X:0
T: A New Collection of Forty-four Cotillons
C: Giovanni Andrea Gallini; ed.
O: London c.1755
F:http://john-chambers.us/~jc/music/book/Gallini/NewColl44Cot/NewColl44Cot2.abc	 2024-03-28 233159 UT
K:
%%sep 5 5 400
%%center A
%%center NEW COLLECTION
%%center OF
%%center Forty-four Cotillons,
%%center With FIGURES properly adapted;
%%center ALSO
%%center The MUSIC for Six select DANCES,
%%center Two of which may be used as Cotillons.
%%sep 5 5 400
%%sep 5 5 400
%%center Printed for Giovanni Andrea Gallini;
%%center And Sold by R. DODSLEY, in Pall-Mall; T. BECKET,
%%center and P. A. De Hondt, in the Strand; J. Diswell, in St.
%%center Martin's-Lane, near Charing-Cross;
%%center AND
%%center At Mr. BREMNER's Music Shop, opposite Somerset-House, in
%%center the Strand.
%%sep 2 1 500
%%sep 1 1 500

X:1
T: Les Fleurs Du Printems
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #1
M: 6/8
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A |\
e2e efd | c2c cdB | A2A ABG | A>EC A,2A |\
e2e efd | c2c cdB | A2A ABG | A2A A2 :|
|: E |\
FAd FAd | GBe GBe | ded cdc | B2E E2E |\
FAd FAd | GBe GBe | cdc BAB | A2A A2 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z |\
A2a g2e | A2a e2E | f2c d2e |
a2e A3 | A2a g2e | A2a e2E | f2c d2e |
a>ec A2 :||: z | d6 | e6 | f2g
a3 | e>BG E2z | d6 | e6 |
a2A e2E | A2a A2 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Fleurs Du Printems.
%%text Le Grand Rond, - - - - 2/1
%%begintext align
%%   The first and third Gentlemen turn the
%% opposite Ladies and change places, then the
%% Second and Fourth Gentlemen do the same - 1/2
%%endtext
%%begintext align
%%   All Eight hands cross half Round and turn
%% Partners in their own Places. - - 1/2
%%endtext
%%begintext align
%%   * The Figures explain how much Music
%% belongs to each part of the Cotillon. The
%% under Figure Denotes the Strain, and the upper
%% Figure tells how often it is to be played.
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:2
T: L' Amour fidelle
%R: march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #2
M: 2/4
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A>B |\
AdAG | {G}F2GF | EDCD | EA,A>B |\
AdAG | {G}F2GF | EDEC | D2 :|
!segno!AA |\
BA dc | {c}B2 cA | ^GA Bc | {c}B2 ec |\
dc BA | dc {c}BA | ^GA c/B/A/^G/ | A2 ||
A>B |\
AdAG | {G}F2GF | EDCD | EA,A>B |\
AdAG | {G}F2GF | EDEC | HD2 !segno!y|]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
dd |\
d2d'a | dd'ba | gfed |
A2dd | d2d'a | dd'ba | gfga |
d2 :| !segno!cc | dcBA | eEAc | BA^GA |
ed cA | fe dc | fe dc | BA eE |
A2 || dd | d2d'a | fd'ba | gfed |
A2dd | d2d'a | dd'ba | gfga | Hd2 !segno!y|]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center L'Amour Fidelle.
%%begintext align
%%   Le Grand Rond - - - - - 2/1
%%endtext
%%begintext align
%%   The Ladies Contretems Forward and turn to
%% face their Partners, then all Eight Allemande - 1/2
%%endtext
%%begintext align
%%    All half a Course, with the Rigaudon at every
%% Place - - - - - - 1/3
%%endtext
%%begintext align
%%   The Gentlemen Contretems Forward and
%% turn to face their Ladies, then all Eight
%% Allemande - - - - - - 1/2
%%endtext
%%begintext align
%%   All half a Course with the Rigaudon at every
%% place - - - - - - 1/3
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:3
T: La Bagatelle.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #3
M: 6/8
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
[B2D2G,2]B BcA | d2d def | gdc BAG | A2D DED |\
[B2D2G,2]B BcA | d2d def | gdc BcA | G2G G3 :|
|:\
AG/F/E/D/ dAc | Bgf edc | B/c/dc BAG | F/G/AD D3 |\
AG/F/E/D/ dAc | Bgf edc | BcB ABA | G2G G3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
g3 d3 | B3 G2A | B3 e3 | d3 d3 |
g3 d3 | B3 g2a | b2c' d'2d | g3 G3 :|
|:\
d3 f3 | g3 z2z | G2A B2^c | d3 d3 |
f3 f3 | g3 c'3 | d'3 d3 | g3 G3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Bagatelle.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple step Forward,
%% go Round Back to Back, then to their places
%% Allemande; while the Second and Fourth Couple
%% Allemande, then Back to Back into their
%% places - - - - - - 1/2
%%endtext
%%begintext align
%%   All Eight Chasse up and down and
%% Rigaudon - - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:4
T: Les Quatre Nimphes.
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #4
N: In bar 25, the f notes aren't sharped but obviously should be.  Also, the c grace note in the last bar.
M: 2/4
L: 1/16
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
defg |\
a2a2 defd | A4 Adcd | Adcd Agfa | e4 defg |\
a2a2 defd | A4 dcBA | Bcdg fdec | d4 :|
|: ABcd |\
ecBA g2g2 | g2f2 gbeg | fadf eged | c2A2 Adce |\
dfeg Adce | dfeg Adce | dfeg fdec | d4 :|[K:Dm]
"Mineur"\
fgef |\
dfeg fagb | a2d2 gafg | efde ^c2d2 | e2A2 fgef |\
dfeg fagb | a2d2 gafg | efde A2^c2 | d4 :|
|: a2d2 |\
d_edc d_edc | B2G2 g2c2 | cdcB cdcB | A2F2 Ac=Bc |\
Tc2=B2 =Bd^cd | Td2^c2 fgeg | fedf e2^c2 | {c}d4 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
d2d'2 | c'2a2f2d2 | c2A2 f2e2 | f2d2c2d2 | agfe d2d'2 |
c'2a2f2d2 | c2A2 f2d2 | g2fg a2A2 | d4 :||: a4 | A2B2c2A2 | d2D2 B2c2 |
d2f2g2^g2 | a2=g2f2a2 | d2g2f2a2 | d2g2f2a2 | d2g2a2A2 | d4 :|[K:Dm]
"Mineur"\
d2^c2 | d2A2 d2e2 | f4e2d2 | g2b2a2d2 | A4 d2^c2 | d2A2d2e2 |
f4e2d2 | g2b2a2A2 | d4 :||: ^f4 | "^(#)"f4 f4 | g4 e4 | e4 e4 |
f4 ^f4 | g4 ^g4 | a4 d'2^c'2 | d'2d2 a2A2 | d4 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Quatre Nimphes.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first Lady and third Gengleman pass
%% through the Second Couple to opposite places,
%% while the first Gentleman and third Lady pass
%% throuth the fourth Couple to opposite
%% places - - - - - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The first and second Ladies Chass\'e Cross
%% and Rigaudon, then back again, while the
%% third and fourth Ladies do the same - 1/1
%%endtext
%%begintext align
%%   Counter-part for the Gentlemen - - 1/1
%%endtext
%%begintext align
%%   Each Couple Chass\'e to the Corner on their
%% Right and Rigaudon, then Allemande - 1/2
%%endtext
%%begintext align
%%   All Chass\'e to the Corner on their Right and
%% Rigaudon, then Allemande to their own places 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:5
T: La Victoire
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #5
M: 6/8
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
d |\
B2B AGF | [G2G,2][GG,] [G2G,2]d |\
B2B AGF | [G2G,2][GG,] [G2G,2]D |\
EGc EGc | FAd FAd | c2B A2G | A2D D2d |
B2B AGF | [G2G,2][GG,] [G2G,2]d |\
B2B AGF | [G2G,2][GG,] [G2G,2]D |\
EGc EGc | FAd FAd | c2B AGF | G2G, HG,2 |]
d |\
g2g gfe | a2a agf | efg fed | c2B A2a |\
faf eae | faf eae | fgf ed^c | d2d "_Da Capo"d2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z |\
g2b d'2d | g2G G2f | g3 d3 | g3 G2B |
c3 c3 | d3 d3 | fg2 c2e | d3 def | g2b d'2d |
g2g g2f | g3 d3 | g2b g2b | c'3 c3 | d3 d3 |
efg c2d | g3 HG2 |] z | e3 ^c3 | f3 d3 | g3 ^g3 |
a3 A3 | d3 ^c3 | d3 ^c3 | d3 A3 | d3 "^Da Capo"d2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Victoire.
%%begintext align
%%   Le Grand Rond. - - - 1/1
%%endtext
%%begintext align
%%   The first and third Couple Contretems to the
%% Right and Rigaudon, then turn Round four to
%% their places - - - 1/2
%%endtext
%%begintext align
%%   The four Ladies Contretems in the Attitude
%% of Right hands cross and Rigaudon, then the
%% four Gentlemen Contretems and inclose the
%% Ladies by taking hold of each others hands, the
%% Ladies go Round with their Right hands cross,
%% while the Gentlemen go Round inclosing
%% them - - - - 1/1
%%endtext
%%begintext align
%%   Counter-part of the whole Figure
%%endtext
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:6
T: L'aimable Jeunesse
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #6
M: C|
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
D2FA d2f2 | {f2}[e6A6] g2 | fafd egec | d2AF D2z2 |\
D2FA d2f2 | {f2}[e6A6] d2 | cecA BdB^G | A4 A,4 :|
|:\
a4 gfe^d | eBcB AGFE | g4 fedc | dABA GFED |\
BGBd cAce | dAdf eAeg | {g}f2ed fedc | d4 D4 :|
|: [K:Dm]\
"Mineur"\
f4 gfed | {d2}^c6 d2 | e2 (ef/g/) fed^c | d2A2 d2e2 |\
f4 edc=B | e4 dc=BA | =B2 (Bc/d/) c=BA^G | A4 A4 :|
|:\
a4 bag^f | {f2}g6 z2 | g4 agfe | {e2}f6 a2 |\
a4 gfed | b4 agfe | f2 (ef/g/) fed^c | d4 d4 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
d4 f2d2 | a2e2 c2A2 | d2f2 g2a2 | d4 D4 | d4 f2d2 |
a2c'2 ^g2e2 | a2c2 d2e2 | a4 A4 :||: z2=c2 B2A2 | G4 z4 | z2B2 A2G2 |
F4 z4 | G2g2 a2g2 | f2d2 c2A2 | d2F2 G2A2 | d4 D4 :||: [K:Dm]
d2d'2 b2g2 | a2a2 g2f2 | g2e2 a2A2 | d4 z4 | d2d'2 z4 |
c2c'2 z4 | d'2=b2 e'2e2 | a4 A4 :||: z2d2 d'2a2 | b2g2 B2G2 |
z2c2 c'2g2 | a2f2 A2F2 | d2d'2 z4 | ^c2^c'2 z4 | d'2g2 a2A2 | d4 D4 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center L'Aimable Jeunesse.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Gentlemen lead the
%% Ladies on their Left to the opposite places,
%% then half Right hand and Left - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The first and third Gentlemen cross their
%% Ladies and pass through the Couple on their
%% Right, while the Ladies pass through on the
%% Left, then meet in their own places - 1/1
%%endtext
%%begintext align
%%   The second and fourth Couple do the same 1/1
%%endtext
%%begintext align
%%   Each Gentleman Allemande with the Lady
%% on his Left, and then with his Partner - 1/2
%%endtext
%%begintext align
%%   All Eight half a Course with the Passes of the
%% Allemande - - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:7
T: La Zone de Venus
O: c.1755
%R: jig
Z: 2014 John Chambers <jc:trillian.mit.edu>
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" #7
F: http://books.google.com/books?id=ipV0y26Vq8EC
M: 6/8
L: 1/8
P: Rondeau
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
c3 BAB | E2F E2A | E2A G2A | B3 BAB |\
c3 BAB | E2F E2A | Fdc B2A | HA6 :|
[|\
e2a e2a | cde f3 | df2 df2 | Bcd e3 |\
ABA ABA | ABA GFE | ABA B2e | c3 B3 "_d.C."y|]
[|\
c2c cBA | e2e e3 | A2A AGF | G2F E2B |\
c^de fga | ^dcB A3 | GFE TF3 | E6 "_d.C."y|]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
"A"a3 "E"e3 | "A"c2d c2A | "A"c2c "B7"B2A | "E"e3 E3 | "A"a3 "E"e3 |
"A"c2d c2A | "D"d3 "E7"e2E | "A"HA6 :| [| "A"A3 A3 | "A"A3 "D"d3 | "Bm"b3 "E7"g3 |
"E7"e3 "A"c3 | "A"A3 A3 | "A"A3 "E"e3 | "A"A3 "E"e2g | "A"a3 "E7"e3 "_d.C."y|]
[|\
"A"a2a a3 | "E"g2g g3 | "F#m"f2f "B7"^d2B | "E"e3 E3 | "A"A6 |
"B7"B3 c2^d | "E"e2c' "B7"b2B | "E"e6 "_d.C."y|]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Zone de Venus
%%text Le Grand Rond - - - 2/1
%%begintext align
%%   The Ladies go forward lifting up their hands
%% and joining them together in the form of pyramids,
%% the Gentlemen at the same time follow
%% the Ladies and enclose them by taking hold of
%% each others hand, All Rigaudon; then the Ladies
%% go Round to the Left, while the Gentlemen
%% go Round to the Right - - 1/2
%%endtext
%%text Chass\'e up and down - - 1/1
%%text A Double Moulinet, the Ladies in, and the Gentlemen out - - - 1/3
%%text Chass\`e up and down - - 1/1
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:8
T: La Grotesque
%R: march, reel
P: Rondeau
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #8
M: 2/4
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
{d}c>deA | GABA | dc {c}BA/G/ | AB{A}GE |\
{d}c>deA | GABA | dcBA | (c/B/)A/G/ {G}A2 :|
a>gfe | ^defB | ba/g/ {b}ag/f/ | {a}gf/e/ fB |\
a>gfe | ^defB | ag/f/ g/e/f/g/ | B^d "_Da Capo"e2 |]
EEFE | FGAA | Bc (d/c/B/)A/ | (c/B/A/)G/ AA |\
EEFE | FGAA | Bc (d/c/)B/A/ | (c/B/)A/G/ "_Da Capo"A2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
ABcc' | baga | fede | cde2 |
ABcc' | baga | fe dc | deA2 :|
fgaf | beB2 | GeF^d | eEB2 |\
fgaf | be Bb | c'^d'e'a | bB"_Da Capo"e2 |]
acdc | dBcA | eadf | eEA2 |\
acdc | dBcA | eadf | eE "_Da Capo"A2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Grotesque.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first Couple advance and drop behind
%% the fourth with their backs to them, while
%% the third Couple do the same behind the
%% second, then all turn to Face each other and
%% Rigaudon - - - - 1/2
%%endtext
%%begintext align
%%   The first and fourth Gentlemen Chass\'e to
%% the Corners with each others Lady, while the
%% second and third Gentlemen do the same, then
%% the first and fourth Ladies give hands and turn
%% Partners in their own Places, while the second
%% and third Ladies do the same - - 1/1
%%endtext
%%begintext align
%%   The Third Couple change places with the
%% first by going under their Arms, then the fourth
%% Couple change places with the second by going
%% under their Arms - - - 1/3
%%endtext
%%begintext align
%%   Half La Chaine to your own places - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:9
T: Le Bouquet
%R: reel, march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #9
M: 2/4
L: 1/16
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
f4 (ag)(fe) | (d4 c2)d2 | e2d2g2f2 | edcB A2e2 |\
f4 (ag)(fe) | (d4 c2)d2 | e2d2g2f2 | {f2}e8 :|
|:\
a2A2 Aagf | g2A2 Agfe | f2ed c2d2 | edcB AGFE |\
F2dF G2eG | A2fA B2ge | fafd A2c2 | {c2}d8 :|
|: [K:Dm]\
"Mineur"\
defe d2^c2 | d2A2B2A2 | G2FE A2G2 | {G}F2ED dcBA |\
{c}B2AG gfed | ^cA=B^c defg | afed g2f2 | {f2}e8 :|
|:\
A=B^cd e2f2 | e2A2a2^c2 | d2ef e2fg | {g}f6 a2 |\
bagf gfed | ^cA=B^c d2G2 | FAFD EGE^C | D8 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
d6 d2 | a6 f2 | g2f2e2d2 | a2A2c2A2 | d6 d2 |
a6 f2 | g2f2e2d2 | a8 :||: a8 | A8 | d2f2e2d2 |
a4 A4 | d4 e4 | f4 g4 | a4 A4 | d8 :||: [K:Dm]
"Mineur"\
d6 e2 | f4 g2f2 | e2d2^c2A2 | d4 f4 | g4 b4 |
a2g2f2e2 | d2f2e2d2 | a8 :||: a4 ^c2d2 | A6 g2 |
f2d2 ^c2A2 | d2e2f2d2 | g4 b4 | a2g2f2g2 | a4 A4 | d8 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Le Bouquet.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   Each Gentleman Chass\`e with the Lady on
%% his Left, then Fall in two Lines and all Eight
%% change places - - - 1/2
%%endtext
%%begintext align
%%   Do the same back again - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The first and third Couple Contretems
%% forward and Rigaudon, the first Gentleman goes
%% back to his place with the third Lady, while
%% the third Gentleman goes back to his place
%% with the first Lady - - - 1/1
%%endtext
%%begintext align
%%   Counter-part - - - - 1/1
%%endtext
%%begintext align
%%   All Chass\'e Cross and Rigaudon, then
%% Allemande - - - - 1/2
%%endtext
%%begintext align
%%   The Ladies half Moulinet then Allemande
%% with their Partners - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:10
T: Les Aimables Filles.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #10
N: Repeats added to the 1st strain to match the dance description: 1-1-2-1.
M: 6/8
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
G2B B/c/dB | GFG A3 | c2B A2G | FGA D3 |\
G2B B/c/dB | GFG A3 | c2B A2G | AGF G3 :|
d2g f/g/af | d^cd e3 | g2f e2d | ^cde A3 |\
d2g f/g/af | d^cd e3 | g2f e2d | ed^c "_Da Capo"d3 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
G3 g3 | e2e d2f | e2d c2^c |
d3 z2z |  G3 g3 | e2e d2f | e2d c2B |
c2d G3 :| B2e d2d | B2B A2^c | B2A
G2^G | A3 a2g | f2e d2d' | b2b a2^c' |
b2a g2f | g2a "_Da Capo"d3 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Aimables Filles.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first Couple go between the fourth
%% Couple, then half Moulinet and return to their
%% places, while the third and second Couple do
%% the same - - - - 1/2
%%endtext
%%begintext align
%%   The Gentlemen Allemande to the Ladies on
%% their Left, and then to their Partners - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:11
T: Aimons toujours
%R: march, reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #11
M: 2/4
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
Bc |\
{B}A3B | G2AG | FGcB | A2Bc |\
{B}A3B | G2AG | FG B/A/G/F/ | G2 :|\
|: Bc |\
d2ed | {d}c3B | AGFG | {G}A2Bc |
d2ed | {d}c3B | AGcB | A2Bc |\
{B}A3B | G2AG | FGcB | A2Bc |\
{B}A3B | G2AG | FG B/A/G/F/ | G2 :| [K:Gm]
|: "Mineur"Bc |\
d2ec | d2cB | AG^FG | AD Bc |\
d2ec | dgdc | {c}BA/G/ B/A/G/^F/ | G2 :|\
|: df |\
{f}e2ce | {e}d2fB | ABed | {d}c2f_A |
Ge =Af | Bbce | dgfA | B2=Bd |\
ceAc | BdGB | AcAG | {G}^F2Bc |\
d2ec | dgdc | {c}BA/G/ B/A/G/^F/ | G2 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
gc |\
dd'dg | e2c2 | dBAG | d2gc | dd'dg | e2c2 | dgdD |
G2 :||: ga | bgc'b | afdg | cBAG | d2ga | bgc'b | afdg | cBAG |
d2gc | dd'dg | e2c2 | dBAG | d2gc | dd'dg | e2c2 | dgdD | G2 :| [K:Gm]
|: "Mineur" g2 |\
g2g2 | gbag | c'bag | dcBA | G2g2 | G2Bc | d2D2 |
G2 :||: =bg | c'2af | b2d2 | cBAB | f2d2 | e2f2 | g2a2 | befF |
Bdgf | ecfe | dBed | cAce | dcBA | G2g2 | G2Bc | d2D2 | G2 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Aimons toujours
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and second Ladies Chass\'e Cross and
%% Rigaudon, then Chass\'e back to their places, while
%% the third and fourth Ladies do the same, each
%% Gentleman taking his Partner by the Left
%% hand goes Round with her in Form of the
%% Allemande - - - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   Balanc\'e and Rigaudon, then Allemande with
%% the Ladies on the Left - - 1/1
%%endtext
%%begintext align
%%   Balanc\'e and Rigaudon, then Allemande with
%% your Partner - - - 1/1
%%endtext
%%begintext align
%%   The first and third Couple meet in the
%% middle, all Balanc\'e and Rigaudon in two Lines,
%% the first and third Couple Moulinet to the Right,
%% while the second and fourth Couple Allemande
%% to the Right and Left - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:12
T: Les Quatre Saisons.
%R: reel/march, jig, minuet/waltz
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #12
N: The dance description has "Quartre"; fixed.
M: 1/4
L: 1/16
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A,2 |\
(D3E/F/) ([E3A,2]F/G/) | ([F3A,2]G/A/) D2F2 | {F}E2D2C2D2 | (EDCB,) (A,B,CA,) |\
(D3E/F/) ([E3A,2]F/G/) | ([F3A,2]G/A/) D2F2 | E2D2 (CDEC) | {C}D6 :|
"_Doucement"A2 |\
(A^G) e4 =G2 | (FA) d4 A2 | (BAGF) E2D2 | (CDEC) A,2A2 |\
(A^G) e4 =G2 | (FA) d4 A2 | (BAGF) (EDEC) | {C}D6 |
|: [M:6/8][L:1/8] "_Vivement"A, |\
D2D (DF).A | d2d (dB).A | (dB).A (GF).E | D2D D2A, |\
D2D (DF).A | d2d (dB).A | (dB).A (GF).E | D3- D2 :|
|: [M:3/4][L:1/8] "_Gracieusement"\
A2(TA3G/A/) | B2(TB3A/B/) | g2c2c2 | ({e}dcde)(df) |\
A2(TA3G/A/) | B2B2-Bc//d//e//f// | g2c2c2 | {c2}d6 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z2 |\
z2d2c2A2 | d2D2 z2d2 | g2f2e2d2 | a4 A4 |
z2d2c2A2 | d2D2 z2d2 | g2f2e2a2 | d2A2D2 :| "_Doucement"z2 | z2a2c'2a2 |
z2d2f2d2 | g4^g4 | a4A4 | z2a2c'2a2 | z2d2f2d2 |
g2e2a2A2 | d2A2D2 |: [M:6/8][L:1/8] "_Vivement"z | d2z D2z | d2z D2z | d2F G2A | d2z D2z |
d2z D2z | d2z D2z | d2f g2a | dAF D2 :||: [M:3/4][L:1/8] "_Gracieusement"d2f2d2 | G2g2f2 |
e2a2g2 | f2d2z2 | d2f2d2 | G2g2f2 | e2a2A2 | d2A2D2 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Quatre Saisons.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%center D O U C E M E N T.
%%begintext align
%%   Each Gentleman join hands with his Lady
%% the Right over the Left, makes her turn to
%% the Right and advance one quarter of the
%% Course, then the Ladies make the Gentlemen
%% turn to the Right and advance another quarter
%% of the Course: The hands must be held up all
%% the time - - - - 1/2
%%endtext
%%center V I V E M E N T.
%%begintext align
%%   One Quarter of the Grand Moulinet with
%% the Ladies in the Middle, the Ladies Chass\'e
%% outside, while the Gentlemen Chass\`e inside,
%% then Rigaudon - - - 1/3
%%endtext
%%begintext align
%%   All Eight advance another Quarter in the
%% grand Moulinet, the Gentlemen Chass\`e outside
%% and the Ladies inside, then Rigaudon - 1/3
%%endtext
%%center M I N U E T.
%%begintext align
%%   The grand Quarr\'e in Minuet Steps - 2/4
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:13
T: Les Enfants
%R: march, reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #13
M: 2/4
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
g2af | g2af | gd{d}c2 | B/A/G/F/ GD |\
EG ce | df gd | dc cB | A4 :|
|:\
TA2 TB2 | Tc2 TB2 | TA2 TB2 | cATB2 |\
e2d/c/B/A/ | df gc | {c}BA/G/ AG/F/ | G2G2 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
g2d2 | G2d2 | gbaf | g3G |
c2c'2 | b2g2 | zfgG | d4 :||: dd' dd' |
dd' dd' | dd' dd' | dd' g2 | c2 c'2 |
ba bf | g2d2 | g2G2 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Enfants.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Gentlemen Chass\'e with
%% the Ladies on their Left in an oblique Line,
%% while the second and fourth Gentlemen Allemande
%% with the Ladies on their Left, then the
%% second and fourth Gentlemen Chass\'e with the
%% Ladies on their Left in an oblique Line,
%% while the first and third Gentlemen Allemande
%% with the Ladies on their Left - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:14
T: Le Berger Fidelle
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #14
N: This version is for ABC software that supports voice overlay.
M: 6/8
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A2d |\
A2d AGF | E3 F2D | G2F E2D | E3 a2d' |\
a2d' agf | e3 f2d | {ef}g2f ede | d3 :|
|: A2d |\
{d}c2d e2f | {a}g2f e2d | c2d e2f | {f}e3 A2d |\
{d}c2d e2f | g2f e2d | {d}c2d efe | d3 :|
|: DFA |\
B2A {Bc}d2c | B2A d2c | B2A AGF | E3 dfa |\
b2a {bc'}d'2c' | b2a d'2c' | b2a gfe | d3 :|
|: F2G |\
A2B c2d | B2A d2d | c2B A2G | F3 F2G |\
A2B c2d | B2A d2B | A2G {G}F2E | D3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
d2z |\
d2z d2z | a2z d2f | c2d A2d | a3 d2z | d2z d2z |
a3 d2f | c2d a2A | d3 :||: a2a & A3 | g2f e2d & A3 A3 | c2d e2f & A3 A3 | g2f e2d & A3 A3 |
c2z a2a & A2z A3 | g2f e2d & A3 A3 | c2d e2f & A3 A3 | g2f e2g & A3 A2A | f3 & d3 :||: d3 |
d3 d3 | d3 d3 | d3 c2d | a3 d3 | d3 d3 |
d3 d3 | d3 A3 | d3 :||: d3 | d3-d3 | d3-d3 |
a3c3 | d3-d3 | d3-d3 | d3-d2g | a3 A3 | d3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Le Berger Fidelle
%%begintext align
%%   The first Gentleman turns his Partner to
%% face the outside, the second Couple follow the
%% first, the third Couple follow the second, and
%% the fourth Couple follow the third, then all
%% Eight Balanc\'e and Rigaudon - - 1/2
%%endtext
%%begintext align
%%   The first and second Couple hands cross,
%% and back again, while the third and fourth
%% Couple Chass\'e cross and back again - 1/2
%%endtext
%%begintext align
%%   The first and second Couple Contretems and
%% go to the Bottom, while the third and fourth
%% Couple advance to the top and Rigaudon, then
%% all Eight Allemance - - - 1/3
%%endtext
%%begintext align
%%   The first and second Couple Contretems and
%% go to the Bottom, while the first and second
%% Couple advance to the Top and Rigaudon - 1/3
%% The third and fourth Couple Contretems and
%% go to the Bottom, while the first and second
%% Couple advance to the Top and Rigaudon - 1/3
%%endtext
%%begintext align
%%   Each Lady tuns under her Partner's Arm
%% and Rigaudon, then each Gentleman turns
%% under his Partner's Arm and Rigaudon - - 1/4
%%endtext
%%begintext align
%%   All Eight Allemande to the Right, then
%% back to their places - - - 1/4
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:15
T: La Rose
%R: reel, march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #15
N: The Mineur section has initial repeat but no final repeat.  The dance's pattern is 1-1-2-2-3-4-3.
M: 2/4
L: 1/16
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
G3A B2D2 | E3F E4 | A2A>c BAGF | GFGA G2D2 |\
G3A B2D2 | E3F E4 | A2Ac BAGF | G4 G,4 :|
|:\
cBcd c4 | BABc B2d2 | d2g2c2B2 | AGAB A4 |\
G3A B2D2 | E3F E4 | A2Ac BAGF | g4 G,4 :| [K:Gm]
|: "Mineur"\
d6 e2 | {d}c6 d2 | {c}B2AB c2B2 | AG^FG AEDC |\
B,2G2 C2A2 | D2c2 E2g2 | C2e2 dcBA | G8 |]
[|\
f6 g2 | {f}e6 f2 | dced fedc | BAcB AGFE |\
D2B2 E2c2 | F2e2 G2b2 | E2g2 fedc | "_Da Capo"B8 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
g4 G2G2 | c4 c2c2 | c4 d2D2 | G4 z4 | g4 G2G2 | c4 c2c2 |
c4 d2D2 | G8 :|\
|:\
d4 D2D2 | g4 G2G2 | G2B2c2^c2 | d4 dcBA | G2g2 G4 |
c4 c2c2 | c4 d2D2 | G4 z4 :|\
[K:Gm]\
|: "Mineur"z2g2b2g2 | z2a2^f2d2 | g4 ^f2g2 | d2d'2 c'4 |
b4 c'4 | d'4 e'4 | c'4 d'2d2 | g4 G4 |]\
[| z2b2d'2b2 | z2c'2a2f2 | b6 e2 |
f4 z4 | d4 e4 | f4 g4 | e4 f2F2 | B2b2 "_Da Capo"d'c'ba |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Rose - - - 2/1
%%begintext align
%%   The first and third Couple Contretems forward
%% and Rigaudon, then Contretems in turning and
%% Rigaudon, while the other Chass\'e in their own
%% Corners and back again - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The first Couple face the fourth and Moulinet
%% four, while the third Couple do the same
%% with the second - - - 1/1
%%endtext
%%begintext align
%%   Each Gentleman with his Right hand turns
%% the Lady on the Left under his Arm and
%% Rigaudon, then, with the Left hand, turns his
%% Partner, and Rigaudon - - 1/2
%%endtext
%%begintext align
%%   The fourth Couple face the first and Moulinet
%% four, while the second Couple do the same
%% with the third - - - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:16
T: Les Plaisirs de Carel.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #16
M: 6/8
L: 1/8
P: Rondeau
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
!segno!A AAA |\
FDd dfd | cAe {fg}aaa | fdd {e}dcd | e2A AAA |\
FDd dfd | cAe {fg}a2a | fde fge | d2 :|
A AA=c |\
BGB (B/^c/d).B | AFA ABA | GEG AEA | F2A AA=c |\
BGB BdB | AFA ABc | def g2f | "_Ca Capo"{f}e2 |]
F FFF |\
F2B dcB | cFc edc | dBd fed | c2f faf |\
gee ege | fdd dfd | efg Tc2B | B2 !segno!|] [M:3/4]
"Minuet"\
f2 ffff | f2 e2 d2 | e2 d2 e2 | A6 | d2 dddd | e2 d2 a2 | f2 d2 g2 | {f2}e6 |
f2 ffff | f2 e2 d2 | e2 d2 e2 | A6 | d2 dddd | e2 d2 a2 | f2 g2 e2 | d6 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
!segno!z d'3 |\
d3 f3 | a3 c'2a | d'3 b3 | a3 c'2a | d'3 d3 |
a3 c'2a | d'3 a3 | d2 :| d f2d | g3 G3 | d3 f3 | e3 c3 |
d2d f2d | g3 G3 | d3 f3 | b3 g2^g | "_Da Capo"a2 |] z d3 | B3 b3 |
^a3 f3 | b3 B3 | f3 ^d3 | e3 c3 | d3 B3 | e3 f3 | B2 !segno!|] [M:3/4]
"Minuet"\
d2 f2 d2 | a2 g2 f2 | g2 f2 g2 | A2 agfe | d2 f2 d2 | g2 f2 c2 | d2 B2 G2 | A2 agfe |
d2 f2 d2 | a2 g2 f2 | g2 f2 g2 | A2 agfe | d2 f2 d2 | g2 f2 c2 | d2 G2 A2 | D6 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Plaisirs de Carel.
%%begintext align
%%   Le Grand Rond. Then Fall in two
%% Lines, the first and second Couple at the Top,
%% the third and fourth Couple at the Bottom - - - - 2/1
%%endtext
%%begintext align
%%   All Right advance with Contretems and
%% Rigaudon, each Gentleman turns the opposite
%% Lady, then all Retreat - - - 1/2
%%endtext
%%begintext align
%%   The first and second Couple make half a
%% Circle on the outside to the Left, while the
%% third and fourth Couple do the same - 1/1
%%endtext
%%begintext align
%%   The first and fourth Couple change places
%% with Chass\'e and Rigaudon, then back again,
%% while the second and third Couple do the same 1/3
%%endtext
%%begintext align
%%   The First and second Couple make half a
%% Circle on the outside, to the Right, while the
%% third and fourth Couple do the same - 1/1
%%endtext
%%center M I N U E T.
%%begintext align
%%   All Eight Promenade with Minuet Steps,
%% making an Allemande pass at each Quarter.
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:17
T: Le Pouvoir de la Beaut\`e
N: The book has a handwritten accent-grave over the final 'e', but that's bogus French.
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #17
M: 2/4
%V: 1 clef=treble middle=B
%V: 2 clef=bass   middle=d
L: 1/16
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
G2G2 |\
A2Bc B2A2 | G4 gfed | efgd c2B2 | {B}A4 G2G2 |\
A2Bc B2A2 | G4 gfed | efga g2f2 | Hg4 :|
B2B2 |\
A2A2 d2ed | ^c2A2 f2gf | e2d2 ^cdec | A4 d2fd |\
^c2BA d2fd | ^c2BA B^cdA | B^cdG F2E2 | D4 |][K:Gm]
|: "Mineur"\
B2c2 |\
d4 e2dc | d4 {e}d2cB | A2G2 ^FGAF | D4 B2c2 |\
d4 e2dc | d4 {e}d2cB | A2G2A2^F2 | HG4 :|
B2d2 |\
f4 edcB | A2F2 Bcde | fgab d2c2 | B4B2d2 | f4 edcB |\
A2F2 Bbag | edcB F2A2 | B4 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass   middle=d
g2g2 |\
c4d2D2 | E4B4 | c2B2A2G2 | d4g2g2 | c4d2D2 |
E4B4 | c4d2D2 | HG4 :| G2g2 | f2d2f2g2 | a4d2d'2 | g2^g2a4 |
A2a2f2d2 | a4f2d2 | a2f2g2f2 | g2b2a2A2 | "_Da Capo"d4 |][K:Gm]
|: "Mineur"\
g2A2 |\
b4c'4 | b4g4 | c'2^c'2d'4 | d4g2a2 | b4c'4 |
b4g4 | c2e2d2D2 | HG4 :| B2b2 | a2f2g2e2 | f4d4 | B4f2F2 |
B4B2b2 | a2f2g2e2 | f4d4 | e4f2F2 | "_Da Capo"B4 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Pouvoire de la Beaut\`e
%%begintext align
%%    Le Grand Rond, - - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple half Right hand
%% and Left, then Allemande, at the same time
%% the second and fourth Couple Allemande, then
%% Right hand and Left half Round - - 1/2
%%endtext
%%begintext align
%%   All Eight, the Moulinet half Round - 1/1
%%endtext
%%center M I N E U R.
%%begintext align
%%   Half La Chaine - - - 1/1
%%endtext
%%begintext align
%%   All Balanc\'e, Rigaudon and Allemande with
%% their Partners - - - 1/2
%%endtext
%%begintext align
%%   Finish La Chaine - - - 1/2
%%endtext
%%begintext align
%%   All Balanc\'e, Rigaudon and Alemande with their
%% Partners - - - - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:18
T: La Promenade a quatre
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #18
N: This version is for ABC software that understands voice overlays.
M: 6/8
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A |\
ABA d2c & D6 | B3 A2d & D6 | efg agf | efd cdB |\
ABA d2c & D6 | B3 A2d & D6 | egf edc | d3- d2 :|
|: e |\
e2f g2f & A6 | e2a e2f & A6 | e2f g2f & A6 | f3 e2A & A6 |\
ABA d2c & D6 | B3 A2d & D6 | egf edc | d3- d2 :| [K:Dm]
|: "Mineur"a |\
a3 f2a | a3 f2a | g2f gfe | fef dfg |\
a3 f2a | a3 f2a | g2f gfe | d3- Hd2 :|
a |\
aga ^fga | bab b2g | fef efg | aga a2f |\
fef def | gfg g2e | ede ^cde | f3 "_Da Capo"e2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z |\
d3 d3 | d3 d3 | g3 fed | a3 z2z | d3 d3 |
d3 d3 | g3 a3 | d3- d2 :||: z | A3 A3 | A3 A3 | A3 A3 |
A6 | d3 d3 | d3 d3 | g3 a3 | d3- d2 :| [K:Dm]
|: "Mineur"z |\
dfa d'3 | dfa d'3 | g3 a3 | d'3 d2z | dfa d'3 |
dfa d'3 | g3 a3 | d3- Hd2 :| z | d'3 de^f | g3 G3 | c'3 cde |
f3 F3 | b3 Bcd | =e3 E3 | a3 A=B^c | d3 "_Da Capo"A2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Promenade a Quatre.
%%begintext align
%%   Le Grand Rond - - - - 2/1
%%endtext
%%begintext align
%%   The first and second Couple Chass\'e cross and
%% Rigaudon, then Allemande to their places - 1/2
%%endtext
%%begintext align
%%   The second and fourth Couple do the same - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The first and third Couple Balanc\'e and
%% Rigaudon, then Moulinet, the second and fourth
%% Couple Balanc\'e, Rigaudon and Allemande at the
%% same time - - - 1/1
%%endtext
%%begintext align
%%   Counter-part - - - 1/1
%%endtext
%%begintext align
%%   All Eight half the Course with Rigaudon at
%% each Quarter - - - 1/2
%%endtext
%%begintext align
%%   Double Moulinet to your own Places - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:19
T: L'Impromptu.
%R: march, reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #19
M: 2/4
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
A2ce | aee2 | d2 e/d/c/B/ | c/B/c/d/ cc |\
A2ce | aee2 | d2 e/d/c/B/ | A2 A2 :|
|:\
eAae | dBbd | cAac | B/A/G/F/ EB |\
ecae | dBbd | cAac | B2B2 |
A2ce | aee2 | c2 e/d/c/B/ | c/B/c/d/ cc |\
A2ce | aee2 | d2 e/d/c/B/ | A2A2 :|
Accc | Bddd | ce ed/c/ | B/A/B/c/ BB |\
Accc | Bddd | ce ed/c/ | B2"_Da Capo"B2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
a2a2 | c'2a2 | b2ge | a2A2 | a2a2 | c'2a2 |
b2ge | a2A2 :||: c2c2 | B2G2 | A2A2 | e2z2 | c2c2 |
B2G2 | A2A2 | e2E2 | a2a2 | c'2a2 | b2ge | a2A2 |
a2a2 | c'2a2 | b2ge | a2A2 :| A2a2 | g2e2 | a2A2 |
e2z2 | A2a2 | g2e2 | a2A2 | e2"_Da Capo"z2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center L'impromptu.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple Queue du Chat,
%% then Right hand and Left - - 1/2
%%endtext
%%begintext align
%%   The second and fourth Couple do the same 1/2
%%endtext
%%begintext align
%%   The first and second Couple Poussette and
%% change places, while the third and fourth Couple
%% do the same, then the first and fourth Couple
%% Poussette and change places, while the third
%% and second Couple do the same - - 1/3
%%endtext
%%begintext align
%%   Half La Chaine - - - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:20
T: La Nouvelle Vergne
R: jig
Z: 2014 John Chambers <jc:trillian.mit.edu>
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #20
M: 6/8
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
ecA |\
{GA}B2E d2c | {c}B2A ecA | f2e d2c | {c}B3 ecA |\
{GA}B2E d2c | {c}B2A af^d | eBA G2F | {F}E3 :|
BGE |\
{Bc}dc2 f2e | d2c eBd | ced cBA | GFE ae=g |\
Tg2f bfa | gb^d ebc | dfB ceG | A3 !segno!|][K:=f=c=g]
K: Am
"Mineur"\
EDF |\
E2A ^G2B | TB2A cBd | c2e d2f | Tf2e a^ce |\
d^cd gBd | =cBc fed | cBA ^G2A | B2E EDF |
E2A ^G2B | TB2A cBd | c2e d2f | Tf2e ag^f |\
gb^d dec | B2c A2c | BAG ^F2E | E3 ||
ecA |\
{fg}a2A a2g | f2d dBG | {fe}g2G g2f | e2c cAF |\
f2F f2e | dcB ce^g | aed c2B | A3 !segno!|]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
A3 |\
e3 f2e | d2c A2c | d2c B2A | e3 A3 | e3 f2e | d2c f2f |
g2a b2B | e3 :| e3 | G2A d2c | B2A G2g | a3 A3 | e3 c2A |
B3 ^d2B | e2f g2a | d3 e3 | A3 !segno!|][K:=f=c=g][K:Am] "Mineur"A3 | c2d e2d | c3 a2^g |
a3 b3 | c'3 a3 | b3 g3 | a3 d3 | ^d3 e2A | e3 A3 | c2d e2d |
c3 a2^g | a3 b3 | c'3 a2b | e2^f g2a | g2e ^f2^d | e3 B3 | e3 || A3 |
c3 ^c3 | d3 B3 | B3 B3 | c3 A3 | A3 A3 | B2^G A2B | c2d e2E | A3 !segno!|]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Nouvelle Vergne
%%text Le Grand Rond - - . 2/1
%%begintext align
%%   Each Gentleman Balanc\'e to his Partner,
%% then turns the Lady on his left - - - 1/2
%%endtext
%%begintext align
%%   Each Gentleman Balanc\'e to the Lady he
%% turned, and then turns his Partner - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The Ladies half Moulinet and turn the
%% opposite Gentleman, then make an End of the
%% Moulinet and turn their Partners - 1/1
%%endtext
%%begintext align
%%   Each Gentleman Chass\'e with the Lady on his
%% Left to the Corner, then back again and turn
%% his Partner - - - - 1/2
%%endtext
%%begintext align
%%   The Gentlemen half Moulinet and turn the
%% opposite Ladies, then make an End of the
%% Moulinet and turn their Partners - - 1/1
%%endtext
%%begintext align
%%   Each Lady Chass\'e with the Gentleman on
%% her Right to the Corner, then back again and
%% turn her Partner - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:21
T: La Fantasie Liegeoise.
%R: march, reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #21
N: The final c grace note needs a sharp; not fixed.
M: C|
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
DFAd |\
D2d2 D2d2 | D4 edcB | Acef gfge | f2d2 DFAd |\
Dddd Dddd | D2D2 edcB | dcBA ^GABG | A4 :|
|: Acea |\
A2a2 A2a2 | A2A2 GAFA | GAEA FADA | A,2A,2 Acea |\
Aaaa Aaaa | {a}g3f edcB | A2de fdec | {c2}d4 :|
K: Dm
|:"Mineur"DFAd |\
D2d2 D2d2 | D2zd D2zd | D2zB AGFE | F2E2 DFAd |\
DFAd DFAd | {f}e3d c=BA^G | AA=GF EDC=B, | A,4 :|
|: FGAB |\
Afac BAGF | C2C2 EFGA | BegB AGFE | F2F2 DFAd |\
DFAd DFAd | Dddd FdEd | Dgfe fde^c | {c2}d4 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
d4 |\
B4 G4 | F4 G4 | A4 A4 | D4 d4 | B4
G4 | F4 ^G4 | A4 e4 | A4 :||: a4 | f4 d4 | A4 c2d2 |
A2c2 d2D2 | A4 a4 | c4 d4 | B2A2 G2g2 | f2d2 a2A2 | d4 :|
K: Dm
|:"Mineur"d4 |\
B4 G4 | F4 A4 | B2G2 A4 | d2A2 d4 | f4 d4 |
a4 e4 | Aagf edc=B | A4 :||: f4 | A4 B4 | c4 c4 |
c4 c4 | f4 f4 | d4 f4 | b4 a4 | b2g2 a2A2 | d4 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
N: The dance has "Fontasie" rather than "Fantasie"
%%sep 1 1 400
%%center La Fontasie Liegeoise.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple Contretems
%% Forward and Rigaudon, then Swing Round to
%% their Places - - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The first and third Gentlemen Contretems
%% Forward with the Ladies on their Left, then
%% turn them to their places - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/1
%%endtext
%%begintext align
%%   La Chaine in the form of Allemande - 2/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:22
T: Les Petites Folies
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #22
M: 6/8
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
d2d |\
c2c BAB | A3 c2c | B2B AGA | G3 e2g |\
(dB).g e2g | (dB).g e2g | (dc).B (cB).A | G3 :|
|: E2F |\
(GF).G A2B | c2B c2d | e2f gfe | d3 E2F |\
GFG A2B | c2B c2d | e2d cBA | G3 :|
|: B2c |\
ded gfe | d3 gfe | ded c2B | A3 B2c |\
ded gfe | d2d gfe | ded cBA | G3 :|
|: B2c |\
dBG A2B | c2B c2d | ecA B2c | d3 g2a |\
bgd g2a | bgd g2a | bag def | g3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
G2g |\
fed g2G | d3 f2d | g2G d2c | BAG g2G |
g2G g2G | g2G g2G | g2G d2D | G3 :||: c2d | G3- G2g | G3- G2g |
G3- G2g | G3 c2d | G3- G2g | G3- G2g | c2G d2D | G3 :||: g3 |
G2g G2g | G2z g3 | G2g f2g | d'2d g3 | G2g G2g |
GBd G2c | B2G d2D | G3 :||: g2z | g2z d2z | d2g a2z |
f2z g2z | G2z B2d | g2G B2d | g2G B2d | g2G d2D | G3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Petites Folies
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   Eath Gentleman leads his Partner a quarter
%% of the Course on the Right and Rigaudon, each
%% Lady Pirouette, then turns under her Partner's
%% Arm and Rigaudon - - 1/2
%%endtext
%%begintext align
%%   Another quarter of the Course in the same
%% manner - - - - 1/2
%%endtext
%%begintext align
%%   The Ladies Chass\'e on the inside and the
%% Gentlemen on the outside and Rigaudon, then the
%% Ladies Moulinet while the Gentlemen Pirouette 1/3
%%endtext
%%begintext align
%%   The Gentlemen Chass\'e on the inside and the
%% Ladies on the outside and Rigaudon, then the
%% Gentlemen Moulinet while the Ladies Pirouette 1/3
%%endtext
%%begintext align
%%   Each Gentleman leads his Partner a quarter
%% of the Course on the Right and Rigaudon, each
%% Lady Pirouette, then turns under her Partner's
%% Arm and Rigaudon - - - 1/4
%%endtext
%%begintext align
%%   Another quarter of the Course in the same
%% manner - - - - 1/4
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:23
T: Le Passe-tems
%R: march, reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #23
M: 2/4
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
[gB][gB] {f}fe/d/ | ef [g2B2] | ag/a/ bg | ea {g}fe/d/ |\
[gB][gB] {g}fe/d/ | ef [g2B2] | ag/a/ bg | f/g/a/f/ [g2B2] :|
|:\
dd {e}dc/B/ | cc {d}cB/A/ | BAGA | B/c/d/B/ AD |\
dd {e}dc/B/ | cc {d}cB/A/ | Gd {d}cB/A/ | GD G2 :|
K: Gm
[|"Mineur"\
dd(de) | cc(cd) | BB BA/B/ | cBAD |\
dd(de) | cc(cd) | BA/B/ ce | d/c/B/A/ G2 |]
[|\
B2df | c/B/A/B/ c2 | BfBf | FFF2 |\
B2df | c/B/A/B/ c2 | Aed^F | G2 z2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
g2dB | cAG2 | fdge | ^cAd2 | G2dB |
cAG2 | fd gb | d'd g2 :||: b2g2 | a2d2 | gdBd |
g2d2 | b2g2 | a2d2 | eBcd | g2G2 :|
K: Gm
[|"Mineur"\
G2gc | f2fB | e2e2 | c2d2 | G2gc |
f2fB | e2c2 | d2G2 |] [| BdBd | AFAF |
dBdB | AfF2 | dfBd | AFAF | cAdD | G2g2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Le Passe-tems.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Ladies Chass\'e and change
%% places with the Ladies on their Right, then
%% half La Chaine to their own places - 1/2
%%endtext
%%begintext align
%%   Counter-part for the Gentlemen - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   Each Couple Chass\'e one quarter of the
%% Round to the Right and Rigaudon, then one
%% other quarter of the Round and Rigaudon - 1/1
%%endtext
%%begintext align
%%   Each Couple go one Quarter of the Course
%% to the Left in form of Allemande, then one
%% other Quarter of the Course to their own places 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:24
T: Les Plaisirs enchant\`es
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #24
N: The tune and dance titles have some minor spelling differences.
P: Rondeau
M: C|
L: 1/8
K: Gm
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
G2AB |\
ADAc BGBd | g4 gfed | edcB ABGA | ^F2D2 G2AB |\
ADAc BGBd | g4 g^fgd | edcB AGA^F | HG4 :|
B2cd |\
cFce dBdf | b4 bagf | gfed edcB | A2F2 FEDC |\
D4 edcB | c2F2 FGAB | cedc dcBA | "_Da Capo"B4 |]
bagf |\
=e2a2 gf=ed | ^c2A2 BAGF | =E2A2 GF=ED | ^C2A,2 A=Bcd |\
c=BAG =B^cd=e | d^c=BA agf=e | gf=ed f=ed^c | "_Da Capo"d4 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
g4 |\
^f4 g4 | B2d2 =B2G2 | c4 ^c4 |
d4 B2G2 | ^F4 G4 | B2d2 =B2G2 | c4 d4 |
HG4 :| B4 | A4 B4 | d2f2 d2B2 | e4 c4 |
f4 A4 | B2b2 e2g2 | f4 F4 | f4 F4 | "_Da Capo"B4 |]
g4 |\
a4 b4 | a4 g4 | a4 b4 | a4 ^f4 |
g4 ^g4 | a4 ^c'4 | d'4 a4 | "_Da Capo"d4 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Plaisirs Enchant\'es
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   All Eight Contretems, the Gentlemen turn
%% to the Left, while the Ladies turn to the Right
%% and Rigaudon, then back to back Round to their
%% places - - - - 1/2
%%endtext
%%begintext align
%%   The Ladies present themselves to do the
%% Round, the Gentlement Pirouette, each placing
%% himself between two Ladies, puts his hands on
%% theirs and all Rigaudon, then half Round in
%% this manner - - - 1/1
%%endtext
%%begintext align
%%   Right hand and Left four and four - 1/3
%%endtext
%%begintext align
%%   The Gentlemen present themselves to do the
%% Round, the Ladies Pirouette, each placing
%% herself between two Gentlemen, puts her
%% hands on theirs all Rigaudon, then half
%% Round in this manner - - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:25
T: L'Harmonie.
%R: march, reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #25
M: C|
L: 1/8
K: Eb
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
E2 (3(GFE) |\
B2e2 e2e2 | d4 B2 (3(dcB) | f2 (3(dcB) a2 (3(fga) | g2e2 E2 (3(GFE) |\
B2e2 e2e2 | d4 f2 (3(dcB) | b2 (3(gfe) d2c2 | B4 :|
B2 (3(bab) |\
B2b2 a2g2 | g2f2 a2 (3(fga) | g2e2 d2c2 | B4 Eedc |\
B2A2 G2G2 | G4 B2 (3(GFE) | e2 (3(cBA) G2F2 | E4 |]
B2 (3(edc) |\
B2B2 c2c2 | B4 A2(3(FGA) | G2 (3(EFG) F2 (3(DEF) | E2B,2 B2 (3(edc) |\
B2B2 c2c2 | B4 e2Be | g2eg b2 (3(bag) | {g2}f4 |]
F2F2 |\
F2 (3(fga) g2b2 | b4 F2F2 | F2 (3(fga) g2 (3(bag) | {g2}f4 B2 (3(edc) |\
B2B2 c2c2 | B4 E2 (3(edc) | B2 (3(cBA) G2F2 | E4 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
e4 | g4 e4 | b4 B4 |\
d4 B4 | e4 e4 | g4 e4 |
b4 B4 | d2e2 f2F2 | B4 :|\
B4 | d4 e4 | B4 B4 |
e4 f4 | g4 a4 | g2f2 e2B2 E4 e4 |\
g2a2 b2B2 | e4 |]\
e4 |
g4 a4 | g4 d4 |\
e4 B4 | E4 e4 | g4 a4 |
g4 g4 | e4 e4 | B4 |]\
B4 | d4 e4 | d4 B4 |
d4 e4 | B4 e4 | g4 a4 |\
g4 e4 | g2a2 b2B2 | e4 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center L'Harmonie.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The four Gentlemen half Moulinet, then
%% Allemande with the opposite Ladies - 1/2
%%endtext
%%begintext align
%%   All Eight Poussette with an Allemande pass\`e 1/3
%%endtext
%%begintext align
%%   The four Gentlemen half Moulinet, then
%% Allemande with their Partners - - 1/4
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:26
T: Le Rondeau de Fischar.
%R: reel, march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #26
M: 2/4
L: 1/16
K: C
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c2G2E2C2 |\
c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c4 c4 :|
|:\
g4 f2e2 | a6 bc' | g2g2f2e2 | d2de d2d2 |\
g4 f2e2 | a6 bc' | g2g2f2e2 | {e4}d8 |
c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c2G2E2C2 |\
c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c4 c4 :|
M: 3/8
L: 1/8
"Menuet"\
g4 {f}ed/c/ | gf {e2}d4 | (eg)(gc')(c'e) | {e}d2 (cB)AG |\
g4 {f}ed/c/ | gf {e}d3 f | (e/f/g/a/) c2B2 | {B2}c6 |]
d4 {c}BA/G/ | (e2c2) (e/c/)(e/c/) | (f2d2) (f/d/)(f/d/) | g4 f2 |\
(eg)(ag)(c'g) | (eg)(ag)(c'g) | (eg)(ag)(fe) | {f}d2(cB)AG |]
g4 {f}ed/c/ | gf {e2}d4 | (eg)(gc')(c'e) | {e}d2 (cB)AG |\
g4 {f}ed/c/ | gf {e2}d4 | (e/f/g/a/) c2B2 | c6 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
c2e2g2G2 | c2e2g2G2 | c2e2f2g2 | c'2g2e2c2 | e2c2g2G2 | c2e2g2G2 | c2e2f2g2 |
c'geg c4 :||: c2c'2b2c'2 | f2F2f4 | c'2c2B2c2 | g2G2z4 | c'2c2B2c2 | f2F2f4 | c'2c2B2c2 | GgdB G4 |
c2e2g2G2 | c2e2g2G2 | c2e2f2g2 | c'2g2e2c2 | e2c2g2G2 | c2e2g2G2 | c2e2f2g2 | c'geg c4 :|
M: 3/8
L: 1/8
"Menuet"\
c2e2c2 | d2B2G2 | c2e2c2 | g2G2z2 |c2e2c2 | d2B2G2 | c2g2G2 | c2G2C2 |]
GgGgGg | GgGgGg | GgGgGg | GgGgGg | c2zc'cc' | c2zc'cc' | cz Bz cz | g2G2z2 |]
c2e2c2 | d2B2G2 | c2e2c2 | g2G2z2 |c2e2c2 | d2B2G2 | c2g2G2 | c2C2z2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Le Rondeau de Fischar.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   All Eight Balanc\'e and Rigaudon, then Join
%% hands and go half Round, each Gentleman
%% Allemande with the Lady on his Left and then
%% with his Partner - - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%center M I N U E T.
%%begintext align
%%   Half La Chaine - - - 1/1
%%endtext
%%begintext align
%%   Each Gentleman makes two Minuet Steps
%% to the Right and back again, while his Partner
%% makes two Minuet Steps to the Left and back
%% again - - - - 1/2
%%endtext
%%begintext align
%%   Half La Chaine - - - 1/3
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:27
T: La Mignonette Fran\,coise.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #27
N: One spelling of "Contretems" is "Coutretems"; fixed.  The cedille is missing in the dance description; not fixed.
M: 6/8
L: 1/8
K: F
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
F |\
A2A AGF | c2c c2f | c2a c2B | TA3 G2F |\
A2A AGF | c2c c2f | edc Gc=B | c3 c2 :|
|: c |\
g2c b2a | Tg2f e2f | g2c b2a | gfe fc_e |\
d>bd B>dB | c>ac A>cA | B2G F2E | F2F F2 :|
|: A |\
A3 GFG | F2F F2c | c3 BAB | A2A A2f |\
{g}f2e {f}e2d | {e}d2c {d}c2B | ABc B2A | G2G G2 :|
|: c |\
{cd}_e2e ecA | B2B B2d | f2f fd=B | c2c c2a |\
b2a {a}g2f | b2a {a}g2f | cba gfe | f2f f2 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z |\
f3- f2f | a2a agf | e2f e2c | f3 c2z |
f3- f2f | a2a agf | c'2a g2g | c'3 c2 :||: z | c2e g2f | e2d c2d |
c3 e2f | b2c' a2f | b3 g3 | a3 f3 | g2b c'2c | f3 F2 :||:
z | f3 c3 | A3 F2a | a3 gfg | f2f f2d' | d'2c' {d'}c'2b |
{c'}b2a {b}a2g | f3 g2f | c2c c2 :||: z | f3 f3 | d3 B2z | g3 g3 |
e3 c2c' | d'2c' {c'}b2a | d'2c' {c'}b2a | e2f c'2c | f2f f2 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Mignonette Francoise.
%%begintext align
%%   Le Grand Rond: Then fall in two Lines,
%% the first and second Couple at Top, the third
%% and fourth Couple at Bottom - - 2/1
%%endtext
%%begintext align
%%   The first and second Couple Chass\'e cross
%% and Rigaudon, while the third and fourth
%% Couple do the same, then the first and third
%% Gentlemen Moulinet with the opposite Ladies,
%% while the second and fourth Gentlemen
%% Allemande with the opposite Ladies -- 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%begintext align
%%   Each Gentleman Balanc\'e with the Lady on
%% his Left, then half La Chaine four and four
%% on the opposite - - - 1/3
%%endtext
%%begintext align
%%   Counter-part - - - 1/3
%%endtext
%%begintext align
%%   The first and second Couple Face each
%% other with Contretems and Rigaudon, then hands
%% round four, while the third and fourth Couple
%% do the same - - - 1/4
%%endtext
%%begintext align
%%   The first and fourth Couple Face each other
%% with Contretems and Rigaudon, then hands
%% round four, while the second and third Couple
%% do the same - - - 1/4
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:28
T: La Choisie.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #28
N: The G grace note in the last bar needs a sharp.
M: 6/8
L: 1/8
K: Am
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
(AB).c (de).f | {f}e3- e2a | (^ga).b (Bc)d | {d}Tc3 B3 |\
(ce).c (Be).B | (ce).c (Be).B | {d}cBA {c}BA^G | {G}A3 A,3 :|
|:\
(cd).e (fg).a | {a}g3- g2a | (gf).e (de).c | (Bc).d .G(Bc) |\
.G(cd) .G(de) | .G(ef) .G(ga) | (ed).c {c}BAB | c3- c2B |
(Ac).e (Ac).e | (^GB).e (GB).e | (AB).c (Bc).A | ^G2A B2E |\
(Ac).e (Ac).e | (^GB).e (GB).e | (AB).c (BA).^G | {G}A3 A,3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
z6 | aAB cBA | e3 ^g3 | a3 e3 |
a3 ^g3 | a3 ^g3 | a2c d2e | A3- A3 :||:
z6 | c'cd edc | B2c f2^f | g3 z2z |
g3 z2z | g3 z2z | c2f g2G | ceg c'2z |
c'3 a3 | e'3 e3 | f3 d3 | e3 E3 |
c3 A3 | e3 E3 | c2A e2E | A3- A3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Choisie.
%%begintext align
%%   Le Grand Rond. Then fall in two Lines,
%% the first and second Couple at the Top, the
%% third and fourth at the Bottom - - 2/1
%%endtext
%%begintext align
%%   Four an Four half Right hand and Left,
%% then back again, the second and fourth
%% Gentlemen Contretems Forward and Rigaudon,
%% then Moulinet, with the opposite Ladies, at
%% the same time the first and third Gentlemen
%% Chass\'e to the Left in the Corner and back
%% with Rigaudon, while the second and fourth
%% Ladies Chass\'e to the Right in the Corner and
%% back with Rigaudon, then fall into the contrary
%% side Lines - - - - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:29
T: La Royale
O: c.1755
%R: reel
Z: 2014 John Chambers <jc:trillian.mit.edu>
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" #29
M: 2/4
L: 1/16
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
F3G |\
A2A2 Bcd2 | A4 d2cB |\
Adcd efge | f2d2 F3G |\
A2A2 Bcd2 | A4 d2cB |\
(3ca^g (3fed c2B2 | A4 :|
Adfa |\
a2g2 Aceg | g2f2 fafd |\
gbge fafd | c2A2 Adfa |\
a2g2 Aceg | g2f2 gbge |\
fafd A2c2 | d4 "C"|]
FAdA |\
GBeB FAdF | EAcE FAdF |\
GBed cBAG | F2D2 FAdF |\
GBeB FAdF | EAcE FAdF |\
GBeg fdec | d4 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
d3e | f2d2 g2g2 | f2d2 d2d2 | f2d2 c2A2 | d2d2 d3e | f2d2 g2g2 |
f2d2 ^g2e2 | a2d2 e2E2 | A4 :| d2d2 | f2e2 c2A2 | d2d2 d2d2 |
e2c2 d2D2 | a2a2 d2d2 | f2e2 c2A2 | d2d2 e2c2 | d2d2 a2A2 |
d4 |] d2d2 | e2c2 d2d2 | A2A2 d2d2 | g2g2 a2A2 |
d2d2 d2d2 | e2c2 d2d2 | A2A2 d2d2 | g2g2 a2A2 | d4 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Royale
%%text Le Grand Rond - - - 2/1
%%begintext align
%%   The first and third Gentlemen take the
%% Ladies on their Left, cross Corners and change
%% places, then the second and fourth Gentlemen
%% do the same - - - 1/2
%%endtext
%%begintext align
%%   The four Ladies hands Round to their places,
%% then the four Gentlemen do the same. - 1/3
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:30
T: Les Amusements de Spa.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #30
M: 6/8
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
aec AEC | A,DE F2E | cde fga | BcA {A}B2E |\
aec AEC | A,DE F2E | cde fga | EAG A3 :|
|:\
cde aAc | Bcd bBd | ced cBA | BEE E3 |\
cde aAc | Bcd bBd | ceA EAG | AA,A, A,3 :|
M: 6/8
K: Am
[| "Mineur"\
aec AEC | A,DE F2A | ABc BcA | ^G2^F ^G2E |\
aec AEC | A,DE F2E | ABc BcA | BA^G A3 |]
[|\
cde edc | B2A B2G | Bcd {d}cBA | ^G2^F ^G2E |\
ABc BcA | ^GBe ^gab | edc {c}BA^G | A3 A3 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
a3- a3 | A3-A3 | a3 d3 | e3- e3 | A3 A3 |
a3- a3 | A3 d3 | e3 A3 :||: a3 A3 | g3 e3 |
a3 A3 | e3 E3 | A3 a3 | g3 e3 | a2c e2E | A3- A3 :|
M: 6/8
K: Am
[| "Mineur"\
a3- a3 | A3- A3 | c3 def | e2B E3 | A3- A3 |
a3- a3 | c2A e2f | d2e A3 |]\
[| a3 ^f3 | g2d G3 | d3 f3 |
e2B E3 | c2A d2f | e3 E3 | c2A d2e | aec A3 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Amusements de Spa.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first Couple take hands, go between the
%% fourth and change places, then Balanc\'e and
%% Rigaudon while the third and second Couple
%% do the same - - - 1/2
%%endtext
%%begintext align
%%   The fourth Couple take hands, go between
%% the first and change Places, then Balanc\'e and
%% Rigaudon, while the second and third Couple
%% do the same - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The four Ladies half Right hand and Left
%% to the opposite places, then the four Gentlemen
%% do the same - - - 1/1
%%endtext
%%begintext align
%%   The first and second Couple hands Round
%% to their places, while the third and fourth
%% Couple do the same - - - 1/2
%%endtext
%%begintext align
%%   __
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:31
T: La Tiroloise.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini  "A New Collection of Forty-Four Cotillions" c.1755 #31
M: 6/8
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
[f2A2D2]f fed | a2a a2g | fdf ece | ddd d3 |\
f2f fed | cde e2d | cdc BcB | A2A A3 :|
|:\
d2d ded | (d/c/B)B B3 | e2e efe | (e/d/c)c c3 |\
dfa cea | dfa cea | Bgf edc | d2d d3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
d3 d3 | c3 A3 | d3 a2A | d2d d3 |
d3 d3 | A3 c2d | e3 E3 | A2A A3 :|
|:\
d3 d3 | g3 g3 | ^g3 g3 | a3 A3 |
d3 A3 | d3 a2f | g2d a2A | d2d d3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Tiroloise.
%%begintext align
%%   Le Grand Rond. - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple Contretems
%% Forward, each Gentleman with the Left hand
%% takes the opposite Lady by the Right hand and
%% makes her turn under his Arm to the Right,
%% them Moulinet to their places - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:32
T: L'Amour du Village.
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #32
M: C|
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
dcBc |\
d2d2 edef | g2g2 dcBA | cBAG F2G2 | A2D2 dcBc |\
d2d2 edef | g2 g2 dcBA | cBAG A2F2 | G4 :|
B2B2 |\
BAGA B2^c2 | d4 G2G2 | GFEF GEAG | F4 A2d^c |\
B2ed ^c2fe | d2g2 fefg | a^cdg f2e2 | "_Da Capo"d4 |]
K: Dm
"Mineur"B2dB |\
A2dA G2eG | {G}^F2D2 G^FGB | AGAB c2B2 | {B2}A4 B2dB |\
A2dA G2eG | ^F2D2 d2d2 | dgGc B2A2 | G4 |]
B2Fd |\
d2Bf fedc | d2B2 B2Fd | d2Bf fedc | B4 B2Fd |\
d2Bf fedc | d2B2 B2Fd | d2Bg fedc | "_Da Capo"B4 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
g2g2 |\
gabg c'bc'a | gdBG bagf | edcB AdBG | defd g2g2 |
gabg c'bc'a | gdBG bagf | edcB cAdD | G4 :| g2g2 | gfef geag | fafd e2e2 |
ed^cd ed^cA | d2de fed2 | gfe2 agf2 | bab^c' d'2de | fabg agaA | "_Da Capo"defd |]
K: Dm
"Mineur"G2g2 |\
^f2d2 e2c2 | d2d'c' bd'bg | ^f=efg a^fg^c | de^fd G2g2 |
^f2d2 e2c2 | d2d'c' baga | b2c'2 d'2d2 | g4 |] B2b2 | b2dd' d'c'ba | bfdf B2b2 |
b2dd' d'c'ba | bfdf B2b2 | b2dd' d'c'ba | bfdf B2b2 | b2de f2F2 | "_Da Capo"B4 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center L'Amour du Village.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first Couple face the fourth and Rigaudon,
%% while the third Couple face the second and
%% Rigaudon, then Moulinet four and four to their
%% own places - - - - 1/2
%%endtext
%%begintext align
%%   The second Couple face the first and Rigaudon,
%% while the fourth Couple face the third and
%% Rigaudon, then hands Round four and four to
%% their own Places - - - 1/1
%%endtext
%%center M I N E U R.
%%begintext align
%%   Each Gentleman Balanc\'e with the Lady on
%% his Left, then turn his Partner - - 1/1
%%endtext
%%begintext align
%%   All Eight Chass\'e cross with the Partners
%% and back again - - - 1/2
%%endtext
%%begintext align
%%   Each Gentleman Balanc\'e with his Partner
%% and Rigaudon, then Allemande with the Lady
%% on his Left - - - - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:33
T: La Precieuse.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #33
M: 6/8
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A2A |\
ABA F2E | D3 A2A | d2d ede | [f3A3D3] A2A |\
ABA F2E | D3 A2A | ded efe | d3 :|
|: FAc |\
dAf gea | f2d FAc | dAf gea | d3 A2A |\
GFG GAG | F2E A2A | G2F EDE | D3 :|[K:=f=c]
[K:Dm]\
|: "Mineur"a2a |\
f2f {e}dcd | B3 g2g | e2e {d}cBc | A3 f2f |\
d2d {c}BAB | G3 g2f | {f}e2d ^c2d | e3 :|
|: c2c |\
f2f fef | a3 A2A | d2d d^cd | e3 A2f |\
f2e e2d | d2^c c2d | BAG FGE | D3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
d2d |\
d3 d2a | d3 zza | f2d a2A | dfa d2d | d3 d2a | d3 zza |
f2d a2A | d3 :||: d2d | d3 e2A | d2D D2d | d3 e2A | d2d f2f |
g2d c2A | d2g f2d | a2d a2A | d3 :|[K:=f=c][K:Dm]|: "Mineur" z2z | d'2d' b2b | gfg e3 |
c'2c' a2a | fef d3 | b2b g2g | e2d ^c2d | g2f e2d | A3 :||: z2z | d2d a2f |
c3 z2z | d2d f2d | A2A A2z | d2z A2z | A2z A2d | G3 A3 | d3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Precieuse.
%%begintext align
%%   Le Grand Rond - - - - 2/1
%%endtext
%%begintext align
%%   The first Gentleman with his Left hand,
%% takes his Partner by the Right, and puts his
%% Right behind her while she puts her Left
%% behind him; the third Couple do the same, and
%% in that Position the first and third Couple
%% Queue du Chat - - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%% M I N E U R.
%%begintext align
%%   Each Gentleman Chass\'e to the Corner on
%% his Right and Rigaudon, in this manner compleat
%% the Square, while the Ladies do the same
%% to the Left - - - - 2/1
%%endtext
%%begintext align
%%   The four Ladies Contretems in the middle
%% and Rigaudon, then Allemande with their
%% Partners - - - - 1/2
%%endtext
%%begintext align
%%   The four Gentlemen Contretems in the middle
%% and Rigaudon, then Allemande with their
%% Partners - - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:34
T: Le Bois de Boulogne.
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #34
M: 2/4
L: 1/16
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
[B4D4G,4] dBcA | GABc d2d2 | dfga gdcB | AGFE D4 |\
[B4D4G,4] dBcA | GABc d2d2 | dfga gBcA | G2G,2 G,4 :|
|:\
a4 {g}f2ed | g4 {e}d2cB | cfac BdgB | AGFE D4 |\
a4 {g}f2ed | g4 dcBA | BdBG AcAF | G4 G,4 :|[K:Gm]
[| "Mineur"\
B4 dcBA | GBAc Bdce | {e}d2cB AG^FG | AG^F=E D4 |\
B4 dcBA | GBAc Bdce | d2G2 {B}A2G^F | G2G,2 HG,4 |]
B4 {e}d2cB | fgfb f4 | G4 {c}B2AG | Bdce d4 |\
bagf =ed^c=B | A^c=ec Aceg | {g}f2=ed {f}e2d^c | "_Da Capo"d2D2 D4 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
G4 B2d2 | g2G2B2G2 | d2c2B2G2 | d4 dcBA | G4 B2d2 |
g2G2B2G2 | d2c2B2d2 | G8 :||: d4 d'2c'2 | b2d'2b2g2 |
a2f2g2G2 | d4 f2a2 | d4 d'2c'2 | b2g2f2d2 | g2B2c2d2 | G8 :|[K:Gm]
[| "Mineur"\
G2g2^f2d2 | g2d2 G2c2 | B2G2c2e2 | d4 dcBA | G2g2^f2d2 |
g2d2 G2c2 | B2e2c2d2 | HG8 |] b4 B4 | b4 B4 | g4 G4 |
g4 G4 | g4 G4 | A4 ^c4 | d4 A4 | "_Da Capo"d8 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Le Bois de Boulogne.
%%begintext align
%%   Le Grand Rond - - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple advance with
%% Contretems and Rigaudon, the first Gentleman
%% and third Lady pass through the fourth Couple
%% and turn to their places, while the third
%% Gentleman and first Lady pass through the second
%% Couple and turn to their places - - 1/2
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The first and third Couple hands Round
%% with the Couple on their Left and change
%% places, then do the same again 'till you
%% compleat half the Course - - - 1/1
%%endtext
%%begintext align
%%   Each Couple Back to Back with their
%% Partners and Allemande - - - 1/2
%%endtext
%%begintext align
%%   The first and third Couple hands Round
%% with the Couple on their Left and change
%% places, then do the same again 'till you have
%% finished the Course - - - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:35
T: La Chatouilleuse.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #35
M: 6/8
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
DFA |\
dfa gfe | d2A BGB | AFA AGF | {F}E3 DFA |\
dfa gec | d2A BGB | AFA GFE | D3 :|
|: Ad=c |\
B2G Bed | ^c2A efg | fga agf | e3 DFA |\
dfa gec | d2A BGE | AFD EDC | D3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z2z | d2f a2g | f3 g3 | f3 fed |
A3 z2z | d2f a2g | f3 g3 | f3 g2a | d3 :|
|: f3 | g3 ^g3 | a3 A3 | d3 d3 A3
z2z | d2f a2g | f2f g3 | f3 g2a | d3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Chatouilleuse.
%%begintext align
%%   Le Grand Rond - - - - 2/1
%%endtext
%%begintext align
%%   The first and Third Couple a Quarter of the
%% Round with the Couple on their Right, and
%% Rigaudon; the same again and then you are in
%% opposite places - - - 1/2
%%endtext
%%begintext align
%%   The Ladies half Moulinet on the Right, at
%% the same time the Gentlemen make half a
%% Course on the Left, and then the Allemande - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:36
T: Les Plaisirs de Flore
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #36
M: 2/4
L: 1/16
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
dBAG |\
ecBA BdBF | GDB,G, dBAG | ecBA BdBF | G2G,2 dBAG |\
ecBA BdBF | GDB,G, dBAG | ecBA BdBF | G4 :|
|: bgfe |\
afed ged^c | dAFD bgfe | afed ged^c | d2D2 dBce |\
dG,B,D GBAF | GgBc dBce | dG,B,D GBAF | G4 :|\
[K:Gm]
"Mineur"bag^f |\
gedc BAG^F | GDB,G, BGBd | e^FAc dDcB | A2D2 bag^f |\
gedc BAG^F | GDB,G, dGBd | e^FAc dcBA | G2G,2 :|
|: deff |\
FEDE FBcA | Bdfb deff | FEDE FBcA | B2B,2 dBAG |\
ecBA dBA^F | G2G2 dBAG | ecBA dBA^F | G2G2 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
g4 |\
c4 d4 | G4 g4 | c4 d4 | G4 g4 | c4 d4 |
G4 g4 | c4 d4 | G4 :||: g4 | f4 e4 | d4 g4 | f4
e4 | d4 g2c2 | B2G2B2d2 | g4 G2c2 | B2G2B2d2 | G4 :|\
[K:Gm]
"Mineur"g2a2 | b2c'2d'2d2 | g4 G4 | c4 B2AG | d4 g2a2 | b2c'2
d'2d2 | g4 G4 | c4 B2d2 | G4 :||: B4 | d2B2 d2f2 | B4 B4 |
d2B2 d2f2 | B4 b4 | c'4 d'2d2 | e4 B4 | c4 d2D2 | G4 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Plaisirs de Flore.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and fourth Couple Right hand and
%% Left, while the second and third Couple do the
%% same - - - - 1/2
%%endtext
%%begintext align
%%   The first and second Couple Right hand and
%% Left, while the third and fourth Couple do the
%% same - - - - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   All Eight the Double Moulinet to the Right
%% one Quarter of the Course and Rigaudon, then
%% Chass\'e and change places with their Partners - 1/1
%%endtext
%%begintext align
%%   One other Quarter of the Course in the same
%% manner - - - - 1/1
%%endtext
%%begintext align
%%   One other Quarter of the Course in the same
%% manner - - - - 1/2
%%endtext
%%begintext align
%%   Compleat the Course in the same manner - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:37
T: La Bientot faite.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #37
N: The middle part of the instructions should probably be 1/2, not 2/1.
M: 6/8
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A>BA |\
FDd e>de | f2d [A2D2]d | [B2D2]g {f}e2d | c3 ABA |\
FDd e>de | f2d [f2A2D2]a | [g2B2D2]b ABc | d3 :|
|: fga |\
afd dcd | e3 efg | gec cBc | d3 dcd |\
e2e fef | g2g aga | bag f2e | d3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
d3 |\
d2f a2A | d2f d2f | g2b g2^g |
a3 c3 | d2d c2A | d2f d2f | g2e a2A |
d3 :||: d3 | d3 B3 | A3 e3 | c3
A3 | d3 f3 | g3 a3 | b3 f3 |
g3 a2A | d3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Bientot faite.
%%begintext align
%%   Le Grand Rond. Then fall in two Lines - 2/1
%%endtext
%%begintext align
%%   Contretems Forward and Rigaudon, then
%% hands Round four and four, finishing in
%% opposite Lines - - - - 2/1
%%endtext
%%begintext align
%%   Counter-part - - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:38
T: Le Plaisir des Dames.
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #38
M: 2/4
L: 1/16
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
E2 |\
AGAB AcBd | {d}cBcd cedf |\
e2{g}fe dcBA | GABG E2(3(EFG) |\
AGAB AcBd |
{d}cBcd cedf |\
eagf gef^d | {d}e6 :||: (cd) |\
edef eedc | dcB^A B2Bc |
dcde ddcB | cBAG A2e2 |\
fAdf eAce | fAdf eAce |\
fedc BABG | {G}A6 :| [K:Am]
"Mineur"cd |\
edef ea (3(^gab) | d2de dfed |\
(3(ced) (3(cBA) (3(Bdc) (3(BA^G) | (3(AED) (3(CDE) A,2cd |\
edef ea (3(^gab) |
d2de dfed |\
(3(ced) (3(cBA) (3(Bdc) (3(BA^G) | {G}A6 |] ec |\
{c}B2cA {A}^G2ec | {c}B2cA {A}^G2ec |
f3e dcBA | (3(^GAB) (3(GAB) E2cd |\
edef ea (3(^gab) | d2de dfed |\
(3(ced) (3(cBA) (3(Bdc) (3(BA^G) | {G}A6 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z2 | a2A2 c2e2 | a4 A2d2 | c4 d4 | e4 E4 | a2A2 c2e2 |
a4 A2d2 | c2a2b2B2 | e2B2E2 :||: z2 | z2c'2f2^a2 | b2f2 B4 |
z2b2e2g2 | a2e2 A2c2 | d4 c2A2 | d4 c2A2 | d2B2 e2E2 | A2a2A2 :| [K:Am]
"Mineur"z2 |\
a2A2 c2e2 | B2b2^g2e2 | a2c2d2e2 | a4 A4 | a2A2 c2e2 |
B2b2^g2e2 | a2c2d2e2 | a2e2A2 |] a2 | ^g2a2e2a2 | ^g2a2e2a2 | d2e2f2d2 |
e4 E4 | a2A2 c2e2 | B2b2^g2e2 | a2c2d2e2 | a2e2A2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Le Plaisir des Dames.
%%begintext align
%%   Le Grand Rond - - - - 2/1
%%endtext
%%begintext align
%%   Every Gentleman goes behind Partner
%% and Allemande with each Lady until he gets
%% Round to his own place - - 2/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   Each Gentleman gives his Left hand to his
%% Partner, and his Right hand to the Lady on his
%% Left; All Rigaudon and go half Round in that
%% Position - - - - 1/1
%%endtext
%%begintext align
%%   The Gentlemen Quit hands, turn and Chass\'e
%% on the outside to the Right, while the Ladies
%% Chass\'ee inside on the Left to their own places - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:39
T: La Bien ais\`ee
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #39
N: Different accents are used in the tune and dance titles.
M: 2/4
L: 1/16
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
AGFE |\
D2D2 afed | {d}c2BA gecA | dAFD GEFD | A4 AGFE |\
D2D2 afed | {d}c2BA gecA | dAFD ECA,C | D4 :|
|: ABcd |\
efgf gfed |{d}c2BA GBAG | {G}F2ED gAfA | edcB ABcd |\
efgf gfed | {d}c2BA GBAG | FAde fdec | d4 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
d2a2 | f2d2 f2g2 | a4 e2g2 | f4 e2d2 |
A4 z4 | z2d2f2g2 | a4 e2g2 | f2d2 a2A2 | d4 :||:
z4 | A4 A4 | A2B2 c2A2 | d2f2 e2d2 |
a4 z4 | A4 A4 | A2B2 c2A2 |
d2fg a2A2 | d4 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Bien Ais\'ee
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first Gentleman gives his Right hand to
%% the third Lady, the third Gentleman gives his
%% Right hand to the first Lady, All four change
%% places and Rigaudon, then the second and fourth
%% Couple do the same - - - 1/2
%%endtext
%%begintext align
%%   All Eight Right hand and Left, half Round - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:40
T: Les Plaisirs Champetres.
%R: reel, march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #40
M: 2/4
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
c>Bc>d | efed | cBAG | A2E2 |\
c>Bc>d | efed | cBAG | A2 A2 :|\
ed/c/ de | Tf2 ea | ed/c/ de | Tf2 ea |
gfed | cd/e/ fe | dcBA | B4 |\
c>Bc>d | efed | cBAG | A2E2 |\
c>Bc>d | efed | cBAG | A2 A2 |]
K: Am
"Mineur"\
cAAc | BEEe | dcBd | cB/c/ AE |\
cAAc | BEEe | dcBc | A4 |]\
ec/d/ ec | dggG | cedc | B2G2 |
gf/e/ dc | fz ez | dcdB | c2 C2 |]\
ecce | dB Bz | dBBd | cA Az |\
fg/f/ ez | de/d/ cz | Bc/d/ E^G | A2 A,2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
A>GA>B | cdcB | A2e2 | aAce | a>ga>b | c'd'c'b | a2 e2 | a2 A2 :|
A2 Bc | d2 c2 | A2 Bc | d2 cA | e2 g2 | a2 dc | B2 f2 | edcB |
A>GA>B | cdcB | A2 e2 | aAce | a>ga>b | c'd'c'b | a2 e2 | a2 A2 |]
K: Am
"Mineur"\
a2 c'a | ^g2 e2 | ^f2 ^g2 | a2 A2 | a2 c'a | ^g2 ac | d2 e2 | A4 |]
c2 c'2 | b2 B2 | A2 ^f2 | g2 G2 | e2 a2 | d2 c2 | g2 G2 | c4 |]
c2 c'2 | b2 ^g2 | e2 ^g2 | a2 A2 | d2 c2 | B2 A2 | d2 e2 | A4 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Les Plaisirs Champetres.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   All Eight Contretems, the Ladies go Round
%% to the Left and the Gentlemen to the Right,
%% with Rigaudon to each Lady as he meets her - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   Half La Chaine - - - 1/1
%%endtext
%%begintext align
%%   The Poussette - - - 1/2
%%endtext
%%begintext align
%%   Compleat La Chaine - - -1/3
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:41
T: La Reverie
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #41
M: 6/8
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
E |\
A2A Ace | a2a a2c | ded cdc | B2B B2E |\
A2A Ace | a2a a2d | cec BdB | A2A A2 :|
e |\
a2a agf | b2b b2a | gag fge | f2B B2B |\
e2e e^de | f2f fef | gag fgf | e2e "Da Capo"e2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z |\
a2a c'2a | c'2a c'2a | b3 a3 |
e3 e3 | c2A c2A | c2A c2f | e3 e3 |
a2A A2 :| A | c2A f2f | g2e ^c2B | e3
a2c' | b3 b2a | g3 e3 | ^d3 B3 |
e2g b2B | e2e "Da Capo"e2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Reverie.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple Contretems
%% Forward and Rigaudon, the first Gentleman and
%% third Lady pass through the fourth Couple,
%% and turn to their places, at the same time the
%% first Lady and third Gentleman pass through
%% the second Couple and turn to their places - 1/2
%%endtext
%%begintext align
%%   The first and second Couple Right hand and
%% Left, the third and fourth Couple Right hand
%% and Left at the same time - - 1/1
%%endtext
%%begintext align
%%   The second and fourth Couple Contretems
%% Forward and Rigaudon, the second Gentleman
%% and fourth Lady pass through the first Couple
%% and turn to their places, at the same time the
%% second Lady and fourth Gentleman pass
%% through the third Couple and turn to their
%% places - - - - 1/2
%%endtext
%%begintext align
%%   The first and fourth Couple Right hand and
%% Left, the second and third Couple Right hand
%% and Left at the same time - - - 1/1
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:42
T: La Belle Veuve.
%R: reel
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #42
M: 2/4
L: 1/16
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
ed |\
cdec A2c2 | BAGF E2B2 | cAce a2c2 | c2B2 z2B2 |\
c2ac B2g2 | A2fA G2e2 | c2a2 gef^d | e6 :|
|: BA |\
GABG E2d2 | cdec A2=g2 | fedc dcBA | {A}G4 z2e2 |\
f2df e2a2 | d2Bd c2e2 | F2d2 cABG | A6 :|
M: 6/8
K: Am
|: "Mineur"AB |\
cBAc B2E2 | FEDF E2A2 | B,2F2E2D2 | C2B,C A,2AB |\
cBAc B2E2 | FEDF E2A2 | ^G2A2 d2c2 | B6 :|
|: ed |\
cdec A2G2 | FGAF D2dc | BcdB G2F2 | EFGE C2cB |\
A2Bc dcBA | ^G2E2A2C2 | B,3F EDCB, | A,6 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z2 |\
A4 c2A2 | e4 g2e2 | a4 c'2a2 | e'2e2g2e2 | a2f2g2e2 |
f2^d2e2g2 | a2f2b2B2 | e2B2E2 :||: z2 | e4 g2e2 | a4 c2A2 |
d2e2f2d2 | e2e'2c'2a2 | d'2b2c'2a2 | b2g2a2c2 | d2B2e2E2 | a2e2A2 :|
M: 6/8
K: Am
|: "Mineur"z2 |\
a4 e2c2 | d4 c2A2 | d2B2 e2E2 | A4 z4 | a4 e2c2 |
d4 c2A2 | e2c2B2A2 | e2B2E2 :||: z2 | A4 c2A2 | d4 f2d2 |
g4 B2G2 | c4 e2c2 | f2e2d2f2 | e2d2 c2A2 | d2B2e2E2 | a2e2A2 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
N: Redundant "the the" changed to "the".  "MINEUR" fixed.
%%center La Belle Veuve.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The Ladies are to keep their places, but
%% the Gentlemen must Allemande with each Lady
%% on his Left, until he gets half Round - - 1/2
%%endtext
%%begintext align
%%   The Gentlemen are to keep their places, but
%% the Ladies must Allemande with each Gentleman
%% on her Left, until she gets half Round - 1/2
%%endtext
%%center M I N E U R.
%%begintext align
%%   The Ladies Right hands cross, and the
%% Gentlemen join hands with their Partners in
%% form of a Double Moulinet, each Gentleman
%% Contretems and advances before his Partner,
%% then join their Left hand cross, holding their
%% Ladies with the Right in the form of a Star,
%% then Rigaudon - - - 1/1
%%endtext
%%begintext align
%%   All Eight Chass\'e up and down with Rigaudon - 1/1
%%endtext
%%begintext align
%%   Each Gentleman holding his Lady by both
%% hands, makes her turn Round to the Right,
%% and Chass\'e to the Corner in that Position, then
%% makes her turn Round to the Left and Chass\'e
%% back again - - - - 1/2
%%endtext
%%begintext align
%%   Half La Chaine with the Allemande passes - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:43
T: La Belle Paisanne.
%R: jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #43
M: 6/8
L: 1/8
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A2c |\
e2a agf | e3 fdd | ecc BAB | c3 A2c |\
e2a agf | g3 bge | cag fef | e3 |
|: c2e |\
efe edc | d3 B2d | ded dcB | c3 CDE |\
EFE CDE | EFE EFG | Adc BAG | A3 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
A3 |\
a3 d3 | c3 d3 | A3 e3 |
a3 A3 | c3 f3 | e3 g3 | a3 b3 |
e3 :||: a3 | c'3 f3 | b3 b3 | e3 g3 |
a3 a3 | g3 a3 | g3 a2g | f2c d2e | A3 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Belle Paisanne.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Couple Queue du Chat
%% and Allemande with each others Partner, then
%% return to their places - - - - 1/2
%%endtext
%%begintext align
%%   The second and fourth do the same - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:44
T: La Graziosetta
%R: march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #44
M: C|
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A2 |\
A2d2 d2c2 | B4 A4 | B2A2 B2c2 | dcde d2A2 |\
A2d2 d2c2 | B4 A4 | B2A2 B2c2 | d6        |]\
d2 |\
e2f2 g2f2 | e2d2 c2d2 | e2f2 g2f2 | e2A2 A2d2 |
c2d2 edcB | c2A2 A2d2 | c2d2 edcB | A4   e4   |\
e3d  e2f2 | g4   f4   | e2d2 e2c2 | dcde d2f2 |\
e2d2 e2f2 | g4   f4   | e2d2 e2c2 | d6        |]
[M:3/4]
f2gfef | d2A2A2 | d2c2d2 | edefe2 |\
f2gfef | d2A2A2 | d2cdec | d6     |]\
e2gfed | edcBA2 | B2B2B2 | c2BcA2 |
B2B2B2 | c2BcA2 | B2dcBc | A4A2   |\
e2gfed | edcBA2 | d2d2d2 | efgef2 |\
d2d2d2 | efgea2 | f2gfef | d6     |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z2 |\
d4 f4 | g2e2 f2d2 | g2f2 g2a2 | d8 |
d4 f4 | g2e2 f2d2 | g2f2 g2a2 | d6 |] d2 | c2d2 e2d2 |
c2B2 A2B2 | c2d2 e2d2 | a4 z4 | A4 z4 | a4 z4 |
A4 z4 | a2A2 c2e2 | A2a2 g2f2 | e2c'2 d'2f2 | g2f2 g2a2 |
d6 d2 | g2f2 g2a2 | b2c'2 d'2f2 | g2f2 g2a2 | d6 |] [M:3/4]
d'2g2a2 | f2d2z2 | f2e2d2 | a6 | d'2g2a2 | f2d2z2 |
d2a2A2 | d2A2D2 |] A4z2 | a4z2 | e2^g2e2 | a2e2A2 |
e2^g2e2 | a2e2f2 | d2e2E2 | A6 | a6 | A6 |
f2d2f2 | a2A2d2 | f2d2f2 | a2A2c2 | d2G2A2 D6 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center La Graziosetta.
%%begintext align
%%   The first Gentleman leads his Partner and
%% the second Couple the whole Round to the
%% left, while the fourth Lady leads her Partner
%% and the second Couple to the Right - - - 1/1
%%endtext
%%begintext align
%%   The Gentlemen go Round to the Right and
%% the Ladies to the Left, with the Allemande and
%% Rigaudon at every Quarter of the Course - - 1/2
%%endtext
%%center M I N U E T.
%%begintext align
%%   This must be performed with Minuet Steps all through.
%%endtext
%%begintext align
%%   The Ladies go to the Right with hands
%% Round in the middle, while each Gentleman
%% goes Round to the Left - - 1/1
%%endtext
%%begintext align
%%   The Course, each Couple turning Round at
%% every Quarter - - - 1/2
%%endtext
%%begintext align
%%   __
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:45
T: Allemande.
%R: reel, march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #45
M: 2/4
L: 1/16
K: A
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
a4 e4 | {d}c2Bc A2E2 | F2E2F2G2 | AGAB A2A2 |\
a4 e4 | {d}c2Bc A2E2 | F2E2F2G2 | {G}A4 z2 :|
|: e2 |\
(fd).A.d (fd).A.d | (ec).A.c (ec).A.c | (de).c.d (Bc).A.B | (GA).B.G E2e2 |\
(fd).A.d (fd).A.d | (ec).A.c (ec).A.c | (dc).B.A (GA).B.G | (AE).C.E A,4 :|
|:\
(CE).A.E (CE).A.E | (DF).A.F (DF).A.F | (EG).B.c (dc).B.A | (GA).B.G E2E2 |\
(CE).A.E (CE).A.E | (DF).A.F (DF).A.F | (EG).B.d (cB).A.G | (AE).C.E A,4 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
z2A2c2e2 | a4 z2c'2 | d'2c'2d'2b2 | a4 A4 |
z2A2c2e2 | a4 z2c2 | d2c2d2e2 | a2e2A2 :||: c'2 |
d'4 d4 | c'4 c4 | b2a2g2f2 | e6 c'2 |
d'4 d4 | c'4 c4 | b2d'2e'2e2 | a4 A4 :||:
A4 a4 | f4 f4 | g4 a4 | e4 E4 |
A4 a4 | f4 d4 | e4 E4 | a4 A4 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Allemande.
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Gentlemen lead up and
%% Allemande with each others Lady, then return
%% and Allemande with their Partners - - 1/2
%%endtext
%%begintext align
%%   The second and fourth Couple do the same 1/2
%%endtext
%%begintext align
%%   Each Lady with the Right hand behind,
%% joins her Partner's Right, and each Gentleman
%% with his Left hand behind, joins his Partner's
%% Left; in this Position they must do the Course,
%% but all turn and face each other at every
%% Quarter - - - - - 2/3
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:46
T: Le Prince de Galles
%R: jig, waltz
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #46
M: 6/8
L: 1/8
K: Dm
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A |\
d2A fed | a2A A2a | def efd | ^cde Aag |\
fef c2c | dcd A2A | BAB Gge | f2F F2 :|
|: f |\
(f//g//a3/)f gbg | (e//f//g3/)e faf | (d//e//f3/)d ege | (^c//d//e3/)c Ad=c |\
BAB GAB | Adf ed^c | dAG FGE | D2D D2 :|
[K:=B][K:D][M:3/4] |:\
"_Gracieusement"\
f4e2 | d2c2d2 | edefga | (g2f2)g2 |\
a2(gf) (ba) | {a}g2(fe) (ag) | {g}f2(ed) (gf) |[1 {f2}e6 :|[2 {f2}e6 |]
|:\
e3g fa | g2f2e2 | (fd)(cd)(Be) | (d2c2)A2 | B2(AG) (ed) |\
c2(BA) (ag) | f2{a}g2{f}e2 |[1 {e2}d6 :|[2 {e2}d6 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z |\
d3 d'3 | c'3 c3 | B3 g3 |
a3 ^c3 | d3 a3 | b3 f3 | g3 c'3 |
f3- f2 :||: z
d'3 b3 | c'3 a3 |
b3 g3 | a3 f3 | g3 e3 |
f2d g2a | f2g a2A | d3- d2 :|
[K:=B][K:D][M:3/4] |:\
"_Gracieusement"\
d2d'2a2 | f2e2d2 | a2c'2a2 | d'2d2e2 |
f2d2B2 | e2c2A2 | d2B2G2 |[1A2agfe :|[2 A2c2e2 |]
|:\
a2a2a2 | a2a2a2 | d2f2g2 | a4f2 | g4^g2 |
a4c'2 | d'2g2a2 |[1dcdefg :|[2 d2A2D2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%center Le Prince de Galles
%%begintext align
%%   Le Grand Rond - - - 2/1
%%endtext
%%begintext align
%%   The first and third Gentlemen lead their
%% Partners half a Circle to each others Place,
%% then the second and fourth do the same - 1/2
%%endtext
%%begintext align
%%   Each Couple Allemande, then the Gentlemen
%% Allemande to the Right and the Ladies to the
%% Left, until they get Round to their places - 1/2
%%endtext
%%center M I N U E T.
%%begintext align
%%   This must be performed with Minuet Steps
%% all through.
%%endtext
%%begintext align
%%   The Gentlemen lead their Partners up the
%% middle, then Round on the Right to their
%% places - - - - 1/1
%%endtext
%%begintext align
%%   Every Couple cross each other, then back
%% again to their places - - 1/1
%%endtext
%%begintext align
%%   The Ladies hands cross in the Middle, then
%% turn to their Partners - - - 1/2
%%endtext
%%begintext align
%%   The Gentlemen do the same - - 1/2
%%endtext
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:47
T: Le Charmant Vainqueur
%R: waltz, reel, jig
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #47
N: The waltz has 10- and 12-bar strains; the reel has two 8-bar strains; the jig has 8- and 16-bar strains.
M: 3/4
L: 1/8
K: Gm
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
GA |\
{A}B3ABG | d2g2ab | {g}^f3=ed2 | _e2d2c2 |\
d2B2f2 | b3ag2 | a2bagf |
{f}=e2A2d^c |\
d=e{f}Te3d |[1 d4 :|[2 d3 |: bab |\
{g}^f3=efd | gagf_ef | d2edcB | c2A2c2 |
B2d2eg | {g}f3fga | bBd2c2 | B2b2a2 | g2abag |\
^f3dgf | ga{b}Ta3g |[1 g3 :|[2 d4 |]
M: C|
d2 |\
B2G2 B2c2 | dcBA G2g2 | {g}^f2g2 aga^f | g^fga g2d2 |\
B2G2 B2c2 | dcBA G2b2 | a2g2 ^fgaf | g6 |]
de |\
f2ed e2dc | d2cd B2d2 | cdBc ABGB | AG^F=E D_ede |\
f2ed e2dc | d2cd B2b2 | B2cA BGA^F | G6 |]
M: 6/8
G2d |\
{c}BAG d2g | {g}^f=ed g2a | bag dcd | {c}B2A G2d |\
{c}BAG d2g | {g}^f=ed g2a | bag dg^f | g3 |]
b2=f |\
dcB F2f | dcB F2f | fed cBA | {c}BAB d2g |\
edc =B2g | edc =B2g | gfe dc=B | c=Bc edc |
ded dcB | cdc cBA | BAG d2G | ^F=ED d=e^f |\
gab aga | bag ^fga | dcB AG^F | G3 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z2 |\
G4g2 | f2e2c2 | d4g2 | c2f2F2 | B2b2a2 |
g2f2=e2 | f2gf=ed | a3gf=e | fga2A2 |[1 d4 :|[2 d3 |: z2z |
d6 | G4A2 | B2cBAG | F2f2e2 | d2B2e2 | d2d'2c'2 |
b2f2F2 | B4d2 | e2c2e2 | d2c2BA | Bcd2D2 |[1 G3 :|[2 G4 |]
M: C|
z2 |\
g4 G2A2 | B6 b2 | a2g2 d'2d2 | g4 G4 | g4 G2A2 |
B6 g2 | c2e2 d2D2 | G6 |] z2 | b4 f4 | B6 b2 |
"[p.2]"\
a2g2 ^f2g2 | d4 z4 | b4 f4 | B6 d2 | e2c2 d2D2 | G6 |]
M: 6/8
z2z |\
G3 B2c | d3 B2d | g3 ^f3 | g3- g3 |
G3 B2c | d3 B2d | g2c d2D | G3 |] z2z | b3 a3 |
b3 a3 | b3 f3 | B3 =B3 | c3 G3 | c3 G3 |
c3 g3 | c'3 a3 | b3 g3 | a3 ^f3 | g3 B2c |
d3 B2A | G3 d3 | g3 d3 | B2c d2D | G3 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:48
T: La Fourlane Venetienne
T: La Barcariuole
%R: jig, tarantella
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #48
M: 6/8
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
A ABc |\
d2d g2f | e2a dcd | Bgf edc | d2A, A,B,C |\
D2D G2F | E2A DCD | B,GF EDC | D2 |]
d (f/g/a).a |\
(g/a/b).b (e/f/g).g | (f/g/a).a def | Bgf edc | d2D (F/G/A).A |\
(G/A/B).B (E/F/G).G | (F/G/A).A (D/E/F).F | B,GF EDC | D2 |]
f fff & A AAA |\
ggg eee & AAA AAA | fff eee & AAA FFF | egf edc & B2x x3 | d2f A/f/A/f/A/f/ |\
A/g/A/g/A/g/ A/e/A/e/A/e/ | A/f/A/f/A/f/ F/d/F/d/F/d/ | Bgf edc | d2 |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z d'3 | b3 g3 | a3 f3 | g3 a3 | d3 d3 |
B3 G3 | A3 F3 | G3 A3 | d2 |] a d'3 | g3 a3 |
d3 f3 | g3 a3 | d3 d'3 | g3 a3 | d3 f3 |
g3 a3 | d2 |] z d'3 | c'3 c'3 | d'3 d3 | g3 a3 |
d3 d'3 | c'3 c'3 | d'3 d3 | g3 a3 | d2 |]
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:49
T: Minuet du Dauphin
%R: minuet, waltz
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #49
N: The fermata on the first beat of the last bar is a bit odd.
M: 3/4
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
GBB2A2 | Acc2B2 | BdcABG | A2DDD2 |\
GBB2A2 | Acc2B2 | BdBGAF | G6 :|\
|:\
Bdgbag | fagfed | efgefd | e4A2 |
dffeed | eggffe | faA2^c2 | d4D2 |\
BcdBca | ABcABg | ABcABG | A4D2 |\
GBBAAG | AccBBA | (3(Bcd)D2F2 | G6 :|
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
z2d'2d2 | z2d2g2 | z2d'2g2 | d6 |
z2d'2d2 | z2d2g2 | z2d'2d2 | g2d2G2 :||: d4z2 |
d4z2 | ^c4d2 | A4z2 | d2B2z2 | ^c2A2z2 |
d2a2A2 | d6 | d6 | d6 | d4g2 |
d4z2 | B2d2e2 | f2d2f2 | g2d2D2 | HG2B2d2 :|
% - - - - - - - - - - Dance description - - - - - - - - - -
%%sep 1 1 400
%%sep 2 1 500
%%sep 1 1 500

X:50
T: Le Passe-pied de la Reine
%R: minuet, waltz
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: http://books.google.com/books?id=ipV0y26Vq8EC
B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #50
M: 3/4
L: 1/8
K: D
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% Voice 1 staff breaks arranged to fit a wider page:
V: 1
|:\
FEDEFG | AGABcA | d2B2e2 | c2BcA2 |\
efg2B2 | cde2A2 | d2e2{d}c2 | d6 :|\
|:\
A2FGA2 | D2d2c2 | {c2}B4A2 | ^G2B2e2 |
{e2}d4c2 | B2A2B2 | c2dcBc | A6 |\
EDEGFA | GFGBA=c | B2e4 | {d}Tc3de2 |\
A2A2A2 | A2BAGF | GA/B/F2TE2 | D6 :|
|:\
a2a2a2 | d6 | edefge | f2efd2 |\
gfgafg | edefde | cd(Td3c/d/) | e6 :|\
|:\
AGAB=cA | B2ABG2 |
BAB^cdB | c2BcA2 |\
dcdecd | edefge | f2e2d2 | a6- |\
agfedc | Bcdefd | ef/g/f2Te2 | d6 :|
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% Voice 2 preserves the original staff layout:
V: 2 clef=bass middle=d
|:\
d6 | c6 | B2G2E2 | A2e2a2 |
g2g2g2 g4f2 | b2g2a2 | defgfe :||: d4 c2 |
B4A2 | ^G4A2 | d4c2 | B4A2 | e2f2^g2 |
a2d2e2 | A2c2e2 | a6 | edegfa | gfefge |
"[p.2]"\
a2A2g2 | f2d2d'2 | c'4d'2 | g2a2A2 | defgfe :||:
d2c2A2 | B2b2f2 | g2e2a2 | d'2a2d2 | b4a2 |
g4f2 | e2f2d2 | A2agfe :||: f4d2 | g2d2G2 |
^g4e2 | a2e2A2 | f4z2 | c4A2 | d2c2B2 |
A2agfe | f2d2f2 | gabc'd'2 | g2a2A2 | d2A2D2 :|
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%%sep 1 1 400


[P=get.cgi V=1/1 B=0 scale=0.60 512x512 ]
filesizedescription
Tune-86817-NewColl44Cot2.abc 99588 ABC music file with the extracted tune(s)
Tune-86817-NewColl44Cot2.txt 99588 Plain-text file with the extracted tune(s)
Tune-86817-get.log 33578 Log file, useful mostly for debugging
These files should be available for 24 hours.