | z2[E2C2][E4C4] | z2[E2C2] z2[E2C2] | z2[D2B,2][D2B,2][D2B,2] |\ z2[D2B,2][D2B,2][D2B,2] | z2[E2C2][E4C4] | z2[E2C2] z2[E2C2] | [D4B,4]z2 :| |: !mf!z2 |\ z2[F2B,2] z2[F2B,2] | z2[F2B,2][F2B,2][F2B,2] | z2[F2B,2] z2[F2B,2] | z2[F2B,2][F4B,4] |\ !p!z2B,2B,2B,2 | B,2D2 F2F2 | [E4C4][E2C2][E2C2] | "^D.C. AL FINE."[D4B,4]z2 :| %---------- V: 4 nm="BASE" clef=bass middle=d z2 |!p!\ f6z2 | f6z2 | f6z2 | f6z2 | c4c'4 | f4a4 | c'4c4 | f2f2f2 :| |: z2 |\ f4f4 | f4f2f2 | !/!c8 | !/!f8 | f4 f4 | f2c2 f2a2 | c'2c2 c'2c2 | f4z2 H:| K: Bb |: z2 |!p!\ B4z4 | F4z4 | F2z2 F2z2 | B4z4 | B4z4 | F4z4 | F2z2 F2z2 | B4 z2 :| |: !mf!z2 |\ B4B4 | !/!B8 | B4B4 | B2B2B4 | !p!e4e4 | B4z4 | F4F2F2 | "^D.C. AL FINE."B4z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1461 T: GERMAN GALOPE O: Arranged by A. F. KNIGHT B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.146 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: Eb %---------- V: 1 nm="Eb CLAR." K: C G |\ G>G E>G | c>c f>e | d>a g^f | (g2 e)z |\ e>e e^f | g>g G>A | B>B ^c^d | e2 z H:| |: z |\ z4 | z4 | z4 | z4 |\ z4 | z4 | z4 | z3 :| |:[K:F] c |\ c>c d>c | f>c a2 | (3agf (3agf | "^>"^f2 gc |\ c>c d>c | g>c b2 | (3bag (3gfe | ef"^D.C."f :| %---------- V: 2 nm="Bb CLAR. 1mo." K: F z |\ f2 f2 | f2 f2 | d2 g2 | f2 f2 |\ _e2 e2 | =e2 e2 | d2 d2 | c2 z H:| |: c' |\ c'bag | (fa).c.f | "^>"(_d'2c')e | g2(fa) |\ (c'b).a.g | facf | "^>"(_d'2c').e | f2z :| |:[K:Bb ] z | dddd | !/!d4 | dz dz | "^>"(^g2a)f |\ _eeee | !/!e4 | f2ff | ([f2d2]"^D.C."[fd]) :| %---------- V: 3 nm="Bb CLAR. 2mo." K: F z |\ c2 c2 | c2 c2 | B2 e2 | c2 c2 |\ c2 c2 | c2 c2 | =B2 B2 | A2 z H:| |: z |!p!\ zeee | zfff | zeee | zfff |\ z!/!e3 | z!/!f3 | z!/!e3 | fAz :| |:[K:Bb] z |\ !/!B4 | !/!B4 | Bz Bz | "^>"d2 cA |\ !/!B4 | !/!B4 | A2 AA | B2- "^D.C."B :| %---------- V: 4 nm="OPHICLEIDE." clef=bass middle=d K: Eb z |\ [g2e2] [g2e2] | [g2e2] [g2e2] | [f2B2] [b2B2] | [g2e2] [b2g2] |\ [g2e2] [g2e2] | [g2e2] [g2e2] | [=a2d2] [a2d2] | [g2G2]z H:| |: z |!p!\ B2 B2 | e2 e2 | B2 B2 | e2 E2 |\ B2 B2 | e2 E2 | B2 BB | E2 z:| |:[K:Ab] z |\ Az az | Az az | Az az | "^>"e2- ez |\ ez ez | ez ez | ez ez | "^>"a2- "^D.C."a :| %%sep 1 1 500 %%sep 1 1 500 X:1471 T: BIRD'S GALOPADE C: S. Knaebel N: "Composed for two clarinets, cornopeons, or violins, by S. Knaebel." B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.147 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu>U: Q=!diminuendo(! U: q=!diminuendo)! N: There were no initial repeat symbols at all; added them at the likely places. M: 2/4 L: 1/16 K: C %---------- V: 1 |:\ !p!.G2{d}c.B .c2.d2 | "^>"(^d2e2) cBc2 | .G2{d}c.B .c2.d2 | "^>"(^d2e2) cBc2 |\ !mf!"^>"(g4 d2) BG | !mf!"^>"(g4 e2) ce | G2de f2e2 | c2(ed) c2z2 :| |:!f!\ G2Bd g2^fg | ^f2e2 d4 | .d2.c2(B2c2) | B4 B4 |\ .B2.A2 (^G2A2) | d6 e2 | d2A2c2B2 | QG2GqG G2G2 |\ !p!.G2{d}c.B .c2.d2 | "^>"(^d2e2) .c.B.c2 | .G2{d}c.B .c2.d2 | "^>"(^d2e2) cBc2 |\ !mf!"^>"(g4 d2) BG | "^>"(g4 e2) ce | G2de f2e2 | .c2(ed) c2"^FINE"z2 H:| K: F "TRIO"\ |:\ !p!c2zf a2zf | "^>"(e4 f2)za | "^>"(e4 f2)za | Q(c3qd/e/ f2)z2 |\ g2(3cdc (=B2c2) | a2(3cdc (=B2c2) | g2(3cdc =B2c2 | "^D.C. al FINE"f4 z4 H:| %---------- V: 2 |:\ !p!E2G2 E2G2 | "^>"(^F2G2) .E2.G2 | E2G2 E2G2 | (^F2G2) .E2.G2 |\ !mf!z2BB B2z2 | z2cc c2z2 | z2FG A2G2 | E2G2E2z2 :| |:!f!\ B2d2 B2d2 | d2c2 B4 | .B2.A2 (^G2A2) | =G4 G4 |\ ^F4 c4 | B6 c2 | B2^F2A2F2 | QG2GqG G2G2 |\ !p!E2G2 E2G2 | "_>"(^F2G2) E2G2 | .E2.G2 .E2.G2 | "_>"(^F2G2) EGE2 |\ !mf!z2BB B2z2 | z2cc cGEC | z2FG A2G2 | E2G2E2"^FINE"z2 H:| K: F "TRIO"\ |:\ !p!A2zF c2zA | "_>"(B4 A2)zF | "_>"(B4 A2)zF | (G4 A2)z2 |\ E2z2 z2EE | F2z2 z2FA | E2z2 z2G_B | "^D.C. al FINE"A4 z4 H:| %%sep 1 1 500 %%sep 1 1 500 X:1481 T: FAIRBANKS' QUICK-STEP C: Wm. Richardson B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.148-149 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Fixed missing beam in bar 26 of V:2. M: 2/4 L: 1/16 K: Eb %---------- V: 1 nm="Bb BUGLE PRIMO" K: F |: (3cde |\ f3ff3f | f3fa3f | .c2.c2 .d2.e2 | .f2ag fede |\ f3ff3f | f3fa3f | c2gf ecde | f4 z2 :| |: AB |\ caaa a2gf | fddd d2ef | g2gg g2ag | fFGA BAGB |\ caaa a2gf | fddd d2ef | g2gg g2ag | f4 z2 :| |: c2 |\ c4 A2c2 | cAcf a4 | c'4 g2b2 | a2ba gfed |\ c4 A2c2 | cAcf a4 | c'4 g2ag | f4 z2 :| |: cB |\ A2 "^>"F4 AA | A2c2 f4 | g2cc c2de | fefg a2 cB |\ A2 "^>"F4 AA | A2c2 f4 | g2cc cbge | f4 z2 :| %---------- V: 2 nm="Bb BUGLE SECONDO" K: F |: z2 |\ A3AA3A | A3Ac3A | .B2.B2 .B2.B2 | A2A2A2z2 |\ A3AA3A | A3Ac3A | B4 G2B2 | A4 z2 :| |: FG |\ Accc c2cB | AFFF F2GA | B2BB B2cB | A4 z4 |\ Accc c2B2 | AFFF F2GA | B2z2 B2B2 | A4 z2 :| |: A2 |\ A4 F2A2 | AFAc f4 | a4 e2g2 | f4 z4 |\ A4 F2A2 | AFAc f4 | a4 e2c2 | A4 z2 :| |: AG |\ F2 "^>"C4 FF | F2A2 A4 | B2GG G2B2 | A2A2A2 AG |\ F2 "^>"C4 FF | F2A2 A4 | B2GG G2B2 | A4 z2 :| %---------- V: 3 nm="TENOR TROMBONE" clef=bass middle=D K: Eb |: z2 |\ B2B2 B4 | B3BB3e | .f2.f2.f2f2 | e2e2e2z2 |\ e3ee3e | e3e e3e | d4 d2f2 | e4 z2 :| |: z2 |\ e2e2 e4 | e2e2 e4 | d2z2 d2d2 | e4 z4 |\ e2e2 e4 | e2e2 e4 | d2z2 d2d2 | e4 z2 :| |: z2 |\ e4 e2e2 | e2e2 e4 | e4 d2d2 | e4 z4 |\ e4 e2e2 | e2e2 e4 | e4 d2d2 | e4 z2 :| |: z2 |\ B2 "^>"G4 BB | B2B2 B4 | d2dd d2f2 | e2e2e2z2 |\ B2 "^>"B4 BB | B2B2 B4 | d2dd d2f2 | e4 z2 :| %---------- V: 4 nm="BASS TROMBONE" clef=bass middle=d K: Eb |: z2 |\ e3ee3e | e3ee3e | d2_d2 c2=B2 | c2e2g2e2 |\ e3ee3e | e3ee3e | B4 B2B2 | e4 z2 :| |: z2 | e2e2 e4 | e2e2 e4 | B2z2 B2B2 | e2e2e2z2 |\ e2e2 e4 | e2e2 e4 | B2z2 B2B2 | e4 z2 :| |: z2 |\ e4 e2e2 | e2e2 e4 | B4 B2B2 | e4 z4 |\ e4 e2e2 | e2e2 e4 | B4 B2B2 | e4 z2 :| |: z2 |\ e2e2 e4 | e2e2 e4 | B2f2d2B2 | e2e2e2z2 |\ e2e2 e4 | e2e2 e4 | B2f2d2B2 | e4 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1501 T: OHIO QUICK-STEP O: Arranged by A.F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.150-151 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Eb %---------- V: 1 nm="Eb BUGLE"\ K: C |: ef |\ g2gf e2g2 | g2gf e2e2 | f2fe d2f2 | a2g2 e4 |!ff!\ g2gf e2g2 | g2gf e2e2 | c2B2c2d2 | c4 z2 :|\ |: ((3GAB) |\ c4 e4 | g4 z2cc | c2gg g2ee | e2c2 z2G2 | A2B2c2d2 | e2f2g2a2 | g4 B2B2 | c4 z2 H:|\ |: E2 |\ A^GAB cBcd | e2e2 B4 | e2B2 e3d | dcBc A2E2 |\ A^GAB cBcd | e2e2 B4 | e2B2 edcB | "^DA CAPO"A4 z2 :| %---------- V: 2 K: F "Bb BUGLE"\ |: fg |\ a2ag f2a2 | a2ag f2f2 | g2gf e2g2 | b2a2 f4 |!ff!\ a2ag f2a2 | a2ag f2f2 | f2e2f2e2 | f4 z2 :|\ |: z2 |\ F4 A4 | c4 z2ff | f2cc c2AA | A2A2 z2c2 | d2e2f2g2 | f2g2a2b2 | a4 g2g2 | f4 z2 H:| |: A2 |\ d^cde fefg | a2a2 e4 | a2e2 a3g | gfef d2A2 |\ d^cde fefg | a2a2 e4 | a2e2 agfe | d4 z2 :| %---------- V: 3 K: F "Bb POST HORN"\ |: AB |\ c2cB A2f2 | c2cB A2c2 | B2BA G2B2 | d2c2 A4 |!ff!\ c2cB A2f2 | c2cB A2c2 | A2B2A2B2 | A4 z2 :|\ |: z2 |\ F4 F4 | A4 z2ff | f2cc c2AA | A2F2 z2E2 | F2G2A2B2 | F2G2A2B2 | c4 B2B2 | A4 z2 H:|\ |: z2 |\ D2E2F2G2 | A2A2 E4 | F4 A3G | F2E2D2z2 |\ D2E2F2G2 | A2A2 E4 | A4 A2A2 | D4 z2 :| %---------- V: 4 K: Eb clef=bass middle=D "TENOR TROMBONE"\ |: z2 |\ E2B2G2B2 | E2B2G2E2 | B4 B4 | G2B2 e4 |!ff!\ e4 e4 | B4 G4 | e2B2e2B2 | e4 z2 :|\ |: z2 |\ E4 G4 | B4 z2ee | e2BB B2GG | G2E2 z2G2 | A2B2c2d2 | e4 G4 | B4 B2B2 | G4 z2 H:|\ |: z2 |\ G4 G4 | G2G2 G4 | G4 G2F2 | E2F2E2D2 |\ C2D2 E2F2 | G2G2 D4 | G4 G2G2 | C4 z2 :| %---------- V: 5 K: Eb clef=bass middle=d "BASE TROMBONE"\ |: z2 |\ e2z2 e2z2 | e2b2g2e2 | B4 b4 | e2B2 e4 |!ff!\ e4 g4 | b4 g4 | e4 B2B2 | e4 z2 :|\ |: z2 |\ e4 e4 | e4 z2ee | e2z2 e2z2 | e2e2 z2B2 | c2d2e2f2 | g2a2b2c'2 | b4 B2B2 | e4 z2 H:|\ |: z2 |\ c4 c4 | c2c2 c4 | e4 e2f2 | g2f2e2d2 |\ c2d2 e2f2 | g2g2 d4 | g4 g2g2 | c4 z2 :| %---------- V: 6 K: Eb clef=bass middle=d "OPHICLEIDE"\ |: z2 |\ E2z2 E2z2 | E2e2G2E2 | B2d2f2a2 | g2b2 e4 |!ff!\ e4 e4 | e2b2g2e2 | e4 B2B2 | E4 z2 :|\ |: z2 |\ E4 G4 | B4 z2ee | e2z2 E2z2 | G2E2 z2B2 | c2d2e2f2 | g2a2b2c'2 | b4 b2B2 | e4 z2 H:|\ |: z2 |\ G4 G4 | G4 !/!G4 | G2z2 g2z2 | g2g2 c4 |\ c4 c4 | c4 c2c2 | G4 G2G2 | c4 z2 :| %---------- V: 7 K: C clef=bass middle=d "DRUM"\ |: z2 |\ c4 z4 | c4 z4 | c4 z4 | c2c2 c2z2 |!ff!\ c2c2 c4 | c2c2 c4 | c4 c2c2 | c4 z2 :|\ |: z2 |\ c4 c4 | c4 z4 | c4 c2c2 | c2c2 z4 | z8 | z8 | c4 c2c2 | c4 z2 H:|\ |: z2 |\ c4 z4 | c4 z4 | c2c2 c4 | c4 z4 |\ c4 c2c2 | c4 z4 | c4 z4 | c4 z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1521 T: CHINESE GALOPADE O: Arranged by A.F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.152 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C %---------- V: 1 "CLARINET PRIMO"|:\ cccc c2e2 | g2c'2g2e2 | cccc c2e2 | d2g2 G4 |\ cccc c2e2 | g2c'2g2e2 | dddd d2b2 | c'2c'2c'2z2 :| |:!f!\ gggg g2b2 | aaaa a2d'2 | bbbb c'bag | ^f2d'2 d4 |\ gggg g2b2 | aaaa a2d'2 | b2(c'b) a2(ba) | g2b2g2z2 :| |:!p!\ cccc c2e2 | g2c'2g2e2 | cccc c2e2 | d2g2 G4 |\ cccc c2e2 | g2c'2g2e2 | dddd d2b2 | c'2c'2c'2z2 H:| %---------- V: 2 "CLARINET SECONDO"|:\ z2E2E2E2 | E2E2E2E2 | z2E2E2E2 | B2B2B4 |\ CGEG CGEG | CGEG CGEG | FGFG FGFG | c2e2e2z2 :| |:!f!\ BBBB B2B2 | dddd d2d2 | [B2G2][d2B2] [B2G2][d2B2] | d2d2 A4 |\ !/!B8 | !/!d8 | d2d2 c2c2 | B2d2B2z2 :| |:!p!\ z2E2E2E2 | E2E2E2E2 | z2E2E2E2 | d2B2B4 |\ C4!trem2!G4 | C4!trem2!G4 | C4!trem2!G4 | c2e2e2z2 H:| %---------- V: 3 clef=bass middle=d |:\ c2c'2 c2c'2 | c2c'2 c2c'2 | c2c'2 c2c'2 | G2g2 g4 |\ c'2g2 c'2g2 | c'2g2 c'2g2 | f2f2 g2G2 | c2c'2c2z2 :| |:!f!\ g2g2g2g2 | ^f2f2f2f2 | g4g4 | d2d2d4 |\ G2g2 G2g2 | !/!^f8 | g2g2 d2d2 | G2g2G2z2 :| |:!p!\ c2c'2 c2c'2 | c2c'2 c2c'2 | c2c'2 c2c'2 | G2g2 g4 |\ c2c2c2c2 | c2c2c2c2 | f4 g2G2 | c2c'2c'2z2 H:| %---------- %%sep 1 1 500 %%sep 1 1 500 X:1531 T: ADMIRED WALTZ BY BEETHOVEN O: Arranged by Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.153-155 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The pp in bar 39 V:3 probably belongs on the pickup notes, but it's on the bar line in the MS. N: Fixed a few wrong or omitted rests. M: 3/4 L: 1/8 K: C %%scale 0.50 % ------------------------- V: 1 "1st VIOLIN"|:!ff!\ "_>"{^f}g6 | "_>"{^f}g6 | [e2G2][e2G2][e2G2] | [e6G6] |\ !p!(DFDFDF) | (EGEGEG) | (DFDFDF) | E3!trem1!G3 |\ D3!trem1!F3 | E3!trem1!G3 | D3!trem1!F3 | [E6G,6] :| |:!ff!\ [e6B6^G6] | [e6B6^G6] | [e6B6^G6] | [e4B4^G4]e>e |\ (ef)d3B | (ag)e3c | BdG3B | cc'2 (ge).c |\ (ef)d3B | age3c | (Bd)G2{^f}g2 | c6 H:| |:!p!\ z2[F2G,2][F2G,2] | z2[E2G,2][E2G,2] | z2F2F2 | E2G2E2 |\ z2[F2G,2][F2G,2] | z2[E2G,2][E2G,2] | z2[F2G,2][F2G,2] |1 [E4G,4]z2 :|2 [E4G,4] | !ff!e>e |\ [^g2B2]e2e>e | [a2c2]e2e>e | [b2e2][b2e2][b2e2] | [c'4e4]z2 |\ !pp![c'd][c'd][c'2d2][c'2d2] | bbb2b2 | !ff![d'd]>[d'd][d'2d2][d'2d2] | [g4B4]z2 !pp!|\ E2D2E2 | F4G2 | (G2F2E2) | D4G2 | (G2F2E2) | D6 |\ !ff!(ef)d3B | age3c | (Bd)G3B | cc'2gec |\ (ef)d3B | age3c | BdG2{^f}g2 | c4 H|] % ------------------------- V: 2 "2d VIOLIN"|:!ff!\ [E2G,2][E2G,2][E2G,2] | [E2G,2][E2G,2][E2G,2] | [E2G,2][E2G,2][E2G,2] | [E2G,2][E2G,2][E2G,2] |\ !p!(B,DB,DB,D) | (CECECE) | (B,DB,DB,D) | C3!trem1!E3 |\ B,3!trem1!D3 | C3!trem1!E3 | B,3!trem1!D3 | C6 :| |:!ff!\ [E6B,6] | [E6B,6] | [E2B,2][E2B,2][E2B,2] | [E4B,4]z2 |\ z2[F2G,2][F2G,2] | z2[E2G,2][E2G,2] | z2[F2G,2][F2G,2] | [GG,]"_>"[c2E2]zz2 |\ [F2G,2][F2G,2][F2G,2] | [E2G,2][E2G,2][E2G,2] | B,3!trem1!D3 | [E6G,6] H:| |:!p!\ z2D2D2 | z2C2C2 | z2[D2G,2][D2G,2] | C2E2C2 |\ z2D2D2 | z2C2C2 | z2D2D2 |1 C4z2 :|2 C4 | !ff!z2 |\ ^G3!trem1!B3 | A3!trem1!c3 | ^G3!trem1!B3 | AcAzz2 |\ !pp!AAA2A2 | BBB2B2 | !ff![cD]>[cD][c2D2][c2D2] | [B4G,4]z2 !pp!|\ C2G,2C2 | G,4G2 | (E2D2C2) | G,4E2 | (E2D2C2) | G,6 |\ !ff!D3!trem1!F3 | E3!trem1!G3 | D3!trem1!F3 | E3!trem1!G3 |\ D3!trem1!F3 | E3!trem1!G3 | D3!trem1!F3 | [E4G,4] H|] % ------------------------- V: 3 "C CLARINET"|:!ff!\ {^d}e6 | "^>"{^d}e6 | g2g2g2 | g6 |\ !p!agf3d | (^de)c3e | (Bd)G3B | (ce)(eg)gc' |\ agf3d | "^>"(^de)c3c | (Bd)G2{^f}g2 | c6 :| |:!ff!\ e6 | e6 | e2e2e2 | e4z2 |\ z2B2B2 | | z2c2c2 | z2B2B2 | G"^>"e3z2 |\ B2B2B2 | fec3E | D3!trem1!F3 | G6 H:| |:!p!|\ "^>"^c(d^def)^f | (ag^fg)ec | ^c(dedB)G | .=c.d.e.fg2 |\ "^>"^cd^def^f | ag^fgec | "^>"^cdedBG |1 c4z2 :|2 c4 | !ff!z2|\ B2B2B>B | c2c2c>c | ^g2g2g2 | a4z2 |\ !pp!^fff2f2 | ggg2g2 | !ff!^f>ff2f2 | g4g>g !pp!|\ g2g2g2 | g4g2 | {^f}Tg6 | {^f}g6 | {^f}g6 | {^f}g6 |\ !ff!efd3B | (fe)c3G | B2B2B2 | Ge2ecG |\ B2B2B2 | fec3G | B2B2B2 | c4 H|] % ------------------------- V: 4 clef=bass middle=d "BASE"|:!ff!\ c2c2c2 | c2c2c2 | c2c2c2 | c2c2c2 |\ G2g2g2 | c2c2c2 | G2g2g2 | c2c2c2 |\ G2g2g2 | c2c2c2 | g4G2 | c6 :| |:!ff!\ e2^g2b2 | "^>"e'3d'c'b | ^abc'bab | e4z2 |\ G2z2z2 | c2z2z2 | G4z2 | c"^>"c3z2 |\ G2g2g2 | c2c2c2 | g2z2G2 | c6 H:| |:!p!\ G2z2z2 | c2z2z2 | G2z2z2 | c2z2z2 |\ "^>"G4z2 | "^>"c4z2 | G2G2G2 |1 c4z2 :|2 c4 | !ff!z2 |\ e2e2e2 | e2e2e2 | e2e2e2 | A4z2 |\ !pp!ddd2d2 | ggg2g2 | !ff!d>dd2d2 | G4z2 !pp!|\ G6- | G6- | G6- | G6- | G6- | G6- |\ !ff!G2g2g2 | c2c'2c'2 | G2g2g2 | cc3z2 |\ G2g2g2 | c2c'2c'2 | G2g2g2 | c'2c2 H|] % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:1552 T: ANDANTE O: French air, arranged by Adam Kurek. B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.155 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: Bb % ------------------------- V: 1 "1st VIOLIN"!p!z | (DFAF) | (CFAF) | (DF) (BF) |\ A(e/d/) cz | (3zDF (3BFD | (3zCF (3cAF | (3DFB (3CFA | [BD][dF][BD]z !mf! |: A2!trem2!c2 | B2!trem2!d2 :|\ !p!DFBF | CFAF | [BF][BF][AF][AF] | [BD][dF][BD] H|] % ------------------------- V: 2 K: C "2d VIOLIN"!p!z | ([D4B,4] | [E4C4] | [D4B,4]) |\ [FC](c/B/) Az | ([D4B,4] | [E4C4]) | ([D2B,2][E2C2]) |\ [DB,][DB,][DB,]z !mf!|: (F2!trem2!A2) | (G2!trem2!B2 :|\ !p![D4B,4] | [E4C4]) | [DB,][DB,] [EC][EC] | [DB,][DB,][DB,] H|] % ------------------------- V: 3 K: C "Bb CLAR."!p!g | g2e>e | f2d z/d/ | eg c'>e |\ d2 zg/g/ | g2e>e | f2d z/f/ | ee {e}d/c/d/e/ |\ c2 zz/!mf!g/ |: ffdd | g2eg :|\ !p!g2 ee | f2 dd | ee {e}d/c/d/e/ | cec H|] % ------------------------- V: 4 clef=bass middle=d "BASE"!p!z | B2z2 | f2z2 | B2z2 |\ Fffz | B2z2 | F2z2 | B2F2 |\ Bbbz !mf!|: afaf | "^>"bfbf :|\ !p!B2z2 | F2z2 | B2f2 | bBB H|] %%sep 1 1 500 %%sep 1 1 500 X:1561 T: WALTZ BY STRAUSS C: Richard Strauss O: Arranged by Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.156-157 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: F % ------------------------- V: 1 K: F "1st VIOLIN"\ z2!pp!c2c2 | z2d2d2 | z2c2c2 | z2c2c2 |\ z2G2G2 | z2G2G2 | z2c2c2 | z2c2c2 | z2c2c2 | z2d2d2 | z2c2c2 | z2c2c2 |\ z2[c2E2][c2E2] | z2[=B2D2][B2D2] | [c2E2]z2z2 | {=B,}C2z2z2 | !ff!c'4d'>c' | d'>c' d'>c' d'>c' | !p!c'>e' e'>d' d'>c' | c'>b b>a a>g |\ {g}f>ef2a2 | "^>"d'4c'2 | {g}f>ef2a2 | "^>"(d'4c'2) | "^>"c'4(d'>c') | (d'>c') (d'>c') d'>c' | c'>e' e'>d' d'>c' | (c'>b) (b>a) (a>g) |\ {g}f>ef2a2 | "^>"d'3c'bg | {g}fef2a2 | f4z2 :| % ------------------------- V: 2 K: F "2d VIOLIN"\ z2!pp![A2F2][A2F2] | z2[B2F2][B2F2] | z2[A2F2][A2F2] | z2[A2F2][A2F2] |\ z2[E2C2][E2C2] | z2[E2C2][E2C2] | z2[A2F2][A2F2] | z2[B2G2][B2G2] | z2[A2F2][A2F2] | z2[B2F2][B2F2] | z2[A2F2][A2F2] | z2[A2F2][A2F2] |\ z2G2G2 | z2[=F2G,2][F2G,2] | [E2G,2]z2z2 | {=B,}C2z2z2 | !ff![g4B4]g>g | [gB]>g [gB]>g [gB]>g | z2!p![B2G2][B2G2] | [B2G2][B2G2][B2G2] |\ z2[A2F2][A2F2] | z2[A2F2][A2F2] | z2[A2F2][A2F2] | z2[A2F2][A2F2] | "^>"[g4B4][gB]>g | [gB]>g [gB]>g [gB]>g | [g2B2][B2G2][B2G2] | [B2G2][B2G2][B2G2] |\ z2[A2F2][A2F2] | "^>"[B4G4][B2G2] | z2[A2F2][A2F2] | [A4F4]z2 :| % ------------------------- V: 3 K: G "B CLAR."\ !pp!(Bd)z2z2 | (ce)z2z2 | (Bd)z2z2 | (Bdg).a.b2 |\ (ac')z2z2 | (Af)z2z2 | (Bg)z2z2 | (Ad)(de)d2 | (Bd)z2z2 | (ce)z2z2 | (Bd)z2z2 | Bdgab2 |\ (fa)z2z2 | (a^c')z2z2 | (fd')z2z2 | {^c}d2z2z2 | !ff!f4f>f | f>f f>f f>f | z2!p!f2f2 | f2f2f2 |\ z2d2d2 | z2d2d2 | z2d2d2 | z2d2d2 | "^>"f4f>f | f>f f>f f>f | f2[f2d2][f2d2] | [f2d2][f2d2][f2d2] |\ z2d2d2 | "^>"f4f2 | z2d2d2 | d4z2 :| % ------------------------- V: 4 clef=bass middle=d K: F "BASE"\ !pp!f2z2z2 | f2z2z2 | f2z2z2 | f2z2z2 |\ c2z2z2 | c2z2z2 | f2z2z2 | e2c2c2 | f2z2z2 | f2z2z2 | f2z2z2 | f2z2z2 |\ g2z2z2 | g2z2z2 | c2z2z2 | {=B}c2z2z2 | !ff!c2c'2a2 | e2g2e2 | !p!c2c2c2 | c2c2c2 |\ f2z2z2 | f2z2z2 | f2z2z2 | f2z2z2 | c2c'2g2 | e2g2g2 | c2c2c2 | c2c2c2 |\ f2z2z2 | "^>"c4z2 | f2F2F2 | A4z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1591 T: ADELINE WALTZ, BY STRAUSS C: Richard Strauss O: Arranged by Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.158-159 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G % ------------------------- V: 1 "1st VIOLIN"z2 |\ !pp!c2c2c2 | c2c2c2 | z2d2d2 | d2d2d2 |\ C2F2A2 | C2F2A2 | [B2G2][B2G2][B2G2] | [B2G2][B2G2][B2G2] | c2c2c2 | c2c2c2 | z2d2d2 | d2d2d2 |\ C2F2A2 | C2F2A2 | [B2D2][B2D2][B2D2] | [B4D4] :| !f![b2B2] |\ !ff![b6B6] | [b2B2]^d2f2 | [a6A6] | g2f2e2 |\ !p!e6 | (d2e2).c2 | ^A6 | G2z2G2 | !ff![b6B6] | [b2B2]^d2f2 | ([a6A6] | g2)f2e2 |\ e6 | (d2c2)f2 | [g2B2][g2B2][b2d2] | [g4B4] |] % ------------------------- V: 2 "2d VIOLIN"z2 |\ [A2F2][A2F2][A2F2] | [A2F2][A2F2][A2F2] | z2[B2G2][B2G2] | [B2G2][B2G2][B2G2] |\ A,2C2F2 | A,2C2F2 | G2[D2B,2][D2B,2] | [D2B,2][D2B,2][D2B,2] | [A2F2][A2F2][A2F2] | [A2F2][A2F2][A2F2] | z2[B2G2][B2G2] | [B2G2][B2G2][B2G2] |\ A,2C2F2 | A,2C2F2 | G2G2G2 | G4 :| z2 |\ !ff!(FA^dBAF) | ^D(FBAF)D | E(GBGE)B, | E(GBGEB,) |\ !p!A,(CFAF)C | A,(CDAF)C | G,(B,DGD)B, | [D2B,2][D2B,2][D2B,2] | !ff!FA^dBAF | ^D(FBAF)D | EGBGEB, | E(GBGD)B, |\ CFAFDC | CFAcAC | [D2B,2][B2D2][B2D2] | [B4D4] |] % ------------------------- V: 3 "FLUTE"!pp!b2 |\ b2z2a2 | ^g2z2a2 | e'6 | e'2d'2b2 |\ ^g4a2 | a2c'2b2 | (f2g2)b2 | d4b2 | b2z2a2 | ^g2z2a2 | e'6 | (e'2d'2)b2 |\ ^g4a2 | z2c'2b2 | (agfg) .d.b | g4 :| z2 |\ !ff!f6- | f2^d2B2 | e6 | B6 |\ !p!c6 | A6 | (d6 | B2)z2z2 | !ff!f6- | f2^d2B2 | e6 | B6 |\ c6 | A6 | B2d2d2 | B4 |] % ------------------------- V: 4 clef=bass middle=d "BASE"z2 |\ d2d2d2 | d2d2d2 | g2g2g2 | g2g2g2 |\ d2z2z2 | d2z2z2 | g2z2z2 | g2g2g2 | d2d2d2 | d2d2d2 | G2g2g2 | g2g2g2 |\ d2d2d2 | d2d2d2 | g2d2B2 | G4 :| z2 |\ !ff!^d4z2 | B4z2 | e4z2 | B4z2 |\ !p!f4z2 | d6 | g4z2 | d2g2g2 | !ff!^d4z2 | B4z2 | e4z2 | B4z2 | f4z2 | d6 | g2d2B2 | G4 |] %%sep 1 1 500 %%sep 1 1 500 X:1601 T: CONVERSATION WALTZ O: Arranged by Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.160-162 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: In bar 28, the thick-bar phrase boundary for flute is positioned earlier than the other three voices. N: Phrase boundary in bar 28 changed to match bar 36, which seems correct. N: There's a repeat at bar 42 that makes no sense; dropped so that bar 36 repeat matches repeat at fine. M: 3/4 L: 1/8 V: 1 brace=4 staves=0 V: 2 V: 3 V: 4 clef=bass middle=d %%staves [1 2 3 4] %%continueall 0 K: C % ------------------------- V: 1 "1st VIOLIN"!ff!(^d/e/)(d/e/) |\ [c4E4] (^d/e/)(d/e/) | [e4c4] (^d/e/d/e/) | [c2E2][c2E2][c2E2] | e2c2z2 |\ z2z2g>g | e2c2[c'2e2] | [b2d2][g2B2D2][g2B2D2] | [g4B4D4] :| z2 |\ z2[B2^G2][B2G2] | z2[c2A2][c2A2] | z2[B2^G2][B2G2] | z2[c2A2][c2A2] |\ z2[A2^F2][A2F2] | z2[B2G2][B2G2] | z2[A2^F2][A2F2] | [B4G4]z2 |\ z2z2!ff!e'2 | d'4z2 | z2z2[c'2e2] | [b2d2][b2d2](^d/e/d/e/) |\ [e4c4] (^d/e/d/e/) | [e4c4] (^d/e/d/e/) | [c2E2][c2E2][c2E2] | e2c2z2 |\ z2z2g>g | e2c2[c'2e2] | [b2d2][b2d2][b2d2] | [c'2e2]z> ] [K:F] zz2 |\ !p!A3!trem1!c3 | A>cf>d'c'>=b | c'>_bg>dc>=B | c>A F2!trem1!A2 | A3!trem1!c3 | A>c c>dc>=B | G>B c>c'b>e | f2z> |: zz2 | !p![B2G2][B2G2]z2 | [A2F2][A2F2]z2 | [B2G2][B2G2]z2 | z6 | z6 | z2z>dc>=B | !ff!c>fa>c'b>g | f>a c>d'c'=b | c'>_b g>dc>=B | c>A F>d'c'>=b | c'>a f>c'b>g | f>a c>dc>=B | c>_B G>c'b>g | [f2A2]z2 H:| % ------------------------- V: 2 "2d VIOLIN"z2 !ff!|\ [G4G,4]z2 | [G4G,4]z2 | [G2G,2][G2G,2][G2G,2] | E2C2G>G |\ E2C2z2 | [c2E2G,2][E2G,2][E2G,2] | [D2B,2][G2B,2][G2B,2] | [G4B,4] :| z2 |\ z2E2E2 | z2E2E2 | z2E2E2 | z2E2E2 |\ z2D2D2 | z2D2D2 | z2D2D2 | [D4B,4] [GG,]>[GG,] | [G2G,2][G2G,2]!ff![c2E2G,2] | [B4G4][GG,]>[GG,] | [G2G,2][G2G,2][c2E2G,2] |\ [B2D2][B2D2]z2 | [G4G,4]z2 | [G4G,4]z2 | [G2G,2][G2G,2][G2G,2] |\ [E2G,2]C2[GG,]>[GG,] | [E2G,2]C2[ec]>[ec] | [c2E2][E2G,2][c2E2] | [B2D2][B2D2][B2D2] | [c2E2]z> ]\ [K:F] zz2 |\ !p!F3!trem1!A3 | F3!trem1!A3 | G3!trem1!B3 | FA A,2!trem1!C2 |\ F3!trem1!A3 | F3!trem1!A3 | G3!trem1!B3 | [A2F2]z> |: zz2 | !p![E2C2][E2C2]z2 | C2C2z2 |\ [E2C2][E2C2]z2 | z6 | z6 | z6 | !ff![A2F2][A2F2][A2F2] | [A2F2][A2F2][A2F2] | [B2G2][E2G,2][E2G,2] | [F2A,2][A2F2][A2F2] | [A2F2][A2F2][A2F2] | [A2F2][A2F2][A2F2] | [B2G2][B2G2][B2G2] | [A2F2]z2 H:| % ------------------------- V: 3 "FLUTE"!ff!(^f/g/f/g/) |\ c'4 (^f/g/)(f/g/) | c'4 (^f/g/)(f/g/) | e2z2z2 | z6 |\ z2z2g'>g' | e'2c'2c'2 | d'2g'2g'2 | g'4 :| e'>^d' |\ e'>f'e'>d'c'>b | a>^ga>bc'>a | b>a^g>^fe>g | a>^ga>bc'>a |\ d'>^c'd'>e'd'>=c' | b>ag>ab>g | d'>^c' =c'>bc'>a | g4z2 | z2z2!ff!c'2 | b4z2 | z2z2e'2 |\ d'2g'2(^f/g/f/g/) | c'4(^f/g/)(f/g/) | c'4(^f/g/f/g/) | e2z2z2 | z6 | z2z2g>g | e2c2c'2 | b2g2g2 | c'2z> ][K:F]\ !p!d'c'>=b |\ c'>f'a>c'b>g | f>a czz2 | E3!trem1!G3 | A>c c>d'c'>=b |\ c'>f'a>c'b>g | f>a czz2 | c>B G>bg>e | f2z> |: !pp!d'c'>=b | c'c cd'c'>=b | c'c cd'c'=b |\ d'>c c'>c' c'>c' | c'c'c'c'c'c' | c'c'c'c'c'c' | c'>c'c'>d'c'=b | !ff!c'>f'a>c'b>g | f>a c>d'c'>=b | c'>_b g>dc>=B | c>a f>d'c'>=b |\ c'>f'a>c'b>g | f>a c>dc>=B | c>_B G>c'b>g | f2z2 H:| % ------------------------- V: 4 clef=bass middle=d "BASE"z2 !ff!|\ c4z2 | c4z2 | c2c2c2 | e2c2g>g |\ e2c2z2 | c2c2c2 | g2g2g2 | g4 :| !p!z2 |\ ^g4z2 | a6 | e4z2 | a6 |\ ^f4z2 | g6 | d2d2d2 | g2G2g>g |\ g2G2!ff!c2 | g2G2g>g | g2G2c2 | g2g2z2 | c4z2 | c4z2 | c2c2c2 | e2c2g>g |\ e2c2c>c | c2c2c2 | g2G2G2 | c2z> ] [K:F] zz2 |!p!\ f2f2f2 | f2f2f2 | c2c2c2 | f2a2c2 |\ f2f2f2 | f2f2f2 | c2e2c2 | fFz> |: zz2 !pp!| d2c2z2 | c2c2z2 |\ c2c2z2 | z6 | z6 | z6 | !ff!f2a2c'2 | f2a2c'2 | c2c2c2 | f2a2c2 |\ f2f2f2 | f2a2c2 | c2e2c2 | fFz2 H:| %%sep 1 1 500 %%sep 1 1 500 X:1631 T: HANDWERKER'S QUICK-STEP O: Arranged by A. F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.163 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: There's an extra half-beat of rests between the 2nd and 3rd parts. Fixed with initial rests. N: There are ambiguously-placed p and f annotations; moved to the most obvious notes. %%staves [1 2 3 4] M: 2/4 L: 1/16 K: Bb % ------------------------- V: 1 K: C "^B\b POST HORN OR CLARINET PRIMO"z2 |\ "_>"c'2g2g2g2 | g(agf) e2e2 | (cd).e2 (cd).e2 | fed^c d2z2 |\ "^>"a2f2f2f2 | (fgfe) d2d2 | (Bc)d2 (Bc)d2 | (edcB) c2 "_FINE"H:| |: z2 |\ c3e g3e | {e}d2dc d4 | d3f a3f | {f}e2e^d e4 |\ ce3 g3e | d2gb d'3b | (a^gab) c'2^f2 | (a4 g2) "^D.C.":| K: F |: "^TRIO"(fg)|\ !//!.a4 a2b2 | c'2=b2c'2b2 | c'2=b2c'2f2 | e'3d' (c'_bag) |\ !//!a4 a2b2 | c'2=b2c'2b2 | c'2=b2c'2e2 | g2f2f2 "^D.C.":| % ------------------------- V: 2 K: C "^B\b POST HORN OR CLARINET SECONDO"z2 |\ e4e2e2 | e(fed) c2c2 | EFG2 EFG2 | G2G2 B2z2 |\ A2d2A2d2 | (dedc) B2G2 | DEF2 DEF2 | F2E2E2 "_FINE"H:| |: z2 |\ c3c c3c | B2B^A B4 | B3d d3d | c2cB c4 |\ c3c c3c | !/!d8 | d4 c2c2 | (c4 B2) "^D.C.":| K: F |: "^TRIO"z2|\ !//!.f4 f2g2 | a2^g2a2g2 | a2^g2a2a2 | =g4z4 |\ !//! f4 f2g2 | a2^g2a2g2 | a4e2c2 | B2A2A2 "^D.C.":| % ------------------------- V: 3 clef=bass middle=D K: Bb "^TENOR TROMBONE"z2 |!f!\ [B4F4][B2F2][B2F2] | [B4F4][B2F2][B2F2] | [B2F2]z2 [B2F2]z2 | [A2F2][A2F2][A2F2]z2 |\ [c4G4][c2G2][c2G2] | [c4G4][c2G2][c2G2] | [c2F2]z2 [c2F2]z2 | [B2F2]z2 [B2F2] "_FINE"H:| |: z2 |\ z2!p![F2D2][F2D2][F2D2] | z2[F2E2][F2E2][F2E2] | z2 [E2C2][E2C2][E2C2] | z2 [F2D2][F2D2][F2D2] |\ z2[B2F2][B2F2][B2F2] | z2[A2F2][A2F2][A2F2] | z2[B2=E2][G2E2][B2G2] | ([B4F4][A2F2] "^D.C.":| K: Eb |: "^TRIO"z2 |!p!\ z2!/![B6G6] | [B2G2]z2 [B2G2]z2 | [B2G2]z2 [B2G2]z2 | [B2F2][B2F2][B2F2]z2 |\ z2!/![B6G6] | [B2G2]z2 [B2G2]z2 | [B2G2]z2 [A2F2]z2 | [A2E2][G2E2][G2E2] "^D.C.":| % ------------------------- V: 4 clef=bass middle=d K: Bb "^OPHICLEIDE"z2 |!f!\ B4B2B2 | B4B2B2 | B2z2 B2z2 | F2 f2f2z2 |\ c4c2c2 | c4e2e2 | f2z2 F2z2 | B2z2 B2 "_FINE"H:| |: z2 |!p!\ B4z4 | A4z4 | F4z4 | B4z4 |\ B4B4 | c4c4 | c4c4 | f4-f2 "^D.C.":| K: Eb |: "TRIO"z2 |!p!\ e4z4 | e2z2 e2z2 | e2z2 e2z2 | B2B2B2z2 |\ E4e4 | E4e4 | e4B4 | E2 e2 E2 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1641 T: LA POLKA O: Arranged by Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.164-165 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu>U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 2/4 L: 1/16 K: G % ------------------------- V: 1 |: "VIOLIN"\ !ff![B4G4][B4G4] | [B4G4][B4G4] | {[cA]}[B2G2][A2F2][B2G2][c2A2] | [d2B2] [g2B2D2] [b4B4D4] |\ [B4G4][B4G4] | [B4G4][d4B4] | P[A2F2][c2F2]p [f2d2](3efe | [d4F4] [d'4d4D4] |\ [B4G4][B4G4] | [B4G4][d4B4] | {[cA]}[B2G2][A2F2][B2G2][c2A2] | [d2B2] [g2B2D2] "_>"[b4B4D4] |\ "_>"[B4G4]"_>"[B4G4] | "_>"[B4G4]"^>"[d4B4] | P[A2F2][d2F2]p [f2d2](3efe | [d4F4] [d'4f4D4] :|\ |: !p!\ z2 !/![B6D6] | z2 !/![B6D6] | z2 !/![A6F6] | z2 !/![B6G6] | z2 !/![B6G6] | z2 !/![B6G6] | [^A2F2][A2F2][A2F2][A2F2] | [B2F2][B2F2][B2F2]z2 |\ z2!/![B6D6] | z2!/![B6D6] | z2[A2F2] [A4F4] | z2!/![B6D6] |\ z2!/![B6D6] | z2[B2D2] [B4D4] | z2[A2F2] "_>"[A4F4] | [B2G2][g4B4D4]z2 "_FINE"H|] [B2G2][B2G2] [B4G4] | [B2G2][B2G2] [B4G4] | [A2E2]c2 [A2E2] a2 | [g2e2]z2 e'4 |\ [B2G2][B2G2] [B4G4] | [B2G2]z2 [B2G2]z2 | !/![^A8F8] | [B2F2B,2]z2 "^>"[a4B4] |\ [B2G2][B2G2] [B4G4] | [B2G2][B2G2] [B4G4] | A2c2e2a2 | [g2e2]z2 [e4B4E4] | [B2G2][B2G2] [B4G4] | [B2G2][B2G2] [B4G4] | P!/![^A8F8]p | [B2F2]z2 " ^>"[f4B4] |\ z2 [A2^D2][A2D2][A2D2] | [B4E4] [B2G2][B2G2] | z2!/![B6^G6] | z2!/![c6E6] |\ c'2f2 (f2ga) | c'3b (agfe) | ^d3c (BAGF) | [E2B,2]z2 "^>"[E4B,4] |\ z2[A2F2][A2F2][A2F2] | z2[B2G2] [B4G4] | z2[B2^G2][B2G2][B2G2] | z2[c2E2][c2E2][c2E2] |\ z2[A2F2][A2F2][A2F2] | [B2G2][B2G2] [B4G4] | z2[^F2^D2][F2D2][F2D2] | [E2G,2]z2 z4 "_D.C."|] % ------------------------- V: 2 |: "CLAR."\ !ff!B,GDG B,GDG | B,GDG B,GDG | B,GDG B,GDG | B2g2 d4 | DBGB =FdBd | DBGB =FdBd | PA2A2pA2"_>"G2 | A4 f4 | !ff!B,GDG B,GDG | B,GDG B,GDG | B,GDG B,GDG | B2d2 "^>"g4 | DBGB DBGB | DBGB =FdBd | A,PAFpA A2G2 | A4 A4 :| |:!p!\ (B4 Bdf)c' | b4- bgde | "^>"d4 (dc)Ae | d4- dBGA | (B4 Bd)gc' | "^>"b4 (bg).d.e | "^>"f4- fe^cd | B2d2B2z2 | "^>"B4 Bdgc' | b4- bgde | "^>"d4- dcAe | "^>"d4- dB.G.A | B4- Bdgc' | "^>"b4- bg.d.e | d4- dcAd | G2 g4 z2 "_FINE"H|] (g2f2)(f2e2) | (e2^d2)(d2e2) | c2e2a2c'2 | b2z2"^>"g4 | (g2f2)(f2e2) | (e2^d2)(d2e2) | ^c2^d2e2f2 | B2z2"^>"^d4 | (g2f2)(f2e2) | (e2^d2)(d2e2) | c2e2a2c'2 | b2z2"^>"g4 | (g2f2)(f2e2) | {f}(e2^d2)(d2e2) | ^c2P^d2pe2f2 | ^d2z2 "^>"d4 | {c}c2B2e2f2 | g2f2e4 | =f2e2a2b2 | c'2b2a4 | a2^d2 d2A2 | E2G2G2G2 | B2F2 F2z2 | G2z2 "_>"G4 | {d}c2B2e2f2 | {a}g2f2 e4 | {g}=f2e2a2b2 | c'2b2 a4 | c'2f2 (f2ga) | c'3b agfe | ^d3c BAGF | E2z2 z4 "_D.C."|] % ------------------------- V: 3 clef=bass middle=d |: "BASE"\ !ff![g4G4] [g4G4] | [g4G4] [g4G4] | G2 !/!g6 | G2 g2 g4 | [g4G4] [g4G4] | g4 ^g4 | PA2 a2pA2"_>"^c2 | d4 [d'4d4] | [g4G4] [g4G4] | [g4G4] [g4G4] | G2 g2g2g2 | G2 g2 "^>"g4 | [g4G4] [g4G4] | [g4G4] ^g4 | a2 A2 A2^c2 | d4 [d'4d4] :| |:!p!\ G2 g2g2g2 | G2 g2g2g2 | !/!d8 | G2 g2g2g2 | G2 g2g2g2 | G2 g2g2g2 | f2f2 F2F2 | B2B2B2z2 | G2 g2g2g2 | G2 g2g2g2 | d2d'2 "_>"d'4 | G2 g2g2g2 | G2 g2g2g2 | G2 g2g4 | d2d'2 "_>"d'4 | g2 [g4G4] z2 "_FINE"H|] e2e2 e4 | e2e2 e4 | E2 e2e2e2 | e2z2 "^>"e4 | e2e2 e4 | e2z2 e2z2 | !/!f8 | f2z2 "^>"B4 | e2e2 e4 | e2e2 e4 | !/!e8 | e2z2 "^>"e4 | e2e2 e4 | e2e2 e4 | P!/!f8p | B2z2 "^>"B4 | d2 b2b2b2 | e2e2 E4 | !/!e8 | A2 a2 a4 | a2 A2A2^d2 | B2 b2b2b2 | B2 b2b2z2 | e2z2 "_>"E4 | B2 b2b2b2 | E2 e2 "^>"e4 | E2 e2e2e2 | A2 a2a2z2 | A2^d2d2d2 | e2B2 B4 | !/!B8 | e2z2 z4 "_D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:1661 T: COL. WINCHESTER'S QUICK-STEP C: Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.166-167 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: 2nd phrase has initial repeat but no final repeat. Final repeat added. N: 4th phrase has final repeat but no initial repeat. Initial repeat added. N: There's a strange ">f" annotation in bars 57, 58. I've transcribed it as text above the notes in V:2. U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 2/4 L: 1/16 K: Bb % ------------------------- V: 1 K: C |: "Bb BUGLE"\ "_>"e2z2 "_>"c2z2 | !//!G4 "_>"A3G | e2z2 c2z2 | !p!!//!G4 A3G |\ f4- fedc | (Bddf) a2zg | "_>"g6 f2 | e G^FG PA_Bpcd |\ !f!e2z2 c2z2 | !p!!//!G4 "_>"A3G | !f!e2z2 c2z2 | !//!G4 "_>"A3G |\ f4- f .G.B.d | cegc' egce | fadf .B.d.G.B | c2e2c2z2 :|\ |:\ !p!B4!trem1!^G4 | B4!trem1!^G4 | c4!trem1!A4 | c4!trem1!A4 | ^F4!trem1!A4 | B4!trem1!G4 | c4!trem1!A4 | B2B2B2z2 :|\ |:\ !p!e2ed e2f2 | g2gg g2a2 | f2fe f2g2 | e4 c2cd |\ e2ed e2f2 | % Page 167 g2gf g2a2 | f2fe f2g2 | e2g2e2z2 :|\ |:\ !f!!/!A8 | A6 A2 | a2c'2b2a2 | g2z2 g3g |\ c'4 .e3.f | g6 a2 | f2fe f2g2 | e2z2 g3g | c'4 e3f | g6 a2 | f2fe f2d2 | c2c'2c'2z2 :|\ |:\ !p!B2B2B2B2 | !f!A2 ^f2f2z2 | !p!A2A2A2A2 | !f!B2B2B2z2 |\ !p!B2B2B2B2 | !f!A2 ^f2f2z2 | d2Ped p^cde^f | g2(=f2e2d2) |\ "_fp"!//!.e4 e2f2 | !//!g4 g2a2 | !//!f4 f2a2 | (g4e2) !ff!c'>c' |\ c'2g>e c'2a>f | c'2g>e c'2a>f | g2ec f2dB | c2c'2c'2z2 :| % ------------------------- V: 2 |: "Bb BUGLE OR POST HORN"\ G2z2 G2z2 | !//!E4 "_>"F3E | G2z2 G2z2 | !p!!//!E4 F3E |\ d4- dcBA | (GB)(Bd) f3e | "_>"e6 d2 | c2z2 z4 |\ !f!G2z2 G2z2 | !p!!//!E4 "_>"F3E | !f!G2z2 G2z2 | !//!E4 "_>"F3E |\ B4!trem1!d4 | E2G2 c2e2 | d2B2 G2F2 | E2G2E2z2 :|\ |:\ !p!d4- d.c.B.A | ^G2G^F GEFG | {B}A^GAB {c}cBcd | "^>"e6(3.d.c.B | A>G^FE D2 {^c}d2 | B2 {^c}d2 G2 {^f}g2 | f2.^f.e d=cBA | G2 g2g2z2 :|\ |:\ !p!c2cB c2d2 | d2dd e2f2 | d2dc d2e2 | c2 G2G2G2 |\ c2cB c2d2 | % Page 167 e2ed e2f2 | d2dc d2e2 | c2e2c2z2 :|\ |:\ !f!!/!f8 | f6 f2 | f2a2g2f2 | e2z2 e3e |\ e4 c3d | e6 f2 | !p!d2dc d2e2 | c2z2 e3e | !f!e4 c3d | e6 f2 | d2dc d2B2 | c2e2e2z2 :|\ |:\ !p!DGBG d2BG | !f!^F2A2A2z2 | !p!D^FAF d2cA | !f!G2 g2g2z2 |\ !p!DGBG d2BG | !f!^F2A2A2z2 | ^F2PF2 pA2A2 | B2 d2c2B2 |\ "_fp"!//!c4 c2d2 | !//!e4 e2f2 | !//!d4 d2f2 | (e4 c2)z2 |\ "^>f"e2z2 "^>"a2z2 | "^>f"e2z2 "^>"a2z2 | e2c2 d2B2 | G2 e2e2z2 :| % ------------------------- V: 3 clef=bass middle=d K: Bb |: "OPHICLEIDE"\ b2z2 b2z2 | b4!trem1!f4 | b2z2 b2z2 | !p!b4!trem1!f4 |\ a4!trem1!f4 | c'4!trem1!f4 | b2f2b2f2 | b2z2z4 |\ !f!b2z2 b2z2 | !p!b4!trem1!f4 | !f!b2z2 b2z2 | !p!b4!trem1!f4 |\ c'4!trem1!f4 | b4!trem1!f4 | a4!trem1!f4 | b2f2B2z2 :|\ |:\ !p!^f4!trem1!d4 | ^f4!trem1!d4 | g4!trem1!d4 | g2d2g2z2 | g4!trem1!c4 | f4!trem1!c4 | g4!trem1!c4 |f2 F2F2z2 :|\ |:\ !p!B2 b2b2b2 | B2 b2b2b2 | !/!f8 | B2 !/!b6 |\ B2 !/!b6 | % Page 167 B2 !/!b6 | !/!f8 | b2f2B2z2 :|\ |:\ !f!e4!trem1!B4 | E2 !/!e6 | e8 | B2z2 B2z2 |\ !/!B8 | B8 | !p!f8 | G2 !/!b6 | !f!!/!B8 | B8 | f8 | B2B2B2z2 :|\ |:\ !p!F2 !/!f6 | !f!c2c2c2z2 | !p!!/!c8 | !f!F2 f2f2z2 |\ !p!F2 !/!f6 | !f!A2A2A2z2 | !/!c8 | f2c'2b2=a2 |\ b4!trem1!f4 | b4!trem1!f4 | a4!trem1!f4 | b2f2b2z2 | B2z2 b2z2 | B2z2 b2z2 | f2z2 f2z2 | b2 B2B2z2 :| %%sep 1 1 500 %%sep 1 1 500 X:1681 T: UMINSKI GALOPADE C: Adam Kurek B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.168-169 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd phrase has an initial repeat but no final repeat. Not fixed. N: The 3rd phrase (in Ab) has 21 bars; the 4th phrase has 13 bars, each started by a thick bar line. U: P=!crescendo(! U: p=!crescendo)! M: 2/4 L: 1/16 K: Eb % ------------------------- V: 1 K: F |:"Bb BUGLE"!p!\ !//!c4 c2f2 | c2(AB) c2A2 | B2(GA) B2G2 | A2a2 ag(3fed |\ !//!c4 c2f2 | c2(AB) c2A2 | B2(GA) B2e2 | f2a2f2z2 :|\ |:!p!\ z2A2 z2A2 | z2A2 z2A2 | z2A2 z2A2 | z2G2 z2G2 |\ z2A2 z2A2 | z2^c2 z2c2 | z2A2 z2A2 | F2 (c2=B2_B2) |\ !//!c4 !ff!c2f2 | c2AB c2A2 | B2GA B2G2 | A2 a2- ag(3gfe |\ !//!c4 c2f2 | c2AB c2A2 | B2GA B2e2 | f2a2f2z2 ]\ [K:Bb]\ !ff!bbbz fffz | dddz BBBz | f2(gf) (=fgab) | b2z2 z4 |\ !p!!/!.F8 | f8- | f2gf e3d | c2z2 z4 |\ z2!p!!/!c6 | g8- | g2(ag) f3e | d2z2 z4 |\ z2 !/!d6 | f8- | f2gf e2d2 | e2g2 b4- | b2.b2.a2.g2 | ffff f2d2 | eeee e2c2 | dfb2 cfa2 | b2bb b2z2 ]\ bbbz fffz | dddz BBBz | f2(gf) (=efga) | b2 !p!!/!d6 |\ !/!d8 | !pp!(f4 d)c.d.e |\ f2f2 g3f | e2d2e2c2 | (d2e2=e2f2) |\ (f4 d)(cde) | f2f2 g3f | e2d2e2c2 | d2b2b2z2 H|] % ------------------------- V: 2 K: F |:"Bb POST HORN"!p!\ !//!A4 A2A2 | A2F2 A2F2 | G2E2 G2E2 | F2 "^>"f2 fe(3dcB |\ !//!A4 A2A2 | A4!trem1!F4 | G2EF G2B2 | A2c2A2z2 :|\ |:!p!\ {e}d>^cd>e {g}f>ef>d | ^c>da3 gfe | {e}d>^cd>e {g}f>ef>d | ^cPd^dpe AA=B^c |\ {e}d^cde {g}fefd | ^ce"^>"a3 gfe | d>fe>d ^c>ed>c | d2 (A2^G2=G2) |\ !//!A4 !ff!A2A2 | A2FG A2F2 | G2EF G2E2 | F2 f2- fe(3dcB |\ !//!A4 A2A2 | A2FG A2F2 | G2EF G2B2 | A2c2A2z2 ]\ [K:Bb]\ !ff!dddz dddz | FFFz FFFz | .A4!trem1!.c4 | d2!/!d6 |\ !p!!/!d8 | d8- | d2ed c3B | A2z2 z4 |\ z2!p! !/!A6 | e8- | e2fe d2c2 | B2z2 z4 |\ z2 !/!F6 | d8- | d2ed c2B2 | G2e2 g4- |\ g2.g2.f2.e2 | dddd d2B2 | cccc c2A2 | F4 A2c2 | d2dd d2z2 ]\ !f!dddz dddz | FFFz FFFz | A4!trem1!c4 | d2 !p!!/!F6 | !/!F8 |\ !pp!d4 (BA.B).c | d2d2 e3d | c2=B2c2A2 | (B2c2^c2d2) |\ (d4 B)(ABc) | d2d2 e3d | c2=B2c2A2 | B2d2d2z2 H|] % ------------------------- V: 3 clef=bass middle=d |:"OPHICLEIDE"!p!\ e4!trem1!B4 | e4!trem1!B4 | d4!trem1!B4 | e4!trem1!B4 |\ e4!trem1!B4 | e4!trem1!B4 | d4!trem1!B4 | e2E2E2z2 :|\ |:!p!\ c4!trem1!e4 | G2=B2 d2g2 | c2e2 c2e2 | G4!trem1!g4 |\ c2e2 c2e2 | G2=B2 d2g2 | e2c2 g2G2 | c2z2 z4 |\ !ff!e4!trem1!B4 | e4!trem1!B4 | d4!trem1!B4 | e4!trem1!B4 | e4!trem1!B4 |\ e4!trem1!B4 | d4!trem1!B4 | e2 E2E2z2 ]\ [K:Ab]\ !ff!aaaz aaaz | AAAz AAAz | (d8 | a2) !p!!/!a6 |\ !/!a8 | A2 !/!a6 | A2 !/!a6 | "^SOLO"E2 e2g2b2 |\ e2 !p!!/!e6 | E2 !/!e6 | E2 !/!e6 | A2 a2e2c2 |\ A2 !/!a6 | A2 !/!a6 | A2 a2a2a2 | d4!trem1!d'4 | d4!trem1!d'4 | a4!trem1!e4 | g4!trem1!e4 | a4 e4 | a2 A2A2z2 ]\ !ff!aaaz aaaz | aaaz aaaz | (e8 | a2) !p!!/!a6 | !/!a8 |\ !pp!A4!trem1!a4 | A4!trem1!a4 | E4!trem1!e4 | A4!trem1!a4 |\ A4!trem1!a4 | A4!trem1!a4 | E4!trem1!e4 | a2e2A2z2 H|] %%sep 1 1 500 %%sep 1 1 500 X:1701 T: MUNICH QUICK-STEP C Arranged by A. F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.170-171 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The pickup notes are marked as a triplet, but ABC software doesn't seem to like this for grace notes. N: All three parts have final repeats, but no initial repeats. Fixed. M: 2/4 L: 1/16 K: Bb % ------------------------- V: 1 K: C |:"Bb CLAR. PRIMO"!f!\ {gab}c'2gg g2g2 | ("^>"g3e) ("^>"g3e) | c'2gg g2g2 | ("^>"g3e) ("^>"g3e) |\ g4 .a2.b2 | c'(bc')d' e'4 | d'4 c'2a2 | g2b2g2z2 :| |:!p!\ e3d c4 | e3d c4 | d3^c d3^d | ("^>"e4 c2)z2 |\ !mf!e'3d' c'4 | e'3d' c'4 | d'3^c' d'3e' | (d'4 c'2)z2 :| |:!p!\ b2(c'b) (^ab)(ab) | d'c'af d4 | d2ba ( agfg) | ("^>"^g4 a2)z2 |\ (defg) (fe^de) | (efga) (gf^ef) | d2(e'd') (c'a).e.f | g2b2g2z2 H:| % ------------------------- V: 2 K: C |:"Bb CLAR. SECONDO"!f!\ e2ee e2e2 | ("^>"e3c) ("^>"e3c) | e2ee e2e2 | ("^>"e3c) ("^>"e3c) |\ e4 .f2.d2 | (edef) g4 | d4 c2c2 | B2d2B2z2 :| |:!p!\ c2G2 c2G2 | c2G2 c2G2 | B2G2 B2G2 | c2G2 c2G2 |\ !mf!e3f g4 | e3f g4 | B2G2 d2G2 | B2G2c2z2 :| |:!p!\ z2d2d2d2 | z2d2 z2d2 | z2d2 z2^c2 | ("^>"^e4 f2)z2 |\ z2G2 z2G2 | z2A2 z2A2 | c4 c2c2 | B2d2B2z2 H:| % ------------------------- V: 3 K: C |:"Bb CORNOPEON"!f!\ c2z2 z4 |c2z2 c2z2 | c2z2 z4 |c2z2 c2z2 |\ G4 A2B2 | (cBcd) e4 | d4 c2A2 | G2G2G2z2 :| |:!p!\ g3f e4 | g3f e4 | f3e f3^f | (g4 e2)z2 |\ !mf!g3f e4 | g3f e4 | f3e f3g | (f4 e2)z2 :| |:!p!\ z2B2B2B2 | z2A2 z2A2 | z2G2 z2A2 | d2d2d2c2 |\ z2d2 z2e2 | z2e2 z2f2 | A4 A2A2 | G2G2G2 z2 H:| % ------------------------- V: 4 clef=bass middle=d K: Bb |:"BASE TROMBONE"!f!\ B2z2 z4 | B2z2 b2z2 | B2z2 z4 | B2z2 b2z2 |\ f4 e4 | d4 B4 | c4 c2c2 | f4z4 :| |:!p!\ B2z2 B2z2 | B2z2 B2z2 | f2z2 f2z2 | b2z2 B2z2 |\ !mf!B4 b4 | B4 b4 | f4 f4 | f4 B2z2 :| |:!p!\ f2z2 f2z2 | c2z2 B2z2 | A2z2 d2z2 | c4 c2B2 |\ A2z2 B2z2 | =B2z2 c2z2 | B4 c2c2 | f2f2f2z2 H:| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:1712 T: POST HORN DUETTO C: A.F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.171 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C % ------------------------- V: 1 |:"PRIMO"!f!\ c2ed c2G2 | e2f2g2e2 | c2G2 c2d2 | ("^>"e4 c2)z2 !p!|\ .d.d.d.d .d2.d2 | .e.e.e.e .e2.a2 | f2e2 d2g2 | (c3e/d/) c2z2 "^FINE"H:| |:\ e2a^g a2e2 | f2^g2 a2e2 | b2e2 c'2ba | b2bb "^>"^g2ez |\ e2a^g a2e2 | f2^g2 a2e2 | f2d2 B2^g2 | a2c'2a2z2 "^D.C.":| % ------------------------- V: 2 |:"SECONDO"!f!\ E2GF E2G2 | c2d2e2c2 | c2G2 E2F2 | (G4 E2)z2 !p!|\ .B.B.B.B .B2.B2 | .c.c.c.c .c2.e2 | d2c2 c2G2 | (G4 E2)z2 "^FINE"H:| |:\ c2e2 c2e2 | f2f2 e2c2 | ^g2g2 a2a2 | ^g2a2 g2z2 |\ e2e2e2e2 | f2f2 e2c2 | B2B2 d2d2 | c2e2c2z2 "^D.C.":| %%sep 1 1 500 %%sep 1 1 500 X:1721 T: GIBSON'S QUICK-STEP O: Arranged by A. F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.172-173 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: All three parts have a final repeat but no initial repeat. Fixed. N: [1] The rest in V:3 bars 13, 14 may be a tremolo on a note/chord that wasn't printed. M: 2/4 L: 1/16 K: Eb % ------------------------- V: 1 K: C |:"Eb CLARINET"\ G2^FG e3d | c3E A3G | G3^c (e3d) | B3d a3g |\ (g2^fg) e'3d' | c'3e a3g | ^f3a e'3d' | g3g g4 :| |:\ g3^g a3=g | f2^c2 "^>"d4 | !mf!e2fe d2c2 | (BdBA) G4 |\ !ff!A3c _e3^g | a3c' "^>"_e'4 | =e'3d' g3b | c'3c'c'2z2 :| |:\ c3=B d3c | a3g f4 | d3c _e3d | c3_B G4 |\ g3^f a3g | d'3c' c'4 | g3^f a3g | g3f f4 H:| % ------------------------- V: 2 K: F |:"Bb CLARINETs"\ [f2A2][f2A2][f2A2][f2A2] | [f2A2][f2A2][f2A2][f2A2] | !/![e8G8] | !/![g8d8] |\ !/![f8A8] | !/![f8A8] |!/![f8=B8] | [e2c2]z2 [c4E4] :| |:\ c3^c d3c & c3^c d3c | B3^f g4 & B3^F G4 | z2[f2c2][f2c2][f2c2] | [f2d2][f2d2] [f4d4] |\ !ff![d3A3][dA] [d3A3][dA] | [d3A3][dA] [d3A3][dA] | z2[g2d2][g2d2][g2d2] | [f3c3][fA][f2A2]z2 :| |:\ f3=e g3f & (3D2F2B2 (3D2F2B2 | d3c B4 & (3D2F2B2 (3D2F2B2 |\ g3f _a3g & (3E2G2c2 (3E2G2c2 | f3e c4 & (3E2G2c2 (3E2G2c2 |\ c3=B d3c & (3A,2E2F2 (3A,2E2F2 | g3f f4 & (3D2F2B2 (3D2F2B2 |\ c3=B f3e & (3A,2E2F2 (3A,2E2A2 | [c3E3][BD] [B4D4] H:| % ------------------------- V: 3 K: Eb clef=bass middle=D |:"TROMBONES"\ [B2E2]z2 [B2E2]z2 | [B2E2]z2 [B2E2]z2 | [B2A2]z2 [B2A2]z2 | [A2F2]z2 [A2F2]z2 |\ [e4B4] [e4B4] | [e4B4] [e4B4] | [c4A4] [c4A4] | [d2B2]z2 [B4F4] :| |:\ !/![d8F8] | !/!d8 & F2F2 A2A2 | z2[B2G2][B2G2][B2G2] | [c2A2][c2A2] [B4G4] |\ !ff![=A3_G3][AG] "^[1]"z4 | [=A3_G3][AG] "^[1]"z4 | z2[d2F2][d2F2][d2F2] [e2E2] "^>"[B4G4] z2 :| |:\ [c2A2]z2 [c2A2]z2 | [c2A2]z2 [c2A2]z2 | [d2A2]z2 [d2A2]z2 | [d2A2]z2 [d2A2]z2 |\ [G2E2]z2 [G2E2]z2 | [c2A2]z2 [c2A2]z2 | [G2E2]z2 [G2E2]z2 | [c2A2]z2 [c4A4] H:| % ------------------------- V: 4 clef=bass middle=d K: Eb |:"OPHICLEIDE"\ e2z2 e2z2 | e2z2 e2z2 | d2z2 d2z2 | B2z2 B2z2 |\ E4 e4 | E4 e4 | f4 f4 | b2z2 B4 :| |:\ !/!B8 | !/!B8 | !/!e8 | e2e2 e4 |\ !ff!e3e e3e | e3e e3e | B4 B4 | e2 "^>"e4 z2 :| |:\ A2z2 a2z2 | A2z2 a2z2 | a2z2 A2z2 | A2z2 a2z2 |\ e2z2 E2z2 | A2z2 a2z2 | e2z2 E2z2 | A2z2 z4 H:| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:1732 T: GWINE OBER DE MOUNTAIN B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.173 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: Both parts have final repeats but no initial repeats, and there's a count missing between the parts. M: 2/4 L: 1/16 K: Bb % ------------------------- V: 1 K: C "^Bb POST HORN PRIMO" G2 |!f!\ c2d2 e2e2 | f2g2 e4 | c2cd edec | dcdB c2G2 |\ c2d2 e2e2 | f2g2 e4 | c2cd edec | dcdB c2 H:| !mf!d4 .c2.A2 | (B2d2) d4 | d2(ed) c2A2 | A2G4 z2 |\ d3d .c2.A2 | (B2d2) d4 | ^f2d2 c2AA |1 A2 G4 z2 :|2 A2 G4 "_D.C."|] % ------------------------- V: 2 K: C "^Bb POST HORN SECONDO" G2 |!f!\ E2G2 | c2c2 | d2B2 c4 | E3F G2G2 | F2F2 E2G2 |\ E2G2 | c2c2 | d2B2 c4 | E3F G2G2 | F2F2E2 H:| !mf!B4 .A2.^F2 | (G2B2) B4 | B2cB A2C2 | C2 B,4 z2 |\ B3B .A2.^F2 | (G2B2) B4 | A2^F2 A2CC |1 C2 B,4 z2 :|2 C2 B,4 "_D.C."|] %%sep 1 1 500 %%sep 1 1 500 X:1741 T: AMILIE QUICK-STEP O: Arranged by J. H. Seipp B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.174-175 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The initial pickup notes don't agree in length. Fixed. N: V:1 has "8va AD LIB" over the initial trumpet-call motifs (3 beats); play them up an octave if you like. M: 2/4 L: 1/16 K: Eb % ------------------------- V: 1 K: C "Eb CLARINET"!f!G |\ G2zG G2zG | (EG).c.e g2 (ga) | (gG)(Bf) d2(ga) | (gG)(cg) e2zg |\ G2zG G2zG | (EG)ce g2 (ga) | (gG)(Bf) d2(Ge) | c4 z2 H|] G2 !f!|\ (Gf)dB d3g | (ge)ce d3g | (ge)ce d3G | (Ge)cE G3G |\ (Gf)dB d3g | (ge)ce d3g | (ge)ce d3g | (gece) g2z "_D.C."|]\ [M:6/8][L:1/8] !p!z |\ (F6 | E6) | (F6 | E6) | F2F F2F | E2E E2E | F2F F2F | E3- E2 "_D.C."|]\ [M:2/4][L:1/16][K:F]\ "^TRIO"!p!c2 |\ a3e (fc).A.F | d2 c4 c2 | a3e (fc).A.F | d2 c4 c2 |\ c(dc=B cde)f | ^f2 g4 g2 | b3a (bg)ec | d2 c4 c2 |\ a2(ab) c'2c'2 | c'2 d4 b2- | b(c=Bc def)g | ^g2 a4 a2 |\ a2(ab) c'2c'2 | c'2 d4 b2- | b(c=Bc) a3g | "_D.C. AL FINE"f4 z2 |] % ------------------------- V: 2 K: F "1st Bb CLARINET"c |\ c2zc c2zc | (Ac).f.a c'2z2 | e2e2e2z2 | !/!f6 zc |\ c2zc c2zc | (Ac)fa c'2z2 | !/!e8 | f4 z2 H|] z2 | G4!trem1!c4 | (A2c2) (G2c2) | (A2c2) (G2c2) | A4!trem1!c4 |\ G4!trem1!c4 | (A2c2) (G2c2) | (A2c2) (G2c2) | (G2c2) e2z "_D.C."|]\ [M:6/8][L:1/8] !p!c |\ (cgc g2)c | (cfA c2)c | (cgc gc)a | f3- f2c | (cgc g2)c | (cfA c2)c | c(gc gc)a | f3- f2 |]\ [M:2/4][L:1/16][K:Bb]\ "^TRIO"!p!z2 |\ z2d2 z2d2 | z2d2 z2d2 | z2d2 z2d2 | z2d2 z2d2 |\ z2e2 z2e2 | z2e2 z2e2 | z2c2 z2e2 | z2e2 z2e2 | z2d2 z2f2 | z2e2 z2e2 | z2e2 z2e2 | z2d2 z2d2 |\ z2d2 z2f2 | z2e2 z2e2 | z2e2 z2e2 | "_D.C. AL FINE"d4 z2 |] % ------------------------- V: 3 K: F "2d Bb CLARINET"A |\ A2zA A2zA | (FA).c.f a2z2 | B2B2B2z2 | !/!A6 zA |\ A2zA A2zA | (FA).c.f a2z2 | !/!B8 | A4 z2 H|] z2 |\ E4!trem1!C4 | (F2A2) (E2C2) | (A2c2) (E2C2) | F4!trem1!A4 |\ E4!trem1!C4 | (F2A2) (E2C2) | (F2A2) (E2C2) | (F2A2) G2z "_D.C."|]\ [M:6/8][L:1/8] !p!z |\ (E6 | F6) | (E6 | F6) | E2E E2E | F2F F2F | E2E E2E | F3- F2 "_D.C."|]\ [M:2/4][L:1/16][K:Bb]\ "^TRIO"!p!z2 |\ z2B2 z2B2 | z2B2 z2B2 | z2B2 z2B2 | z2B2 z2B2 | z2A2 z2A2 | z2A2 z2A2 | z2A2 z2c2 | z2A2 z2A2 | z2B2 z2B2 | z2B2 z2B2 | z2A2 z2A2 | z2B2 z2B2 | z2B2 z2B2 | z2B2 z2B2 | z2A2 z2A2 | "_D.C. AL FINE"B4 z2 |] % ------------------------- V: 4 clef=bass middle=d K: Eb "TROMBONE AND OPHICLEIDE"z |\ [e'2e2]z2 [e'2e2]z2 | [e'2e2][e'2e2][e'2e2]z2 | [b2B2][b2B2][b2B2]z2 | [b2e2][b2e2][b2e2]z2 |\ [e'2e2]z2 [e'2e2]z2 | !/![e'6e6]z2 | !/![b8B8] | [b4e4E4] z2 H|] z2 |\ b6b2 & B4B4 | b6b2 & B4B4 | b6b2 & B4B4 | [e4E4][e2E2][e2E2] |\ b6b2 & B4B4 | b6b2 & B4B4 | b6b2 & B4B4 | [b2B2][b2B2][b2B2] z"_D.C."|]\ [M:6/8][L:1/8] !p!z |\ b6- & B2zB2z | b6 & B2zB2z | b6- & B2zB2z | b6 & e2B G2E | b2b b2b & B2zB2z | b2b b2b & B2zB2z | b2b b2b & B2zB2z | b3- b2 & eBG E2 "_D.C."|]\ [M:2/4][L:1/16][K:Ab]\ "^TRIO"!p!z2 |\ z2e'2 z2e'2 & A2z2 a2z2 | z2e'2 z2e'2 & A2z2 a2z2 |\ z2e'2 z2e'2 & A2z2 a2z2 | z2e'2 z2e'2 & A2z2 a2z2 |\ z2e'2 z2e'2 & E2z2 e2z2 | z2e'2 z2e'2 & E2z2 e2z2 | z2e'2 z2e'2 & E2z2 e2z2 | z2e'2 z2e'2 & E2z2 e2z2 |\ z2e'2 z2e'2 & A2z2 c2z2 | z2f'2 z2f'2 & d2z2 d2z2 |\ z2e'2 z2e'2 & e2z2 e2z2 | z2e'2 z2e'2 & A2z2 a2z2 |\ z2e'2 z2e'2 & A2z2 c2z2 | z2f'2 z2f'2 & d2z2 d2z2 |\ z2e'2 z2e'2 & e2z2 [e2E2]z2 | "_D.C. AL FINE"e'4x2 & [a4A4]z2 |] % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:1761 T: HORN POND WALTZ C: S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.176-177 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The first part has 23 bars. M: 3/4 L: 1/8 K: F % ------------------------- V: 1 [|"PRIMO"!ff!\ .c2 z2 z2 | .d2 z2 z2 | .e2 z2 z2 | .f2 z2 z2 |\ G6- | G2 (cd) c2 | (Ac) F2 z2 | !p!c3 _B A2 | f2 d4 | c3 B A2 | (AB) G4 | (GAG).^F G2 |\ c3 A F2 | (GAG).^F G2 | ^G2 "^>"A4 | c3 B A2 | f2 d4 | c3 B A2 | (AB) "^>"G4 | (GAG)^F G2 |\ (=FA) c4 | (GAG).^F G2 | =F4 z2 |] |:\ !ff!(G^FG).A .B.c | .d2 .d2 d2- | d2 (c=B) (cd) | B2 (cB) A2 |\ G2 G2 G2 | (cA) F3 D | (CF) A2 G2 | F4 z2 "_FINE"H:| [K: Bb]|:!p!\ (F2 B2) .d2 | f4 f2 | (g2 f2) =e2 | f6 |\ (e2 f2) .e2 | (d2 c2) B2 | A2 ff f2 | g2 f2 e2 | d2 B2 d2 | f4 f2 | (g2 f2) =e2 | f4 f2 |\ _e2 =B2 c2 | d2 c2 _B2 | A2 {B}AG A2 | "_D.C. AL FINE"B4 z2 :| % ------------------------- V: 2 [|"SECONDO"!ff!\ .c2 z2 z2 | .=B2 z2 z2 | _B2 z2 z2 | .A2 z2 z2 |\ (F6 | E2) z2 E2 | F2 F2 z2 | !p!A3 G F2 | d2 B4 | A3 G F2 | (^FG) E4 | B6 |\ A2 F4 | E3 ^D E2 | F2 "^>"F4 | A3 G F2 | d2 B4 | A3 G F2 | (^FG) "^>"E4 | B6 | A2 (AG) F2 | E2 (E^D) E2 | F4 z2 |] |: !ff!\ E6- | E2 .G2 .B2 | (^G2 A2) (^F2 | =G2) .E2 =F2- |\ F2 (ED) .EC | F2 A3 B | c2 C2 B2 | A4 z2 "_FINE"H:| [K: Bb]|:!p!\ (D2 F2) B2 | d4 f2 | (_e2 d2) .^c2 | d6 |\ (c2 d2) .c2 | (B2 A2) .G2 | F2 FF F2 | e2 d2 c2 | B2 F2 B2 | d4 d2 | (e2 d2) ^c2 | d4 d2 |\ c2 D2 _E2 | F2 E2 D2 | C2 z2 C2 | "_D.C. AL FINE"D4 z2 :| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:1772 T: HUNTING DUET B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.177 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C % ------------------------- V: 1 |:\ !p!c2G (G^FG) | (cG)c (dG)d | e2c edc | (g3 e2)z |\ !f!(de).d g2g | e2c (cB).A | (Gc)d e2d | (d3 c2)z :| |:\ !p!d2e d2e | d2e f2d | e2d e2d | e2f g2g |\ !f!(g3 e2)e | (e3 c2)c | d2d ded | c3- c2z "_FINE"H:| |:\ !p!(cB)c Azc | (cB)c fzf | eze dzd | (c3 A)z c |\ (cB)c Azc | (cB)c fzf | gzd cze | (g3 "_D.C. AL FINE"f2)z :| % ------------------------- V: 2 |:\ !p!E2G G^FG | E2E G2G | c2E cGE | (e3 c2)z |\ !f!(Bc).B (dc).B | .c.G.E C2F | E2z G2F | (F3 E2)z :| |:\ !p!G2c G2c | G2c d2G | c2G c2G | c2d e2e |\ !f!(e3 c2)G | (G3 E2)E | G2G GcG | E3- E2z "_FINE"H:| |:\ !p!(A^G)A czA | (A^G)A FzA | _BB/B/B BAB | AcA Fz A |\ (A^G)A czA | (A^G)A FzA | _Bz=B czG | (_B3 "_D.C. AL FINE"A2)z :| %%sep 1 1 500 %%sep 1 1 500 X:1781 T: ANDANTE C: S. Knaebel B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.178 #1 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu>U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 3/4 L: 1/8 Q: "DOLCE" K: F % ------------------------- V: 1 |:"PRIMO"\ (c2 f2) .e2 | d6 | (d2 g2) .f2 | e6 |\ (a2 g2) .f2 | e4 g2 | (gf) P(fep) (e/d/)(c/e/) | (Qe2dq) !p!(_BA)B | (c2 f2) e2 | c6 | (d2 g2) .f2 | e6 |\ (a2 g2) f2 | (f2 e2) .d2 | c>f (ab) {a}(g/^f/g/).a/ | (g4 f2) ] !ff!a>a a.g.f.e | .d.e.d.^c .d.e | .f.^c .d.e.f.g | a>a a2 z2 |\ b>b bag^f | ga b2 (g^g) | a2>>^c2 c>c | dz "^>"d2 z2 | "_DOLCE"(c2 f2) e2 | d6 | (d2 g2) .f2 | e6 |\ (a2 g2) .f2 | b2 (g^g) a2- | a>b a2 g2 | (g4 f2) |] % ------------------------- V: 2 "SECONDO" (A2 F2) .A2 | B6 | (=B2 G2) .B2 | c6 |\ (f2 e2) .d2 | (c=Bc).d (e/d/B/_B/) | A2 PG2p (F^F) | QG3q !p!(EFG) | (A2 F2) A2 | B6 | (=B2 G2) .B2 | c6 |\ (^c4 d2) | (A4 B2) | c3 d {c}(B/A/B/).e/ | (B4 A2) ] !ff!A>A .A.B .A.G | .F.G .F.E .D.^C | .D.E.F.G.A.d | ^c>c c2 z2 |\ G>G .G.A .B.c | BA GB/B/ BB | AA/A/ !/!A4 | Fz "^>"D2 z2 | "_DOLCE"(A2 F2) A2 | B6 | (=B2 G2) .B2 | c6 |\ (c2 B2) A2 | (d2 =B2) c2- | c>d c2 _B2 | (B4 A2) |] %%sep 1 1 500 %%sep 1 1 500 X:1782 T: HUNGARIAN DANCE B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.178 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D A2 |\ d2df e2eg | f2a2 a4 | f2ed {g}f2ed | e4 A2A2 |\ d2df e2eg | f2a2 a4 | f2ed e2dc | d4 D2 :| |: e2 |\ f2fa e2Ag | f2fa e2Ag | f2ed {g}f2ed | e4 A2e2 |\ f2fa e2Ag | f2fa e2Ag | f2ed e2dc | d4 D2 :| %%sep 1 1 500 %%sep 1 1 500 X:1791 T: POLACCA C: Composed for two clarinets, bugles, or post horns, by S. Knaebel. B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.179 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: "cresc. ..." in bar 22 rewritten as crescendo "hairpin" symbols. U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 3/4 L: 1/8 K: C % ------------------------- V: 1 |:"PRIMO"\ !p!cG e3 d | ce g3 d | (e/d/^c/d/) gfed | c>e G3 z |\ cG e3 d | ce g3 b | bb/b/ ba ^fg | e4 z2 | !f!cG e3 d | ce g3 e | (e/d/^c/d/) gfed | c>e G3 z |\ cG e3 d | ce g3 e | aa/g/ .f(f/e/) (d/c/).B/.g/ | c(e/d/) (d2c)z | !p!e>d dgfd | d>c cgec | c>B gfed | .c(c/e/) G4 |\ e>d dgfB | (c/B/c/).Pd/ (e/d/e/).f/ (g/^f/g/).^g/p !ff!| a.=g.=f.e (d/c/).B/.d/ | .c(e/d/) (d2c)z "_FINE"H:| [K:F]|:"^TRIO"\ "_DOLCE"c3 _BAf | c4 (AF) | (EG) "^>"d3 c | (B4 A2) |\ c3 BAf | d3 g^fg | a3 =feg | (g4 "_D.C. AL FINE"f)z :| % ------------------------- V: 2 |:"SECONDO" !p!EG CG EG | E3!trem1!G3 | FG FG FG | E3!trem1!G3 |\ EG CG EG | E3!trem1!G3 | EG ^DB AB | G^FE2z2 | !f!EG CG EG | E3!trem1!G3 | FG FG FG | E3!trem1!G3 |\ EG CG EG | E3!trem1!G3 | .F(F/G/) .A(D/E/) FD | .E(G/F/) (F2E)z | FG FG DG | EG EG CG | DG DG FG | E3!trem1!G3 |\ FG FG DG | E>PB (c/B/c/).d/ e>ep !ff!| .f.e.d.c (B/A/).G/.F/ | .E(G/F/) (F2E)z "_FINE"H:| [K:F]|:"^TRIO"\ "_DOLCE".A(A/G/) F2 zA | .A(F/G/) .A.G F2 | (CE) "_>"B3 A | (G4 F2) |\ .A(A/G/) F2 zA | .B(G/A/) BBAB | c3 AGB | (B4 "_D.C. AL FINE"A)z :| %%sep 1 1 500 %%sep 1 1 500 X:1801 T: LADIES' GALOPADE C: Strauss B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.180-181 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> N: The thick bar line inside bar 32 is a bit odd. What does it mean? M: 2/4 L: 1/16 K: C % ------------------------- V: 1 "C CLAR."(3GAG !p!|\ .^F2.G2.A2.B2 | .c2.d2.^d2.e2 | "_>".e2.d2"_>".e2.d2 | .d2.c2.B2.A2 |\ !ff!.^F2.G2.A2.B2 | .c2.d2.^d2.e2 | .e2.d2.e2.d2 | c4z2 :||: z2 |\ z2e4e2 | z2e4e2 | z2g(a gabc') | d'(c'ba gfed) |\ c2 e4 e2 | z2 e4 e2 | (d4 def)g | e4 z2 :||:[K:F] !pp!c2 |\ (a6 g2) | {f}f3e f3d | c2z2 {e}f2z2 | A7 c | B2z2 {^c}d2z2 | "^>"G7 B | A2z2 c2z2 | F3Ac3f | (a6 g2) |\ {g}f3e f3d | cccc c2{e}f2 | "^>"A7 c | BBBB B2{^c}d2 | "^>"G7 B | A3c B3G | F4 z2 !f!] z2 |\ "^>"e6 z2 | "^>"e6 z2 | e2z2 e2z2 | f2z2 f2z2 |\ e6 z2 | e6 z2 | f2z2 (B2AG) | A6 "_D.C.":| % ------------------------- V: 2 "VIOLIN"z2 !p!|\ z2!/![E6G,6] | z2!/![E6G,6] | z2[F2G,2] z2[F2G,2] | z2!/![F6G,6] |\ !ff!!/![E8G,8] | !/![E8G,8] | !/![F8G,8] | [E4G,4]z2 :||: "8va. AD LIB."(GF) !f!|\ E(FGA) (GABc) | E(FGA) (GABc) | GA(Bc Bcde) | (fedc B)AGF | E(FGA) (GABc) | E(FGA) (GABc) | (GABc) (Bcde) | c4 z2 :||:[K:F] !pp!z2 |\ [F2A,2]z2 [F2A,2]z2 | [F2A,2]z2 [D2B,2]z2 | [F2A,2]z2 [F2A,2]z2 | [F2A,2]z2 [F2A,2]z2 | [E2G,2]z2 [E2G,2]z2 | [E2B,2]z2 [E2B,2]z2 | [F2A,2]z2 [F2A,2]z2 | [F2A,2]z2 [F2A,2]z2 |\ [F2A,2]z2 [F2A,2]z2 | [F2A,2]z2 [D2B,2]z2 | [F2A,2]z2 [F2A,2]z2 | [F2A,2]z2 [F2A,2]z2 |\ [D2B,2]z2 [D2B,2]z2 | [D2B,2]z2 [D2B,2]z2 | [F2A,2]z2 [E2G,2]z2 | [F4A,4] z2 !f!] (=Bc) | g6 (=Bc) | g6 (=Bc) | g2(=Bc) g2(=Bc) | a2(ef) c'2(=Bc) |\ g6 (=Bc) | g6 (=Bc) | a2(ef) g2(fe) | f6 "_D.C.":| % ------------------------- V: 3 clef=bass middle=d "BASE"!p!z2 |\ c4z4 | c4z4 | G2z2 G2z2 | G4z4 |\ !ff!c4c4 | c4c4 | G4G4 | c4z2 :||: !f!z2 |\ c4!trem1!G4 | c4!trem1!G4 | B4!trem1!G4 | B4!trem1!G4 | c4!trem1!G4 | c4!trem1!G4 | B4!trem1!G4 | c4 z2 :||:[K:F] !pp!z2 |\ f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 | c2z2 c2z2 | c2z2 c2z2 | f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 | f2z2 f2z2 | B2z2 B2z2 | B2z2 B2z2 | c2z2 c2z2 | f4 z2 !f!] z2 |\ z2(=bc') c4 | z2(=bc') c4 | c2z2 c2z2 | f2z2 a2z2 | z2(=bc') c4 | z2(=bc') c4 | c2z2 c2z2 | f6 "_D.C.":| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:1812 T: THE SWEET BIRDS ARE SINGING O: Tyrolian B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.181 #2 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D % ------------------------- V: 1 A |\ (AG)GG | (FA)AA | (Ag)(ec) | dFFA |\ A2EG | F3A | (AG)GG | (FA)AA |\ Agec | (dF)FA | A2EG | F4 |\ e2cA | dfa2 | (gA) (eg) | (fA) (df) |\ e2(cA) | dfa2 | gA ce | d3 |] % ------------------------- V: 2 F |\ (FE)EE | (DF)(DF) | G2GG | F2FD |\ E3E | D3F | (FE)EE | (DF)(DF) |\ G2GG | F2FD | E3E | D4 |\ (GA) (GA) | (Ad) (Ad) | EA GA | FA FA |\ GA GA |FA FA | (EG) (GA) | F3 |] %%sep 1 1 500 %%sep 1 1 500 X:1821 T: BOSWELL'S WALTZ C: E. B. Bohuszewicz B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.182-183 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu>U: Q=!diminuendo(! U: q=!diminuendo)! U: P=!crescendo(! U: p=!crescendo)! M: 3/4 L: 1/8 K: F % ------------------------- V: 1 |:"1st VIOLIN"!ff!\ [f2A2] [f2A2] [f2A2] | [f2A2] {d}c=B c2 | [f2A2] {d}c=B c2 | [fA][fA] [f2A2] [f2A2] |\ [g2c2] [g2c2] [g2c2] | [g2c2] {c}c=B c2 | [g2c2] {d}c=B c2 | Q[gc][gc]q [g2c2] [g2c2] |\ "_fp"(a4 g2) | (f4 d2) | (c4 f2) | P(eg)p (gb) "_>"(d'c') |\ "^>"(a4 g2) | "^>"(f4 d2) | (c3 f).e.g | f2 z2 "_FINE"z2 H:|\ |:!p!\ (_e4 .e2) | ((3efe d2) "^>"g2 | d4 d2 | ((3ded c2) f2 |\ (ed) G2 Bd | (dc) F2 Ac | "_CRES."=BcBcde | fg a(b/a/) gf |\ !f!(Te^c) A2 z2 | (f/g/f/e/ d2) "^>".a2 | (e/f/e/d/ ^c2) .a2 | ((3fgf e2) .d2 |\ ((3e/f/e/^c A2) z2 | (f/g/f/e/ d2) .a2 | ((3efe ^c)(Aa)(c | d2) z2 z2 :| K: Bb |:!p!\ z(.d.d.d .d2) | z(.f.f.f)"^>"f2- | f(.e.e.e) e2- | e(.d.d.d) d2 |\ z(dbd) d2 | z(fbf) f2- | "_CRES."f=e [eB][eB] "^>"[e2^c2] | zQ[fA][fA][fA]q e2- |\ e(.d.d.d .d2) | z(.f.f.f) f2- | f(.e.e.e) e2- | e(.d.d.d) d2- |\ d(.c.c.c) G2- | G(.F.F.F) D2 | (CB,A,GF)A, | .B,2 z2 z2 :|\ |:!f!\ c4 c2 | (ed).c.=B c2 | !p!(ed)(c=B) c2 | !f!.e(dc)(=B c2) |\ .d2 (f=e)(gf) | (f4 d2) | [b2B2] (f=e)(gf) | (Qf4q e)d |\ !mp!c4 c2 | .e.d.c=B .c2 | "_PIZZICATO"edc=B c2 | "_ARCO"edc=B c2 |\ Td6 | d2 {a}g>^f g2 | (fg) f2 A2 | B2 z2 "_D.C."z2 :| % ------------------------- V: 2 |:"2d VIOLIN"!ff!\ [F2C2] [F2C2] [F2C2] | [F2C2] z2 z2 | [F2C2] z2 z2 | [FC][FC] [F2C2] [F2C2] |\ [E2C2] [E2C2] [E2C2] | [E2C2] z2 z2 | [E2C2] z2 z2 | Q[EC][EC]q [E2C2] [E2C2] |\ "_fp"([F4C4] e2) | (d4 B2) | A4 A2 | [B2G2] [B2G2] [B2G2] |\ ([A4F4] e2) | (d4 B2) |(AcfAc)B | [A2F2] z2 "_FINE"z2 H:|\ |:!p!\ [c2A2] [c2A2] [c2A2] | [B2G2] z2 z2 | [B2G2] [B2G2] [B2G2] |[A2F2] z2 z2 |\ z2 [B2D2] G2 | z2 A2 F2 | z2 E2 B2 | A2 z2 z2 |\ !f!(A,2 ^C2) E2 | (A/B/A/G/) F4 | G2 E4 | (F2 G2 F2) |\ z2 [A2E2] ^c2 | z2 [A2F2] d2 | z2 [A2E2] G2 | [F2D2] z2 z2 :| K: Bb |:!p!\ z2 [B2D2] [B2F2] | z2 [B2F2] [B2F2] | z2 [B2E2] c2 | z2 [B2D2] [B2D2] |\ z2 [B2D2] [B2F2] | z2 [B2F2] [B2F2] | z2 G2 A2 | z2 Q[A2D2]q [A2F2] |\ z2 [B2D2] [B2F2] | z2 [B2F2] [B2F2] | z2 [B2E2] c2 | z2 [B2F2] [B2D2] |\ z2 E2 E2 | z2 [B2D2] [d2F2] | [e2F2] z2 [e2F2] | [d2F2] z2 z2 :|\ |:!f!\ A4 A2 | (cB).A.^G A2 | !p!(cB)(A^G) A2- | !f!A(BA)(^G A2) | .B2 (d^c)(ed) | (d2 B2) B2 | d2 (B^c)(ed) | Q(d2 B2q c)B |\ !mp!A4 A2 | .c.B.A.^G A2 | !pp!"_PIZZICATO"cBA^G A2 | "_ARCO"ABA^G A2 |\ .D2 .E2 .^F2 | (G4 _d2) | (=de) .d2 .E2 | D2 z2 "_D.C."z2 :| % ------------------------- V: 3 clef=bass middle=d |:"VIOLONCELLO"!ff!\ f2 c2 A2 | F2 z2 z2 | f2 z2 z2 | F2 F2 F2 |\ C2 c2 c2 | c2 z2 z2 | c2 z2 z2 | cdcBAG |\ F2 F2 A2 | B2 B2 z2 | c2 c2 z2 | c2 c2 c2 | F2 F2 A2 |\ B2 B2 z2 | c2 c2 c2 | f2 F2 "_FINE"z2 H:|\ |:\ (^f6 | g2) z2 z2 | c6 | f2 z2 z2 |\ B6 | c6 | c2 B2 G2 | F2 z2 z2 | A6 | d2 z2 z2 | ^c6 | (d2 ^c2 d2) |\ A6 | d2 z2 z2 | g2 a2 A2 | d2 z2 z2 :| K: Bb |:"CON ESP."\ {B}(f4 b2) | d'4 d'2 | d'c' g2 a2 | ( b4 f2) |\ {B}(f4 b2) | d'4 d'2 | d'^c' b2 a2 | d4 c2 |\ {B}(f4 b2) | d'4 d'2 | d'c' g2 a2 | (b4 f2) |\ (g4 c'2) | (f4 b2) | (.a.g.f.e.d.c) | B2 B2 z2 :|\ |:\ F2 f2 z2 | F2 f2 z2 | F2 f2 z2 | F2 f2 f2 |\ B6- | B2 (d^c) (=ef) | B6- | B2 (d^c) (=ef) |\ F2 f2 f2 | F2 f2 f2 | !pp!F2 f2 f2 | F2 f2 f2 |\ .^f2 .g2 .a2 | (b4 =e2) | f4 f2 | B2 b2 "_D.C."z2 :| % "Tune 1" on this page is the end of the previous pages' tune. %%sep 1 1 500 %%sep 1 1 500 X:1841 T: WALTZ FROM SEMIRAMIS O: Arranged by A.F. Knight B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.184 F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf %: 2012 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 V: 1 clef=treble nm="CLARINET PRIMO" snm="C1" V: 2 clef=treble nm="CLARINET SECONDO" snm="C2" V: 3 clef=bass middle=D nm="TENOR TROMBONE" snm="T" V: 4 clef=bass middle=d nm="OPHICLEIDE" snm="O" K: F %---------- V: 1 %P: CLARINET PRIMO c>c |\ c2c2c2 | c4c>c | c2c2c2 | d4f2 |\ (f2e2)d2 | (c2B2)G2 | F4z2 | z6 || |: c2-cdcA | F2-FEFA | c2-cdef | g2-gf^cd |\ e2-edBG | FEGFAG | (BA)(cB)(dc) | =BcdcA2 | "^8va - - - - - - - -"\ c2cdcA | F2-FEFA | c2cdef | g2gf^cd |\ e2edcG | ^FGAGBA | cBedBG | F4z2 H:| %---------- V: 2 %P: CLARINET SECONDO !f!A>A |\ A2A2A2 | B4B>B | A2A2A2 | B4d2 | c6 | G4E2 | !p!F2c2c2 | c2c2c2 \ |: !p!z2c2c2 | z2c2c2 | z2c2c2 | z2d2d2 | z2d2d2 | z2c2c2 | z2e2e2 | z2c2c2 |\ zcAcAc | zcAcAc | zcAcAc | zdGdBd | zdGdBd | zcEcBc | zcEcBc | A4z2 H:| %---------- V: 3 %P: TENOR TROMBONE !f!F>F | F2F2F2 | E4E>E | _E2E2E2 | D4G2 | A4A2 | B4B2 | !p!A2A2A2 | A2A2A2 \ |: !p!z2A2A2 | z2A2A2 | z2A2A2 | z2B2B2 | z2B2B2 | z2B2B2 | z2c2c2 | z2A2A2 |\ !f!c2cdcA | F2-FEFA | c2cdef | g2gf^cd | e2 edBG | ^FGAGBA | cBedBG | F4z2 H:| %---------- V: 4 %P: OPHICLEIDE !f!F>F |\ F2F2F2 | G4G>G | A2A2A2 | B4=B2 | c4c2 | c4c2 | !p!F2f2f2 | f2f2f2 \ |: !p!F6 | f6 | f6 | f6 | f2z2z2 | f2z2z2 | f2z2z2 | f2z2z2 |\ !f!f2f2f2 | f2f2f2 | f2f2f2 | f2f2f2 |\ f2f2f2 | e2e2e2 | c2c2c2 | F4z2 H:|

[P=get.cgi V=1/1 B=0 scale=0.60 512x512 ]

file	size	description
Tune-48659-BostonCollection.abc	284345	ABC music file with the extracted tune(s)
Tune-48659-BostonCollection.txt	284345	Plain-text file with the extracted tune(s)
Tune-48659-get.log	154152	Log file, useful mostly for debugging

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