ERM-V1 [TXT]

X:10000 T: Edinburgh Repository of Music B: Thompson (pub.): "Edinburgh Repository of Music" 1818 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> F:http://john-chambers.us/~jc/music/book/ERM/ERM-V1.abc 2024-12-18 173904 UT K: %%sep 5 5 500 %%center Edinburgh %%center Repository of Music %%center Containine the most Selece %%center English %%center SCOTTISH & IRISH AIRS %%center Reels, Strathspeys, &c. %%center ARRANGED FOR THE GERMAN-FLUTE OR VIOLIN %%center Vol: I ------------------------- %%center EDINBURGH %%center Printed and sold by J. Sutherland at his Book & Music Warehouse Calton Street %%sep 5 5 500 %%center Transcription Notes %%begintext align %% The single-tune files have names of the form VPPPN_Title.abc, where V is the volume (1,2), %% PPP is the 3-digit page number, and N is the tune number on the page (usually 1, sometimes 2, rarely 3). %% VPPPN is also used for the tune's index (X:) number. %% Staff breaks are usually changed to work well with a small-scall "proofreading" format; %% download the ABC files and reformat the staffs for your needs. %%endtext %%sep 2 1 500 %%sep 1 1 500 X:10011 T: The MILLER OF DRONE Q: "Slowish" R: strathspey B: "Edinburgh Repository of Music" v.1 p.1 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Bm f>e |\ dB3 B3d A3BA2F2 | DD3 D3f {f}e4 e2fe |\ dB3B3d A3BA3F | G3BA3c {c}d4 d2fe | dB3B3d A3BA2F2 | DD3 g3f {f}e4 e2fg |\ a3ef3c d3AB3F | AA3A3c | d4d2 |] f>g |\ a3ff2d'2 a2a2 bagf | a3ff2d'2 b4b2d'2 |\ a3ff2d'2 a2a2 bagf | g3ef3d B4B2f>g | a2f2f2d'2 a2a2 bagf | a2f2f2d'2 b4b2c'2 |\ (3(d'2c'2b2) (3(a2b2c'2) (3(d'2a2g2) (3(f2e2d2) | g3ef3d | B4B2 |] %%sep 2 1 500 %%sep 1 1 500 X:10012 T: ROY'S WIFE OF ALDIVALLOCH Q: "Slow" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.1 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. N: The rhythm isn't quite right between the strains. M: C L: 1/16 K: D |:!segno!\ AF3 F3E F3E FB3 | AF3 F3D E3DE2F2 |\ A3F E3D d3ef3e | d3B A3F E3D E2F2 :| |: A2 |\ A3B d3f edef d3A | A2Bc d3F E3DE2F2 |\ A2Bc d3f edgf He2de | f3e d3F F2E2 F2dB !segno! |] %%sep 2 1 500 %%sep 1 1 500 X:10021 T: CARRICKS RANT Q: "Slowish" %R: strathspey, march B: "Edinburgh Repository of Music" v.1 p.2 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D d |\ D3F A/A/A A>F | A>BdA F/F/F F>D |\ E3F B/B/B B>A | d>fed B/B/B B>d |\ D3F A/A/A A>F | A>Bd>A F/F/F F>D |\ G>BGB F>A F>A | E>DE>F B/B/B B |]\ e |\ d3f d/d/d d>A | B>A d>A F/F/F F>D | e3f e/e/e e>f | g>fe>d B/B/B B>e |\ d3f d/d/d d>A | B>Ad>A F/F/F F>D |\ G>BG>B F>AF>A | E>DE>F B/B/B B |] %%sep 2 1 500 %%sep 1 1 500 X:10022 T: SIR DAVID HUNTER BLAIRS REEL R: reel, strathspey B: "Edinburgh Repository of Music" v.1 p.2 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F |:\ f2 c>d c>d c>d | c>f a2 cf a2 |\ b2 g>a g>a g>a | g>f e>f g>e c2 :|\ |:\ af Tf2 cf A>c | F>Ac>f e<g Tg2 |\ a>f Tf2 cf Ac | F>Ac>f ge f2 :| %%sep 2 1 500 %%sep 1 1 500 X:10031 T: COOLUN O: Irish Q: "Slow" %R: air, minuet, waltz B: "Edinburgh Repository of Music" v.1 p.3 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D (3(ABc) |\ d2 d>f {f}ed/c/ | d2 A2 (3DFA |\ d>c de/f/ e>d | (d2 c2) d>c |\ {c}B2 (Bc/d/) (e/d/c/B/) | A2 F>AdA |\ c/B/A/G/ F>D TE>D | D4 :| |: A>G |\ F>ED>E F>G | A>^GA>Bc>A |\ d>c de/f/ e>d | {d2}c4 d>c |\ B2 Bc/d/ (e/d/c/B/) | A2 F>AdA |\ c/B/A/G/ F>D TE>D | D4 :| %%sep 2 1 500 %%sep 1 1 500 X:10032 T: DUKE OF PERTH'S REEL R: reel, march B: "Edinburgh Repository of Music" v.1 p.3 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. N: Except for the articulation, bars 5-8 and 9-12 are identical. M: C L: 1/8 K: G B |\ (G/A/B/c/) dB gBdB | gBdB a(AA.B) |\ (G/A/B/c/ dB) gBdB | c>ATd>c BGG :|\ |: f |\ Tg>age abaf | g(ag)e beef | Tg>age abaf | gdec BGGf |\ (Tg>ag).e abaf (gag).e beef |\ Tg>age abaf | gdec BGG |] %%sep 2 1 500 %%sep 1 1 500 X:10041 T: FIGHT ABOUT THE FIRE SIDE. a Reel. %R: reel B: "Edinburgh Repository of Music" v.1 p.4 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C c !segno!|\ GcEc D(dd.c) | GcEc GcEc |\ FcEc D(dd.B) | cGAF ECC :|\ |: f |\ e<cg>c eddf | ecgc acgc | f>age (Td>cd)e | GAcd {f}e2df |\ e<cg>c eddf | ecgc acgc |\ fage Td>cde | GAcd {cd}e2dc !segno! |] %%sep 2 1 500 %%sep 1 1 500 X:10042 T: The REEL OF TULLOCH R: reel B: "Edinburgh Repository of Music" v.1 p.4 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A f !segno!|:\ Te2 Ac/d/ ecAa | Te2 AB/c/ dB=GB |\ {B}e2 Ac/d/ eAce | dE .c.d/.e/ dB=GB :|\ |:\ TcA cd/e/ c>AAB | TcA cd/e/ dB=GB |\ [1 cA cd/e/ TcATcA | BE cd/e/ dB=GB :|\ [2 TcA cd/e/ TcA cd/e/ | BE cd/e/ dB=GB !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10051 T: HEY JENNY COME DOWN TO JOCK Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.5 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F |:\ F2F GAc | dcA G2A |\ F2F GA^c | d^cd D3 :|\ |: d/e/ |\ fed gfe | fed cde |\ fga cAF | G2A D3 :| %%sep 2 1 500 %%sep 1 1 500 X:10052 T: The QUAKERS WIFE Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.5 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G |:\ G>AB D2B | (dcB) (BAG) |\ G>AB D2D | E3 {F}G2 :|\ |: d |\ dcB edc | dcB ABc | d>cB e>fg | B3 d3 |\ (dc).B (gf).e | dcB {B}A2G |\ GAB D2D | E3 {F}G2 :| %%sep 2 1 500 %%sep 1 1 500 X:10053 T: UP AND WAUR THEM A WILLIE Q: "Slowish" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.5 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A e |\ A/A/A c>A d3 f | A/A/A c>A B3 c |\ A/A/A c>A d>efa | e>dcB A2A :| |: g |\ a>fe>c d2d>f | a>fec B2B>g |\ a>fec d>efa | e>dc>B A2A :| %%sep 2 1 500 %%sep 1 1 500 X:10061 T: Mrs McLEAD OF RAASAY'S REEL R: reel B: "Edinburgh Repository of Music" v.1 p.6 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G [|\ G2g2 e>deg | BA B3A |\ G2g2 e>deg | A<A A>G A3B |\ G2g2 e>deg | BA B3d |\ e>fed e2 de/f/ | g2d>B A3B |][|\ G<G B>G dBBe | d<BBA B3A | G<G B>G d>BBe | A<A A>G A3B |\ G<G B>G d<BBe | DA B3d |\ e>f e>d e2 de/f/ | g2d>B A2A>B |] %%sep 2 1 500 %%sep 1 1 500 X:10062 T: AULD LAND SYNE Q: "Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.6 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G D |\ G>G G>B A>GAB | G<G B>d e3 g |\ d>B B>G A>GAB | G>EE>D G2G :| |: e |\ d>B B>G A>GAB | d>B B>d e3 g |\ d>BBG A>GA>B | G>EE>D G2G :| %%sep 2 1 500 %%sep 1 1 500 X:10071 T: SCOTS WHA HAE WI' WALLACE BLED Q: "Very Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.7 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D |:\ A2 A>F A2 d>c | B2 B>A B>cde |\ f2 e>d d>efe | d<BB>A A2z2 :| |:\ f2 f>e f>g a>f | e2 e>d e>fgb |\ a<f e>d d>ef>e | dA A2 z2 :| %%sep 2 1 500 %%sep 1 1 500 X:10072 T: I'LL GANG NAE MAIR TO YON TOWN. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.7 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G B |\ G>gg>d TB2Gd | (B/c/d) .G.d BAAa |\ b/a/g/f/ g>d B2 Gd | B/c/d Ac BG G :| |: c |\ B>Gd>G eGdg | BG e/d/c/B/ cAAc |\ B>Gd>G eGdG | (B/c/d) (.A.c) BG G :| %%sep 2 1 500 %%sep 1 1 500 X:10073 T: BIRKS OF ABERFELDY. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.7 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F |:\ F>GAc f2fc | f2fd (ef/g/) (f/g/a) |\ F>GAc f>gag | f>dcA G2d2 :| |:\ (F>GA)f cFAF | cFAc (d/c/B/A/) GA |\ F>GAc Tf>gag | fdcA G2d2 :| %%sep 2 1 500 %%sep 1 1 500 X:10081 T: CAWDOR FAIR Q: "Slow" R: strathspey B: "Edinburgh Repository of Music" v.1 p.8 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A |\ d>cBA B<dF2 | A>BAF A3c |\ d>cBA B<dF2 | E<E F>A B2B :| |: A |\ A>d d>d Td2 d>d | B>e e>e Te2 d>e |\ f>ed>c d>cB>A | (B/c/d) (c/d/e) d2d :| %%sep 2 1 500 %%sep 1 1 500 X:10082 T: DUNCAN DAVIDSON. a Strathspey. R: strathspey B: "Edinburgh Repository of Music" v.1 p.8 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D F |\ D/D/D A>B A>FAB | D/D/D d>B A>FEF |\ D/D/D A>B A>FA>g | f>def d/d/d d :| |: g |\ f>d de/f/ g>fed | c>Ae>A f>Ae>g |\ f>d de/f/ g>fe>d | c>def d/d/d d :| %%sep 2 1 500 %%sep 1 1 500 X:10083 T: LEWIE GORDON Q: "Very Slow with Express:" R: strathspey B: "Edinburgh Repository of Music" v.1 p.8 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The last two bars have an initial repeat but no final repeat; not fixed. M: C L: 1/8 K: G [|\ G>ABA GEA2 | G>ABd ed{f}g2 |\ edg>B (c/B/)(A/G/) (BA) | G>A{G}B>A GEG2 | G2{G}B>A GEA2 | G>ABc de/f/ {a}g>f |:\ {f}ed g>B c/B/A/G/ BA | G>ABc dDG2 |] %%sep 2 1 500 %%sep 1 1 500 X:10091 T: TULLOCH GORUM. a Strathspey. R: strathspey B: "Edinburgh Repository of Music" v.1 p.9 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G d/>c/ !segno!|\ B>G d>G c>=F A2 | B>G d>G B>c dg |\ B>G d>G c>=F A2 |[1 B>G d>G c2 A :|\ [2 B>G dG c2 BA |] G>g d>e =f>F A2 | G>g d>g B>g d>g |\ G>g d>e =f>F A2 | G>g d>c {c2}B2 A>B |\ G>g d>e =fF A2 | G>g d>e =f>ga>g |\ =f>ef>d cFA2 | g>dg>b g2 d>c !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10092 T: BECAUSE HE WAS A BONNY LAD. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.9 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: All the rhythms between the strains are wrong; all pickups and last notes should be 1/8 notes. M: C| L: 1/8 K: A e2 |\ c>BAa (f/g/a) ec | df e>c B/B/B B>e |\ c>BAa (f/g/a) ec | d>fec A/A/A A2 :|\ e2 | Tc>BAc defd | cAec B/B/B Bd | Tc>BAc defg | (a/g/f/g/) ac A/A/A Ae |\ cAeA fAeA | cAec B/B/B Bg |\ afge fdec | d>fe>c A/A/A A2 |] %%sep 2 1 500 %%sep 1 1 500 X:10101 T: LADY HOME'S JIGG R: jig B: "Edinburgh Repository of Music" v.1 p.10 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C |:\ c2!p!g- geg | gea g2e | ceg {a}gfe | ded f2d |\ c2g- geg | gea g2e | fga gfe | ded Tf2d :| |:\ !f!c>dc cGc | cGc {cd}e2d | c>dc cGE | DED {f}e2d |\ cdc cGE | CDE cGE | (.F.d.F) (.E.c.E) | d>ed e2d :| %%sep 2 1 500 %%sep 1 1 500 X:10102 T: WITHIN A MILE OF EDINBURGH Q: "Slow" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.10 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D f>g |\ a<f e>f d2 f>d | B<d A>F A2 d>e |\ f<a b<d' a<f de/f/ | f2 {gf}e2 z2 f>g |\ a<f e>f d2 f>d | B<d A>F A2 d>e | f<a bd' a<f e>f | d4 z4 |]\ d>ef>g af d'2 | d>ef>g a>f d'>d |\ d>edB AFAd | f>dfa b2 {c'}Hd'2 |\ {c'b}a<f f<d B<d A<d | f<a Te>f d2 |] %%sep 2 1 500 %%sep 1 1 500 X:10111 T: The ORIGINAL HIGHLAND LADDIE %R: reel, march B: "Edinburgh Repository of Music" v.1 p.11 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: A E |\ A>Bcc | d>Bc2 | cBBA/B/ | cBBA/F/ |\ A>Bcc | d>B c>B | AF FE/F/ | AFF :| |: e |\ fa ea | d/c/B/A/ c2 | cB BA/B/ | cB Be |\ fa ea | d/c/B/A/ cB | AF FE/F/ | AF F :| |: e |\ a>bc'c' | d'bc'2 | c'b ba/b/ | c'b ba/f/ |\ f>gaa | d'>b c'>b | a>f fe/f/ | af f :| |: a/g/ |\ faef | d/c/B/A/ c2 | cB BA/B/ | cB Be |\ f{g}a ea | d/c/B/A/ c>B | AF FE/F | AF F :| %%sep 2 1 500 %%sep 1 1 500 X:10112 T: The HONEY MOON. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.11 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The rhythms at the strains' ends aren't correct; not fixed. M: C| L: 1/8 K: D A2 |\ (Ad).d.d dffa | gfed ceA2 |\ (Ad).d.d dffa | gfge d2d2 :|\ |:\ d>AA2 Bdd2 | AFED CEE2 |\ dAA2 Bcde | fgef d2d2 :| %%sep 2 1 500 %%sep 1 1 500 X:10121 T: LORD Mc DONALD'S REEL R: reel B: "Edinburgh Repository of Music" v.1 p.12 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 N: Bar 8 is indicated as in either octave; bars 9-12 are to be played low the 1st time and high the 2nd time. Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G B |\ d3e d>Bg>B | dBgB aA-AB |\ Td^cde dBgB | (A/B/c) TBA BGG :|\ |: B |\ DGBG TAGBG | DGBG TAGAB | DGBG AGBG | "or"[dD][eE][dD][cC] [BB,][GG,][GG,]B |\ "8va 2d time."\ DGBG TAGBG | DGBG TA>GEc | BAGF GFED | EFGA BGG :| %%sep 2 1 500 %%sep 1 1 500 X:10122 T: LASSIE WI' THE YELLOW COTTIE. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.12 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bars 4-8 and 9-12 differ only trivially, in the rhythm of one passing note. M: C L: 1/8 K: G A |\ TG2G>B d>egd | e/e/e gd {f}edeg- |\ g>G GB Td>egd | (.e/.f/.g) dB TAGE :|\ a |\ Tg>abg aegd | Bd-de =fg{f}ed | Tg>abg aegd | (e/f/g) dB TAGEa |\ Tg>abg aegd | Bd-de =fg{f}ed |\ Tg>abg aegd | (ef/g/) dB AGE :| %%sep 2 1 500 %%sep 1 1 500 X:10131 T: The YELLOW HAIR'D LADDIE Q: "Slow" %R: air, waltz B: "Edinburgh Repository of Music" v.1 p.13 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D D>E |\ {DE}F2 A2 B>c | d3 e {de}f2 | A2 BAGF | {F2}E4 D>E |\ {DE}F2 A2 B>c | d>cde f2 |[1 A>BAF TE>D | D4 :|[2 A2 g>fTe>d | d4 |] |: d>e |\ f2 g>fe>d | c2 e>cBA | B>c d{c}B{B}AF | {F2}E4 D>E |F2 A2 B>c |\ d>cde {de}f2 |[1 A>BAF TE>D | D4 :|[2 A2 gfTe>d | d4 |] %%sep 2 1 500 %%sep 1 1 500 X:10132 T: JENNY'S BAWBEE. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.13 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D f |\ a>bag fddf | B/B/B e>d cAAf |\ a>bag fddf | B/B/B cA d3 :| |: d/e/ |\ f>dg>e fddf | g>fe>d cAAe |\ f>dg>e fddf | B/B/B cA d3 :| %%sep 2 1 500 %%sep 1 1 500 X:10141 T: The FAIRY DANCE. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.14 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The last note should probably be dropped. M: C| L: 1/8 K: D d>e |\ f2fd f2fd | f2fd cAec |\ f2fd gfed | cABc d2 :|\ df |\ a2a>f b2ba | gfge a2ag | f2fd B2ge | cABc d2df |\ a2af b2ba | gfge a2ag |\ f2f>d B2ge | cABc d2d2 |] %%sep 2 1 500 %%sep 1 1 500 X:10142 T: The WHITE COCKADE R: reel, march B: "Edinburgh Repository of Music" v.1 p.14 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G g2 |\ d2B2 B2AG | B2B2B2g2 | d2B2B2AG | A2A2A2GA |\ B2B2 cBAG | A2B2 g3a | (ba).g.f (ag).f.e | d2B2 B2 :| |: Bc |\ d2B2g2B2 | d2d2d2e2 | ({e}d2cB) ({a}g2fg) | a2A2A2GA |\ B2B2 cBAG | A2B2 g3a | (ba)(.g.f) (ag)(.f.e) | d2B2 B2 :| %%sep 2 1 500 %%sep 1 1 500 X:10151 T: EARL OF MOIRA'S WELCOME TO SCOTLAND. a Strathspey. N: The title doesn't contain an apostrophe, but the index entry does. Q: "Slowish" R: strathspey B: "Edinburgh Repository of Music" v.1 p.15 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The right edge of the page is faint; the last note in every 4th bar is a guess based on beam angle, etc. M: C L: 1/16 K: G D2 !segno!|\ GG3 GG3 B2d2d4 | c3A B3G A3GF2D2 |\ GG3GG3 B2d2d4 | e2g2 fgaf gaba gb3 |\ gg3 b2g2 a3gf3d | ee3 g3e d3c B2G2 | gg3 b2g2 a3gf2d2 | e3g fgaf g4 g2ab |\ c'3ab3g a3ge2g2 | (ed).c.B g3B (cBAG) A2B2 |\ GG3GG3 c2e2e4 | d3g fgaf gaba gb3 | B3Gd3G (edcB) d2g2 | B3Gd3G A3Bc3e |\ B3Gd3G (edcB) d2g2 | e3g .f.g.a.f .g.a.b.a gb3 |\ !p!gb3gb3 f2a2d4 | e3fg3e d3cB3G | (3(g2a2b2) (3(g2a2b2) (3(f2g2a2) d4 | e3g fgaf g4 g2ab |\ .e2.c'2.d2.b2 .c2.a2.B2.g2 | Bcdc B2G2 A3G F2D2 |\ (3G2A2B2 (3A2B2c2 (3B2c2d2 (3c2d2e2 | d3g (ba).g.f (ag).f.e (dc).B.A !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10161 T: Mrs Mc DONALD'S FAVORITE. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.16 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D A !segno!|\ d3c edcB | A^GAB ABAF |\ DBAF DBAF | G2E2 E2A2 |\ d3c edcB | A^GAB ABAF |\ DBAF EFGA | F2D2 D3 :|\ |: f |\ efgf edce | defg a3a | ageg gfdf | ecdB A3f |\ efgf edce | defg a3a |\ ageg gfdf | edcB AABc !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10162 T: NEIL GOW'S STRATHSPEY R: strathspey B: "Edinburgh Repository of Music" v.1 p.16 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A f |\ e<ca>e fBBf | e<ca>e f2fg |\ a/g/f/e/ ae fBBg | a>fec A2A :| |: F |\ A<A {AB}c>A BFFG | A<A A<A aefa |\ e>a c>a BFFg | a>f ec A2A :| %%sep 2 1 500 %%sep 1 1 500 X:10171 T: MISS FORBES'S FAREWELL TO BANFF %R: reel B: "Edinburgh Repository of Music" v.1 p.17 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Halved the length of the pickup notes to strain 2. N: The beaming in bar 11 is unusual; transcribed as-is. M: 2/4 L: 1/16 K: D D>E |\ F3A GFED | F2A2 B3d |\ A3B AFED | F2E2 E2D>E |\ F3A GFED | F2A2 B3d |\ A3B AFED | F2D2 D2 :| |: (AB/c/) |\ (dc)(de) (dcBA) | B/A/B/c/ dB A3G |\ (FA) (BA)(GF) (ED) | F2E2 E2(3ABc |\ dcde dcBA | BABc d3B |\ A3B AFED | F2D2 D2 :| %%sep 2 1 500 %%sep 1 1 500 X:10172 T: FOOTE'S MINUET %R: minuet, waltz B: "Edinburgh Repository of Music" v.1 p.17 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D |:\ a2 f2 a2 | a2 g2 f2 | e2 d2 e2 | (fe) (fg) (fg) |\ a2 f2 a2 | a2 g2 f2 | e2 d2 e2 | f6 :| |:\ f2 f2 f2 | edefef | g2 g2 g2 | fefgfg |\ a2 f2 a2 | a2 g2 f2 | (3(gfe) f2 e2 | d6 :| %%sep 2 1 500 %%sep 1 1 500 X:10181 T: LADY HERRIOT HOPES REEL R: reel B: "Edinburgh Repository of Music" v.1 p.18 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Missing 1/8 count in bar 8 fixed by adding another g note. M: C| L: 1/8 K: G B |\ GBdg edcB | g2bg aAAB |\ GBdg edcB | cAdB G/G/G G :|\ |: d |\ gdga b2ag | fdad bdad | gdga b2ag | dg fa g/g/g ga |\ gdga b2ag | agab c'bab |\ gedc B2ge | d>B c>A G/G/G G :| %%sep 2 1 500 %%sep 1 1 500 X:10182 T: MY AIN KIND DEARIE Q: "Moderately" %R: air, march B: "Edinburgh Repository of Music" v.1 p.18 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D f>e |\ {de}f2A2 A3B | d3e d3f | e3f (gf)(ed) | {de}f2B2 B2f>e |\ {de}f2A2 A2B2 | d3e d2d'a | b3a bc'd'a | f2d2 d2 :| |: a2 |\ b>abc' d'3f | gfga b3f | e3f gfed | d/e/f B2B2 f>e |\ d/e/f A2A2B2 | d3ed2d'2a2 | b3a bc'd'a | f2d2d2 :| %%sep 2 1 500 %%sep 1 1 500 X:10191 T: ORANGE AND BLUE Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.19 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G g !segno!|\ f2d d3 | A2d F2d | f2d faf | d3 d2f |\ g2e e3 | B2e e2d | c2A cec | A3 A2g | f2d d3 | A2d F2d | f2d faf | d3 d2g/a/ |\ b2g a2f | g2e f2d | cec ABc | d3 d2 |] g |\ f2a aba | f2a aba | f2d faf | d3 d2f |\ g2b bc'b | g2b bc'b | g2e gbg | e3 e2g | f2a aba | f2a aba | f2d faf | d3 d2f/a/ |\ b2g a2f | g2e f2d | cec ABc | d2b a2g !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10201 T: The BUSH ABOON TRAQUAIR Q: "Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.20 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D D>E |\ F2A2 d3f | e>d e/f/g/f/ {f}e3E | F2A2 f>edB | A4 D2D>E | F2A2 d3f | e>d e/f/g/f/ {f}e3E | F2A2 f>ed>B | A4{Bcd} D2 |] d2 |\ c>BAB cdef | g>a f>g {f}e3A | d>efg a>bag | f>g a/g/f/e/ d3e/d/ | c>BAB cdef | g/b/a/g/ f/a/g/f/ {f}e3E | F2A2 f>edB | A4{Bcd} D2 |] %%sep 2 1 500 %%sep 1 1 500 X:10202 T: The HAUGHS OF CROMDALE %R: strathspey B: "Edinburgh Repository of Music" v.1 p.20 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Edor e |\ B<EEF | B>AFA | B<EE>F D>EFA |\ B<EE>F BAFA | Bd B/A/G/F/ E2E :| |: F |\ D>dd>e d/c/B/c/ d2 | F>AAB A/G/F/G/ A2 |\ B<ee>f g>fed | Bd B/A/G/F/ E2E :| %%sep 2 1 500 %%sep 1 1 500 X:10211 T: Mr BUSHBY MAITLAND'S REEL R: reel B: "Edinburgh Repository of Music" v.1 p.21 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D A |\ FDAF d2TdA | d2Tdf eEEA |[1 FDAF d2dB | cdeg fdd :| [2 FDAF dABG | FA dg fdTd |] g | Tfede fgaf | Tgfed cAeg | fede fgaf | ecdB Addg | fdfg fgaf | Tgfed cAeg | fdgb afge | fdec dDD |] %%sep 2 1 500 %%sep 1 1 500 X:10212 T: Mrs MORTHLAND'S REEL R: reel B: "Edinburgh Repository of Music" v.1 p.21 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C g |\ {f}e2dc GBce | fdec fdec |\ {f}e2dc GAcd | egde c/c/c c :|\ f |\ ecce fddf | ecgc (B/c/d) BG | ecce fddf | ecdB Tc2cf |\ ecce fddf | ecgc (B/c/d) BG |\ ecce fdgf | ecdB c2c |] %%sep 2 1 500 %%sep 1 1 500 X:10221 T: GLOOMY WINTERS NOW AWA Q: "Slow" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.22 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: There's a faint ':' after the 1st strain's double bar, but no final repeat symbol. M: C L: 1/8 K: Dm A |\ d2d>e d>cA2 | f2f>a g>fec |\ d<da2 d>cAF | G<G A>^c dD D :|\ E |\ F2F>A G>FEG | F>EDF EAA2 | f2fa g>feg | f>d f/e/d/c/ Ad de |\ f<fc'2 efg2 | f>edf eaHa2 |\ A2BA/G/ Adea/g/ | f>d f/e/d/c/ Ad d |] %%sep 2 1 500 %%sep 1 1 500 X:10222 T: LADY SHAFTSBURY. a Strathspey. Q: "Slowish" R: strathspey B: "Edinburgh Repository of Music" v.1 p.22 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D f/e/ |\ d>AF>A defb | a>fe>d cee f/e/ |\ d>AF>A d>efb | a<f e<f d3 :|\ |:\ a |\ d'>c'ba {c'}d'2d>b | afed ceea | d'c'ba {c'}d'2db | a<f e>f d3a |\ d'>c'ba abc'd' | e'eee e>fgb |\ a>baf e>def | d/e/f/e/ dA d2 d :| %%sep 2 1 500 %%sep 1 1 500 X:10231 T: O WHISTLE AND I'LL COME TO YOU MY LAD &c. Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.23 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: D d/e/ !segno!|\ fdB AGF | Eee e2d/e/ |\ fdB AFA | Bdd "_Fine."d2 :|\ |: f/e/ |\ dfa dfa | dfa a>gf/e/ |\ dfa dfa | bee e>gf/e/ |\ dfa dfa | dd'b Ha>ba/g/ !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10232 T: ROSLIN CASTLE Q: "Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.23 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Em G>F |\ E2B>c B2A>B | cBAG F2G>F |\ E2e>f g2fe | ^defd B2AB |\ cBAG F2G>A | BGFE {e}d2e>f | g>ef>^d e>BA>B | G2TF>E E2 :|\ |: B2 |\ e2e>f g2f>e | b>aga {g}f2e^d |\ eBef g2fe | b>a g/b/a/g/ {g}Hf2 A>B |\ c>BAG F2G>A | BGFE e>^d e>f |\ g>e f>^d e>B AB | {A}G2TF>E E2 :| %%sep 2 1 500 %%sep 1 1 500 X:10241 T: MY NANNIE O Q: "Slow" %R: air, march B: "Edinburgh Repository of Music" v.1 p.24 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Em G>A |\ B2E2 B3A | G2TFE E2D>E |\ G3A BABd | e2A>B A2GA |\ B2d2 cBAG | A2B2 g3f |\ e>ged BAB^d | e2E>F E2 :|\ |: B>c |\ d3e {e}d2cB | g2d>e {e}d2g>f | e>^def g>fga | b2e>f {f}e2d>c |\ B2g2 d<BAG | A2B2 Hg3f |\ e>ged BAB^d | e2E>F E2 :| %%sep 2 1 500 %%sep 1 1 500 X:10242 T: WELCOME TO YOUR FEET AGAIN %R: strathspey B: "Edinburgh Repository of Music" v.1 p.24 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F |:\ F>Acd f>A G2 | F>Acd f>c df |\ B>g A>f g>A G>A | F>Ac>d f>cd<f :| |:\ c'>f c'>d' c'>a g>a | c'>f c'>d' c'>d' c'>a |\ b>c' d'/c'/b/a/ g>f ga | f>A d>c f>c d<f :| %%sep 2 1 500 %%sep 1 1 500 X:10251 T: LOCHABER Q: "Slow" %R: air, waltz B: "Edinburgh Repository of Music" v.1 p.25 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: C c>d |\ e2 e2 e>f | e2 d2 eg | a2 d2 de | {e2}d4 cd |\ e2 fedc | {A}G4 cd | e2 c2 cd | {d2}c4 :| |: c2 |\ e>f g2 g2 | g>a gfed | c2 c'2 c'2 | c'4 c2 |\ ef g2 g2 | agfedc | c2 c'2 c'2 | c'4 ga | _b3 c'bc' | a2 g2 ac' | d'2 d2 de/f/ | {e2}d4 cd |\ e2 fedc | A2 G2 c>d | e2 c2 c>d | {d2}c4 :| %%sep 2 1 500 %%sep 1 1 500 X:10252 T: The ROSE TREE Q: "Moderately" %R: reel, march B: "Edinburgh Repository of Music" v.1 p.25 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: C e>d |\ c3A G2E2 G4 G2A2 | c3d {e}d2cd e2d2d2ed |\ {Bd}c3A G2E2 G4 G2A2 | Tc3d {e}d2cd e2c2c2 :| |: Tc>d |\ e2d2e2f2 {ef}g4 Tf2e2 | da3a3g a2d2 Hd2 (g/f/e/d/) |\ Tc3A G2E2 TG4 G2A2 | Tc3d {e}d2cd e2c2Tc2 :| %%sep 2 1 500 %%sep 1 1 500 X:10261 T: PADDY CAREY Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.26 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C |:\ G2c cBc | e2c cBc | A2d d2e | f2d {c}B2G |\ G2c cBc | e2c cBc | BAG GAB | c3 c3 :| |:\ c2e f2a | g2a ged | c2e f2a | gec d3 |\ c2e f2a | g2a gec | cBA GAB | c3- c3 :| %%sep 2 1 500 %%sep 1 1 500 X:10262 T: HERE AWA, THERE AWA Q: "Slow with Express." %R: waltz B: "Edinburgh Repository of Music" v.1 p.26 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added dot to last note in each strain. M: 3/4 L: 1/8 K: Am |:\ g3 fed | c3 d c2 | d3 c d2 | e2 a4 |\ g3 fed | c3 d e2 | Te3 d e2 | {=G2}A6 :| |:\ e2 a2 ^g2 | a3 b c'2 | g3 a gf | e3 f g2 |\ e2 a2 ^g2 | a3 b c'2 | Te3 d e2 | A6 :| %%sep 2 1 500 %%sep 1 1 500 X:10271 T: JOHNNIE'S GREY BREEKS Q: "Brisk" %R: reel B: "Edinburgh Repository of Music" v.1 p.27 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D d>e |\ f2f2 gfed | B4 d3A | {G}F2ED D3E | F2A2 A2de |\ f2f2 afed | B4 d3A | {G}F2ED E2F2 | d2B2B2 :| |: dB |\ A3Bd3e | f4 e2d2 | e2f2 a2ba | f2e2e2fa |\ b2b2 d'baf | a2a2 bafe | d3b afef | d2B2B2 :| %%sep 2 1 500 %%sep 1 1 500 X:10272 T: The DUCKS DANG O'ER MY DADDIE Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.27 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D f/e/ |\ d2A FED | E>FE cBc |\ d2A F2E | FDD D2 :|\ |: A |\ dcd Bcd | efd cBA | dcd efg | fdd d2f |\ Tgfg Bcd | efd cBA |\ d2A F2E | FDD D2 :| %%sep 2 1 500 %%sep 1 1 500 X:10281 T: CORN RIGGS Q: "Slowish" %R: reel B: "Edinburgh Repository of Music" v.1 p.28 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A E |\ A3B {d}c2{B}A2 | G>FGA B2E2 |\ A3B cd Bc | A2e>f e3E |\ A3B (dc)(BA) | (GF)(GA) B3E |\ FGAF BAGF | E2A>B A2 :| |: E2 |\ A2e2 c>de>A | G>FGA B2E2 |\ A2e>d cdBc | A2e>f e2E2 |\ A2e2 fedc | dcBA AGFE | FGAF BAGF | E2A>B A2 :| %%sep 2 1 500 %%sep 1 1 500 X:10282 T: MISS MARY Mc DONALD'S REEL R: reel, strathspey B: "Edinburgh Repository of Music" v.1 p.28 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G B |\ G<GB>G A=FFA | G<GB>G AGBG |\ D>GBG A=FFA | GcBA G3 :|\ |: B |\ GGg_B A=FFA | G<Ggd gagd |\ =fgfc AFFA | (GcBA) G3 :| %%sep 2 1 500 %%sep 1 1 500 X:10291 T: WOO'D AND MARRIED AND A %R: slip-jig B: "Edinburgh Repository of Music" v.1 p.29 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: F f |\ {d}c2B ABG F3 | ABc cfA c2f |\ dcB ABG FGA | D2d de^c d2 :|\ f |\ cde fgf edc | ABc cfA c2f | cde fgf edc | Aed de^c d2f |\ cde fgf edc | ABc cfA c2f |\ dcB ABG FGA | D2d de^c d2 |] %%sep 2 1 500 %%sep 1 1 500 X:10292 T: Mrs Mc DONALD OF CLANRANNALD'S REEL R: reel B: "Edinburgh Repository of Music" v.1 p.29 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Em e |\ E/E/E TB>A GDDF | E/E/E B>A GABG |\ (cd)(Bc) ADFD | E/E/E (TB>A) GEE :|\ g |\ eBe^c dDDf | eBe^d efe^c | dfBd ADFD | E/E/E B>A GEEg |\ eBe^c dDDf | eBe^d efe^c |\ dfBd ABFA | GBAB GEE |] %%sep 2 1 500 %%sep 1 1 500 X:10301 T: The NYMPH %R: march B: "Edinburgh Repository of Music" v.1 p.30 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: C |:\ cTc/B/ cG | cege | fdcB | (c/B/c/d/) cG |\ cc/B/ cG | cege | fdcB | c2 c2 :| |:\ (fe)e2 | dcTc2 | Bcde | f/g/f/e/ d2 |\ fee2 | dcTc2 | ec e/d/c/B/ | {B}c2 c2 :| |:\ e3 g | {B}c3 e | (^cdfd) | {c}B2AG |\ Tc2de | f3 e | dc {e}dc/B/ | {B}c2 c2 :| %%sep 2 1 500 %%sep 1 1 500 X:10302 T: LAMBERTON RACES. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.30 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F A |\ (FA).c.f afge | .f(dcA) BGGA |\ (FA).c.f afTge | fdTcB AFF :|\ |: B |\ AcFc AcFc | Bc (d/c/B/).A/ BGGA |\ (FAcf) afTge | (fd)TcB AFF :| %%sep 2 1 500 %%sep 1 1 500 X:10311 T: DRUMMOND CASTLE. a Jigg. R: jig B: "Edinburgh Repository of Music" v.1 p.31 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Am E |\ (ABA) a3 | (age) Tg3 | c2c edc | Bdg dBG |\ (ABA) a3 | age Tg3 | e>ge deg | edB A2 :| |: B |\ c2c cec | d2d ded | c2c edc | Bdg dBG |\ c2c edc | deg Ta2g | ege deg | edB A2 :| %%sep 2 1 500 %%sep 1 1 500 X:10312 T: LOCH ERROCH SIDE. a Strathspey. Q: "Slow" R: strathspey B: "Edinburgh Repository of Music" v.1 p.31 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: F cB |\ (A2c2)~c3d fefg f3e | d3cd2f2 (gfga) g2G2 |\ A2c2c3d Tf3g {fg}a3g | f3d (cdf).A TG4 F2 :| c'b |\ a2c'2 f2ab (c'ba).b {ab}c'4 | b2d'2 g2(bc') (d'c'b).c' (d'2c'b) |\ a2c'2 | f2ab c'bab c'2f2 | c3fa3f Tg4 f2c'b | a2c'2 f2ab (c'ba).b c'2ba | b2d'2 g2bc' (d'c').b.c' d'2c'b |\ a3c'g3a f2d2f2d'2 | f3cf3A TG4 F2 |] %%sep 2 1 500 %%sep 1 1 500 X:10321 T: The BANKS OF DOON Q: "Slow" %R: jig B: "Edinburgh Repository of Music" v.1 p.32 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G D |\ G2G A>GA | B>cB A>GA | B>AG F<ED | D>EG A2B/A/ |\ G2G A>GA | B<dB AGA | B>AG GED | DEG G2 :| |: B/c/ |\ d2e dBG | d2e dBG | dBG dBG | e>dB A>cB/A/ |\ G2G AGA | BdB AGA | B>AG G<ED | D>EG ~G2 :| %%sep 2 1 500 %%sep 1 1 500 X:10322 T: LADY LOUDON'S STRATHSPEY R: strathspey B: "Edinburgh Repository of Music" v.1 p.32 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: C L: 1/8 K: C e/f/ |!p!\ g<cTg>e g<cTg>e | g<cg>e adde/f/ |\ g<cg>e g<cg>e | f<aTg>f ecc :|\ |: e |!f!\ G>cE>c G>ce>c | G>cE>c dD-Dc | G>cE>c G>ce>c | (f/g/a) Tg>f ecce |\ G>cE>c G>ce>c | G>cE>c dD-Df/g/ |\ a>fg>e f>de>c | f<aTg>f ecc |] %%sep 2 1 500 %%sep 1 1 500 X:10331 T: LADY HADDO'S STRATHSPEY Q: "Slowish" R: strathspey B: "Edinburgh Repository of Music" v.1 p.33 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has a final repeat but no initial repeat; not fixed. M: C L: 1/16 K: D G2 |\ FGA2 TA4 d3AB3A | (dcBc) d2F2 EEE2 E2G2 |\ FGA2 TA4 d3AB3A | (dcBc) d2F2 DDD2 D2 :|\ g2 |\ f2a2d2a2 bagf a2d2 | gb3a3f eee2 e2g2 | f2a2d2a2 bagf a2d2 | gb3a2f2 ddd2 d2a2 |\ bagf d2a2 bagf a2d2 | gb3a3f eee2 e2f2 |\ d3fe3c d3B A2F2 | GB3 A3F DDD2 D2 :| %%sep 2 1 500 %%sep 1 1 500 X:10332 T: MARY GRAY. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.33 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G B/c/ |\ d>GB>G c=FA2 | dGBd gdB2 |\ d>GB>G c>=FA>B | d>cB>A G2G :|\ B |\ D<D =F>A cFA2 | G<G B>d gdB2 | D<D =FA cF AB/c/ | d>cBA G2GB |\ D<D =F>A c>FA2 | G<G B>d g>d B2 |\ .D.D.D.E =FGAc | d>Bc>A G2G |] %%sep 2 1 500 %%sep 1 1 500 X:10341 T: LOCH EARN. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.34 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G d |\ g2dB ~G2BG | ~E2AE FDDd |\ Tg2dB ~G2BG | EAFD G2G :|\ d |\ (ef).g.e (fg)ab | (Tgfg)e fddf | (ef)ge (fga)g | (Tfef)d g2Bd |\ efge dBgB | ceBd .A(FED) |\ GABG EGce | dBcA G2G |] %%sep 2 1 500 %%sep 1 1 500 X:10342 T: COL: ROBERTSON'S STRATHSPEY R: strathspey B: "Edinburgh Repository of Music" v.1 p.34 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The final E in the 1st strain was a 1/4 note; changed to fix the rhythm. N: The 2nd strain has a final repeat but no initial repeat; not fixed. M: C L: 1/16 K: Em |:\ {B,F}B4 TB3A B3EE3F | A3d (BAGF) (DEFG) A3d |\ B4 TB2A2 B3de3f | d3B dBAF {F}E4 E4 :| e3fe2d2 BABd e4 | d3ed2B2 AFAB d2f2 |\ e3fe2d2 (edef) g3e | d3B dBAF | E4 E2d2 | e3fe2d2 BABd e4 | d3ed2B2 (AFAB) d2f2 |\ g3ef3d e3Bd3A | d3A BAGF B4 E4 :| %%sep 2 1 500 %%sep 1 1 500 X:10351 T: OFF SHE GOES %R: jig B: "Edinburgh Repository of Music" v.1 p.35 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The rhythm between the strains isn't right; not fixed. M: 6/8 L: 1/8 K: D |:\ F2A G2B | ABc d3 | F2A G2B | AFD E3 |\ F2A G2B | ABc d2e | f2d g2f | edc d3 :| |: g |\ (f/g/a).f d2f | (e/f/g).e c2e | (f/g/a).f d2f | edc d2g |\ (f/g/a).f d2f | (e/f/g).e c2e | d2f a2f | gec d2 :| %%sep 2 1 500 %%sep 1 1 500 X:10352 T: LADY MARGARET STEWART'S REEL R: reel B: "Edinburgh Repository of Music" v.1 p.35 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 1st strain's repeat ':' is missing, but the staff lines are also blank there, so I included the repeat. M: C L: 1/8 K: Bm g |\ Tf2Bf dBfB | (f/^g/a) ef cAec |\ Tf2Bf dBfd | ecac B/B/B B :|\ A |\ FB-TB>c dBcA | EA-AB Tc>dec | FB-B>c dBdb | a>fec B/B/B TB2 |\ FB-B>c dBcA | EA-A>B Tc>dec |\ dBdb cAce | dfec B/B/B B |] %%sep 2 1 500 %%sep 1 1 500 X:10361 T: The LEGACY %R: jig B: "Edinburgh Repository of Music" v.1 p.36 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D |:\ d2d dAF | a2a afd |\ d2e fef | B2c d2 :| A |\ dfa d'2d' | c'ba baf | dfa d'2d' | c'ba b2c' |\ d'2d' c'af | b2b afd |\ d2e fef | B2c d2 :| %%sep 2 1 500 %%sep 1 1 500 X:10362 T: IRISH GIRL. a Jigg. R: jig B: "Edinburgh Repository of Music" v.1 p.36 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A F |\ E2F A2B | c2c- cBA | c2c cBA | BAB cAF |\ E>FA A>Bc | d2d def | ecA TB2A | TF3 A3 :| |: d |\ (c/d/e).e ecA | (d/e/f)f fga | (c/d/e)e ecA | BGE TE2d |\ (c/d/e).e ecA | (d/e/f)f fga | ecA TB2A | TF3 A2 :| %%sep 2 1 500 %%sep 1 1 500 X:10371 T: GREENWICH HILL %R: reel B: "Edinburgh Repository of Music" v.1 p.37 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D |:\ a3fd2d2 | cdec d2A2 |\ defd efge | fagf {f}e4 |\ a3fd2d2 | cdec d2A2 |\ defd efge | f2Te2 d4 :| |:\ D2D2 D2FD | E2E2E2GE |\ D2D2D2FD | E2FG F2D2 ::\ !p!d2d2Td2AF | d2fd ~e2ge |\ d2d2 d2AF | E2FG F2D2 :| %%sep 2 1 500 %%sep 1 1 500 X:10372 T: The NEW RIGG'D SHIP. A Jigg. Q: "Slowish" R: jig B: "Edinburgh Repository of Music" v.1 p.37 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no initial repeat; fixed. M: 6/8 L: 1/8 K: C G |\ c2c Tc2e | c2c c2e | dBG G2B | dBG GAB |\ c2c Tc2e | c2c dBG | A>Bc dBG | c3 c2 :| |: e/f/ |\ g2e g2e | c2c ceg | a2f a2f | d2d def |\ g2e g2e | c2c dBG | A>Bc dBG | c3 c2 :| %%sep 2 1 500 %%sep 1 1 500 X:10381 T: SIR JAMES BAIRD'S STRATHSPEY Q: "Slowish" R: strathspey B: "Edinburgh Repository of Music" v.1 p.38 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: G Bc |\ dG3d3B Td4 G2Bc | d3d (edc)B c2A2 A2Bc |\ d2G2Bg3 | Ag3 Gg3 | d3G {c}B2AG D2G2G2 :| e2 |\ Td3eg3a (gaba) g4 | g2G2 {e}d2cB eA3 e4 |\ (d3e)~g3a (gaba) g4 | d2G2 {c}B2AG D2G2G2e2 | ~d3e~g3a gaba g2dc | B2g2 {e}d2cB A3B {d}c2BA |\ B2G2d2B2 d2gf e2c2 | d3G {c}B2AG D2G2G2 |] %%sep 2 1 500 %%sep 1 1 500 X:10382 T: The STOREMONT LADS. a Strathspey. R: strathspey B: "Edinburgh Repository of Music" v.1 p.38 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F f |\ c<ATc>A FA/B/ c2 | d<Bd>B GB/c/ d2 |\ Tf>adf .c.F.A.c | {e}d2c/d/ fA G2 F :|\ A |\ Fffe fFA2 | Gg-gf gGg2 | Tfadf cFAc | d<cf>A {A}G2F2 |\ F>f e/f/g/e/ fF A2 | G>g ^f/g/a/f/ gG g2 |\ =fa/f/ df/d/ cFAc | dc/d/ fA/B/ {A}TG2 F |] %%sep 2 1 500 %%sep 1 1 500 X:10391 T: St Patrick's day %R: jig B: "Edinburgh Repository of Music" v.1 p.39 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. N: This tune is usually played AABA, and the B part is only 6 bars. M: 6/8 L: 1/8 K: G D !segno!|\ G>AG GAB | d>ed dBG |\ B>AB GED | EFE E2D |\ G>AG GAB | d>ed dBG |\ B>AB GED | E3 {F}G2 :| |: d |\ def g2e | f2d e2B |\ def g2e | fed e3 |\ def gfe | fed efg !segno! |] %%sep 2 1 500 %%sep 1 1 500 X:10392 T: LADY MADELINA SINCLAIR'S BIRTH DAY %R: reel B: "Edinburgh Repository of Music" v.1 p.39 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D f |\ d2(Ad) FdAd | d2 (g/f/e/d/) ceef |\ d2Ad FdAd | (c/d/e) (eg) fd d :|\ f |\ d<dfd adfd | d<dfd ceef | d<dfd adfd | (c/d/e) eg fddf |\ d<dfd adfd | d<dfd ceef |\ .d.d .e.e .f.f .g.g | .a.a .d'.a fdd |] %%sep 2 1 500 %%sep 1 1 500 X:10401 T: MARY KETTY. a Strathspey. R: strathspey B: "Edinburgh Repository of Music" v.1 p.40 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G B |\ G<G TG2 TB>ABd | G<G G>c B/c/d A>B |\ G<G G<G TB>ABd | (e/f/g) d<g B<g A :|\ c |\ Bd- de/f/ gdTe>d | Bd- de/f/ gBA>c | Bd- de/f/ gdTe>d | c<aB<g B<gAc |\ Bd- de/f/ gdTe>d | Bd- de/f/ gBA>c |\ Bd- de/f/ (g/f/g/a/) bd | c<aB<g B<gA |] %%sep 2 1 500 %%sep 1 1 500 X:10402 T: HIBERNIA Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.40 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The segnos are rhythmically inconsistent with the ends of the strains; use the D.C. instead. N: A footnote says "??? by W: Hatton 105 High St Edinb", but the first word is illegible. M: 6/8 L: 1/8 K: D d !segno!|\ f2e {e}d2B | A>BA AFD | FGA A2f | g2e e2d |\ {d}f2e d2B | A>BA AFD | F>GA Aag | f2d d2 :| |:\ f>ga aba | aba ad'c' | b2e b2e | b2e gfe |\ f>ga a>ba | aba ad'c' | bab e2f | {a}g2f "_D.C."e2 !segno! |] %%sep 2 1 500 %%sep 1 1 500 X:10411 T: PRAY GOODY Q: "Moderato" %R: reel B: "Edinburgh Repository of Music" v.1 p.41 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Most ABC software probably can't handle the melisma "ornaments" correctly, but may at least get the notes right. M: C L: 1/8 K: G [|\ d4 cBAG | BAGF GBdf |\ g2fe dBAG | gdcB {B2}A4 |\ d4 cBAG | BAGF GBdf | g2fe dBec | BdcA [GG4]"_Sy."Bdg |\ fc'af gbd'd | efge dgbd |\ efge dfbd | cfac Bgec | BAGF G4 | "_So."g2d2 {f}e2d2 |\ gBBB {d}c2B2 | gddd gddd |\ gdcB HB2 {A4^A4e4d4=A4^GAB}HA2 {Bc^c}y | d4 cBAG |\ BAGF GBdf | g2fe dBAG | gdcB {B2}A4 |\ d4 ({d}cB)({B}AG) | BAGF GBdf |\ Hg2{fgag}fe dBec | Bd {^cded}H=c {BdcAFD3E/C/^C/D/E/}TF G4 |] %%sep 2 1 500 %%sep 1 1 500 X:10421 T: BEGONE DULL CARE %R: jig B: "Edinburgh Repository of Music" v.1 p.42 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 arranged for a wider 8-bar staff. V: 1 clef=treble A |\ d3 e3 | f3 z2g | aba gfg | f3 z2A |\ d3 e3 | f2z zgg | fgf ede | d3 z2 :| |: f/g/ |\ a2a a2f | g2g g2e | f2f fed | {f}e2z zAA |\ d3 e3 | f3 z2g | fgf ede | d3 z2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=treble A |\ F3 A3 | d3 z2e | fgf ede | d3 z2A | F3 A3 | d2z zee | ded AAG | F3 z2 :||: d/e/ | f2f f2d | e2e e2c | d2d d2F | A2z zAG | F3 A3 | d3 z2e | ABA GFG | F3 z2 :| %%sep 2 1 500 %%sep 1 1 500 X:10431 T: LIFE LET US CHERISH C: Mozart Q: "Andante" %R: jig B: "Edinburgh Repository of Music" v.1 p.43 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. N: The rhythm isn't quite right between the strains; not fixed. M: 6/8 L: 1/8 K: F |:\ A3 BAB | c2f f2z | F3 GFG | A>BA G2z |\ A3 {c}BAB | c2f f2z | A3 GFG | F2A F3 "_Fine."y:| |: c |\ c2B GAB | c2A F2c | c2B GAB | c2A F2c |\ d2B f2f | c2A Hf2f | c>dc cBA | A3 {BA}G2 "_D.C."y|] %%sep 2 1 500 %%sep 1 1 500 X:10432 T: MARY'S DREAM Q: "Slow" %R: air B: "Edinburgh Repository of Music" v.1 p.43 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G d |\ G2A2 B3c | (d>e)(d>g) d3c/B/ |\ (AG)(AB) c3d/e/ | dB) A3(B/c/) |\ d2d2 d3(e/f/) | g2g2 g3(f/e/) |\ (dB)(AB) c3(d/e/) | (d<B) (A>B) G2zB | e2f2 g3G | A2B2 E2zG |\ B>AB>c d2d2 | g3^c d2ze/=c/ |\ B2B2 B3c/A/ | G2G2 G3B/c/ |\ (d>e)(d>g) (ga)Hb (g/e/) | (d<B) (A>B) G2 |] %%sep 2 1 500 %%sep 1 1 500 X:10441 T: IN THE GARB OF OLD GAUL Q: "Maestoso" %R: march B: "Edinburgh Repository of Music" v.1 p.44 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A2 |\ d2d>d d>efe | d>AF>A d2e2 |\ f2f>f f>gag | f>ede f2g2 |\ a2a>a a=c'ba | g2g>g gbag | f>ed>e f>ag>f | e2e>e e2 :: A2 |\ A>BA>B c>dc>d | e>fe>f g2f>e |\ d>ed>e f>gf>g | a>ba>b =c'2ba |\ b>ge>b afde/f/ | (gf)(ed) (dc)(BA) |\ B>cd>e f>a a/g/f/e/ | d2d>d d2 :| %%sep 2 1 500 %%sep 1 1 500 X:10442 T: GOD SAVE THE KING Q: "Andante" %R: waltz, air B: "Edinburgh Repository of Music" v.1 p.44 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D |:\ d2 d2 e2 | c3 d e2 | f2 f2 g2 | f3 e d2 | e2 d2 c2 | d6 :| a2 a2 a2 | a3 g f2 | g2 g2 g2 | {a}g3 f e2 | f2 gfed | f3 g a2 | (3(bag) f2 Te2 | d6 :| %%sep 2 1 500 %%sep 1 1 500 X:10451 T: RULE BRITANIA Q: "Moderato" %R: march B: "Edinburgh Repository of Music" v.1 p.45 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A2 |\ d2 d2 d/e/f/g/ ad | e2 ef/g/ {g}f3 A |\ d/e/d/e/ f/g/f/g/ aefe | de/f/ e>d {d}c2 zA | cAec a^g/f/ e/d/c/B/ | A2 TB2 A4 |\ d2 d>A BG zf | {a}gfed A2 d/e/f/g/ |\ a2 g2 f/d/g/e/ ag | f2 Te2 d2 z2 !segno!:|\ f2 zf gg zf | {a}gfed AB/c/ d/e/f/g/ |\ a2 g2 f/e/f/g/ a/b/c'/d'/ | A2 Te2 d2 !segno! |] %%sep 2 1 500 %%sep 1 1 500 X:10452 T: JENNY DANG THE WEAVER %R: reel B: "Edinburgh Repository of Music" v.1 p.45 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D f |\ d>A A/A/A AFAB | dA A/A/A f2ef |\ dB B/B/B BABd | A>Bde f2e :| |: f |\ defd efge | defd {f}e2dB |\ d>efd eBgB | aA A/A/A f2e :| %%sep 2 1 500 %%sep 1 1 500 X:10461 T: SEE THE CONQUERING HERO COMES C: Handel Q: "Pomposo" %R: march B: "Edinburgh Repository of Music" v.1 p.46 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: There's a faint ':' repeat symbol after the double bar, but no final repeat symbol; ignored. M: 2/4 L: 1/16 K: G |:!segno!\ d4 B3c | d4 G4 | A>Bc>d c2B2 | (B4 A4) |\ B>cd>e d2d2 | g4 d4 | {c}B>AG>A B2TA2 | "_Fine."G8 :| B>AB>c B2B2 | (A4 G2)AB | {c}c2B2A2G2 | (G4{AG}F4) |\ B>AB>c B2B2 | e4 ^c4 | d2e>d d2^c2 | d4 d=cBc !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10462 T: GO TO BERWICK JOHNNIE Q: "Allegro" %R: minuet B: "Edinburgh Repository of Music" v.1 p.46 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bars 5-8 and 9-12 are identical except for articulation. M: 3/4 L: 1/16 K: F |:\ c2F2-F2c2 (dcBA) | c2F2- F2c2 A2f2 |\ c2F2-F2c2 dcBA | B2G2G2A2 B2d2 :|\ f3g f2F2 ABcA | f3g f2F2 A2c2 | f3g (ag).f.e (fe).d.c | d2g2g2G2 B2d2 |\ f3g f2F2 ABcA | f3g f2F2 A2c2 |\ f3g (ag).f.e (fedc) | d2g2 g2G2 B2d2 |] %%sep 2 1 500 %%sep 1 1 500 X:10471 T: The JOLLY YOUNG PEDLAR O: Irish Q: "Brisk" %R: slip-jig B: "Edinburgh Repository of Music" v.1 p.47 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added flag to last note (g) of bar 2 to fix the rhythm. M: 9/8 L: 1/8 K: G D |\ G>AG Gge dBG | A>BA ABd e2g |\ G>AG gfe dBG | ABc BAG E2 :| |: d |\ gdg g>ag fed | e>dB g>ab a2b |\ gab abg fed | efg dcB A2 !segno!:| %%sep 2 1 500 %%sep 1 1 500 X:10472 T: WILL YE COME TO THE BOWER Q: "Andantino" %R: march B: "Edinburgh Repository of Music" v.1 p.47 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The rhythm isn't correct at the strain boundaries. M: 2/4 L: 1/8 K: F AB |\ c2cc | c2cc | (cf) ed | {d}c2 zc |\ (cB) BB | BA zA | cB zG | F2 :| |:\ FA AA | FA AA | c2 BB | {B}A2 z2 |\ FA AA | FA AA | (c=B) _BG | F2 z2 :| %%sep 2 1 500 %%sep 1 1 500 X:10473 T: BROSE & BUTTER %R: slip-jig B: "Edinburgh Repository of Music" v.1 p.47 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: Am |:\ cde AcA AcA | cde AcA dBG |\ cde AcA ABc | B2G Gge dBG :| |:\ cde ege ege | cde ege dBG |\ cde ege e^fg | ^f2d ege dBG :| %%sep 2 1 500 %%sep 1 1 500 X:10481 T: JUDY O' FLANIGAN Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.1 p.48 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: A |: !segno!\ A3 c3 | BAB cAF | E>FA A2f | {f}edc B2A |\ A3 c3 | BAB cAF | EFA A2f | edc B2A :| |:\ c>de ef=g | fed cBA | cde efa | Tg3 a2A |\ Ace agf | edc B2A | AEF AEF | Adc {c}B2A !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10482 T: RURAL FELICITY Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.1 p.48 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D !segno!A |\ AFG Aaf | e>de fdB | AFA BdF | EEE E2A |\ AFG Aaf | e>de fdB | AFG Aaf | ddd d2 :| a |\ afa afa | bgb bgb | afa agf | eee efg |\ a3 f3 | d>de fdB | A2g faf | ddd d2 !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10491 T: FROM NIGHT TILL MORN Q: "Moderato" %R: march B: "Edinburgh Repository of Music" v.1 p.49 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The segnos are positioned wrong, to play the pickup notes twice. The final pickup notes should be deleted. M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 arranged for small scale and wide lines. V: 1 clef=treble a>g |\ f2f2 f3f | e>def d2e>f |\ gfed defg | a3g f2!segno!a>g |\ f2f2 f3f | edef d2ef | gfed defg | f2e2 "_Fine."d2 |]\ d2 |\ defg a3a | a2b>a a3a |\ b2a2 d'3f | a3b/g/ f2a>"_D.C."g !segno!|] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=treble f>e |\ d2d2 d3d | AFAd F2A>d | edAF FAde | f3e d2!segno!f>e | d2d2 d3d | AFAd F2Ad | edAF FAde | d2A>G "_Fine."F2 |] F2 |\ FAde f3f | f2g>f f3f | g2f2 f3z | f2ge d2f>"_D.C."e !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10501 T: The MAID OF LODI Q: "Andantino" %R: jig, air B: "Edinburgh Repository of Music" v.1 p.50 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: There's a faint ':' after the first strain's double bar, but no final repeat symbol. N: Bar 7 has a 7-note run with 5 notes; fixed to be like bar 13. N: The melisma in bar 18 is written out two ways in the two transcriptions, here marked with a long slur. M: 6/8 L: 1/8 K: G %%slurgraces %%slurgraces D |\ G2G B2G | FEz z2c | BdG AdF | G3 z2D |\ G2G B2G | FEz z2c | BdG AdF | G3 z2 :| G |\ F2D d2F | AGz z2G | F2D d2F | {A}G3 z2D |\ d2d {e}d{c}B {A}G | FEz g2e | dBG AdF | G3 z2D | d2d (e/d/)(c/B/)(A/G/) | FEz Hg3 (z/G/A/B/ ~c/d/ ~e>f g2^f2g2f2Hg2) e | dBG AdF | G3 z2 |] %%sep 2 1 500 %%sep 1 1 500 X:10502 T: The BLUE BELL OF SCOTLAND Q: "Andante" %R: march, strathspey B: "Edinburgh Repository of Music" v.1 p.50 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G d |\ g2 {g}fe d2 (3(efg) | BB {d}c>A G3 d |\ g2 f{g}e d2 (ef/g/) | BB {d}cA G3 :| |: d/>c/ |\ BGBd g2 {f}ef/g/ | {g}fd {f}e^c d2 de/f/|\ g2 {g}f{g}e d2 (d/c/)(e/c/) | BB {d}cA G3 :| %%sep 2 1 500 %%sep 1 1 500 X:10511 T: OLD TOWLER Q: "Con Spirito" C: Shield %R: jig B: "Edinburgh Repository of Music" v.1 p/51 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bar 32 was missing a 1/8 note; fixed by removing a beam from the final 4 notes. M: 6/8 L: 1/8 K: D A |\ d2d B2G | F2G A2=c | B2d ^ceg | {g}f3- f2A |\ d2d "^>"f2d | !f!B2B "^>"e2d | c2c (TBA B) | A2z z2 |] !p!A |\ e2c A2A | f2d A2A | c2d g2f | e3- e2A |\ A^GA Bcd | ef =g afd | B2e d2c | d2z zDF | A3 A3 | Ad2- d2A | AFA AFA | Ad2- d2A/c/ |\ e3 e3 | ea2- a2e | ece ece | eg2- gag | fdz zzf | eAz zz!f!g | fdz zzf | eAz zzA |\ dff dff | d2z d2z | dff dff | fHaz zA/G/F/E/ | D2G F2B | A2g f2d | e2e (cBc) | d3 !f!g3 |\ f2f (ede) | a3 Tg3 | f2f (ede) | d3- d2 |] %%sep 2 1 500 %%sep 1 1 500 X:10521 T: TWEED SIDE Q: "Slow" %R: waltz B: "Edinburgh Repository of Music" v.1 p.52 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D f>e |\ d2 A2 B>c | ~d3 e f{a}g | (f2 {gf}e2) f>e | d2 A2 B>c |\ d2 ag fe | d4 f>e | d2 A2 B>c | dcdef{a}g | f2 {gf}e2 d>e | f3/g//a// (gfed) | e3/f//g// A2 Tc2 | d4 :|\ |: f>g |\ a2 (gfed) | a2 (bagf) | (f2 {gf}e2) ~f>g | a2 (gfed) | d>c (defg) | Ha3 ^a bc'/d'/ | {b}a2 g(fed) | a>f bagf |\ f2 {gf}e2 d>e | f3/g//a// gfed | {c'}ba/g/ f>d Te>d | d4 :| %%sep 2 1 500 %%sep 1 1 500 X:10522 T: LADY MARY DOUGLAS'S FAVORITE Q: "With Spirit" %R: jig B: "Edinburgh Repository of Music" v.1 p.52 #2 - p.53 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: D A !segno!|\ F/G/AA A2d | BGB {B}A2G | F/G/AA A2g | f3 e2A |\ F/G/AA A2d | BGB A2f/g/ | afd gec | d3 "_Fine."d2 :| |: a |\ a>ba d'2a | f3 d2f | e>fe a2e | c3 ABc |\ d3 Bcd | e3 cde | fga agf | edc BA"_D.C."G !segno! |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10532 T: FAINT AND WEARILY Q: "Allegretto" %R: march, reel B: "Edinburgh Repository of Music" v.1 p.53 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The single final segno is a bit odd, especially with the D.C. also at the end. M: 2/4 L: 1/8 K: C |:\ c3d/c/ | BGAB | c2e2 | gfdB |\ c3d/c/ | BGAB | .c2.e2 | .c2 "_Fine."z2 :| |:\ gfd2 | gec2 | defe | e2d2 |\ gfd2 | gec2 | defe | e2"_D.C."d2 !segno!:| %%sep 2 1 500 %%sep 1 1 500 X:10533 T: ROTHEMURCHIE'S RANT Q: "Slowish" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.53 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A |\ F>EFD F<AA2 | d>AB>A d>ABd |\ F>DFD F<A A>d | B>dA>d FE E :| |: a |\ {g}f2e>d e>fec | d>efe f/e/d/c/ d>A |\ Ba {g}f2e>d | B>d A>d FE E :| %%sep 2 1 500 %%sep 1 1 500 X:10541 T: HAD I A HEARD &c. Q: "Slow" %R: air B: "Edinburgh Repository of Music" v.1 p.54 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G G |\ d>edB e>fge | d>BAB G2zd |\ g>fga gfed | e>dg>B d2zd |\ g>fga gfed | edcB He2 (3(dfa) |\ g>fe>d e>fHg {f2g2f2a2g2f2g} e | dB G3G |\ "_Sy."d>edB g>age | dB G3 |] %%sep 2 1 500 %%sep 1 1 500 X:10542 T: JOHN ROY STEWART. a Strathspey. R: strathspey B: "Edinburgh Repository of Music" v.1 p.54 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % and Dm f |\ {d}c>BAG F<GA2 | c>FA>F c>FAf |\ {d}c>(B{B}A)>G F>GAF | Ddd>c d2d :|\ f |\ Tc>d Tf>g afga | f>c (d/c/).B/.A/ fccf | Tc>dTf>g afga | caTg>f ~d3f |\ ~c>d~f>g {fg}afga | fc (d/c/B/A/) fccf/g/ |\ a>fg>d Tf>cd<f | AdTd>c d2d |] %%sep 2 1 500 %%sep 1 1 500 X:10551 T: MISS MARGARET BROWN'S FAVORITE Q: "Slowish & Distinct" %R: jig B: "Edinburgh Repository of Music" v.1 p.55 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G g |\ dBG TG>AB | E2E TE2c | AFD DEF | G2G G2g |\ dBG TB>cd | E2E TE2c | AFD DEF | G3 G2 :| g/a/ | bgb afd | efg ~g>fe | dBg | dBG | AFD D2g/a/ |\ bgb afd | efg {a}gfe | (fa).f (ge).^c | d2d de=f | (ec).e (dB).d | (ca).c (Bg).B | Ace dBG | FAF DEF |\ !f!TG>AB EFG | ABc def | (gd).B (cA).F | TG3 G2 |] %%sep 2 1 500 %%sep 1 1 500 X:10561 T: LENNOX'S LOVE TO BLANTYRE %R: reel B: "Edinburgh Repository of Music" v.1 p.56 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G B !segno!|\ G2G>A B>AGB | A/A/A B>d Te>def |\ Tg>age dBGB | cABG E/E/E E :|\ g |\ ~d>ega bagb | agab a>geg | ~d>ega bagb | agc'b Ta2g2 |\ ~d>ega bagb | Ta>gab a>geg |\ d>ega g>abg | {b}agc'b Ta2g2 !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10562 T: ATHOLE HOUSE. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.56 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G g |\ .d.G.B.G dG (e/d/c/B/) | .d.G.B.G FA-Ag |\ .d.G.B.G .d.B.g.d | (e/d/c/B/) .d.D EGG :|\ d |\ Tg2 (b/a/g/f/) gdBd | Gd e/d/c/B/ cAA>d | Tg2 (b/a/)g .d.gBd | (e/f/g) (f/g/a) (dgg).d |\ gdbg fdc'a | b>gdg | fa-a>c' |\ b>gdg ecAc | B<G dD EG-G |] %%sep 2 1 500 %%sep 1 1 500 X:10571 T: LADY BAIRD'S STRATHSPEY R: strathspey B: "Edinburgh Repository of Music" v.1 p.57 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A a |\ e<c-c>B A>BAE | F>AE>A FAEa |\ e<c-c>B {B}A>GAB | c<ee^d e3 :| |: !p!=g |\ f<dTdB Tc>dec | d<BB>G A>BcE |\ !f!F>AE>A F>AE>d | {d}c.B/.A/ {c}B.A/.G/ A2A :| %%sep 2 1 500 %%sep 1 1 500 X:10572 T: WILLIE WAS A WANTON WAG Q: "Brisk" %R: reel, march B: "Edinburgh Repository of Music" v.1 p.57 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A |\ FAAB/c/ d>e d>A | F>AAf e>dB2 |\ FAAB/c/ d/c/d/e/ dA | FA Af e>d d :| |: g |\ faef d>efd | faef e>dB2 |\ faef d>e f/e/f/g/ | aAAf e>f d :| %%sep 2 1 500 %%sep 1 1 500 X:10573 T: FOLLOW HER OVER THE BORDER. a Jigg. N: The title actually has "RER" for "HER", but the index has "her". %R: slip-jig B: "Edinburgh Repository of Music" v.1 p.57 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: F d |\ Tc2A AFA AFA | Tc2A- AFA c2f |\ Tc2A AFA AFA | TB2G GAG B2 :|\ |: d |\ Tc.A.A f.A.A c.A.A | cAA fAA c2d |\ cAA fAA cAA | B2G GAG B3 :| %%sep 2 1 500 %%sep 1 1 500 X:10581 T: The DUTCHESS OF ATHOLES SLIPPER. A STRATHSPEY. Q: "Slowish" R: strathspey B: "Edinburgh Repository of Music" v.1 p.58 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G |:\ (DG)BG dGBG | (DG)BG E<ATA2 |\ (DG)BG dGBg | {e}d>cBA G<GTG2 :|\ d<gTg2 dgbg | Ta>gbg eaTa2 | d<gTg2 dgbg | a>gbg d<gTg2 |\ d<gTg2 dgbg | Tagbg e<aTa2 |\ g<be<g dgBg | {e}d>cBA G<GTG2 |] %%sep 2 1 500 %%sep 1 1 500 X:10582 T: La BELLE CATHRINE Q: "Allegretto" %R: reel B: "Edinburgh Repository of Music" v.1 p.58 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The segno symbols aren't correct; they lose 1/8 between the strains. Not fixed. M: 2/4 L: 1/16 K: C G2 !segno!|\ c4 (edcd) | e2c2~c2B2 |\ A4 dedc | B2G2 G4 |\ c4 (edcd) | e2c2c2B2 |\ A2d2 cBAG | c4 "_Fine."C2 :| (GF) |\ E2G2TG3F | E2G2 G2cB |\ A2A2 (dedc) | B2G2TG3F |\ E2G2 TG2AB | c2ec B2dB |\ c2c2 {f}e2dc | Hg4 G2 !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10591 T: GENERAL WEMYSS OF WEMYSS'S REEL R: reel B: "Edinburgh Repository of Music" v.1 0.59 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G D |\ TG2BG (Bcd)g | B<Gd>G FAAB |\ TG2BG (Bcd)B | egfa gGG :|\ a |\ (b/a/g/f/) gd (Bcd).g | B<Gd>G FAAa | Tg(fg).d BcdB | egfa gGGa |\ bgaf (ge)Td>c | B<Gd>G FAAc |\ BGdB cdef | gdec BGG |] %%sep 2 1 500 %%sep 1 1 500 X:10592 T: SLEEPY MAGGIE. a Reel. R: reel B: "Edinburgh Repository of Music" v.1 p.59 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bars 5-8 and 9-12 are identical except for two dots. M: C L: 1/8 K: Bm g !segno!|\ Tf2B>b fBde | Tf2Ba eAce | Tf2B>b fBde | Tf>^gaf eAce :| f>BdB fBd(e | f)>BdB eAc(e | f)>BdB f>Bde | Tf^gaf eAce | f>BdB fBd(e | f)>BdB eAc(e | f)>BdB fBde | Tf>^gaf eAce !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10601 T: The HADDINGTON ASSEMBLY. a Jigg. %R: jig B: "Edinburgh Repository of Music" v.1 p.60 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G B/c/ |\ dBG TG2B | dBG TG2B | ecA ABA | Tf3 {ef}g3 | dBG G2B | AFD D2c | (B/c/d)B cAF | G3 G3 :: d | Tg2a bge | Tf2g afd | (e/f/g)e dBG | ABG TF>ED |[1 Tg2a bge | f2g afd | (e/f/g).e | (f/g/a).f | g3 g2 :|[2 (G/A/B).G A2c | (B/c/d).B Tc2e | dcB AGF | G3 G2 |] %%sep 2 1 500 %%sep 1 1 500 X:10602 T: MISS FLORA Mc DONALD'S REEL %R: reel B: "Edinburgh Repository of Music" v.1 p.60 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Edor % Or maybe D F |\ E2-E>F BEEF | E2-EF d>FDF |\ E2E>F EFGA | (B/c/d) AG FDD :| |: F |\ E>ee^d eEEF | Ee-ec dD-DF |\ Ee-ed Bcde | faef dDDF :| %%sep 2 1 500 %%sep 1 1 500 X:10611 T: The SOLDIER'S RETURN Q: "Slow" %R: march, strathspey B: "Edinburgh Repository of Music" v.1 p.61 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D d>e |\ {de}f2A>B A3d | {c}B>ABd {f}e2d>e |\ {de}f2A2 ({a}gf)(ed) | B3c d2 :|\ |: A2 |\ d>efg a3a | (ba)(gf) {f}e3A | d>ef>g a>bag | f3g {fg}a3 A |\ d>efg a3f | bagf {f}e2d>e |\ {de}f2A2 {a}gfed | B3c {cde}d2 :| %%sep 2 1 500 %%sep 1 1 500 X:10612 T: The BEGGAR GIRL Q: "Andante" %R: jig B: "Edinburgh Repository of Music" v.1 p.61 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G |:\ d>cB d>cB | A>GA B>cd |\ d>cB d>cB | AGA G3 :|\ |:\ DGB DAc | DcB A>GA | DG=F E2c/c/ | BAG Hd2z |\ d>cB d>cB | A>GA B>cd |\ d>cB e>fHg | B>cA G3 :| %%sep 2 1 500 %%sep 1 1 500 X:10621 T: AULD ROBIN GRAY %R: hornpipe, march B: "Edinburgh Repository of Music" v.1 p.62 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F F |\ A>Bc>d {d}c3c | d>Bf>d {d}c3F |\ ~A>B~c>d {d}c2B>A | {A}G>F {c}B>A (A2G)F |\ A>Bc>d {d}c3c | ~d>efA {c}B2G>G |\ A<c f>a b<g ef | A2{BA}TG>F F3"_p"_A |\ "_fz"A2GA {G}F2AB | c2_dG | _A>GA>=A _B>AB=B | c=B fB {Bcd}Hc3 c |\ A<F c>d {d}c3c | d>cBA B3G |\ A<c f>a b<Hg e>f | A2{BA}TG>F F3 |] %%sep 2 1 500 %%sep 1 1 500 X:10622 T: SINCE THIS I'M DOOM'D Q: "Moderato" %R: march B: "Edinburgh Repository of Music" v.1 p.62 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: C |:\ g2ee | e3c | ddde | (gf)e2 |\ (c'2b)d' | c'2bd' | c'(gfe) | (e2d)z :| |:\ d3f | (fe)eg | gdde/f/ | f2(eg) |\ {c'}b2ag | {c'}b2ag | c'g (b/a/)(g/f/) | e2Td2 |\ c3z :| %%sep 2 1 500 %%sep 1 1 500 X:10631 T: HEARTS OF OAK %R: march B: "Edinburgh Repository of Music" v.1 p.63 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: There's a final repeat symbol, but no begin repeats at all. M: C L: 1/8 K: C G2 |\ !f!c2c>c c2e>d | c2B>A G3G |\ A2A>B c2c>d | e2f>d e3d |\ c2E>F G2A>B | c2E>F G2g2 |\ {f}e2d>c g2G>B | d2d>d F2 |] !p!d>d |\ d2B>c d2g>f | e2c>d e3d |\ cBAe c<Az2 | c<c G>F E<C zG |\ ABcd {f}e2dc | g2G>B c2 :| %%sep 2 1 500 %%sep 1 1 500 X:10632 T: CEASE YOUR FUNNING Q: "Andantino." %R: jig B: "Edinburgh Repository of Music" v.1 p.63 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The is a faint repeat ':' before the final double bar, but not at the start of the 2nd strain. M: 6/8 L: 1/8 K: D |:\ d2a fd2 | g2e cA2 | f2d BG2 | (eAc) d3 |\ d2a fd2 | g2e cA2 | f2d (BGB) | (eAc) d3 :| d2d' d'a2 | d2b bg2 | c2a adc | Ba^g a3 |\ d2a fd2 | g2e c2A | f2d BGB | (eAc) d3 |] %%sep 2 1 500 %%sep 1 1 500 X:10641 T: The MANLY HEART C: Mozart Q: "Andantino" %R: air, waltz, jig B: "Edinburgh Repository of Music" v.1 p.64 - p. 67 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: There are odd temp voices in bars 38 & 42, transcribed in 10641=Manly_Heart-V2.abc but not here. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 arranged for longer staff lines. V: 1 clef=treble "^Sy."GGG |\ Azz d'3 | bz "^So."d (dB)B | BGG FAc | cBd dgf |\ fed dcB | {B}Az d dBB | BGG FAc | cBd gz f | efd de^c | d2d afd | gz g afd | gzz ggg |\ az a d>ef | gzz g (f/g/) (f/g/) | a2c'/a/ g2a/f/ | g2z "^Sy."d'd'd' | b2z (d/^c/=c/B/A/d/) | Gz d (dBB) | BGG (F/G/A/B/)(c/d/) | dBd dgf |\ (f/e/)(g/f/)(e/d/) (d/c/)(e/d/)(c/B/) | (BA)z z2z | z6 | z6 | z6 | z2d afd | g2g b/a/g/f/e/d/ | gzz ggg | az a d>ef |\ gzz g f/g/ f/g/ | a2c'/a/ g2a/f/ | g2z "^Sy."dg b/>g/ | (gf)z d>g b/g/ | "_Sy."fz f dg b/>g/ | Tgfd d>g b/g/ | fzz bz a | gz f ez d |\ [c/c]c/d/e/f/g/ a2a | bz b az a | gzz bz a | gz f ez d | [c/c]c/d/e/f/g/ a2a | bz b az a | (g//a//g//f//) g/a/b/c'/ d'/b/g/d/c/B/ | A2c'/a/ agf |\ (g//a//g//f//) g/a/b/c'/ d'/b/g/d/B/G/ | E2c'/>a/ d'2f | g2z "_Sy."d'>bc'/a/ | ggg gzz |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=treble "[64.1]" GGG | Dzz A2F | Gz B (BG)G | GDD DFA | AGB BAG | dcB BAG | "[64.2]" Fz B BGG | GDD DFA | AGB cz d | G2G FGG | F2d =c2d | "[64.3]" Bz d =c2d | Bzz eee | cz c d2d | ezz BBB | c2c d2d | G2z "[65.1]" ddd | g2z (A2F) | Gzz z2z | z6 | z6 | z6 | "[65.2]" z2d dBB | BGG (F/G/A/B/)(c/d/) | cBd g2f | e>fd d>e^c | d2d =c2d | "[65.3]" B2d c2d | Bzz eee | cz c d2d | ezz BBB | c2c B2A | G2z "[66].1" GB d/>B/ | (BA)z dBG | dz d GB d/>B/ | TBAd dBG | dzz gz d | "[66].2" ez B cz G | [A/A]A/B/c/d/e/ f2f | gz e cz d | Bzz gz d | ez B cz G | "[66].2" [A/A]A/B/c/d/e/ d2d | gz e cz d | B2z z2z | z2c d2c | "[p.67.1]" B2z z2z | z2e/>c/ B2A | G2z g2d | BBB Bzz |] % - - - - tune continued onto next page - - - - % % - - - - tune continued onto next page - - - - % % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10672 T: IN MY COTTAGE NEAR A WOOD %R: air, march B: "Edinburgh Repository of Music" v.1 p.67 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/4 K: G (B>c) |\ .d.d .e.e | dz (ga) |\ bc'/a/ (gf) | fz :|\ |: (c'b) |\ (ab c'b) | (a2 c'b) | a(b/g/) .f.e | d2(B>c) |\ .d.d .e.e | dz (ga) |\ bc'/a/ (gf) | gz :| %%sep 2 1 500 %%sep 1 1 500 X:10673 T: O'ER THE MUIR AMANG THE HEATHER Q: "Very Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.67 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G |:\ D<GG>A ~G>AGD | E<AA>B c>BAG |\ B<dd>e g>ab>a | g>e d/e/g/B/ A>BA>G :| |:\ d<g g>a g/a/b/a/ g>d | eaab c'>ba>g |\ b>age dc' Hb>a | g>e d/e/g/B/ A>BAG :| %%sep 2 1 500 %%sep 1 1 500 X:10681 T: Mrs GARDEN OF TROUP'S STRATHSPEY R: strathspey B: "Edinburgh Repository of Music" v.1 p.68 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: G G2 !segno!|\ G3AG2e2 d2<G2e3G | F2D2D2G2 FGAF D2F2 |\ G3AG2e2 d2G2B2g2 | d3g (bagf2) g4g2 :| |: d2 |\ g3db3d c'3db3d | B3g (c'bag) f2a2a2b2 |\ g3db3d c'3db3d | c'bag fgaf g4 g2(3def | g3db3d c'3db3d | B3g (c'bag) f2a2-a2b2 |\ e3ce3g | d3Bd2g2 | d3g bagf g4g2b2 !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10682 T: SAW YOU JOHNNIE COMING Q: "slow with Express:" %R: air, march B: "Edinburgh Repository of Music" v.1 p.68 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The last two notes in bar 14 (g, a) are a bit smaller than the other notes, with up stems. M: 2/4 L: 1/8 K: F [|\ F2GA | cAAf | F2G>A | cAz2 |\ F2G>A | cAAf | F2G>A | cA zc |\ f>edc | d>c Ac | f>edc | dA ze |\ f>edc | d>e Hf2 ga3 | F2G>A | cAAf |\ F2G>A | cAz |] %%sep 2 1 500 %%sep 1 1 500 X:10691 T: HOPE TOLD A FLATTERING TALE Q: "Andantino" %R: jig B: "Edinburgh Repository of Music" v.1 p.69 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G d !segno!|\ B2B A2A | G3 z2d | d2B e2e | Azz z2A |\ B2B c2c | (d3 e2)e | G2G {B}A2A | G2z z2d | ^G2G e2d | c3 z2c | F2F d2c | B3 z2G |\ ^c2c Hc2c | d2z z2d | =c2c B2B | A3- A2A | B2B c2c | (d3 e2)e | G2G A2A | G2z z"_Fine."z2 |][K:Gm]\ d3 d2d | e2z z2c | A3 (d2c) | B2z z2z | (Bcd de=f) | G3- G ec | B3 c3 | B2z z2z |\ (c3 cde) | ^F3 G2G | B3 A3 | G2z Hz2d !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10701 T: TEKELI Q: "Allegro" %R: jig B: "Edinburgh Repository of Music" v.1 p.70 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The rhythms aren't quite right between the strains; not fixed. M: 6/8 L: 1/8 K: F c |\ f2f {f}ede | d2f c2c | cde fga | b2g {f}e2c |\ f2f ede | d2f c2c | cde fga | bge f2 :| |:\ f2g a3 | aba {a}g2f | {a}g2f {a}g2f |\ {a}g2f g2a | f2g a3 | aba {a}g2f | g2f g2a | f3 f3 :| %%sep 2 1 500 %%sep 1 1 500 X:10702 T: ROBIN ADAIR Q: "Andante Grazioso" %R: air B: "Edinburgh Repository of Music" v.1 p.70 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/16 K: Bb [|\ F4 G4 A4 | B2(3(cBA B2)c2 d4 | (FB3) GB3 (Ac3) | B8 z4 |\ F4 G4 A4 | B2(3(cBA B2)c2 d4 | (FB3) (GB3) Ac3 | B8 z4 |] d4 d4 d4 | f6 F2 F4 | d4 d2f2 (fe) (cA) | B6 G2 F4 |\ f4 (e2d2) (c2B2) | B2(3(cBA B2)c2 Hd4 | ({dcBAcBG}FB3) (GB3) (Ac3) | B8 |] %%sep 2 1 500 %%sep 1 1 500 X:10711 T: When First This Humble Roof I Knew Q: "Andantino" %R: jig B: "Edinburgh Repository of Music" v.1 p.71 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G d |\ d2d (dg)d | e2e (eg)e | (dB)d (cBA) | B2 z2B |\ A2A d2A | B2B d2B | g2f (ed^c) | d2z z2 :| |: d |\ (d>e)d =fed | (c>d)c edc | Bcd He2G | (G3 HF2)d |\ d2d dgd | e2e ege | dBd cBA | g6- |\ g2g (d/c/B) A | G2z z2 :| %%sep 2 1 500 %%sep 1 1 500 X:10712 T: LADY MONTGOMERY'S REEL %R: reel, strathspey B: "Edinburgh Repository of Music" v.1 p.71 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The purpose of the single initial segno isn't obvious. M: C| L: 1/8 K: D |: !segno!\ d2d>A F>GAF | d2d>B c>def |\ d2d>A FGAF | E<ee>d cdef :|\ d<d a>d fda2 | d<d a>d fgab | d<d a>d fdaf | gfed ceef |\ d<d a>d fda2 | d<d a>d f>ga>b |\ af g>e f>d e>c | d>B A>F Eeef |] %%sep 2 1 500 %%sep 1 1 500 X:10721 T: SOLDIER'S ADIEU Q: "Slow" %R: air B: "Edinburgh Repository of Music" v.1 p.72 - p.73 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Expanded the "shake" notation in bars 20, 22, 26 for ABC software that can't handle it. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 formatted for 4 lines at a small scale. V: 1 clef=treble d2 |\ g3 f agfe | {e}d3 c B3 c |\ d2 dz Bz Gz | Fz Az D2 d2 |\ g3 f agfe | {e}d3 c B2 Bc/d/ |\ {d}c3 B BAGF | G3 A G2 G2 |\ B3 B d3 d | g2 g2 B2 B/d/g/b/ |\ a2 d2 d2 ^c>d | d2 d>d d2 d2 |\ d3 c Bcde | =f3 F {F}E3 e | e3 d ^cdef | g3 G F2 d2 |\ {a}g2 fe {e}d3e/c/ | B>c A>G G3 G |\ B2 G2 d4 | dedc B>dd>g |\ g3 g B3 c | d2 B2 e4 |\ ed/c/ {B}A>G {G}HF2 d2 | g3 d a2 d2 |\ b2 g2 d2 Hzd | b3 a g3 f |\ {f}e3 d c3 B | {B}A2 Bc d2 d2 |\ B2 G2 z2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=treble z2 |\ G3 A Bedc | B3 A G>AB>c | d2 dz Bz Gz | Fz Az D2 d2 | G3 A B2 c2 | B3 A G2 GA/B/ | E4 D4 | G3 A G2 G2 | G4 F4 | E4 G2 G2 | F2 G2 AFEG | F2 F>F F2 B2 | B3 A GABc | d3 D C3 A | ^c3 B ABcd | e3 E D2 d2 | Gedc B3A | G2 F2 G2 G2 | GGGG FFFF | FcBA GGFF | EEEE G3A | B2G2 c4 | cE E2 HD2 d2 | BBBB dddd | g2 G2 D2 Hzd | g3 f e3 d | {d}c3 B A3 G | F2 GA D2 DD | G2 G2 z2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10741 T: OH NANNY WILT THOU GANG WITH ME Q: "Andantino Affettuoso" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.74 - p.76 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The "Bis:" notation to repeat measure 25 was transcribed as two identical measures. M: C L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V:1 clef=treble A3B |\ (cf3)(ed3) c4 (A3B) | (c3d) c3A G4 {d}c3E | (GF2)z z2F2 F6 A2 | (G3dc2B2) {B}A4 (A3B) | (cf3) (ed3) c4 (A3B) | (c3d) (cA3) G4 (d3E) | F6 F2 F6 A2 | G4({AG} A2B2) {B}A4 z2c2 | f3(ga2a2) (g2e2) z2c2 | (d2e2f2).f2 {f}e4 z2c2 | a4 (gf)(ed) g6 af | e4 (gf)(ed) c4 z4 | %p.75 (d3e) f2f2 (e2c2) z2A2 | (B3cd2).d2 (c2A2) z2F2 | B6 (AG) A2f2 z2!f!c2 | .B2.A2.G2.F2 Hc4 z4 | (d3e) f2f2 (e2c2) z2A2 | (B2c2d2).d2 (c2A2) z2F2 | B6 (AG) A2f4 (ed) | (dc)(BA) (cB)(AG) F4 z2c2 | {d}c=Bcd c2_B2 A2f2 z2c2 | {d}c=Bcd c2_B2 A2f2 z2c2 | (cdef) (g2ab) afz2 dBz2 | G2(B>d) c3B (B4 A2)c2 | ({d}c=Bcd) c2_B2 A2f2 z2c2 | ({d}c=Bcd) c2_B2 A2f2 z2c2 | (cdef) (g3a/b/) (af)z2 (dB)z2 | "Adagio."A2 {c}B4 {A}TG2 {FG}F4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V:2 clef=treble F3G |\ (Ad3)(c3B) A4 (F3G) | (A3B) (A3F) E4 z4 | z2{d}c2{e}d2B2 c4 {B}A2{G}F2 | (E2B2A2G2) {G}F4 F3G | (Ad3) (cB3) A4 F3G | A3B AF3 E4 z4 | z2f2e2d2 {d}c4 {B}A2{G}F2 | E4 {FE}F2G2 {G}F4 z4 | z2c2f2f2 e2c2 z2A2 | (=B3cd2)d2 {d}c4 z4 | z2f2 d2A2 =B4 {cd}c2fd | c4 (ed)(c=B) c4 z4 | % p.75 =B3c d2d2 c4 z2F2 | G3AB2B2 A2F2 z4 | z2G2G2 (FE) F2A2 z2!f!c2 | B2A2G2F2 HE4 z4 | =B3c d2d2 c4 z2F2 | G2A2B2B2 A2F2 z4 | G6 (FE) F2c2 d2cB | (BA)(GF) (AG)(FE) F4 z2A2 | ({B}AGAB) A2G2 F2A2 z2A2 | ({B}AGAB) A2G2 F2A2 z2A2 | (G2cd) (e2fg) fAz2 BGz2 | E2GB A3F G4 F2A2 | {B}AGAB A2G2 F2A2 z2A2 | {B}AGAB A2G2 F2A2 z2A2 | G=Bcd (e3f/g/) fAz2 BGz2 | "^Adagio."F2 {A}G4 {F}TE2 {DE}F4 |] % - - - - tune continued onto next page - - - - % % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10762 T: Mrs Mc DOWALL GRANT'S STRATHSPEY Q: "Slow and Distinct." %R: strathspey B: "Edinburgh Repository of Music" v.1 p.76 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: F B |\ (A/B/c) (.c.c) | B<d Td2 | (A/B/c) AF | E>G G>B |\ AB/c/ (.c.c) | (B/c/d/e/) fd | cABG | {E}F2 F :| f |\ Tg2 {fg}ae | fcf>a | ({a}gf/g/) af | egga |\ Tg2 {fg}ae | fc {g}fe/d/ | cABG | {E}F2 F || f |\ Tg2 {fg}ae | fcfa | {a}Tg2 {fg}af | eg Tgf/g/ |\ afdf | ecfd | {d}cB/A/ {c}BA/G/ | {E}F2 F |] %%sep 2 1 500 %%sep 1 1 500 X:10771 T: HENRY'S COTTAGE MAID C: Pleyel Q: "Andante Pastorale" %R: jig, air B: "Edinburgh Repository of Music" v.1 p.77 - p.78 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G [|\ !p!"^Sy."B3 (Bc)A | d3 B2B | B3 (Bc)A | G3 D2z |\ !f!(e2f {a}gfe) | d3 B2G | A2B {d}cBA | GGG G2z |\ "^So."B3- BcA | d3 B2B | B3- BcA | G3 D2z | e2f {a}gfe | d3 B2G | A2B cBd | (B3 A2)z |\ B3- BcA | d3 B2B | B3 BcA | G3 D3z |\ e2f {a}gfe | d3 B2G | A2B cBA | "^Sy."[GG2]g/a/b/a/ gg/a/b/a/ | ggg g2"^So."d | A2B {d}cBA | (B3 d2)B | A2B {d}cBA |\ [GG2]"^Sy."G/A/B/A/ GB "^So."d | A2B {d}cBA | B3 dBG | FAd GFE |\ D6 | B3- BcA | (d3 B2)z | B3- BcA | G3 D3 | e2f {a}gfe | d4 "^Express."zB | A2B {d}cBA |\ G3 G2"^Sy."g | f2g agf | g2b g2b | f2g agf |\ g2b g2b | gBA GGG | G4 z2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10782 T: TOM BOWLING Q: "Andante" %R: march, reel B: "Edinburgh Repository of Music" v.1 p.78 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The next-to-last bar has 3 beats rather than 2. M: 2/4 L: 1/16 K: F c2 |\ f2f2 B2(dc) | c3d/B/ (BA) (GF) |\ B2A2 (d2cd/B/) | A3B/A/ G2c2 |\ f2f2 B2d>c | (c3d/B/) (BA) GF |\ B2A2 G3A | F4 z2F2 |\ c3c d2e2 | f2{a}g2 (fe)(dc) |\ f3f {e}d2 c2dB | A3B/A/ G2c2 |\ f2f2 B3d/c/ | c2dB BA GF |\ B2A2G2A2 | B3c/d/ c2 zB |\ (Ac) (fa) {a}g4 {f}e4 | {e}f4 z2 |] %%sep 2 1 500 %%sep 1 1 500 X:10791 T: The LASS OF PEATIE'S MILL T: The Lass of Patie's Mill N: Spelled "Lass of Patie's Mill" in the index, and in most other collections Q: "Andante" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.79 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A>G |\ F2(E>D) (F>G)A2 | (d3e) f2zA |\ (Bc)(dA) (BAGF) | {F2}E4 z2A>G |\ F2(E>D) (F>G)A2 | (d3e/f/) A2zd |\ (B>cd)B (c>def) | d6 :| |: f2 |\ (gf)(ed) c2BA | d3e f2zA |\ (B>cd)A (BAGF) | {F2}E4 z2fg |\ (a/g/f) (g/f/)e (fd)(Bg) | {f2}e4 z2(GF) |\ G2(AB) A2c2 | d6 :| %%sep 2 1 500 %%sep 1 1 500 X:10792 T: The WELCH HARPER Q: "Andantino" %R: jig, waltz B: "Edinburgh Repository of Music" v.1 p.79 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: Bb FFF |\ B2B (cBc) | d3 (fed) | dcB ABG | F3 FFF |\ B2B cBc | d2d (fed) | dcB (ABG) | F3 :|\ |: cfc | (cB)A (GA)B | A2F c2c | dcd =ede | Hf2F edc |\ B2B (edc) | B3 FGA | B2c (de)c | {FBd}Hf3 FGA |\ B2(d/f/) edc | B3 |] %%sep 2 1 500 %%sep 1 1 500 X:10801 T: MAGGY LAUDER Q: "Lively" %R: march, reel B: "Edinburgh Repository of Music" v.1 p.80 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D |:\ d3e d2f2 d2e2d2f2 | e2f gfed c4 e3g |\ f2d2d2d2 d3ed2f2 | a3b a2g2 f4 a4 | g3ag2b2 f3gf2a2 | e3f (gf)(ed) c4 e4 |\ (dc)(BA) (BA)(GF) (GF)(ED) E3g | fga2 e3f d4 D4 :| |:\ fga2 d3g fgaf d3f | e3f (gf)(ed) c4 e4 |\ fga2 d3g fgaf defg | a3b abag f4 a4 | ~g3a g2b2 f3g f2a2 | e3f (gf)(ed) c4 e4 |\ (dc)(BA) (BA)(GF) (GF)(ED) E3g | (fga2) e3f d4 D4 :| %%sep 2 1 500 %%sep 1 1 500 X:10802 T: GUDE NIGHT AND JOY BE WI' YOU A' %R: reel B: "Edinburgh Repository of Music" v.1 p.80 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Dropped extra c note in bar 4. M: 2/4 L: 1/16 K: C ed |\ c2c2G3c | A2A2 a3g | egag egag | e2c2c2ed |\ c2c2 G3c | A2A2 a3g | egag egag | e2c2c2 :| |: e2 |\ dcde d2cA | GAcd e2dc | d3e fefg | a2d2d3e |\ fefg a2gf | edef g2fe | dega gede | c2A2A2 :| %%sep 2 1 500 %%sep 1 1 500 X:10811 T: LADY CHARLOTTE DURHAM Q: "Slow with Express." %R: strathspey B: "Edinburgh Repository of Music" v.1 p.81 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: G D2 |\ GG3 gg3 g3d B2G2 | G2G2 ~G2AB ~E6 FG |\ .D2.D2 D3E2F3G2 A3B2 | {d}"_sf"c3A2 {c}B3G2 (BA)(GF) E2A2 |\ GG3 gg3 g3d2 B2G2 | G2G2 ~G2AB ~E6 FG |\ .D2.D2 D3E2 F2G2A2B2 | (c3d/e/) d2F2 G6 :|\ |: Bc |\ d2d2 d2g2 (.d2.d2.d2) Bc | d2d2 (e2g2) d6 Bc | d2d2 {d}b3a2 {a}g3f2 {f}e3d2 | {d}c3B2 A3G2 {G}F2E2F2D2 |\ GG3 gg3 (gb)(af) (gd) (BG) | G2G2 ~G2AB ~E6 FG |\ D2D2 D2E2 ~F3G2 A3B2 | c3d/e/ d2F2 G6 :| %%sep 2 1 500 %%sep 1 1 500 X:10812 T: CAULD KAIL IN ABERDEEN Q: "Andante" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.81 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G G2 |\ B3dg2e2 | d2B2 A2 zG | B3d efge | d4 G2 :|\ |: d2 |\ g3ab2g2 | a2f2e2d2 | g3ab2g2 | a3f d2z2 |\ g3ab2g2 | c'3a Hf2 a/g/f/e/ | d3B g3e | d4 G2 :| %%sep 2 1 500 %%sep 1 1 500 X:10821 T: LADY CHARLOTTE BRUCE'S STRATHSPEY Q: "Slow" %R: jig, strathspey B: "Edinburgh Repository of Music" v.1 p.82 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F B |\ A2c (A/B/c).A | B2d G2B | A2B {d}cAF | TE2F G2B |\ A2c (A/B/c).A | TB2d GAB | (cA).F (BG).E | F3 F2 :| f |\ (e/f/g)e f2c | d2e f2a | {a}gfg a2f | Te2f g2a |\ (e/f/g)e f2c | {Bc}d2B Acf | (cAF) (BGE) | F3 F2 || f |\ (e/f/g)e f2c | d2e f2a | {a}gfg a2f | e2f (gab) |\ afc def | {d}cBA TB>cd | (cA).F (BG).E | F3 F2 |] %%sep 2 1 500 %%sep 1 1 500 X:10822 T: OVER THE WATER TO CHARLIE %R: jig B: "Edinburgh Repository of Music" v.1 p.82 #2 - p.83 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: D |:\ D2A- AFA | (B/c/d).F E2D | (DF)A (AF).A | B>AB def |\ DFA AFA | B>cd AFD | dfd ecA | B3 {AB}d3 :| |:\ dfd ecA | {Bc}d2F E2D | dfd ecA | TB3 {AB}d2A |\ dfd ecA | {Bc}d2F E2D | D2A AFA | B3 d2A | dfd ecA | B>cd AFD | dfd ecA | TB3 {AB}d2f/g/ |\ agf edc | d>cB AFA | DFA AFA | BAB Hd3 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10832 T: GREEN GROWS THE RASHES %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.83 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G A |\ G<G B>A BGGB | A<A e>d eA A>B |\ c2 ce (dc)(BA G)>B | A>c B>A GE E :| |: A |\ G<G g>f gddg | e<e a>g aeef |\ g>a g>e (dc)(BA G)>B | A>c B>A GEE :| %%sep 2 1 500 %%sep 1 1 500 X:10841 T: KITTY TIRROLL O: Irish Q: "Slow" %R: air, waltz B: "Edinburgh Repository of Music" v.1 p.84 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G G>E |\ (D2 E2) G2 | ~G4 GA | B2 (g2 f2) | {f}e4 (fg) |\ (ed) (cB) (AG) | G4 GA | ~B2 (cB)(AG) | E4 G>E | (D2 E2) G2 | TG4 GA | (B2 g2) f2 | {f}e4 (fg) |\ (ed) (cB) (AG) | G2 E2 (G/A/B) | {B}A2 G2 G2 | G4 :| |:(d/e/f) |\ (g2 f2) g2 | e2 f2 g2 | a2 (gf) Te>d | d4 d/e/f |\ g2 f2 g2 | d2 (ed) (cB) | B2 ((3GAB) ((3BAG) | E4 GE | D2 E2 G2 | TG4 GA | (B2 g2) f2 | {f2}e4 (fg) |\ (ed) (cB) (A>G) | (G2 E2) (G/A/B) | {B}A2 G2 G2 | G4 :| %%sep 2 1 500 %%sep 1 1 500 X:10851 T: PADDY WHACK %R: jig B: "Edinburgh Repository of Music" v.1 p.85 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G G |\ GBd g>fg | (ed)c (cB)A | GBd efg | fdd d2d |\ ece efg | dBG {B}A2G | GAB cAd | BGG G2 :| |: c |\ BdB cec | dBG {B}A2G | GBd efg | fdd d2d |\ ece efg | dBG {B}A2G | GAB cAd | BGG G2 :| %%sep 2 1 500 %%sep 1 1 500 X:10852 T: MISS DRUMMOND OF PERTHS STRATHSPEY R: strathspey B: "Edinburgh Repository of Music" v.1 p.85 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Am % Actually Adorian a |\ A<Ae>d B<de2 | d<gB<g d<gBG |\ A<Ae>d Bdeg | a>eg>B {B}A2A :|\ g |\ a<ae<a c<ae2 | g<gdg B<gd2 | a<ae<a c<ae>(g | a)>eg>B {B}A2Ag |\ a<ae<a c<ae^f | g<gd<g B<gd<g |\ a<a e<a g<be>(g | a)>eg>B {B}A2A |] %%sep 2 1 500 %%sep 1 1 500 X:10861 T: KEMPSHOTT HUNT %R: march, reel B: "Edinburgh Repository of Music" v.1 p.86 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: A f |\ e2ce | {d}cB/A/ ce | ce (d/c/)(B/A/) | dBBf |\ e2ce | {d}cB/A/ ce | cedf | eAA :|\ |: B |\ (3(ABA) e>c | f>de>c | (3ABA ec | dBBc | (3ABA e>c | fded | cedf | eAA :|\ |: e |\ {g}a2ec | {g}a2ec | {g}a2ec | dBBg |\ {g}a2ec | {g}a2fd | cedf | eAA :| %%sep 2 1 500 %%sep 1 1 500 X:10862 T: The LAKES OF KILLARNEY O: Irish Q: "Slowish" %R: jig B: "Edinburgh Repository of Music" v.1 p.86 #2 - p.87 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Bb B/c/ !segno!|\ {Bc}d.B.B Tc.B.B | fdg fdb |\ gcc Tc>de/f/ | gec c2B/c/ |\ {Bc}dBB TcBB | (fdb) Hbag |\ {g}fe/d/c/B/ fdB | GFB HB2 :|\ |: d/e/ |\ (f/g/)f/d/b f/g/f/d/b | gcc Tc>de/c/ |\ (f/g/f/)d/b f/g/f/d/b | TGFB TB2d/e/ |\ (fdB) ({B}fdB) | fgg Tg>ab | (fd).B (fd).B | ecc c2d/e/ |\ (fd).B (fd).B | fga Hb2a/g/ |\ fdB fdB | (cc/d/)e/c/ Hg2f/"_D.C."e/ !segno!|]\ d/B/ |\ (F_A).A (GB).B | A/(F/G/A/)F B2(d/B/) |\ (F_A).A (GB).B | A/F/G/A/F B2B/c/ |\ dBF dBf | dBB e(f/e/d/)c/ |\ dBF dBf | dBB "_D.C.al Segno"He2f/e/ !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10872 T: Mrs Mc LEOD OF ELINREOCH'S STRATHSPEY %R: strathspey B: "Edinburgh Repository of Music" v.1 p.87 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D A2 |\ d3gf2e2 d3BA2d2 | dF3d3F B2E2E2B2 |\ d3ef2d2 fa3ef3 | dcBA {c}d2F2 DDD2 D2 :|\ d/c/B |\ A2D2A2F2 A2D2D2d2 | BABc d2F2 B2E2E2d2 | AD3A3F A2D2D2d2 | BABc d2F2 DDD2 D2d2 |\ AD3AF3 A2D2D2d2 | BABc d2F2 B2E2E2d2 |\ AD3A3F DEFG A2g2 | f3de2d2 ddd2 d2 |] %%sep 2 1 500 %%sep 1 1 500 X:10881 T: NANCY DAWSON Q: "Slowish" %R: air, jig B: "Edinburgh Repository of Music" v.1 p.88 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: D |:\ d2d ~d2f | {f}a2f d2f | e2e ~e2f | {f}e2d cBA |\ d2d ~d2f | "_sf"a2f d2f | fed cdB | A3 A3 :| |:\ e2e ~e2f | {f}e2d cBA | a2a a2b | {b}a2g fed |\ g2f g2a | b2c' d'2c'/b/ | bag fge | d3 d2f | e2e ~e2f | {f}e2d cBA | a2a ~a2b | bag fed |\ g2f g2a | b2c' Hd'2c'/b/ | (abg) (fg).e | d3- d3 |] %%sep 2 1 500 %%sep 1 1 500 X:10882 T: THERE'S NAE LUCK ABOUT THE HOUSE Q: "Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.88 #2 - p.89 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: D A/B/c |\ ~d3ed2A2 (B2d2) e2g2 | {g}f3e d2A2 B4 B2 A/B/c |\ d3e d2A2 B2d2 e2g2 | {g}f3e d2B2 {B}A4 A2 :| g2 |\ ~f3g a2f2 g2e2e2g2 | ~f3g a2d2 {d}B2 B3g |\ ~f3g a2f2 g2e2e2g2 | {g}f3e d3B A4 A3g | ~f3ga2f2 g2e2e3g | ~f3g a2b2 B4 B3g |\ f3g a2f2 b2e2He3g | !p!{g}f3e d3B {B}A4 A2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10892 T: The WEARY PUND O' TOW Q: "Very Slow" %R: air, waltz B: "Edinburgh Repository of Music" v.1 p.89 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D A |\ d>d d3 d | (3(def) e3d |\ c>d "_sf"g3 f | (fe) z3 a |\ d>d d3 d | (3(def) {f}e3 d |\ c>d e2 f2 | d4 z :| g |\ ~f>g a2 z>d | g>a b2 zd |\ c>d g3 f | (fe) z3(3(a/b/c'/) |\ d'>d' {d'}c'3 b | aa Hd'3 d |\ c>d e2 f2 | d4 z || g |\ ~f>g a2 z>d | ~f>a b2 z>d |\ c>d "_sf"g3 f | fe z3(3(a/b/c'/) |\ d'>d' {d'}c'3 b | a{ba^g}a Hd'3 d |\ "_ad lib:"A>d f2 Te>>d | d4 z |] %%sep 2 1 500 %%sep 1 1 500 X:10902 T: The MAID OF ISLA Q: "Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.1 p.90 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: F A2 |\ (.F2.F2) c3A Tc3dc3A | (.F2.F2) c3A d3c A4 |\ F2~F2 c2A2 Tc3dc2A2 | d3e{e}f3d c2A2 G2 :| c2 |\ Tf2g2f2d2 Tc3dc2A2 | Tf3gf2d2 (c2d2)A2c2 |\ f3gf2d2 c2d2c2A2 | d3e{e}f2d2 c2A2G4 | Tf3g (gfe)d ~c3d (dc)(BA) | ~f3a (gf)(ed) c2a2A3c |\ ~f3gd3f c3dHf3g | (ag)(fe) (gf)(ed) (dc)(BA) G2 |] %%sep 2 1 500 %%sep 1 1 500 X:10911 T: The FLOWERS OF EDINBURGH %R: reel B: "Edinburgh Repository of Music" v.1 p.91 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G D2 |\ D3E G3A | (BG) (dG) {c}B2AG |\ F3E D>E F>G | A<F d<F E3F |\ D3E G3A | B>ABd e2 (e/f/g) |\ (cB) (AG) {B}A2 (GA) | B2A>G G2 :|\ |: (d/e/f) |\ (g>f)(ga) gbag | f>efg fagf | (e>def) (gf)(ed) | B2e>f e2 (e/f/g) |\ {c}B2AG d2(cB) | edef Hg3 {ab}B |\ (cB) AG A2GA | B2 TA>G G2 :| %%sep 2 1 500 %%sep 1 1 500 X:10912 T: LANGOLEE O: Irish Q: "Slow" %R: jig B: "Edinburgh Repository of Music" v.1 p.91 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added initial rest to 2nd strain to fix the rhythm; A also works. M: 6/8 L: 1/8 K: G D |\ DEF GAB | c>ed cBA |\ BGE DEG | B>cA G2 :|\ |: z |\ B2c d2d | ece dBG | Bcd efg | GAG GED |\ cec BdB | AGA BGE |\ GFE Ddc | BcA G2 :| %%sep 2 1 500 %%sep 1 1 500 X:10921 T: MAJOR GRAHAM OF INCHBRAKIE Q: "Slow" %R: reel, march B: "Edinburgh Repository of Music" v.1 p.92 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: C L: 1/8 K: G G |\ D>EGG ~G2 g>e | dB A>G A3 B |\ D>EGG G2 g>e | dB G3 :|\ |: d |\ g>agf edeg | dagf e>de<g | dagf e>deg | e/d/c/B/ c/B/A/G/ A3 B |\ D>EGG G2 g>e | dB G3 |] %%sep 2 1 500 %%sep 1 1 500 X:10922 T: The FIFE HUNT %R: reel B: "Edinburgh Repository of Music" v.1 p.92 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G g |\ fdd2 AFTF2 | Ee2^d e2eg |\ fd dd AFF2 | Dd2c d2-d :|\ g |\ f>da>d bdad | Ee2(^d e2)e>g | fdad bdad | Ad2c d2d(g |\ f)dad bdad | Ee2^d e2eg |\ fada gbeg | Ad2c d2d |] %%sep 2 1 500 %%sep 1 1 500 X:10931 T: PADDY O' RAFFERTY O: Irish Q: "Allegretto" %R: jig B: "Edinburgh Repository of Music" v.1 p.93 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A B |\ (A/B/c).E E>FE | Edc TBAB | (A/B/c).E E>FE | (Ac.B) AF.B |\ (A/B/c).E E>FE | (Edc) d>ef | ecA TB>cd | cd.B (AF).B :| |:\ (Ac).e (Ac).e | Ace fdB | Ace f>ga | A<cB AFB |\ (Ac).e (Ac).e | Ace efg | aga ecB | AcB AFB :| %%sep 2 1 500 %%sep 1 1 500 X:10932 T: MARCH IN THE BATTLE OF PRAGUE R: march B: "Edinburgh Repository of Music" v.1 p.93 #2 - p.94 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F |:\ f2f>f f2 g/f/e/d/ | c2c>c c2a>f | d2b>g e2g>e | f2f>f f2a>g |\ g2e>f gg ag | f2de ff g>f | {f}ed/e/ {g}fe/d/ c2=B2 | c2c>c c2z2 :| |:\ c2c>d e>fg>a | b2gb a2fa | c'>af>a b>ga>f | g2c>c c2A>B |\ c2d>e f2a>f | d2b>g a2 (3cfa | c'>aff agfe | f2f>f f2z2 :| % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10942 T: The ORIGINAL SET OF KILLECRANKIE Q: "Very Slow" %R: march, strathspey B: "Edinburgh Repository of Music" v.1 p.94 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> %U: Q=!diminuendo(! %U: q=!diminuendo)! M: C L: 1/16 K: D FG |\ A3BA2F2 (AF).A.B A3F | (AG)(FE) (DE).F.G TA4 A2FA |\ ~B3dB2AB d2B2B2 A/B/c | d3e {de}f2ed B4 B2fa | b2af a2fe {g}f2ed e2f2 | d3B (AB).d.F A4 A2dc |\ B2AB d2Bd .e.e {e}f3e | {c}d3B AB.d.F TE4 D2 :| |: fg |\ a2ba2f2 afab {b}a3f | (ag).f.e (de).f.g a4 a2fa |\ b3d' b2a2 babd' b2a2 | b2af e2fa b4 b2fa | (ba).f.b (af).e.a (gf)(ed) e2f2 | ~d3B (AB)d.F {F}A4 A2dc |\ B2AB d2Bd (.e2.e2) {e}f3e | {c}d3B (ABdF) TE4 D2 :| %%sep 2 1 500 %%sep 1 1 500 X:10951 T: The BOLD DRAGOON Q: "Allegretto" %R: march B: "Edinburgh Repository of Music" v.1 p.95 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D A |\ Addd | d2df | {f}e>def | d2d>e |\ f>gfe | eddB | AFdF | {F}E2A>G |\ F>GFE | F>EFA | D>ED>F | AF F/<Hd/ d/e/ |\ f>d e>c | d2d>c | B2B2 | BAFA |\ d2DF | A2A2 | B>cdB | A>F D |] %%sep 2 1 500 %%sep 1 1 500 X:10952 T: LADY CHARLOTTE CAMPBELLS STRATHSPEY Q: "Slowish" R: strathspey B: "Edinburgh Repository of Music" v.1 p.95 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G c !segno!|\ {Bc}d>cBG A>cB>c | {Bc}d>cBG EAFD |\ {Bc}d>cBG Ac Bc/d/ | ecAF G2G :|\ d |\ g/f/g/a/ gd Bgdg | {a}gf/e/ f>g aAAf | (g/f/g/a/) gd BgdB | e>cAF {F}G2Gd |\ g/f/g/a/ gd Bgdg | {a}gf/e/ Tf>g aAAf |\ gdbf gdec | BdDF G/F/G/A/ B/A/B/c/ !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:10961 T: ALLY CROAKER %R: march B: "Edinburgh Repository of Music" v.1 p.96 #1 - p.97 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 clef=treble A |\ d2d>d | d3d | edcd | e>fga |\ fddd | d3d | edcd | e>fgz |\ {ga}a2aa | a3a | bagf | e>fgz | {ef}g2gg | g3g | agfe | d>ef2 |\ d>dd>d | c3d/c/ | B3c/B/ | A2A2 |\ g>ggg | Hg2fe | fdge | c2d |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=treble z |\ F2FF | F3F | cBAB | c>def | dFFF | F3F | cBAB | c>dez | {de}f2ff | f3f | gfed | c>dez | e2ee | e3e | fedA | F>Ad2 | B>BB>B | A3B/A/ | G3A/G/ | F2F2 | e>eee | He2dA | AFBG | G2F |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:10972 T: Mrs WEMYSS OF CUTTLEHILL'S STRATHSPEY Q: "Moderato" %R: strathspey, reel B: "Edinburgh Repository of Music" v.1 p.97 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 2/4 L: 1/16 K: Gm |:\ {A}B2G2G2G2 | (D2G2)G2G2 | B2G2G2B2 | d4 (dedc) |\ B2G2TG3F | D2G2G2AB | A2F2F2A2 | c4 dcBA :| |:\ TB3cd2d2 | {^f}g2d2d2d2 | B3cd2d2 | g3a {ga}b2 |\ BABc dcd=e | f2c2c3B | A2F2F2A2 | c4 (dcBA) | B3cd2d2 | {^f}g2d2d2d2 | BABc d2d2 | g2d2g3a |\ (b3g) (a3^f) | g3d =f3c | A2F2F2A2 | c4 (dc.B).A |] %%sep 2 1 500 %%sep 1 1 500 X:10981 T: FAREWELL TO WHISKY Q: "Slow" %R: reel, air B: "Edinburgh Repository of Music" v.1 p.98 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D F2 |\ D4 dcdf e2B2 ~B3d | D3d {f}edef a2f2~f3a |\ b2(c'd') (bagf) (gfed) (e2f2) | D3d (fe.d).e f2d2d2 :| b2 |\ {b}a3fd'3f (gfe)d ~e2f2 | a2f2d'3f a2d'2(d'3a) |\ b2d'2 {b}a3f (gf)(ed) (e2f2) | D3d (fe.d).e f2d2d2b2 | {b}a3f{f}d'2f2 (gf)(ed) e2f2 | a2f2d'3f a2d'2(d'3a) |\ b2d'2~f3a (gf)(ed) e2f2 | D3d (fe.d).e {de}f2d2d2 |] %%sep 2 1 500 %%sep 1 1 500 X:10982 T: AIKEN DRUM Q: "Slowish" %R: march B: "Edinburgh Repository of Music" v.1 p.98 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bar 10 changed to be like bar 14, to fix the missing beat. M: C L: 1/8 K: G G>A |\ B4 B2AB | c4 c2BA | B4 d2cB | {B}A>GA>B A2GA |\ B4 B2 A>B | c4 c2BA | (B2d2) A2B2 | {F}G4 G2 :| |: GA |\ B2B2 B2{B}A>G | E2E2- E2GE | {E}D2D2 D2EG | {B}AGAB A2GA |\ {G}B2B2 B2AG | E2E2- E2GE | D2D2 DEGB | {B}TA4 G2 :| %%sep 2 1 500 %%sep 1 1 500 X:10991 T: The HIGHLAND WATCH Q: "Very Slow" %R: air, march B: "Edinburgh Repository of Music" v.1 p.99 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Am e |\ c<AA>B cAAe | c>A G>E G2 G>e |\ c<AA>B cAA>B | c>dec A3B | c>de>d e>dc>d | e>d cE G2G c/B/ |\ A>B c>d edca | {a}g>e {e}d>c A2A :| a/b/ |\ {ab}c'aab c'aae' | c'a ge g2 ga/b/ | c'aab c'aa>b | c'>d'e'>c' a2 a>b | c'>d' e'>d' e'>d' c'd' | e'>d' d'/c'/b/a/ {a}g2 gc'/b/ | ~a>b ~c'>d' e'c'd'e' | c'>a b>^g {g}Ta2 a>b | c'a a>b c'aae' | c'>a (a/g/f/e/) g2 ga/b/ | c'aa>b c'a ae/^g/ | a>e=gB A2 AB | c>deg e>dcd | e>d cE G2 Gc/B/ | ~A>B ~c>d e>dca | g>e {e}d>{c}B A2 A |] %%sep 2 1 500 %%sep 1 1 500 X:11001 T: ADESTE FIDELES OR THE PORTUGUESE HYMN Q: "Andante" %R: march B: "Edinburgh Repository of Music" v.1 p.100 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added rest to fix the rhythm mismatch between the strains. M: 2/4 L: 1/8 K: A A |\ A2EA | B3E3 | cBcd | c2BA |\ A2GF | GABc | G2TF>E | D3 |] z | e2dc |\ d2c2 | BcAB | G2{F}EA !segno!| AGAB |\ A2Ec | cBcd | c2Bc | dcBA |\ G2AB | c2TB>A | A4 !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:11002 T: POOR MARY ANN O: Welsh %R: air B: "Edinburgh Repository of Music" v.1 p.100 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: This is the tune to the lullaby "All Through the Night". M: 2/4 L: 1/8 K: C [|\ c>B Ac | d>cBG | A2B>B | c4 |\ c>BA>c | d>c BG | A2B>B | c4 |]\ .f.e.f.g | agfe | fedc | edcB |\ c>BAc | d>cBG | A2B>B | c4 |] %%sep 2 1 500 %%sep 1 1 500 X:11011 T: MY LOVE IS BUT A LASSIE YET %R: march, air B: "Edinburgh Repository of Music" v.1 p.101 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G ef |\ g2G2B2d2 | g2G2G2ef | g2G2B2d2 | a2A2A2ef |\ g2G2B2d2 | e2c'2b3a | (gf).e.d e2f2 | g2G2G2 :| |: bc' |\ d'2b2c'2a2 | b2g2g2bc' | d'2b2c'2b2 | a2A2A2bc' |\ d'2b2c'2a2 | b2g2Ha3f | gfed e2f2 | g2G2G2 :| %%sep 2 1 500 %%sep 1 1 500 X:11012 T: DELVIN SIDE. A Strathspey R: strathspey B: "Edinburgh Repository of Music" v.1 p.101 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The grace notes at the start of the 2nd bar are actually before the bar line. M: C L: 1/16 K: Edor |:\ E3e dBAB d2E2 TB4 |{AB}d3E dBAB dD3A3F |\ E3e dBAB d2E2E3g | (gf).e.d (fe).d.c d2D2 (A2GF) :| d3EB3E d3E BAGF | d3EB3E d3E BAGF |\ d3EB3E e2E2E2g2 | (gf).e.d (fe).d.c d2D2A3F | d3EB3E d3E BAGF | d3EB3E d3E BAGF |\ d3EB3E e2E2E2g2 | .f.a.g.f .e.g.f.e d3D BAGF |] %%sep 2 1 500 %%sep 1 1 500 X:11021 T: The COUNTESS OF SUTHERLAND'S REEL %R: reel B: "Edinburgh Repository of Music" v.1 p.102 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D f |\ d2Ad BdAd | GdFd Ee-ef |\ d2Ad Bbag | faeg fd-d :|\ a/b//c'// |\ d'afa gbeg | fadf eA-Aa/b//c'// | d'afa gbeg | faeg fd-da/b//c'// |\ d'afa gbeg | fadf eAAa |\ (b>a)bc' d'bag | faeg fd-d |] %%sep 2 1 500 %%sep 1 1 500 X:11022 T: SICILIAN MARINERS HYMN Q: "Andante" %R: march B: "Edinburgh Repository of Music" v._ p.___ #_ F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: This is a version of the German Christmas carol "O du fr\:ohlich". N: The 2nd strain has initial repeat but no final repeat; not fixed. N: Changed 32nd-notes in bar 15 to 16th notes to fix the rhythm. M: 2/4 L: 1/8 K: F |:\ c2d2 | c>BAB | c2d2 | c>BA2 |\ c2cc | d2ef | e2Td>c | c4 :|\ |:\ G>AGA | B2B2 | ABAB | c2c2 |\ fedc | fdcB | A<c GA/B/ | B2A2 |\ fedc | fdcB | A2TG>F | F4 |] %%sep 2 1 500 %%sep 1 1 500 X:11031 T: KELSO RACES %R: jig B: "Edinburgh Repository of Music" v.1 p.103 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A |\ ~d>ed (fd).d | (ed).d (fd).d |\ Td>ed (fd).d | fdB B>AF |\ d>ed fdd | (ed).d (fd)d | d>ed {ef}g2e | fdB ~B2 !segno!:|\ |: d |\ (AF).A (A2B) | AFA A2B |\ AFA A2d | fdB ~B2d | AFA A2B | AFA A2d |\ BAB {ef}g2e | fdB ~B2 :|\ |: (A//B//c/) |\ df/g/a/f/ af/g/a/f/ | bg/a/b/g/ af/g/a/f/ | df/g/a/f/ af/g/a/g/ | fdB BAF |\ df/g/a/f/ af/g/a/f/ | bb/c'/d'/b/ af/g/a/f/ |\ ge/f/g/e/ af/g/a/g/ | fdB ~B2 !segno!:| %%sep 2 1 500 %%sep 1 1 500 X:11032 T: The BROOM OF COWDENKNOWS Q: "Slow" %R: air B: "Edinburgh Repository of Music" v.1 p.103 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The rhythm at the end is as written, which isn't quite correct (but it's a slow air). M: C L: 1/8 K: D D2 |\ D3 A A3 B | (AF) E>D D2 (d>A) | B2 (d>e) {de}f2 Te>d | B6 d2 |\ A>B d>e {de}f2 e>d | d2 D>E {G}F2 ED | G3A B>cdf | F4 E8 :| %%sep 2 1 500 %%sep 1 1 500 X:11041 T: The BOBBERS OF BRECHIN %R: reel B: "Edinburgh Repository of Music" v.1 p.104 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm g |\ dg~g^f g2d=f | cdfg dfcf | dgg^f Tg2dg | fdcA {A}G2GB | Gg g^f Tg2d=f | c>dfg afcf | d^fga bag=f | dfcA {A}G2G |] d |!f!\ BGdG BGd=e | f>dc>f AFcA | BGdG BGdg | fdcA {A}G2Gd | BGdG BGd=e | Tf>dcf AFcA | .G.A.B.c .d.=e.f.g | f>dc>A {A}G2G |] %%sep 2 1 500 %%sep 1 1 500 X:11042 T: I'LL MAKE YOU BE FAIN TO FOLLOW ME %R: jig B: "Edinburgh Repository of Music" v.1 p.104 #2 - p.105 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D D |\ .F/.G/.A.A d2f | eEE E2D | F/G/AA ded | Tc>Bc dAF |\ GeG FdF | eEE E2D | F/G/AA d2A | FDD D2G | F/G/AA d2f | eEE E2D | F/G/AA d>ed | cBc d2d |\ cBA BAG | FdF E2D | F/G/AA d2A | FDD D2 |] g |\ fab afd | g2f e2d | fab afd | afb afd |\ Tg>ab afd | g2f e2E | F/G/AA d2A | FDD D2g | fab afd | g2f e2d | fab afd | afb afd |\ gab afd | gaf eag | fdf geg | fdd d2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11052 T: MARCH IN BLUE BEARD %R: march B: "Edinburgh Repository of Music" v.1 p.105 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Voice overlay not used for the final alternative notes, which doesn't quite work. M: C L: 1/8 K: C |:\ g3f e2d2 | c4 d4 | (ed)(ef) {a}g2fe | d2d>d d2z2 |\ g3f e2d2 | c4 d4 | edef e2d2 | c2c>c c2"_Fine"z2 :| d3c B2c2 | d2z2 e2z2 | f3g agfe | d2d>d d2z2 |\ d3c B2c2 | d4 e4 | d2c2 B2A2 | G2G>G G2{GFED}"_D.C."z2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11062 T: RISING OF THE LARK O: Welsh %R: _ B: "Edinburgh Repository of Music" v.1 p.106 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 2/4 L: 1/8 K: F |:\ f2c>B | AfcA | .B.c.d.e |\ .f.e.f.g | a<f c>e | f2z2 :|\ |:\ a>g fa | g>feg | f>edf | ecc2 | a>g f/a/c'/a/ | g>f e/g/c'/g/ |\ f>e d/f/a/d/ | ec cA | .B.c.d.e |\ .f.e .f.g | a<f [c'c]>e | f2z2 |] %%sep 2 1 500 %%sep 1 1 500 X:11063 T: Mrs MORAY OF ABERCAIRNEYS STRATHSPEY %R: strathspey B: "Edinburgh Repository of Music" v.1 p.106 #3 - p.107 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Gm D |\ G>GB>G dGB<g | F<F A<F c>FA<f |\ G<G B>G d>GBg | f<dTc>A B>GG :|\ d |\ g<bdA | g<bdd |\ g<bdA |\ G<GB>G d<GB<g | f<dc>A B>GG |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11072 T: WHEN THE HOLLOW DRUM %R: march B: "Edinburgh Repository of Music" v.1 p.197 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: What do the "SO." and "Sy." annotations mean? M: C| L: 1/8 K: G [|\ "_So."GGGG G2B2 | A3G G4 |\ "_Sy."GGGG G2B2 | A3G G2z2 |\ "_So."BBBB B2d2 | c3c B2z2 |\ d2{f}e>d d2g>e | d2{f}e>d d2B2 |\ c2A2G2F2 | G3A G2z2 |\ d2e>dd2g>e | d2{f}e>d d2B2 |\ c2A2 G2F2 | G3A G2"_Fine."z2 |]\ b2g2 e2(fg) | a2f2 d2ef |\ g2e2 d2^c2 | d3e d2z2 |\ b2g2 e2(fg) | a2f2 d2(ef) |\ g2e2 d2^c2 | d3e dB=c"_D.C."A |] %%sep 2 1 500 %%sep 1 1 500 X:11081 T: FLOWERS OF THE FOREST Q: "Slow" %R: march, reel B: "Edinburgh Repository of Music" v.1 p.108 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Missing triplet '3' added here and there. M: C L: 1/8 K: C |:\ G2 G>A (3(GAc) (3(def) | e2 dc Ac (3(AGE) | (3DEG G>A (3GAc (3def | e2 d>c c3 :| c |\ _B2 (B/d/) (c/B/) A2 Ac | (Ge) d>c A>c A/G/ E | _B2 (B/d/) (c/B/) A2 Ac | (Ge) d>c c3 c | _B2 (B/d/) (c/B/) A2 (3GAc | g>e d>c (A<c) (3AGE | (3DEG G>A (3GAc (3def | e2 Td>c c3 |] c |\ e/f/g g>a g2 fe | eg {e}d>c A>c A/G/E | (eg) g>a {a}g2 fe | (d/e/)f d>c c3 c/d/ | (eg) g>a {a}g2 (fe) | ge dc A>c A/G/E | (3DEG G>A (3GAc (3(de)f | e2 Td>c c4 |] %%sep 2 1 500 %%sep 1 1 500 X:11082 T: The COTTAGERS DAUGHTER C: Hook %R: reel, march B: "Edinburgh Repository of Music" v.1 p.108 #2 - p.109 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D A2 |\ (A3B) A2d2 F4 A2F2 | E4 e3d (d2c2B2)A2 | (d3e) f2e2 d4 F2G2 | (A2d2) B2G2 (F3G/F/) E2A2 | A3B A2d2 F4 A2F2 | E4 e3d d2c2 B2A2 | A2d2 e2f2 e2^g2 Ha2d2 | c3d Bd ec A6 e2 | (d2c2) B2A2 (A2d2) d2e2 | f4 (gf) (ed) (~c3d) e2c2 | (d3e) f2c2 ~d3e f2B2 | B2g2 (fe) (dc) HB6 c2 | d4 d2d2 dfaf d2A2 | B2E2 E2F2 (G3A) B2^d2 | Te3^d e3d ~e3f g3f | (e2B2) (Bd) (eB) Hd4 Hc2A2 | d3e (dB) (AF) {F}E6 B2 | ~e3f (eB) (cd) d3e/d/ c2A2 | d4 f3g a4 (GF)ED | G3A B2e2 (d2c2) B2A2 | ~d3e f2g2 Ha3f Hd2B2 | (A3d) (ed)(ef) d4 z2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11092 T: SAVOURNA DELIGH, or ERIN GO BRAGH Q: "Slow %R: air, reel B: "Edinburgh Repository of Music" v.1 p.109 #2 - p.110 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A |\ d2 d>e (dc) cd | TB>A(B=c) ~BAF>d |\ AGFE D2FA | B>cTc2 d3A | (df) ad (cd/e/) dc | BAB=c TBAFd |\ A>B (A/G/).F/.E/ D2FA | B>cTc2 d3 :| |: A |\ d2~d>e f2ef | g2fe fdB>c |\ (df)ed (ce)dc | BAB{d}=c BAF>a | a2 (a/g/f/)e/ d2dc | TB>AFd Td>e {de}Hf2 |\ {edcB}A>B (A/G/)FE D2FA | B>cTc2 d3 :| % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11102 T: SIR WATKIN WILLIAM WYNNE Q: "Slowish" %R: waltz B: "Edinburgh Repository of Music" v.1 p.110 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G D2 |\ (G2B2)d2 | (B2G2).B2 |\ (AB)(cA)(BG) | A2F2D2 |\ G>AB>GA>F | G2E2C2 |\ D2G2TF2 | G4 :| |: D2 |\ TG2(B2d2) | g2d2B2 |\ (AB)(cd)(e^d) | (e2c2A2) |\ (GA).B.c.d.e | d2B2G2 |\ A2d2T^c2 | d4B=c | (d2g2).d2 | B2G2B2 |\ (AB)(cA)(BG) |(A2F2)D2 |\ TG>AB>GA>F | G2E2C2 |\ D2G2F2 | G4 :| %%sep 2 1 500 %%sep 1 1 500 X:11111 T: WOUNDED HUSSAR Q: "Slow" %R: waltz, air B: "Edinburgh Repository of Music" v.1 p.111 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: There's also a fermata under the high a in bar 10, but ABC software generally rejects it. M: 6/8 L: 1/16 K: Gm GF |\ (D2G2)A2 B4(AG) | (AB)(cB)(AG) (F2G2).A2 |\ (B2d2).B2 (dc)(BA)(G^F) | D2G2G2 G4 :: GA |\ Bcd2d2 d4cB | ABc2c2 Tc4f_e | (d2g2)^f2 Tf3ab2 | !f!d2g2^f2 ~g4ga |\ {ga}.b2.a2.g2 {g}f2e2d2 | (dc)(BA)Hf2 {ga}!p!F2G2A2 |\ (B2d2).B2 (dc)(BA)(G^F) | D2G2G2 G4 :| %%sep 2 1 500 %%sep 1 1 500 X:11112 T: The MAIDS OF ARROCHAR Q: "Slow with Express" %R: air, jig, waltz B: "Edinburgh Repository of Music" v.1 p.111 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D D/E/ |\ {DE}F>ED {DE}F>ED | (FA)A A2d/>e/ | f>ed {de}f>ed | {f}e2d B2{c}d |\ {G2}F>ED {DE}F>ED | (FA)A A2d/>e/ | (fdA) BFA | {F}E2D D2 :| |: A/G/ |\ (FA).B (FA).B | Td>ef/e/ dBA | (FA).B (FA).f | {f}e2d B2A |\ (~df.a) fdA | (B/A/)(B/c/).d/.B/ AFD | (FdA) BFA | {F}TE2D D2 :| %%sep 2 1 500 %%sep 1 1 500 X:11121 T: MASTER F: SITWELL'S STRATHSPEY Q: "Slowish" %R: strathspey B: "Edinburgh Repository of Music" v.1 p.112 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Bb DE |\ F3BD3B TG4 E2G2 | F3f (ed.c).B A2c2c2de |\ .d2.B2 F2D2 G4 E3G | ~F3B A3c {Bc}d2B2B2 :| de |\ f3dg3e Tf4 {=ef}d2g2 | fd3g3B A2c2-c2de |\ f3d g3e f3d b3d | (ed.c).B A2f2 (d2B2B2d)e | f3dg3e Tf4 {=ef}d2g2 | fd3g3B A2c2-c2de |\ .f2.d2 .B2.F2 (G3A/B/) E3G | F3B A3c ({Bc}d2B2)B2 |] %%sep 2 1 500 %%sep 1 1 500 X:11122 T: VIOTTI'S CELEBRATED POLLACCA Q: "Allegretto" %R: triple hornpipe, minuet B: "Edinburgh Repository of Music" v.1 p.112 #2 - p.113 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The repeat symbols on both 1st and 2nd ending are puzzling; not fixed. M: 3/4 L: 1/16 K: A E2 |\ A2A2- AcBG A2c2 | ed B4 ec A2c2 |\ BG E4 FG ABcd | cdec BAGF E2 zE |\ A2A2- AcBG A2c2 | ed B4 cd efga |\ ae c4 ec edBG |[1 (G8 A).E.F.G :|\ [2 (G8 A)EAc :|\ e2 e4 ag baec | ed d4 ba gfed | ceag bagf edcB | BAGF E^DEG Be=dB |\ A2A2- AcBG A2c2 | ed B4 cd efga |\ ae c4 ec edBG | (G8 A2) |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11132 T: FLY NOT YET O: Irish Q: "Vivace" %R: jig B: "Edinburgh Repository of Music" v.1 p.113 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G [|\ !f!G2G G2A | B2c d2B |\ !p!d2e f2g | a2g {f}fed |\ b2b a2g | g2f e2d |\ e2f g2e | d2c B2A | G2g gae | g3 G3 |\ !f!G3 g3 | G3 g3 |\ !p!b2a a2g | ~g2f e2d |\ {f}e2f g2e | d2c B2A |\ !f!G2g gaf | g3 g3 |] %%sep 2 1 500 %%sep 1 1 500 X:11133 T: DROPS OF BRANDY O: Irish %R: slip-jig B: "Edinburgh Repository of Music" v.1 p.113 #3 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: G |: d2c BGB BGB | d2c BGB c2A | d2c BGB BGB | cBc A2B cBA :| |: GBd gdB gdB | GBd gdB c2A | GBd gdB gdB | cBc A2B cBA :| %%sep 2 1 500 %%sep 1 1 500 X:11141 T: CARY OWEN %R: jig B: "Edinburgh Repository of Music" v.1 p.114 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 %%slurgraces %%graceslurs K: G g/f/ |\ edc BAG | B>cB B2g/f/ | edc BAG | ABA A2g/f/ |\ edc BAG | BcB B2d | def g2B | ABA A2 :| |: c |\ (B/c/d)B (B/c/d)B | B/c/dB d2g | c/d/ec c/d/ec | (c/d/e)c e2f |\ g2a b2a | {a}g2e {e}d2B | def g2B | ABA A2 :| %%sep 2 1 500 %%sep 1 1 500 X:11142 T: FAL LA LA %R: march B: "Edinburgh Repository of Music" v.1 p.114 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Corrected lengths of several rests, and dropped the final 8th rest. M: 2/4 L: 1/16 K: A A2 |\ e2e2 c2c2 | A2A2 (A/B/c2)z | d2d2 c3A | G>AB>c B2 zB |\ e2e2c2c2 | A2A2 A/B/c2z | d2d2c3A | B>AB>c A2 ze | B2c2d2e2 | B2c2d2e2 | B2c2d2f2 | e2c2He2 ze |\ e2e2c2c2 | A2A2 A/B/c2z | d2d2c3A | B>AB>c A2 :| %%sep 2 1 500 %%sep 1 1 500 X:11151 T: HAYDN'S CELEBRATED MOVEMENT %R: march B: "Edinburgh Repository of Music" v.1 p.115 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: A E>A |\ .c2.c2.B2.B2 | (A4 E2) (A>c) |\ e2e2 f2f2 | d6 (E>B) |\ .d2.d2 .c2.c2 | (B4 F2) d>B |\ A2A2 B2B2 | (B4 c2) :| |: (E>c) |\ .e2.e2.d2.d2 | (c4 F2)ec |\ .d2.d2.f2.f2 | (A4 G2) E>B |\ .d2.d2.B2.B2 | e3a c'2(e>c) |\ B2B2 G2G2 | A4 "_Fine."z2 H|][K:=f=c=g] K: C EA |\ c4 {c}B2AB | A4 z2Ac |\ e4 ({e}d2cd) | c4 z2Ac |\ f4 {f}e2de | d6 ef |\ g2e2f2B2 | B4 c2 :| |: (ce) |\ g4 (d^cBc) | d4 z2(de) |\ f4 ({_B}A2^GA) | ^G4 z2(Ee) |\ ^d4 ({e}=d2cd) | c4 z2c2 |\ (B3c/d/) A2^G2 | {G}"_D.C.Majore"A6 |] %%sep 2 1 500 %%sep 1 1 500 X:11161 T: FOR TENDERNESS FORM'D %R: march B: "Edinburgh Repository of Music" v.1 p.116 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: C G |\ c2 Bd | {d}c2 zG | (c.e) (A.f) | (e2 d)G | e2 d>c |\ c2 GG | f2 (e/g/)(f/e/) | {e}d2 zd | e2 ^fg | d2 (c/e/)(c/A/) | G2 {B}A>G | G2 zG | e2 {e}d>c | c2 GG | f2 (e/g/)(f/e/) |\ {e}d2 dg | g>BBB | ABcd | e2 d>c | c3 |] %%sep 2 1 500 %%sep 1 1 500 X:11162 T: SHEELAN O' GEARY O: "Irish" %R: waltz B: "Edinburgh Repository of Music" v.1 p.116 #2 - p.117 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/4 K: C |:\ cee | dff | cee | f2a |\ g>fe | dgf | ecc | c2z :|\ |:\ ceg | c'2_b | aff | f2z | d^fa | d'2=c' | bgg | g2z |\ ceg | c'2_b | aff | g2f |\ ecc | fdg | ecc | c2z :| % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11172 T: The BANKS OF BANNA Q: "Slow" %R: march, air B: "Edinburgh Repository of Music" v.1 p.117 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F |:\ f3g a2ag | (gf)(fc) c4 |\ d2c2 f2(eg/f/) | e2Td2 c4 |\ f2f2 (fa)(ac') | c2(c>d) (dc)(BA) |\ (Bc)(de) Hf>{gfef}g Ha z/B/ | A2 TG2 F3z :| |:\ A3G A2B2 | c2c>d {d}c4 |\ d2c2 f2(eg/f/) | e2Td2 c4 |\ f2f2 (fa)(ac') | c2(c>d) (dc)(BA) |\ (Bc)(de) Hf>{gfef}g Ha z/B/ | A2 TG2 F3z :| %%sep 2 1 500 %%sep 1 1 500 X:11181 T: OF A' THE AIRT'S &c. %R: hornpipe, strathspey B: "Edinburgh Repository of Music" v.1 p.118 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The only repeat symbol is at the end; it's not clear what is intended. M: C L: 1/16 K: C G2 | c3c c3c c3Gc3a | g3e d3c A6 G2 | c3c c3c c3Gc3a | g2ab c'2e2 g6 a2 | g2ab c'2e2 g2e2d2c2 | d3e (fe)(dc) A6 G2 | c3c c3c c2G2 c2a2 | ge3 d3e c6 |] GF |\ E3G c3G A3G c3G | e3g (fedc) A6 GF | E3G c3G A3G c3G | e3f (ga)(bc') g6 ab | {c}c'2b2a2g2 a2g2f2e2 | d3e (fe)(dc) A6 G2 | c3c c3c c2G2 c2a2 | ge3 d3e c6 :| %%sep 2 1 500 %%sep 1 1 500 X:11182 T: YOUNG COLIN STOLE MY HEART AWAY Q: "Andantino" %R: reel B: "Edinburgh Repository of Music" v.1 p.118 #2 p.119 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A |\ (de)(fg) a2a2 | (gf)(ga) f2za |\ g2e2 f3d | e2c2 d2zA |\ (de)(fg) a2a2 | gfga f2za | g2e2 f3d | e2c2 d2zA |\ A2A2 B2B2 | c3c d3d |\ e2ze f2f2 | ^g3g {gb}a2za |\ a2f2 f2za | g2e2 e2zd |\ e2d2 c2d2 | g2f2 (f2e) a |\ a2f2 f2zg | g2e2 e2zg |\ (fe)(gf) e2d2 | (fe)(dc) c2z |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:11192 T: RICHER'S HORNPIPE %R: hornpipe, reel B: "Edinburgh Repository of Music" v.1 p.119 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D fg |\ afaf d2fd | ecec A2GF | GABc defg | ecAc d2fg |\ afaf d2fd | ecec A2GF | Ggbg fdec | d2d2 d2 :| |: de |\ fdec B2ga | b2e2- e2cd | ecdB | A2fg | a2d2 d3A |\ BcdB AFAF | BcdB AFAF | Ggbg fdec | d2d2 d2 :| %%sep 2 1 500 %%sep 1 1 500 X:11201 T: MICHAEL WIGGINS %R: jig B: "Edinburgh Repository of Music" v.1 p.120 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G d !segno!|\ b>c'b bag | gfe d2d | b>c'b bag | c'az z2d |\ b>c'b bag | gfe dBc | d>ed def | agz z2 "_Fine"|] e/f/ |\ ged cfg | afd dfa | bge ^cag | faz z2a |\ d'2a d'2a | d'af dfa | bge ^cag | f<dz z2d !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:11202 T: FINALE IN INKLE AND YARICO %R: march B: "Edinburgh Repository of Music" v.1 p.120 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G d2 |\ g2g2 {b}a2ga | b2ba g2gf | e2e2a2a2 | {g}f2ef d2ef |\ g2g2 {b}a2ga | b2(ba) g2(gf) | e2e2 fgaf | g4 "_fine"z2 H|] [| d2 |\ a2a2 baga | b2ba g2ab | c'2c'2b2b2 | {b}agab a2d2 |\ a2a2 {b}a2ga | b2(ba) g2b2 | a2g2f2e2 | "_D.C."d4 |] %%newpage %%sep 2 1 500 %%sep 1 1 500 X:20000 T: Edinburgh Repository of Music B: Thompson (pub.): "Edinburgh Repository of Music" 1825 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> K: %%sep 5 5 500 %%center Edinburgh %%center Repository of Music %%center Containine the most Selece %%center English %%center SCOTTISH & IRISH AIRS %%center Reels, Strathspeys, &c. %%center ARRANGED FOR THE GERMAN-FLUTE OR VIOLIN %%center Vol: II ------------------------- %%center EDINBURGH %%center Printed and sold by J. Sutherland at his Book & Music Warehouse Calton Street %%sep 2 1 500 %%sep 1 1 500 X:20011 T: LOCH-NA-GAR Q: "Allegro" %R: reel, strathspey B: "Edinburgh Repository of Music" v.2 p.1 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Version for ABC software that doesn't understand voice overlays. M: C L: 1/8 K: D %%slurgraces %%graceslurs A>F |\ D2 DF A2 AB | d2 fe {e}d2 dB | A>B d>B A<F F>D | E>D E>F {F}E2 AF | D2 D>F A2 A>B | d2 fe {e}d2 dB | AB d>B A<F F>D | {E}E>D E>F D2 |] A2 | d2 f>e {e}d2 dA | B2 dB | A2 FG | A>F {F}ED D<d dB | A<F FD {F}E2 f>g | a>g f/e/d/c/ {e}d2 dA | [BB4](g/f/) (e/[d/d]) (c/[B/B]) A2 F>G | A2 {c}B>A A/B/Hd a>g | f2 ~e>d d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20012 T: MAID IN BEDLAM Q: "And.e" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.1 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G %%slurgraces %%graceslurs G |\ d>edB e>fge | d>BAB G2zd |{ef}\ g>fga (gf)(ed) | e>dg>B d2zd | g>fga {a}g>f {f}e>d | ed{d}cB {^d}e2 (3(def) |\ gf{f}e>d ~e>fHg {abefgfagf}e | (d<B)TA>B {A}G2z |] %%sep 2 1 500 %%sep 1 1 500 X:20021 T: KENMURE'S ON & AWA Q: "Slow" %R: jig, air B: "Edinburgh Repository of Music" v.2 p.2 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G D |\ (G>B)d gdB | d2d d2B | (G>B)d gdB | A2A A2B |\ (GB).d (gd).B | e>fg (gf).e | (d>c).B (cB).A | G2G G2 :| |: d |\ g2d (ed).B | d2d d2d | g2d (ed).B | A2A A2d |\ g2d (ed).B | (d>e).f (g>f).e | (d>c).B (cB).A | G2G G2 :| %%sep 2 1 500 %%sep 1 1 500 X:20022 T: SHE'S FAIR & FAUSE Q: "Slow" %R: jig, air B: "Edinburgh Repository of Music" v.2 p.2 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Am %%slurgraces %%graceslurs (c/d/) |\ e>fe {f}d2c | B>cA {A}^G2E | A>Bc d<B^G | A3- A2(c/d/) |\ e>fe {e}d2c | B>cA {A}^G2E | A>Bc d<B^G | A3- A3 :| |: (c/d/) |\ e2c' {c'}b2a | gea g2e | cdB gfe | dec B2G |\ c>Bc d>cd | e2A {A}^G2E | A^G(3(A/B/c/) d<B^G | A3-A2 :| %%sep 2 1 500 %%sep 1 1 500 X:20031 T: LOGIE O' BUCHAN Q: "Slow" %R: waltz B: "Edinburgh Repository of Music" v.2 p.3 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D %%slurgraces %%graceslurs AG |\ F3 G A2 | A f3 e2 | {e}d2 B2 B2 | B4 (AG) |\ F3 G A2 | A d3 Te2 | {de}f2 d2 d2 | d4 H|] (de) |\ f3 e f2 | a3 f e2 | d2 B2 c2 | {e}d4 de |\ f3 g f2 | {f}e2 d2 e2 | f2 d2 B2 B4 "^D.C."|] %%sep 2 1 500 %%sep 1 1 500 X:20032 T: BLUE BONNET'S OVER THE BORDER Q: "Allegro" %R: jig B: "Edinburgh Repository of Music" v.2 p.3 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Except for which notes are dotted, the 2nd and 3rd strains are identical. M: 6/8 L: 1/8 K: D %%slurgraces %%graceslurs |:\ D2D DFA | dfe dBA | d<BB Bfa | baf {f}e2d |\ D2D DFA | dfe dBA | B>dB A<FA | G<dF TE2D :| d>fa afd | baf {f}e2d | df.a bc'.d' | def e2d |\ dfa afd | b>af {f}e2d | B>dB A<FA | F<dF TE2D | d>fa afd | b>af {f}e2d | df.a bc'.d' | def e2d |\ dfa afd | baf {f}e2d | B>dB A<FA | F<dF TE2D |] %%sep 2 1 500 %%sep 1 1 500 X:20041 T: OFT IN THE STILLY NIGHT Q: "Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.2 p.114 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: C [|\ e2 e>d | c>A Ac | G>G ce | d(e/f/) e2 |\ e2 e>d | c>A Ac | G<G e>c | ({d}d2c) z/G/ |\ G>c c>c | {d}d>c c z/c/ | e>c cc | ({e}d2 c)z | G>B c>c | {e}d>c cz/c/ | e>c cc | d(e/f/) {f}He2 |\ e2 e>d | c>A Ac | G>G cd | d(e/f/) {f}e2 |\ e2 e>d | c>A A(B/c/) | G<G e>c | ({e}d2 c)z |] %%sep 2 1 500 %%sep 1 1 500 X:20042 T: GIN A BODY MEET A BODY Q: "Slow" %R: strathspey B: "Edinburgh Repository of Music" v.2 p.114 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D [|\ A<A Af e>def | A<A B>A d4 |\ A<A af e>d ef | A<A TB>A d4 |] a>f d>f e>def | af (de)(fa) (Hb3{c'd'}b) |\ a>f g>e fd e>f | A<A TB>A d4 |] %%sep 2 1 500 %%sep 1 1 500 X:20051 T: BLACK EYED SUSAN Q: "Affet.o" %R: waltz B: "Edinburgh Repository of Music" v.2 p.5 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: Em %%slurgraces 0 %%graceslurs 0 [|\ B2e2Tf2 | (g2f2)e2 | e2^def2 | B6 |\ c2B2A2 | (G2F2)E2 | (G>A)B2TA2 | {GA}c6 |\ B2e2Tf2 | (g2f2)e2 | g>ab2Ta2 |{^a}b6 |\ b2a2g2 | d4g2 | {b}a2g2Tf2 | {ef}g6 |\ b2a2g2 | (a2g2)f2 | g2f2e2 | ^d2e2f2 |\ B6 | G2c2^c2 | (d2^c2)B2 | B2e2f2 |\ (g2f2)b2 | B4e2 | {g}f2e2T^d2 | e6 |] %%sep 2 1 500 %%sep 1 1 500 X:20052 T: The BOATIE ROWS %R: air, strathspey B: "Edinburgh Repository of Music" v.2 p.5 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G G2 |\ (Bd3) d3e | d2g2 (ag)(fe) | (dB3) (B3G) | BA3 z2G2 |\ (Bd3) (d3e) | d3g (agfe) | d3Tg a3b | g6 |]\ d2 |\ g3d d3f | g2d2 d2g2 | {f}e3d e3g | {b}a6 f2 | (gb3) (eg3) | d3g d3B | {B}A3G A3B | G6 f2 |\ g2d2d2 (ef) | g2d2d2 (gf) | {f}e3d (e2fg) | {b}Ha6 (gf) |\ (gb3) (eg3) | d2(gf) {f}ed {d}cB | {B}A3GA3B | {A}G6 :| %%sep 2 1 500 %%sep 1 1 500 X:20061 T: DONALD Q: "Slow" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.6 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D ~d>e |\ {d}f2 (f/e/)(d/c/) {e}d3 A | (cB)(AG) (A/G/F) zA |\ F<Adf (f3/g//f//) ed | (d^d)e2 z2 =d>e |\ {d}f2 (f/e/)(d/c/) {d}d3 A | (cB)(AG) (A/G/F) zA |\ F<Adf a<fTe>f | d2 ((3deHf) .e.d |] f2 |\ a2(gf) (fe)(e>g) | f>dBg (f3/g//f//) ef |\ (ag) (gf) (f/e/)(g/f/) ed | (d3/e//f//) e2 z2 ~d>e |\ {d}f2 (f/e/)(d/c/) {e}d3 A | (cB)(AG) (A/G/F) zA |\ F<Adf a>f Te>f | d2 ((3deHf) .e.d |] %%sep 2 1 500 %%sep 1 1 500 X:20062 T: MY LOVE IS LIKE THE RED RED ROSE Q: "And.e"" %R: air B: "Edinburgh Repository of Music" v.2 p.6 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D (A/F/) |\ DDEF d>cBA | B>ABd e2(de/f/) |\ DD(EF) d>cBA | {c}B>ABc {e}d3 :| |: A |\ d{de}fed BdAF | AA gf {f}He2 a>g |\ fafd BdAF | A>ABc d3 :| %%sep 2 1 500 %%sep 1 1 500 X:20071 T: DRINK TO ME ONLY Q: "Alleg.o" %R: jig, waltz B: "Edinburgh Repository of Music" v.2 p.7 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A [|\ ccc d2d | (edc) (Bcd) | (eAd) c2B | A3- A3 |\ ccc d2d | (edc) (Bcd) | (eAd) c2B | A3- A2 |] |: e |\ (ece) a2e | (ece) e2e | f2e d2c | (c3 B2)z |\ ccc d2d | (edc) (Bcd) | (eAd) c2B | A3- A2 :| %%sep 2 1 500 %%sep 1 1 500 X:20072 T: CHARLIE IS MY DARLING Q: "Mod.o" %R: hornpipe, strathspey B: "Edinburgh Repository of Music" v.2 p.7 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bars 2, 8, and 10 have minor rhythm errors; fixed by adjusting note lengths. M: C L: 1/8 K: Am (c/B/) |\ A>Bc>d (e2a) z/e/ | (f2a) z/f/ (e2a) (c/B/) |\ A>Bc>d e2a>b | c'2Tb>a a3 |]\ a |\ ^ge^fg a>bc'a | ^ge^fg a3b | c'bc'a {a}ge (cd/e/) | fdec B2 zc/B/ |\ A>Bc>d (e2a) z/e/ | (f2a) z/f/ (e2a) (c/B/) |\ A>Bc>d e2a>b | c'2Tb>a a3 |] %%sep 2 1 500 %%sep 1 1 500 X:20081 T: GILDEROY Q: "Slow" %R: reel B: "Edinburgh Repository of Music" v.2 p.8 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Am %%slurgraces %%graceslurs E2 |\ A>^GAB {d}c>Bcd | {f}e2dc {e}d2cd |\ {cd}e2G2 (c<A)(G<E) | {A}G4 z2c>B |\ {B}A>^GAB {d}c>Bcd | {f}e>def e2a>g |\ {g}fedc c2TB>A | A6 :||: e>f |\ {a}g>fga {a}g2fe | (fe)(dc) {e}d2c>d | {cd}e2G2 (c/B/A) (G/F/E) | G4 z2c>B |\ {B}A>^GAB {d}c>Bcd | {f}e>def {f}He2 a>g |\ {g}fe{e}dc c2TB>A | A6 :| %%sep 2 1 500 %%sep 1 1 500 X:20082 T: THIS IS NO MY AIN HOUSE Q: "Alleg.o" %R: reel B: "Edinburgh Repository of Music" v.2 p.8 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A |\ FAAa {g}f2ed | (Bc/d/) A>F GEEA |\ FAAa {g}f2ed | (Bc/d/) A>G FDD :| |: A |\ FAAd BdAF | GBAF BEEA |\ FAAd BdAF | G>BA>G FDD :| %%sep 2 1 500 %%sep 1 1 500 X:20091 T: BONNIE DUNDEE Q: "Largo" %R: jig B: "Edinburgh Repository of Music" v.2 p.9 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Am A |\ EAA ({BA^G}A>B)c | {c}B>AG Bd2 | e<ee d>eg | (e>dc/B/ A3) |\ EAA A>Bc | {c}B>AG Bc2 | eee deg | (e>dc/B/ A2) :| |: (B/A/) |\ GBd {ag^f}g>ab | {c}B>AG Bd2 | (ea).a a>ga | ({ga}b>ag/^f/) e3 |\ (d>e^f) (g>ab) | {c}B>AG Bd2 | ee (d/B/) deg | (e>dc/B/ A2) :| %%sep 2 1 500 %%sep 1 1 500 X:20092 T: DUNCAN GRAY Q: "Lively" %R: reel B: "Edinburgh Repository of Music" v.2 p.9 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A [|\ EAGA BcG2 | A2B>d cAA2 |\ EAGA BcG2 | A2B>d cAA2 |] ce (f/e/)(d/c/) dd d>d | c>c (d/c/)(B/A/) (G/A/)(B/G/) E>E |\ e (f/e/) d (e/d/) (c/e/)(d/c/) (B/d/c/B/ | A2) B>d cAA |] %%sep 2 1 500 %%sep 1 1 500 X:20101 T: CARNIVAL OF VENICE Q: "Slow" %R: jig B: "Edinburgh Repository of Music" v.2 p.10 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: A "d.C." might be added at the end, to match the fermata at the end of the 1st strain. N: The 3rd strain should have a key change to D. M: 6/8 L: 1/8 K: A e |\ f2e d2c | e2d B3 | c2e f2e | (c3 A2)e |\ f2e d2c | e2d B3 | c2e f2e | A3- A2 H|] d |\ (ed).c (cB).A | G2B d2B | f2e ^d2e | (c3 A2)e |\ (ed).c (cB).A | G2B d2B | f2e ^d2e | A3- A2 |] A |\ d2e f2=g | (a3 b2)a | g2a =g2a | (f3 d2)A |\ d2e f2=g | (a3 b2)a | ^g2a =g2 | d3- d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20102 T: PORTRAIT CHARMANT Q: "And.o" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.10 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Ignored (possibly accidental) dots note in bars 5, 9. M: C L: 1/8 K: G d2 |\ d6 c2 | (c2B2) z2B2 | c2d2 e2c2 | (B3c/B/) A2z2 |\ d4 c2A2 | G6 A2 | B2c2 d2e2 | A6 |] A2 |\ d4 a3f | g6 d2 | d2c'2 a2f2 | a4 {bc'}g2d2 |\ g4 d2B2 | A2gg (ge)cA | G6 A2 | c6 {dc}B2 |\ d2c'2 a2f2 | (fg)dB (ge)cA | G4 B3A | G6 |] %%sep 2 1 500 %%sep 1 1 500 X:20111 T: FOR LACK OF GOLD Q: "Mod.o" %R: hornpipe, strathspey, reel B: "Edinburgh Repository of Music" v.2 p.11 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: flag added to the F in bar 1 to fix the rhythm, as in bars 7 and 15. M: C L: 1/8 K: D %%slurgraces %%graceslurs F>E |\ D3F A>BdA | B2e>f {f}e2dB |\ d2a2 f>gad | f2a>b a3d |\ ~g>ab>g ~f>ga>f | {a}gfed {f}e2 (de/f/) |\ D3F A>BdA | B2d>{f}e d2 :: d>e |\ (fd)(eB) (dA)(BF) | E2e>f e2fa | (ba)(fb) (ad)(bd) | f2a>b {b}a2(gf) |\ ~g>ab>g ~f>ga>f | {a}gf {f}ed {f}He2 (de/f/) |\ D3F A>Bd>A | B2d>e d2 :| %%sep 2 1 500 %%sep 1 1 500 X:20112 T: MY BOY TAMMY Q: "Slow" %R: hornpipe, strathspey B: "Edinburgh Repository of Music" v.2 p.11 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Rest added at ends of both strains, to fix the rhythm. M: C L: 1/8 K: Em [|\ E>F G>A (B>^c) d2 | (A>B) (A>G) F<D z2 |\ E>F G>A B>^c d2 | (Bg) (fe) B<e z |]\ e |\ e>f g>e d>c B2 | G>B d>B A>F D2 |\ e>g f>g e2 B2 | G>A B>A G<E z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20121 T: The GLAD TRUMPET SOUNDS A VICTORY %R: _ B: "Edinburgh Repository of Music" v.2 p.12 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D [|\ ~d3e | f>ed>B | A2F2 | A3z |\ f2e>f | g2f2 | e>de>f | e3z |\ d3e | f>ed>c | B2g2 | Hg3e | f2g>a | A2B>c | d2f2 | d3d |\ c3d | e>AB>c | d2e2 | "_Bold."f3z |\ f<g ag | (gfed) | e2^g2 | a4 (A//c//e//d//) (c//e//g//f//) (e//Ha//g//e//) |\ d3e f>ed>B | A>FA>d | f4 |d>Ad>f |\ Ha4- (ag//f//e//d//c//B//) | A>AB>c | e>dd2 |] %%sep 2 1 500 %%sep 1 1 500 X:20122 T: FRESH & STRONG THE BREEZE &c. Q: "Mod.o" %R: march B: "Edinburgh Repository of Music" v.2 p.12 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: C L: 1/8 K: D |:\ d3e f2f2 | (fe)(ed) e2e2 |\ d2f2 a3f | ({f}e>d)(e>f) d4 :|\ |:\ f3g a2a2 | (ag)(gf) {a}g2g2 | e3g f3a | (ag)(gf) f2e2 |\ d3e f2f2 | (fe)(ed) e2e2 |\ d3f a3f | ({f}e>d)(e>f) d4 |] %%sep 2 1 500 %%sep 1 1 500 X:20131 T: BIRKS OF INVERMAY Q: "Slow" %R: strathspey B: "Edinburgh Repository of Music" v.2 p.13 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D %%slurgraces %%graceslurs (d/e/f/g/) |\ a3b (a<f)e>d | (Te>d)(ef) B3d |\ A>BAF {B}A2D>E | {DE}F2A>B A2(f>g) |\ g3{c'}d' {b}af{f}ed | {a}gf{f}ed {c}B2 Tf>e |\ (dB)(AF) (AB)(de) | {de}f2(Te>d) d2 :|\ |: (A>G) |\ (F>E)(F>A) (B>A)(B>d) | (e>d)ef B3b | a>ba{g}f ({ef}gf){f}Ted | g>a (b/a/g/f/) {f}e2a>g |\ fabc' {e'}Hd'3b | {b}af{f}Ted {c}B2f>e |\ (dB)(AF) (AB)(de) | {de}f2Te>d d2 :| %%sep 2 1 500 %%sep 1 1 500 X:20132 T: WILT THOU BE MY DEARIE Q: "Largo" %R: strathspey, air B: "Edinburgh Repository of Music" v.2 p.13 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: A |:\ A3E F3E (A3E) E2 zE | A3B (dc)(BA) c2B2 (Bd)(cB) |\ A3E F3E (A3E) E4 :| |:\ A3B c2c2 c2c2 {Bcd}c4 | {c}B3A B2ce f4 f2ga |\ {f}e3f (fe)(dc) f2B2 (Bd)(cB) | A3E F3E (A3c/B/ A4) :| %%sep 2 1 500 %%sep 1 1 500 X:20141 T: WE'RE A' NODDIN Q: "Mod.o" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.14 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 N: Changed length of each strain's last note to fix the rhythm. Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D (de) |\ f4 (e2d2) | .e2.e2 (fe).d.e | f4 (e2d2) | (fe).d.c d2(de) |\ f4 (e2d2) | .e2.e2 (fe).d.e | f4 e2d2 | (fe).d.c d2 |] (fg) |\ .a2.a2 a2(d'b) | .a2.a2 a2(fg) | a2aa (ad').a.a | (ba).g.f e2(de) |\ f4 e2d2 | .e2.e2 (fe).d.e | f4 e2d2 | (fe).d.c d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20142 T: The SPRIG OF SHILLELAH Q: "Alleg.o" %R: jig B: "Edinburgh Repository of Music" v.2 p.14 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G D |\ (DG)G G>FG | ABA A2G | (GB).d (dc).B | AcB A>GF |\ G>AB E>FG | DGF G2 H|] B | (BGB) (dBd) | (ece) d2B | (BGB) (dBd) | (g>f).e (dc).B | cac BgB | A>BA AGA |\ B>cB BAG | A>cB A>GF | G>AB E>FG | DGF G2 |] %%sep 2 1 500 %%sep 1 1 500 X:20151 T: FLOW ON THOU SHINING RIVER %R: reel, march, air B: "Edinburgh Repository of Music" v.2 p.15 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Several bars (2,4,6,8,10,12,14) have extra counts; not fixed. M: 2/4 L: 1/16 K: G %%slurgraces %%graceslurs d4 |\ g3f {f}e3d | (d4 B2)zB2 | c2e2 d3c | {c}B4 z2d2 |\ b3a (gfge) | (d4 B2)zd2 | e2a2 {g}f3d | {d}g4 z2 d'4 | c'a3 f2d2 | g2b2d'2 zd4 | (^cded) (cBcA) | d3BG2 d'4 |\ {d'}c'3af2d2 | g2b2 d'3Hg | {f}e2d2 d2F2 | d6 |] %%sep 2 1 500 %%sep 1 1 500 X:20152 T: LOVE & GLORY %R: waltz B: "Edinburgh Repository of Music" v.2 p.15 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bar 10 has too many 1/16-notes; not fixed. Added flag to the last note (B) in bar 11. M: 3/4 L: 1/16 K: G d/g>d |\ d4 z3 Bc3e | A4 z3 AB3c |\ d4 z3 ge3a | f2d2 z3 db3g |\ d4 z3 Bc3e | A4 z3 dg3b |\ {b}Ha4 z3 fe3a | f2d2 z3 dd3g |\ {f}e4 z3 de3a | THg4 {fagf}e4 z ga3b |\ d4 z3 B c3{edc}B | {c}B2A2 z3 de3g |\ {g}d4 z3 BA3d | B2G2 z2 z3 |] %%sep 2 1 500 %%sep 1 1 500 X:20161 T: KIND ROBIN LO'ES ME Q: "Slow" %R: shottish, march B: "Edinburgh Repository of Music" v.2 p.16 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: C G>A |\ c2c2 c3e | d>e{e}d>c {B}A2G>A | c2c2 c3e | d>cde g3a |\ c2c2 c'2e>g | {f}f>e {e}d>c {B}A2 G>A | c2c2 a2g>e | g3e c2 :| |: e>f |\ g2ag {f}e2c'e | {g}f>e {e}d>c {B}A2 e>f | g2a>g {g}f>e {e}d>c | d2e>g {b}a3c' |\ g2ab c'2eg | {g}f>e {e}d>c {B}A2 G>A | c2c2 a2g>e | g3e c2 :| %%sep 2 1 500 %%sep 1 1 500 X:20162 T: MY LODGING IS ON THE COLD GROUND Q: "Slow with Exp." %R: jig B: "Edinburgh Repository of Music" v.2 p.16 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added flag to 2nd strain's pickup note, to fix the rhythm. M: 6/8 L: 1/16 K: C (e>d) |\ {B}c3dc2 ce3g2 | a6 z4bc' | g3ec2 c3de2 | {e}d6 z4(ed) |\ c3dc2 c3eg2 | a6 z4bc' | gc'3e2 {e}d3cd2 | {d}c6 z4 :| |: g2 |\ g3ab2 {d'}c'3bc'2 | {b}a6 z4bc' | g3ec2 c3de2 | {fede2}d6 z4ed |\ {B}c3dc2 ce3g2 | Ha6 {gab}z4({c'4}ba) | g3c'e2 {e}d3cd2 | {d}c6 z4 :| %%sep 2 1 500 %%sep 1 1 500 X:20171 T: DEIL TAK THE WARS Q: "And.te" %R: _ B: "Edinburgh Repository of Music" v.2 p.17 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Both strains have an extra 1/4-note in the pickup (or an unnecessary dot on the last note); not fixed. M: 2/4 L: 1/8 K: C G2 |\ c2 c>e | d3 B | cG (AB/c/) | (AG) (FE) |\ (EG) (Gc) | c3 d | (ef/g/) (fe) | {e}d3 z |\ ~c2 c>e | {e}d3 B | cG (AB/c/) | (AG) (FE) | (EG) (Gc) | c2 g>f | e2 Td2{cd}y | {d}c3 :|\ e2 |\ eceg | (ec) zd | dB dg | (dB) ze |\ e2 ec | d2 dB | c>d (e/d/)(c/B/) | {B}A2 zc | G>A GE | G2 zc | G>A GE | G2 zG |\ Ad de | d3 e | (fe) (dc) | B3 A/A/ |\ G>A GE | G2 (g>f) | e2 Td2{cd}y | c3 H|] %%sep 2 1 500 %%sep 1 1 500 X:20172 T: A MAN'S A MAN Q: "Mod.o" %R: strathspey B: "Edinburgh Repository of Music" v.2 p.17 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D %%slurgraces %%graceslurs A/B/ |\ d>edA B>de>g | f>ed>A {c}B2Bf/e/ |\ d>ed>A B>de>g | f>ed>B {B}A2A :| |: g |\ f>ga>f g>fe>g | f>gad {c}B2Bg |\ (f>g)a (f/a/) b>eef | d>e (e/d/).c/.B/ {B}A2A :| %%sep 2 1 500 %%sep 1 1 500 X:20181 T: TAM GLEN Q: "And.e" %R: waltz B: "Edinburgh Repository of Music" v.2 p.18 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: Am (ed) |\ c2 A2 A2 | A3 (cAG) | A2 c2 d2 | {cd} e3 d c2 |\ c3 d (cd/e/) | G4 (ed) | c2 A2 A2 | A3 cAG |\ A2 c2 d2 | e3 d c2 | d3 (cBe) | A4 :| |: (gf) |\ e2 g2 a2 | g2 e2 d2 | c3 d e2 | {fed}e3 f g2 |\ {f}e2 d2 c2 | G4 (ed) | c2 A2 A2 | A3 (cAG) |\ A2 Ha2 g2 | {f}e3 d c2 | c3 d e2 | A4 :| %%sep 2 1 500 %%sep 1 1 500 X:20182 T: CAMPBELLS ARE COMING Q: "Alleg.o" %R: jig, march B: "Edinburgh Repository of Music" v.2 p.18 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: G %%slurgraces %%graceslurs G |\ B2g (dB).G | (Bc).B B2A | B2g (dB).G | ABA {B}A2G |\ B2g (dB).G | (A>B).A (g>a).b | g>eg (dB).G | B>cB B2 :| |: d |\ g2g (ga).b | (d>e).d (dB).d | g2g g>a.b | (ge).g {g}f2d |\ (d>e).f (g>f).e | (dB).d (g>a).b | (ge).g (dB).G | (B>c).B B2 |] %%sep 2 1 500 %%sep 1 1 500 X:20191 T: EAST NEUK OF FIFE Q: "Lively" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.19 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G D2 |\ G2G2 G2Bc | (dB).G.B (dB).G.B | A2A2 A2gf | e3f efg2 |\ (dc).B.A (GA).B.c | dBGB d3B | (AB).c.d (Bc).A.B | G2E2 E2 :| |: (dc) |\ B2G2 G2dc | B2G2 G2(ed) | ^c2A2 A2fg | a2A2 A2Bc |\ d2G2 B2G2 | g2G2 d2(cB) | (AB).c.d (Bc).A.B | G2E2 E2 :| %%sep 2 1 500 %%sep 1 1 500 X:20192 T: PARTANT POUR LA SYRIE %R: march B: "Edinburgh Repository of Music" v.2 p.19 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Flag added to the c in bar 18 to fix the rhythm. M: C L: 1/8 K: D %%slurgraces %%graceslurs A2 |\ A3A B2c2 | d2{edc}d>e c2zc |\ d3A F2A2 | E4 z2A2 |\ ^G3G A2B2 | c3B A2A2 |\ B2F2 ^G2 A>B | A4 z2A2 |\ =G2A2 F2A2 | E3F E2A2 | G2A2 F2A2 | E4 z2(AG) |\ F3G (AB)(cd) | e3c A2zA |\ d3c A2d>e | d4 z2(AG) |\ F3G (AB)(cd) | e3c A2zA |\ d3B A>G F>E | D6 |] %%sep 2 1 500 %%sep 1 1 500 X:20201 T: WATERS OF ELLE Q: "Andt.e" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.20 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bars 4 and 15 have 5 beats; not fixed. N: Another version using voice overlays shows the strange note+rest "chords" used in this tune. M: C L: 1/8 K: D [|\ d2 (3(cde) d2e2 | ffge (d3/e//d//) c2 | d2 (3(cde) d2B2 | A2A2 (3(ABc) d2e2 | e2ff g3f | e>e (3(def) (f2e2) | f2ee a2 (3(agf) | ddee Tf2e2 | f2ee a2- (3agf | dd f>e d2 A2 | d2 (3(cde) d2e2 | ffge (d2{ed}c2) | d2 (3(cde) d2B2 | A2A2 (3(ABc) d2A2 | d2ff g3f | e>e (3(def) f2e2 | f2ee a2- (3age | dd Te2 {de}f2f2 | f2ee a2- (3age | ddfe d2z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20202 T: CA' THE EWES Q: "Slow" %R: air, strathspey B: "Edinburgh Repository of Music" v.2 p.20 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: Em [|\ E>F B2 | A<F A2 | F>E D>d | ^c>d e2 |\ f>B B>B | A>d F2 | E2 F>A | B2 B2 |] [|\ E>F B>A | F>F A2 | F>E D>d | ^c>d ef |\ f>B B>B | A>d F2 | E>E FA | B3 z |] %%sep 2 1 500 %%sep 1 1 500 X:20211 T: WHA'LL BE KING BUT CHARLIE Q: "Mod.o" %R: jig B: "Edinburgh Repository of Music" v.2 p.21 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C %%slurgraces %%graceslurs G |\ {d}c2B c2d | e2{g}f e2d | {d}c2B c2d | {cd}e3 E3 |\ c2d e2a | {a}g2e d2e | c2A AGE | A3- A2B | c2c c2d | e2e e2d | c2c c2d | {cd}e3 E2B |\ c2d e2a | {a}g2e d2e | {B}c2A AGE | A3- A2 |] B |\ {B}Tc2A AGE | {B}Tc2A AGE | {B}Tc2A AGE | G3- G2B |\ c2d e2a | {a}g2e d2e | Tc2A AG.E | A3- A2B | {B}c2A (AG).E | {B}c2A (AG).E | (ed).c (dc).B | (cB).A (GF).E |\ Tc2d e2a | {a}g2e d2e | {B}Tc2A (AG).E | A3- A2 |] %%sep 2 1 500 %%sep 1 1 500 X:20221 T: MY MARY DEAR DEPARTED SHADE Q: "Slow" %R: _ B: "Edinburgh Repository of Music" v.2 p.__ #_ F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bar 5 was missing a beat; fixed by making it the same as bars 1, 3 and 7. N: Bar 15 has poor rhythmic notation; not fixed. M: C L: 1/8 K: G %%slurgraces %%graceslurs B>c |\ d2 {f}e>d d2 g>e | {e}d2 BG {B}A2 B>c |\ d2 {f}e>d d2 (g>e) | (d<B) (TA>B) G2 {cBA}B>c | d2 ({f}e>d) d2 g>e | {e}d2 {c}B{A}G {B}A2 {cBA}B>c |\ d2 {f}e>d d2 g>e | (d<B) TA>B G2 :||: (d3/e//f//) | (gf) (ed) d2 (ce) | {e}d2 {c}B{A}G {B}A2 (d3/e//f//) |\ (gf) (ed) d2 ce | (d<B) TA>B G2 (d3/e//f//) | (gf) (ed) d2 c>e | {e}d2 {c}B{A}G {B}A2 {cBA}B>c |\ (de) (dc) (B>d) Hg2 ({fgag}f/<e/) | (d<B) TA>B | G2 :| %%sep 2 1 500 %%sep 1 1 500 X:20222 T: AULD ROB MORRIS Q: "Slow" %R: air, waltz B: "Edinburgh Repository of Music" v.2 p.22 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added dot to the d in bar 7 to fix the rhythm. M: 3/4 L: 1/8 %%slurgraces %%graceslurs K: G (GA/B/) |\ {A}G3 E D2 | E2 G2 g2 | {e}d3 B AG | {G2}A4 BA |\ GAGE D2 | E2 {F}G2 ge | {e}d3 G AG | G4 |] B2 |\ A2 A2 (Bd) | e2 e2 (ga) | (ba) (ge) (dB) | {B}A4 (BA) |\ (GA)GE D2 | E2 G2 g>e | d3 BAG | G4 |] %%sep 2 1 500 %%sep 1 1 500 X:20231 T: CALLER HERRING Q: "Slow" %R: _ B: "Edinburgh Repository of Music" v.2 p.32 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 3rd strain has initial repeat but no final repeat; not fixed. M: C L: 1/8 K: D A |\ d2 d>d {d}c2 d>e | fB e>d c>ABc |\ d2 d>d {d}c2 d>e | f>g Te>d d3 :|\ |: d' |\ .c'.b.a.g .f.e.d.d' | .c'.b.a.g .f.e.d.d' |\ .c'.b.a.g .f.f.g.a | bBe>d cABc |\ d2 d>d {d}c2 d>e | fB e>d c>ABc |\ d2 d>d {d}c2 d>e | f>g e>d d3 :|\ |: a |\ d'2 d'>d' {d'}c'2 d'>c' | bagf efg^g | a2 a>a {a}^g2 a>b | c'>d'bT^g a3 f |\ g2 g>g {g}f2 g>a | bB e>d cABc |\ d2 d>d {d}c2 d (b/g/) | f2 Te2 {de}d3 a |\ d'2 d'>d' {d'}c'2 d'>c' | .b.a.g.f efg^g |\ a2 a>a {a}^g2 a>b | c'>d'bT^g a3 f |\ g2 g>g {g}f2 g>a | bB e>d cABc |\ d2 d>d {d}c2 d (b/g/) | f2 Te2 {de}d3 |] %%sep 2 1 500 %%sep 1 1 500 X:20241 T: SAXON DANCE Q: "Mod.o" %R: reel, polka B: "Edinburgh Repository of Music" v.2 p.24 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D (Ad) |\ f2(df) (ba).g.f | e2({f}e^d) e2f2 | (a2g2).e2.d2 | (g2f2) d2(Ad) |\ f2(df) (ba).g.f | e2({f}e^d) e2f2 | g2e2 (cd).e.c | d2f2d2 :| |: e2 |\ a2e2 a2(c'b) | (a^g).f.e ~e2f^g | (a^g)(ba) (c'b)(d'c') | {c'}b6 e2 |\ a2e2 a2(c'b) | (a^g)(fe) ~e2(fg) | aec'a ^gd'bg | a6 :| a2 |\ g2f2e2^d2 | e2^d2e2g2 | f2e2d2e2 | (f4 d2)a2 |\ g2f2e2^d2 | e2^d2e2g2 | f2a2.g2.e2 | ({e}dcde) d2a2 | g2f2e2^d2 | e2^d2e2g2 | f2e2d2e2 | (f4 d2)a2 |\ g2f2e2^d2 | e2^d2e2g2 | (f2a2).g2.e2 | ({e}dcde) d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20251 T: Le PANTALON. Quadrille. %R: jig B: "Edinburgh Repository of Music" v.2 p.25 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G %%slurgraces %%graceslurs !segno![|\ g2g ({a}gf)g | a2a g3 | b2Tb d'2c' | a2a d'2b |\ g2g {a}gfg | (b/a/)(^g/a/).b.a =g3 | b2b (d'c').b | agf g2z H|] d'2d' (^c'b).a | b2b a3 | f2a g2a | efg fed |\ d'2d' (^c'b).a | (^c'/b/)(^a/b/).c'/.b/ =a3 | gbg faf | {f}ede d3 !segno!|] b2g efg | a2f ^dfd | B^c^d efg | {a}gfe ^d2B |\ b2a (ga).b | c'2b (ab).c' | (bc').a gaf | (ef).^d e3 !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:20261 T: L'ETE. Quadrille. %R: march, reel B: "Edinburgh Repository of Music" v.2 p.26 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G d2g2 |\ f2d2 e2e2 | d4 c2e2 | B2d2 A2c2 | B2G2 d2g2 |\ f2d2 e2e2 | d4 (cd).e.c | B2d2 c2A2 | G4 H|] |: B2e2 |\ e^dcB efga | f2B2 b2(bg) | a2(af) g2(ge) | B4 b2b2 |\ Tg4 a2a2 | Tf4 (ag).f.g | e2g2 f2^d2 | e4 :| d2g2 |\ f2d2 e2e2 | d4 c2e2 | B2d2 A2c2 | B2G2 d2g2 |\ f2d2 e2e2 | d4 (cd).e.c | B2d2 c2A2 | "_D.C."G4 |] %%sep 2 1 500 %%sep 1 1 500 X:20262 T: La POULE. Quadrille. %R: jig B: "Edinburgh Repository of Music" v.2 p.26 #2 - p.27 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 3rd strain is actually labelled "Minuer.", obviously a typo. M: 6/8 L: 1/8 K: G !segno!d |\ (db)b (fa).g | d3- d2e | (d2B) (d2B) | d2c A2d |\ (db).b (fa).g | e3- edc | (Bd).d (cA).F | (A3 G2) H|] B |\ (cA).F d2c | (Bd).g b2g | (c'a).f (de).c | (Be).d d2B |\ cAF d2.c | (GB).g b2g | (fa).c' (e'd').f | (a3 g2) !segno!|] "^Minuet."B |\ e3 g3 | f3 (af).^d | egb c'af | (e3 ^d2)B |\ e3 g3 | e3 f2a | g2e f2^d | e3 z2 :|">D.C."y % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20272 T: La TRENISE. Quadrille. %R: march B: "Edinburgh Repository of Music" v.2 p.27 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Dm a2aa |\ a2a2a2a2 | (a2d'2) a2aa | a2a2 g2f2 | e4 a2aa |\ a2a2a2a2 | (a2d'2) b2bb | a2g2f2e2 | "_Fine."d4 H|] f2ff |\ f2f2 (f2a2) | g2c2 g2gg | g2g2 g2b2 | a4 c'2c'c' |\ b2b2 g2g2 | a2a2 f2ff | g2g2 e2g2 | f4 !segno!|][K:=B] [K:D] ({g}fefg) |\ a2a2a2a2 | b2b2b2b2 | a2a2 {a}gfga | g2g2 {g}fefg |\ a2a2a2a2 | b2b2 d'2c'b | a2f2 {f}edef | d4 !segno!|]">D.C."y %%sep 2 1 500 %%sep 1 1 500 X:20281 T: LODOISKA. Quadrille. %R: _ B: "Edinburgh Repository of Music" v.2 p.28 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: There are odd half bars between the strains. Try shifting the bar lines left in either of the strains. M: C L: 1/8 K: D A>Bc>A |\ d2d2 d>AB>c | d2d2 d>AB>c | d2Te2 f>edf | e>dc>B A>Bc>A |\ d2d2 d>AB>c | d2d2 d>AB>c | d2e2 f>ed>f | e2z2 A>Bc>A | d2d2 d>ABc | d2d2 d>AB>c | d2Te2 f>ed>f | e>dc>B A>Bc>A |\ d2d2 d>AB>c | d2d2 d>AB>c | d2e2 f>ed>e | A>Bc>d |] .e2.a2 .a2.a2 | a>gf>e d>ef>d | .A2.A2 .A2B>c | d>cd>e f>ed>f |\ e2a2 a2a2 | a>gf>e (d2{c'}d'2) | (d2{c'}d'2) a>gf>e | (d4 d'2)z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20282 T: La GAR\,CON VOLAGE. Quadrille. %R: jig B: "Edinburgh Repository of Music" v.2 p.28 #2 - p.29 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G (d/B/) |\ (Gd).B (Gd).B | (Ad).c (Ad).c | (Bd).g {a}gfg | aaa a2 (d/B/) |\ (Gd).B (Gd).B | (Ad).c (Ad).c | (Bd).g {b}aga | ggg "_Fine."g2 H:| |: d |\ b3 g3 | aaa a2z | a3 f3 | ggg g2z |\ b3 g3 | aaa a2z | a3 f3 | ggg g2 :| |: G |\ d3 {d}cBc | d3 {d}cBc | d2d g2b | (ba).g (fe).d |\ c3 {c}BAB | c3 {c}BAB | (ce).d (cB).A | GGG "_D.C."G2 :| %%sep 2 1 500 %%sep 1 1 500 X:20292 T: THOU ARE GANE AWA Q: "Andante" %R: strathspey, shottish B: "Edinburgh Repository of Music" v.2 p.29 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: C %%slurgraces %%graceslurs e3d |\ {d}c3B {d}c3A c6 (B>A) | G4 (E3A/G/) G4 (e3d) |\ {d}c3B {d}c3A G3Ac3d | e2(gf) edc{e}d c4 (e3c) | {d}c3B {d}c3A c6 (BA) | G4 (E3A/G/) G4 (e3d) |\ {d}c3B {d}c3A G3AHc3d | e3{g}f (edc){e}d c4 z2G2 | c3de3f {e}g4 (a3g) | g4 {f}e2{d}c2 {e}d4 z2G2 |\ c3de3f {e}g4 {b}a4 | {a}g4 {g}f2e2 {e}d4 z2G2 | c3de3f {e}g4 a3g | g4 (fed){f}e {e}Hd4 ({efegf}e3d) |\ c3B{d}c2A2 (G3A/B/) c2d2 | e2{g}Hf2 (edc){e}d c4 |] %%sep 2 1 500 %%sep 1 1 500 X:20301 T: JOHNNY COPE Q: "Moderato" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.30 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Am %%slurgraces %%graceslurs E4 |\ A3B (AB).c.d | e2A2 (BA).G.E | G3A (BA).B.c | d2G2 (BA).G.E |\ {^G}A3B (AB).c.d | d2A2 (BA).G.E | G2(g^f) (ed)cB | {B}A4 A2 :| |: B2 |\ c3ec2G2 | (cd).e.f g2c2 | B2G2d2G2 | (Bc).d.e (ed).c.B |\ A2c2B2d2 | (cd)(eg) (dB)(AG) | E2g^f (ed).c.B | {B}A4 A2 :| |: (eg) |\ a4 a2(ga) | {ga}b2a2 (a2ge) | d3eg3a | {ga}b3ag2d2 |\ e2a2 a2(ga) | {ga}b3a (a2g^f) | (g2dg) (ed).c.B | {B}A4 A2 :| |: (ed) |\ (cd).c.B (A^G).A.E | (AB).c.d {f}e2dc | BGdG eGdG | Bdg.^f (ed).c.B |\ (cd).c.B (A^G).A.E | (AB).c.d ({f}e2dc) | (de).g.a (ge).d.B | {B}A4 A2 :| %%sep 2 1 500 %%sep 1 1 500 X:20311 T: I GADE A WAEFU' GATE YESTREEN Q: "Andante" %R: strathspey, march B: "Edinburgh Repository of Music" v.2 p.31 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D %%slurgraces %%graceslurs f>e |\ d3 e (d>e) (fe) | d2 B2 B2 (AB) | d3 e (d>e) (fd) | f2 e2 e2 (fe) |\ d3 e (d>e) (fe) | d2 B2 B2 (dB) | A3 B (A>B) (de) | {de}f2 d2 d2 :| |: (f>g) |\ a3 b (af) ({f}ed) | d2 B2 B2 (f>g) | a3 b af ({f}e>d) | f2 e2 e2 f>g |\ a3 b (af) ({f}ed) | d2 B2 Hg2 {fedc}B2 | A3 B (A>B) (d>e) | {de}f2 d2 d2 :| %%sep 2 1 500 %%sep 1 1 500 X:20312 T: KATHRINE OGIE Q: "Slow" %R: strathspey, air B: "Edinburgh Repository of Music" v.2 p.32 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Bm B>A |\ F2(B>c) B3c | d2(c>d) {c}B2c>d |\ e3f (e<c) (B>c) | A3B c2B>A |\ F2(B>c) d3e | (d>e)(c>d) B2a>g |\ {g}f2 (3(edc) d>ec>d | (B4 f2) :| |: B>c |\ (d>e)(f>g) a3b | (a<f) (e>f) a2 e>d |\ c2(af) (ec) (B>c) | A3B c2(BA) |\ d2(c>B) B3F | B>cd>e {de}f2ed |\ (e>f)(ab) (af)(ec) | (B4 f2) :| %%sep 2 1 500 %%sep 1 1 500 X:20321 T: CUMBERNAULD HOUSE Q: "Andante" %R: strathspey B: "Edinburgh Repository of Music" v.2 p.32 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: G G3A |\ (B3A)(B2d2) {c}B4A3G | E3DE2G2 {B}A4 (B3d) | e4 (ge3) (dB3) (A3G) | E4 (G3A) G6 A2 |\ (B3A)B3d {c}B4 (A2G2) | E3DE2G2 A4(B3d) | (e3d)(e3g) (dB3) (A3G) | E4 (G3A) G4 :| |: (B3A) |\ (G3A)(B3c) d6e2 | (dB3)A2G2 d4 g3f | (e3f)(g3a) {g}f4 (e2d2) | B4e3f e6f2 |\ (g3f)(e2d2) {c}B4 (e3f/g/) | (dB3)TA3G {B}A4(B3d) | e3dB2e2 (dB3)TA3G | E4G3A G4 :| %%sep 2 1 500 %%sep 1 1 500 X:20322 T: LASS GIN YE LO'E ME Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.2 p.32 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added dots to late note in strain, to fix the rhythm. M: 6/8 L: 1/8 K: D |:\ F2A A2d | B>dA B3 | A>Bd d2e | f2g Ha2A |\ F2A A2d | B>dA B>dg | fba {a}gfe | d>BA A3 :| |:\ ({g}Tf>ef) g2g | ({b}Taga) b3 | B>ee e>fg | {g}f>ed c>BA |\ (F>G)A A2d | (B>d)A (B>d)g | fba ({a}g>fe) | d>BA A2 :| %%sep 2 1 500 %%sep 1 1 500 X:20331 T: O WERE I ON PARNASSUS HILL Q: "Largo Amoroso" %R: strathspey, air B: "Edinburgh Repository of Music" v.2 p.33 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Dm (A3G) |\ F4 ({F}E3F) D4 (d3e) | (f2e2) (d2^c2) d4 (=c3B) |\ {B}A4 (GF3) G4 (A2c2) | d4 (c3d) {B}A4 (f3g) |\ (a2g2) (f2e2) (c3d)f2d2 | (c2A2) ({A}G2F2) {A}G4 (f3e) | {e}d4 (c2B2) (A2d2) (A2G2) |\ F4 (TE3F) D4 :||: (f3g) | a4 ({a}g3f) (f3ga2)F2 |\ (A2c2) (d2c2) (B2A2) (G2F2) | (d2f2) (e2g2) (f3g)(a2g2) | (f2e2) (d2^c2) {e}d4 ({ed^c}d3e/f/) |\ A4 (A2c2) (d2c2) (A2f2) | (c2A2) ({A}G2F2) {A}G4 (A2^c2) |\ (d2A2) (f2d2) (A2d2) (=cBAG) | F4 (TE3F) D4 :| %%sep 2 1 500 %%sep 1 1 500 X:20332 T: IN INFANCY OUR HOPES AND FEARS Q: "Andante" %R: march B: "Edinburgh Repository of Music" v.2 p.33 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: C G2 |\ (c3d c2)d2 | (e3f e2)f2 |\ (agfe) (gfed) | e4 z2e2 |\ (d3c B2)d2 | g3d d2e2 |\ (edcB) (dcBA) | "_cres."g(b/a/) (a/Tg/)(^f/e/) d2Tc2 |\ B2g2 a2(g^f) | g4 z2 :|\ |: g2 |\ ({a}g2=fe) f3f | ({g}f2ed) e3e |\ {e}d2c2 {g}f3e | (e2d2) z2G2 | !mf!(c3d c2)d2 | (e3f e2)f2 |\ {a}g2(fe) {g}f2(ed) | c'2- c'b/a/ ({a}g^f/g/) {b}ag/=f/ |\ (f/e/d/e/) (g/f/e/d/) (c2 B)>c | c4 z2 :| %%sep 2 1 500 %%sep 1 1 500 X:20341 T: BRAES OF BALLENDINE Q: "Andantino" %R: waltz B: "Edinburgh Repository of Music" v.2 p.34 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D d>e |\ f2 a2 a>b | b2 a2 bc'/d'/ | (ba)(gf)(ed) | (f2 e2) (d>e) |\ f2 a2 (ab/c'/) | {c'}d'3 c' b2 | a>b (b/a/g/f/) Te>d | d4 :| F>G |\ A3 BdA | B2 d2 (ef/g/) | f3 e (g/f/e/d/) | {c}B4 (ab/c'/) |\ d'2 d2 (de/f/) | e2 f2 a>d' | (c'b)(ag)(fg) | (f2 e2) d>e | f2 a2 (ab/c'/) | {c'}d'3 c' b2 | (a>b)af ed | {c}B4 (d>e) |\ (f3/b//a//) a2 A2 | B>d d2 (bc'/d'/) | a>baf Te>d | d4 |] %%sep 2 1 500 %%sep 1 1 500 X:20342 T: MORGIANA IN IRELAND Q: "Allegretto" %R: jig B: "Edinburgh Repository of Music" v.2 p.34 #2 - p.35 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G |:\ D2D G2G | {B}AGA B2E | D2D G2A | B2c (BG).E |\ D2D G2G | {B}AGA B2e | (ed).c (Bc).A | G2A (BG).E :| d2d (dc).B | e2f g3 | (de).d (dc).B | e2f gdB |\ d2d (dc).B | e>fe e>fg | (de).c (Bc).A | G2A ( BG).E | "^8vo _ _ _"{A}GFG B<dz | {B}A^GA c<ez | {A}GFG G2A | B2c (BG)E |\ {A}GFG (B<d)z | (c<e)z (B<d)z | (e<g)z (B<d)z | G2A (BG)E |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20352 T: ZITTI, ZITTI, PIANO, PIANO C: Rossini Q: "Allegretto" %R: march B: "Edinburgh Repository of Music" v.2 p.35 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added flags in bar 15 to go with the dotted notes, to match bar 2. M: 2/4 L: 1/16 K: G gg |\ .d2.B2.c2.e2 | d>cB>A G2(AB) |\ .c.B.A.G | (d^c).d.e .d2gg |\ .d.B.c.e | (dc).B.A G2B2 |\ A2(Bc) d2F2 | G6 (dB) | g2dB g2dB | g2dB g2dB |\ (gf).e.d (cB).A.G | (d^c).d.e (d=c).B.A |\ ^G2(=f2e2d2) | .c2(c'2b2a2) |\ (g^f).e.d (cB).A.G | d4 z2"^8vo ad lib. _ _ "gg | .d.B.c.e | (d>c).B>.A. G2(AB) |\ .c2.B2.A2.G2 | (d^c).d.e d2gg |\ .d2.B2.c2.e2 | (d^c)(d^d) (ef).g.e |\ .d(gf)(e d)(cB)(A | G2)B2G2 |] %%sep 2 1 500 %%sep 1 1 500 X:20361 T: O LET ME IN THIS AE NIGHT Q: "Andante" %R: march B: "Edinburgh Repository of Music" v.2 p.36 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Em A |\ (GE)EF (GA)BG | ABcA d>cB>A |\ GEE^d (e>f)(g>e) | (dB)AG A2B |]\ A |\ GEEd e2dB | (dA)(Bc) B3A |\ (GE)E^d (e>f)ge | (dB)(AG) | A2B |] %%sep 2 1 500 %%sep 1 1 500 X:20362 T: The BIRD CATCHER %R: march B: "Edinburgh Repository of Music" v.2 p.36 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D (ba) |!p!\ g2g2 (ag).f.g | (a2b2).a2 (af) |\ d3d d'3c' | (b2a2g2) b2 |\ (ag).f.g (ag).f.g | a2b2a2 za |\ d'3d' a3a | f2e2d2 :| (df) |\ a2a2 (ba).g.a | b2a2 g2d'2 |\ f2f2 (ag).f.g | a2b2a2c2 |\ d2(d/e/f/g/) a2c2 | d2(d/e/f/g/) a2(de) |\ f2f2 (gfef) | g2a2 b2(ge) |\ c2c2 (dcBc) | (dfec) d2c2 |\ d2(d/e/f/g/) a2c2 | d2(d/e/f/g/) a2c2 |\ d4 d4 | d6 |] %%sep 2 1 500 %%sep 1 1 500 X:20371 T: O WHERE WILL BONNY ANN LY Q: "Allegretto" %R: trathspey, march B: "Edinburgh Repository of Music" v.2 p.37 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: G (BA) |\ G2{f}g2{f}g3e (de).d.c {c}B4 | A2{e}=f2{e}f3d (cd).c._B {B}A4 |\ G2{f}g2{f}g2(fe) (de).d.c B3d | (cB).A.G (FG).A.c B2G2G2 :| |: (Bc) |\ (dc).B.A (GA).B.c d2d2 B4 | (c_B).A.G (=FG).A.B c2c2 A4 |\ (dc).B.A (GA).B.c d2d2B2d2 | (cB).A.G (FG).A.c B2G2G2 (Bc) | (dc).B.A (GA).B.c d2d2B2 | (c_B).A.G (=FG).A.B c2c2 A4 |\ (dc).B.A (GA)Bc d2g2b3d' | (c'b).a.g (fg).a.c' b2g2g2 |] %%sep 2 1 500 %%sep 1 1 500 X:20372 T: LET US HASTE TO KELVIN GROVE Q: "Moderato" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.38 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D d>e |\ faef (dc)(BA) | B2e2 e2d>e | faef (dc)(BA) | B2d2 d2(e>f) |\ gfga b2f>g | (af)ed {f}He2 ~d>e | (fa)ef dcBA | B2d2 d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20381 T: BEAUTY IN TEARS N: AKA "The Ash Grove". Q: "Moderato" %R: waltz B: "Edinburgh Repository of Music" v.2 p.38 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G |:\ G2 B2 d2 | B2 G2 G2 | A>B c2 A2 | F2 D2 D2 |\ (GA)(BA)(GF) | E2 A2 A2 | D2 G2 (TF2{EF}y) | G6 :| |:\ (GA)(Bc)(de) | d2 c2 B2 | (AB)(cd)(cd) | c2 B2 A2 |\ GA (Bc)(Bc) | B2 A2 G2 | F2 d2 ^c2 | d6 | (g2 b2) d'2 | (b2 g2) .g2 | a>b c'2 a2 | f2 d2 d2 |\ (ga)(ba)(gf) | e2 c2 c2 | d2 g2 (Tf2{ef}y) | g6 :| %%sep 2 1 500 %%sep 1 1 500 X:20382 T: GO TELL HER I LOVE HER Q: "Andante" %R: air, strathspey B: "Edinburgh Repository of Music" v.2 p.38 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D A2 |\ (d2e>f) (ge) za | d2(e>d) (dc) zA |\ a2(f<d') (c'b) zg | (g/f/)(b/a/) (a>c) d2(d>c) |\ (cBA)g (g3f) | f2e^g a2(bc') | f2d'>c' (c'b)(a^g) | a2e>f g2a2 |\ Hb6 (a>g) | g2(g/f/a/g/) (fe) zA |\ d2fa bd' ze | (g/f/b/a/) (a>c) d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20383 T: The EWE BUGHTS MARION Q: "Andante" %R: march B: "Edinburgh Repository of Music" v.2 p.39 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: G E>F |\ G2 A>B | g2 f>g | e2 E>F |\ G2 A>B | g2 f>g | e3 z/g/ |\ (d>B) Bc | A2 B>d | e2 E>c | (BA) (GF) | G3 g |\ (d>B) B>B | c2 B>c | A2 B>d |\ e2 E>c | (BA) (GF) | G3 |] %%sep 2 1 500 %%sep 1 1 500 X:20392 T: ETTRICK BANKS Q: "Andante" %R: march B: "Edinburgh Repository of Music" v.2 p.39 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G B>A |\ G3F E2Bd | (dc) (Bd) e3g | d2(cB) g2B2 | {c}B2(AG) A2B>A |\ G3F E2(gf) | TedBd e3f | (g>a)gf (e>f)ge | d2(B>c) B2 :| |: d2 |\ g3a g2G2 | (B>c)(d>e) d2(cB) | g3a g2(fe) | (f>g)(a>b) a2(g>a) |\ b2(a>g) g2G2 | B2d2 b3a | (g>a)gf (e>f)ge | d2B>c B2 :| %%sep 2 1 500 %%sep 1 1 500 X:20401 T: WHERE THE BEE SUCKS Q: "Allegretto" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.40 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: C (e3f) |\ (g2a2 B2g2) | e4 z2(ef) |\ (ge).a2 (fd).g2 | .e4 (e3^f) |\ g3B c3c | (B3d) (e3c) |\ (d3B) (c3A) | B4 z2!p!(gB) |\ .c2.c2 (ag^fe) | ("_cres."d^fga bagf) |\ (!f!egab c'bag) | ^f2z2 (g2!p!bg) |\ .g2.g2 (g2b)g | "_cres."gbg2 (ag^fe) |\ d2g2 (d'd)e^f | g2z2 (!p!ge)g2 |\ (fd)f2 (ec)(e2 | d4) .g2(eg) |\ (fd) z.f .e2(!p!c!f!e) | d2z2 (ge).c2 |\ (af).d2 (ge).c2 | f4 e2!p!.e>.f |\ .g.g za d2(g>f) | .e4 c'2g>f |\ .e.c zd G2(c>B | c4) |] %%sep 2 1 500 %%sep 1 1 500 X:20402 T: The HEAVING OF THE LEAD Q: "Moderato" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.40 #2 - p.41 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The d in bar 12 has a "wrong" length, maybe to start the adagio section. Not fixed. M: C L: 1/8 K: G (G>A) |\ B2B2 A2(c>A) | G2TF2 G2zD |\ (GA)(Bc) d3d | (ef)(ge) d2zd |\ g3f e3d | (cB)(AG) F2zA | d2d2 (Be)(fg) | d2(T^c2 {Bc}d2)zd |\ g3g (gf2)f | (fe)(e2 {e}d2)zd |\ dB2 (ec) A2d | (BG2) ^c2 d4 |\ "_Adagio ad lib:"A>G TA2 G4 | B>B Tc2 {Bc}HB3B |\ "A Tempo."(Ae)(dc) (cB)(dB) | (Ae)(dc) (cB)(dB) |\ (cB)(AB) (cB)(de) | (ed)(ef) Hg4 |\ B3c B2(TA2{GA}y) | G6 |] %%sep 2 1 500 %%sep 1 1 500 X:20412 T: NEAPOLITAN WALTZ R: waltz, mazurka B: "Edinburgh Repository of Music" v.2 p.41 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 3rd strain has initial repeat but no final repeat; not fixed. (AABBCAB is a likely order.) M: 3/4 L: 1/8 K: C |:!p!\ c>de>fg>a | (a>g)g>^fg2 | c'>ge>ce>g | (gf)d4 |\ c>de>fg>a | agg^fg2 | c'>ge>cd>B | c2z2z2 :| |:\ g3(gec) | (gf)d4 | (c/d/c/B/) (ce).g.c' | (bc').d'.bg2 |\ {Gce}g3(gec) | (gf)d4 | (cd)(ef).g.B | "_Fine."c4z2 H:| |:!p!\ (gG)(eG)(cG) | (gG)(eG)(cG) | (dB)(GB) (GB) | (cG).E.G (ce) |\ (gG)(eG)(cG) | (gG)(eG)(cG) | dGBGBG | c6 |] %%sep 2 1 500 %%sep 1 1 500 X:20421 T: The CELEBRATED SWISS WALTZ. Les Rans des Vaches. Q: "Adagio" R: waltz B: "Edinburgh Repository of Music" v.2 p.42 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G %%slurgraces %%graceslurs [| !p!\ (G2B2c2) | ("_>"d4B2) | (c4d2) | ("_>"B4G2) |\ (G2B2c2) | ("_>"d4B2) | "_>"c4c2 | HB4z2 |\ HG6 | HD4z2 | (d4B2) | c4A2 |\ G4(AB) | (G4g2) | (d4B2) | ({d}c4B2) |\ G4(AB) | {A}G6 "^Vivace."|][|!mf! G2B2G2 | {B}A4G2 | G2(B2G2) | {B}A4G2 | B4G2 | {B}A4G2 |\ G2A2G2 | (A4G2) | (B4G2) | {B}A4G2 |\ (G2A2G2) | {B}A4G2 | B4G2 | {B}A4G2 |\ HD6 "^Adagio."|][| (d3cB2) | {d}c4B2 | G4(AB) |\ {A}G4g2 | (d4B2) | {d}c4B2 | G4(AB) |\ G6 |] %%sep 2 1 500 %%sep 1 1 500 X:20422 T: BOCAGE QUE, L' AURORE Q: "Andantino" %R: _ B: "Edinburgh Repository of Music" v.2 p.42 #2 - p.43 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G %%slurgraces %%graceslurs !p!g2 |\ (g4 .d2)dd | (d4 .B2)BB | B4 (c/B/A/B/) (d>c) | A4 z3a |\ (a3f) (f3d) | (d3f/e/) d4 | c2cc (d/c/B/c/) (d>c) | B4 z3g |\ g4 zeee | g3d d2gg | e4 {a}g3e | d4 z3B |\ B3B B3B | {Bd}c2B2 z3A | A4 (A2BA) | {^GAB}A4 z3a |\ a3a (3(agf) (3(fed) | (d>gg2) z2(e>g) | g3g (f2ga) | g6 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20432 T: The LAST ROSE OF SUMMER Q: "Andante" %R: waltz B: "Edinburgh Repository of Music" v.2 p.43 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G %%slurgraces %%graceslurs !p!G>A |\ B2 g2 ({f}e>d) | d B3 (G>A) | B2 (c>B) (A>G) | G2 z2 (G>A) |\ B2 g2 ({f}e>d) | d B3 G>A | B2 ({d}c>B) ({B}A>G) | G4 d>B | g2 (gf) ({f}e>d) | (d2 B2) (d>B) | g2 (gf) (e^d) | e3 {def}Hg (G>A) |\ B2 g2 ({f}e>d) | (d B3) (G>A) | B2 ({d}c>B) ({B}A>G) | G4 z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20441 T: Mrs MACDONALD Q: "Andante" %R: jig B: "Edinburgh Repository of Music" v.2 p.44 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A %%slurgraces %%graceslurs [|\ (c'>ba) (afe) | {ef}ece {ef}ece | ({a}c'>ba) (a>e'c') | (c'b).b bab |\ c'>(ba) (afe) | {f}ece {f}ece | (a<e'c') Tb>(ab) | a2a a2 (e/d/) |] [|\ (cea) (ac'a) | (egb) (bd'b) | (cea) (a<e'c') | (c'b).b b(ac') |\ (e'c'a) ac'a | (bge) Te2d | (cea) (Tb>ab) | (c'<aa) a2z |] %%sep 2 1 500 %%sep 1 1 500 X:20442 T: The CANADIAN BOAT SONG Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.2 p.44 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G [|\ ddB d2B | d2B A2A | (GBA) B>cd | e2d B2A |\ GBA ("_cres:"B>cd) | e2(d/B/) "_dim:"d2z | ddB d2B | (edB) A2A | fdA d2e | f2"_dim:"Te d2z | ddB "_>"d2B | "_sf"d2B A2A |\ G<BA B>cd | "_dim:"e2d Bz !f!F | G<BA B>cd | !f!e2(d/B/) "_Dim:"d2z |] %%sep 2 1 500 %%sep 1 1 500 X:20451 T: MISS GRAHAM OF INCHBRACKIE %R: strathspey B: "Edinburgh Repository of Music" v.2 p.45 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D %%slurgraces %%graceslurs A2 |\ d3e {de}f3e d3BA3F | D2A2 ({e}d2cd) e2E2E2A2 |\ d3e {de}f3e {c}d3BA3F | A3A B3c {c}d4 d2 |]\ (fg) |\ a3b {b}a2gf .d'2.a2.f2.d2 | .g2(bg) .f2(af) e2d2e2f2 | a3b {b}a2(gf) .d'2.a2.f2.d2 | g3ef3c {c}d4 d2f2 |\ a3b ({b}a2gf) d'2a2f2d2 | (gbag) (fagf) e3de2f2 |\ A3d{d}f3e d3B (BA).G.F | A3A B3c {c}d4- d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20452 T: LADY OF THE LAKE %R: jig B: "Edinburgh Repository of Music" v.2 p.45 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G G |\ (Bc).A G2D | E2D G2D | (Bc).A G2B | (Ad).d (d^c).=c |\ (Bc).A G2D | E2D G2D | {F}E2D {F}E2D | DGG G2 H:| (d/c/) |\ (Bc).B B2A | B2c d2f | g2f e2d | (dc).B A2(d/c/) |\ (Bc).B B2A | B2c d2f | g2e a2g | (fg).e "Da Capo"d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20461 T: PADDY O CARROL %R: jig B: "Edinburgh Repository of Music" v.2 p.46 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D (A/G/) |\ (FD).D (ED).D | (FG).F (FE).D | AFF dFF | (EF)E E2(A/G/) |\ FDD EDD | (FG).F (FE).D | AFF dFF | DED "_Fine."D2 H:| (a/g/) |\ fdd edc | (Bd).B (AG).F | (fd).a (ec).a | (dB)^g a2(a/=g/) |\ (fd).d (edc) | (Bd).B (AG)F | AFF dFF | (EF).E "_D.C."E2 |] %%sep 2 1 500 %%sep 1 1 500 X:20462 T: LOGAN WATER Q: "Andante" %R: strathspey, shottish, hornpipe B: "Edinburgh Repository of Music" v.2 p.46 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Am A>B |\ c2B>A A3c | (G>E)DE G3B | c2TB>A A3c | (G>A)(cd) e3e |\ (fa).g.f {f}e2(dc) | (dc)(BA) G3B | (A>B)(cd) e>fed | c2(TB>A) A2 |] e^g |\ a2A2 A3c | G>EDE G3^g | a2A2 A3c | (GA)(cd) e3e |\ {g}f2(ed) {f}e2(dc) | (dc)(BA) G3B | (A>B)(cc) e>fed | c2(TB>A) A2 |] %%sep 2 1 500 %%sep 1 1 500 X:20471 T: HOW BLEST THE MAID Q: "Andantino" %R: jig B: "Edinburgh Repository of Music" v.2 p.47 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A |\ A>FG A2B | A2d A2A | B2d (d>e)c | d3 z2A |\ (A>FG) A2B | A2d A2A | B2d d>(ec) | d2d (f>ed) | (c>BA) B2(B//c//d/) | c2A (f>ed) | (c>BA) B2 (B//c//d/) | c2z z2A |\ (AB)B zBc | (cd) d z2e | f2f (g>f)e | d3- d2d | a2d (fe)d | c3- c2c | a2A (fed) | c2z z2A |\ A>FG A2B | A2d A2A | B2d (d>e)c | d3 z2A |\ A>FG A2B | A2d A2A | B2d (d>ec) | d2(f//g//a/) =c2c |\ (Bgf) (ed^c) | d2 (f//g//a/) =c2c | (Bgf) ed^c |d2f gfe |\ d2(a/f/) (gfe) | d3- d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20481 T: JOCKEY TO THE FAIR Q: "Lively" %R: jig B: "Edinburgh Repository of Music" v.2 p.48 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: G D |\ G2A B2c | d2g d2c | (Bd).G (GF).G | (A/B/c).B A2d |\ (d^c).d (ef).g | (fa).f {f}e2g | (fe).d (Ad).^c | d3- d2 :: d |\ (af).d (af).d | c2c B2c | (dg).d (dg).d | c2c B2B |\ e2f g2f | e2f B2e | (e^d).e B2A | G2F E2F |\ G2G G2B | d3 g3 | (dB).G A2B | E2F G2A |\ B2g (Bc).A | G3- G2 |] %%sep 2 1 500 %%sep 1 1 500 X:20482 T: ROUSSEAUS DREAM Q: "Moderato" %R: march B: "Edinburgh Repository of Music" v.2 p.48 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D |:\ f2 (f>e) d2 d2 | e2 e2 (f2 d)z |\ f2 (f>e) d2 d2 | ({f}e>d)(e>f) d2 z2 :|\ |:\ f2 (f>g) a2a2 | b2 (b>g) (a2 f)z | "_cres:"f2 (f>g) a2 a2 | b2 d'>b Ha4 |\ f2 (f>e) d2d2 | e2 e2 (f2 d)z |\ f2 (f>e) d2 d2 | ({f}e>d)(ef) d2 z2 :| %%sep 2 1 500 %%sep 1 1 500 X:20491 T: The CELEBRATED HUNTER'S CHORUS in Der Freisch\"utz. %R: march B: "Edinburgh Repository of Music" v.2 p.49 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D A |\ d2 (d/e/f/g/) | ("_Fz."a2 f).f |\ .e.a .e.a | (f/g/f/e/) dA |\ d2 (d/e/f/g/) | ("_Fz."a2 f).f |\ ea c'b | a2 z :|\ A |\ "_FP."f2 ff | d2 dd |\ g2 gg | e2 z"_P."e | f2 ff | d2 dd |\ g2 gg | e2 z"_P."A |\ f2 ff | g2 f2 |\ e2 de | f4 |\ f2 ff | ag fe |\ (f/e/d/e/) fe | d3 "_F."A |\ AA/A/ AA/A/ | AA/A/ AA/A/ | ("_P."d2 A)f | (d2 A)f |\ ("_F."a/g/)e (a/g/)e | (a/g/)e (a/g/e) |\ (d2 A)f | (d2A)f |\ (a/g/)e (a/g/)e | (a/g/)e (a/g/)e |\ fd/f/ a2 | fd/f/ a2 |\ fd/d/ dd | d4 |] %%sep 2 1 500 %%sep 1 1 500 X:20501 T: The BRIDESMAIDS' CHORUS. in Der Freisch\"utz Q: "Allegro" %R: _ B: "Edinburgh Repository of Music" v.2 p.50 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D A2 |\ ({e}dcde) f2A2 | ({e}dcde) f3f |\ (e3f) (e>d)(c>B) | (A3G) F3A |\ (dcde) f2A2 | (dcde) f3f | (e3f) (e>d)(c>B) | (A3c/B/) A2z2 |]\ "_FF."d4 f4 | a4 f2A2 |\ {f}e>dc>d e2f2 | e8 "_P."| (eA)A2 (eA)A2 | de f6 |\ ("_F."a3g/f/) (edcB) | AGF2- Fa("_P."af) |\ (fd)(dA) A2(f>e) | d4 z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20502 T: FAVORITE MARCH. in Der Freisch\"utz. Q: "Maestoso" R: march B: "Edinburgh Repository of Music" v.2 p.50 #2 - p.51 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D A4 |\ d4 d3d d2de gfed | e4 A3A A4 ABcd |\ e4 e3e e2ef agfe | f4 d3d d4 f2g2 |\ (b2a2).g2.f2 (a2g2).f2.e2 | e4 A3A A4 f2a2 | (d'2c'2).b2.a2 (d'2c'2).b2.a2 | a4 A2A A8 |\ "_P.".d2.d2 .d4 .e2.e2 .e4 | "_F."e4 {abc'}.d'2.a2 .f2.a2.f2.d2 |\ "_P.".e2.e2 .e4 .f2.f2 .f4 | e4 {ef^g}.a2.e2 .c2.e2.c2.A2 | d2d2 d6 de gfed | B2B2 B6 ef agfe |\ f2d2 d4 e2A2 A4 | d3d e3e f4 agfe |\ d3d e3e f4 agfe | d4 d'3d' d'4 d'4 | d'12 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20512 T: WALTZ. in Der Freisch\"utz R: waltz B: "Edinburgh Repository of Music" v.2 p.51 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D (Adf |\ "_>"baf)(Adf | baf)(Adf | age)(Ace | "_>"gfd)(Adf |\ "_>"baf)(Adf | "_>"baf)(Adf | age)(Ace | d3 |] (eac' |\ "_>"f'e'c')(eac' | "_>"f'e'c')(eac' | "_>"e'd'b) (e^gb | "_>"d'c'a) (eac' |\ "_>"f'e'c')(eac' |"_>"f'e'c')(eac' | "_>"e'd'b)(e^gb | a3) |] (Adf |\ "_>"baf)(Adf | "_>"baf)(Adf | "_>"age)(Ace | "_>"gfd)(Adf |\ "_>"baf)(Adf | ")>"baf)(Adf | "_>"age)(Ace | d3) |] %%sep 2 1 500 %%sep 1 1 500 X:20521 T: ALL'S WELL Q: "Adagio" %R: march B: "Edinburgh Repository of Music" v.2 p.52 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: G D |\ G2 G2 | G3 A | B2 ({B}A>G) | G2 zG |\ B2 B2 | B3 c | (dg) (ec) | (B2 A) z/"_F."B/ |\ A>B A>B | A>B c z/A/ | (B>A) (B>A) | B>c d z/G/ |\ ("_>"g2 {f}e>d | d2) zz/"_PP"d/ | d2 {d}Tc>B | B2 zz/G/ |\ ("_>"g2 {f}e>d) | d2 Hz B | "^lent."dc B{B}A | G2 z"_F."G "^Allegro."| .c.c.c.c | .B.B.B.B | .e.e.e.e | .d.d.d.d |\ .c.c .B.B | .A.A .B.d | ("_P."gd) (cB) | (HB2 {cBABcdefg}HA)D/>D/ |\ G2 z2 | .c.B z.G/.G/ | (FE) z>G | c2 z>"_P."A |\ (GF) z"_F."D | d2 z2 "^Adagio."| ("_P."G2 {A/G/F/G/B2}HA>G) | G2 z2 |\ (B2 {d}c>B | B2) zG "^cresc."| d2 z"_FF."G | e2 Hz2 |\ ("_P."HB2 {B}THA>G | G2) z |] %%sep 2 1 500 %%sep 1 1 500 X:20531 T: SPANISH AIR Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.2 p.53 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A [|\ .c.c.c .c.c.d | e(ag) e<f-f |\ c(e>d) B(d>c) | "^<>"A6 |\ .c.c.c .c.c.d | e(ag) e<f-f |\ .c("^>"ed) .B("^>"dc) | A3- "^<>"yA2z |\ "^espress".c.c.c .c.c.d | e("^>"ag) e<"^>"f-f |\ .c("^>"e>d) .B("^>"d>c) | A3- "^<>"yA2.e/.e/ |\ (fe)c (ed)B | A3- "^<>"yA2e | (fg)a (ba)g | ae2 z2e |\ ("^>"f>e)c ("^>"e>d)B | A2z e3 |\ fga (b>a)b | c'a2 z("_F."b>c') |\ a3 z("_F."b>c') | a3- "^<>"ya2z |] %%sep 2 1 500 %%sep 1 1 500 X:20532 T: MARCH in Abon Hassan Q: "Vivace" R: march B: "Edinburgh Repository of Music" v.2 p.53 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D [|\ a2g>f a2g>f | f>ed>e f2d2 |\ a2g>f a2g>f | f>ed>e d2z2 |\ ^d2cd e2fg | a2g>a b4 | a2g>f a2g>f | f>ed>e d2z2 |\ e2e>e f2a2 | e2e>e f2a2 |\ a2g>f a2g>f | f>ed>e d2z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20541 T: The YOUNG MAY MOON Q: "Vivace" %R: jig B: "Edinburgh Repository of Music" v.2 p.54 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The "8va" notation is a bit dubious in ABC. M: 6/8 L: 1/8 K: F ((3c/d/e/) |\ f2f f2c | d2c c2c |\ f2f (gf)g | a2f (fg)a |\ b2b a2a | gaf e>dc |\ .d.c.B .A.B.c | (d2c) c2 :| "_F."d'2d' (c'af) | d'2d' c'3 |\ d'2d' (c'af) | (e<g)g g3 "_P."|\ "^8va_"d2"^_"d "^_"c"^_"e"^_"f | "^_"g2"^_"f "^_"e"^_"d"^_"c "_F."|\ "^_"d"^_"c"^_"B "^_"A"^_"B"^_"c | "^_"d2"^_"c "^_"c2 |] %%sep 2 1 500 %%sep 1 1 500 X:20542 T: GIPSY CHORUS. in Preciosa. Q: "Moderato" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.54 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: G d2 |\ b3b a2d2 g4 z2D2 | B3B A2D2 G6 z2 |\ Bcde d^cd2 gcd2 gcd2 | AGFG ABA2 fAc2 fAc2 |\ Bcde d^cd2 gcd2 gcd2 | AGFG ABA2 fAc2 fAc2 |\ Bcde d^cd2 gcd2 gcd2 | g^cd2 z2B2 g^cd2 z2B2 |\ G4 g3g g3g g3g | g4 b4 g4 z4 |] %%sep 2 1 500 %%sep 1 1 500 X:20551 T: ARGYLE IS MY NAME Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.2 p.55 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A |\ (Ad)d {e}d>cd | (fe)e e2g | {g}f>ed f<aA | A>Bc d2A |\ (Ad)d {e}d>cd | (fe)e e2{g}a | f>ed (f<a)A | A>Bc "_Fine."d2 |] a |\ a>fd dfa | {b}a>gf g2b | a>fd dfa | {b}agf eef |\ Tg>ag g>ag | gec A2g | {g}fed (f<a)A | A>Bc "_D.C."d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20552 T: The STORM Q: "Andante" %R: waltz B: "Edinburgh Repository of Music" v.2 p.55 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G B>d |\ {d}c2 BAGF | G2 A2 B>d | {d}c2 B2 A>F | G4 Bd |\ {d}c2 BAGF | G2 A2 Bd | {d}c2 B2 AF | G2 zBcB | e2 edcB | {B}A2 A2 BA | {A}G2 FEFG | D4 AB |\ {d}c2 BAdF | (GA/B/) A2 {a}gf/e/ | d2 cBcA | G4 |] %%sep 2 1 500 %%sep 1 1 500 X:20561 T: GLORIOUS APOLLO Q: "Mod.to" %R: march B: "Edinburgh Repository of Music" v.2 p.56 - p.57 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 arranged for fewer, longer staff lines. V: 1 clef=treble |:\ f2dd | e2e2 | dagf | f2e2 |\ d2dd | g>ggf | e2Te2 | d4 :|\ f2ff | e2e2 | (df)ed | c2e2 |\ f2ff | e2AA | de(f^g) | Ha4 |:\ f2dd | e2e2 | dagf | f2e2 | d2dd | g>ggf | e2Te2 | d3 :| e |\ f2e2 | f3g | f2Te2 | d2z"_F."e |\ f2Te2 | f3g | f2Te2 | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=treble |:\ A2Ad | d2c2 | dAcd | d2c2 | dABA | B>cdd | d2Tc2 | d4 :| A2AA | A2A2 | A2^GG | A2c2 | d2AA | A2AA | BBB2 | Hc4 |: A2Ad | d2c2 | dAcd | d2c2 | dABA | B>cdd | d2Tc2 | d3 :| c |\ d2c2 | d3e | d2Tc2 | d2z"_F."c | d2Tc2 | d3e | d2Tc2 | d4 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20572 T: The EXILE OF ERIN Q: "Andante" %R: reel, hornpipe B: "Edinburgh Repository of Music" v.2 p.57 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D A |\ d2de dccd | BABd B>AF>A |\ A>GFE D>EFA | B>dc>d d2z A/A/ |\ d2de {d}c2cd | B>ABd B>AF>B |\ A>GFE D>EFA | B>dTc>d d2z A/A/ |\ d2de f2ff | g>f e/f/g f<d (3(BcA) | (3(def) ed (dc)cd | B>ABd A>GF Ha |\ agfe d2dc | BABd BAHF B |\ AGFE D>EFA | B2Tc>d d2z |] %%sep 2 1 500 %%sep 1 1 500 X:20581 T: The CARPET WEAVER %R: _ B: "Edinburgh Repository of Music" v.2 p.58 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D [|\ d4 f3d | d2c2 e2c2 | B2A2F2E2 | d3B B3G |\ G3F AGFE | D3A TA4 {^GA}y| (B2dc) (B2ed) | d6 "_sym."d2 |\ B3d c>de>f | d2f2d2 "_song"A2 | d3A d2e2 | f4 z2f2 |\ f3e (df)(gf) | (e3c)A2z2 | (d3e) (f2d2) | (d2c2)B2A2 |\ (d2B2)A2F2 | A4 z2A2 | d3e f3d | c3d e3c |\ B2A2 F2E2 | (d3e) Hf2 zB | A3F AGFE | (D3A) TA4 {^GA}y|\ B2(dc) c2(ed) | d4-dafd | B2d2 c>de>f | d2f2 d4 |] %%sep 2 1 500 %%sep 1 1 500 X:20582 T: COMING THROUGH THE RYE Q: "Moderato" %R: strathspey B: "Edinburgh Repository of Music" v.2 p.58 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D [|\ AA3 A3f {f}e3d(e3f) | AA3 B3A d8 |\ AA3 a3f {f}e3de3f | AA3 {c}B3A {c4}d8 |] [|\ a3fd3f {f}e3d(ef3) | af3 (defa) {c'}b6 a2 |\ a3fg3e (fd3)e3f | AA3 {c}B3A {c4}d8 |] %%sep 2 1 500 %%sep 1 1 500 X:20591 T: The FAVORITE POLLACCA. in Tancredi. %R: minuet, polonaise B: "Edinburgh Repository of Music" v.2 p.59 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Arranged for ABC software that can't handle small-note passages. M: 3/4 L: 1/16 K: D "_P."A2 |\ A6 (Bc) d2d2 | (edcd) A4 z2A2 | A6 (Bc) d2d2 | (^defe) A4 z2A2 |\ A6 (Bc) d2d2 | (f3d) B4 z2(F2 | d6) (ed) c2f2 | B4- Bcdc edcB | A6 (Bc) d2^d2 | (e2B2) .g2(gf) e=dcB | A2 A4 (AB) A2A2 | .a2(fg) .f2a2g2f2 |\ .a2(fg) f2a2g2f2 |"_cres"agfe dcBA GFED | A4 z2(AB) A2A2 | "_P.".a2(fg) f2a2g2e2 | .a2(fg) f2a2g2e2 | "_cres"agfe dcBA GFED | A4 z2"_rF"A2B2c2 | d4 f4 a4 |\ d'4 "_Fine."z2 |] fe e2e2 | (e2^G2) z2(fe) e2e2 | (e2A2) z2(e2a2c'2) | .b2(ba) .^g2(gf) .e2(ed) | {d}c4 z2(fe) e2e2 | e2^G2 z2(fe) e2e2 | e2A2 z2(e2a2c'2) | .c'2(ba) .^g2(gf) .e2(ed) |\ c4 "_cadenza"z2 A B/A/^G/A/ c3A B/A/G/A/ e3c d/c/^B/c/ g2g2g2 "_D.C."Hg4 |] %%sep 2 1 500 %%sep 1 1 500 X:20601 T: GO TELL HER I LOVE HER Q: "Andante" %R: _ B: "Edinburgh Repository of Music" v.2 p.60 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 clef=treble A2 |\ d2(e>f) (ge) za | d2(e>d) (dc) zA |\ a2(f>d') (c'b) zg | (g/f/)(b/a/) (a>c) d2 (d>c) |\ (cBA) g (g3f) | f2e^g a2bc' | f2d'>c' c'ba^g | a2e>f g2a2 |\ Hb6 a>g | g2(g/f/a/g/) (fe) zA |\ d2f>a bd' zg | (g/f/b/a/) a>c d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=treble F2 |\ F2(A>d) c2 zG | F2(G>F) (FE) z2 | f2(d>f) g2 ze | (e/d/)(g/f/) (e>G) F2F2 | (G2F) d (e3d) | d2cd c2BA | d2f>e edcB | c2c>d e2f2 | Hg6 f>e | e2(e/d/f/d/) (dc) zG | F2d>f gb ze | (e/d/g/f/) e>G F2 |] %%sep 2 1 500 %%sep 1 1 500 X:20611 T: The CUCKOO SONG Q: "Andante" %R: jig B: "Edinburgh Repository of Music" v.2 p.61 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G d |\ (Bdg) d2c | (BG)B A2d | (B/c/)d F G2A | (B/c/)dB A2A |\ B2d (g2f) | efd ^c2e | A2g (fed) | (Ad)^c d2"_sym"b | ad'g fad | Ad^c d2 |: d | d2G e2d | (cBA) d3 | BGE c3 | AFD B3 |\ dBG e2d | f2g d2Hz | BG2 BG2 | dB2 dB2 | gd2 gd2 | gd2 gd2 | (d3 G2=F) | E2z z2z | e3 A2G | F2z z2c |\ B/c/d F G2A | (B/c/d) F G2A | (Bdg) (dBG) | D3 TA3 | G3- G2 :| %%sep 2 1 500 %%sep 1 1 500 X:20621 T: HARK THE BONNY CHRIST CHURCH BELLS %R: march, round B: "Edinburgh Repository of Music" v.2 p.62 - p.63 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: This is really just a "round", with a few trivial changes to the 2nd voice plus an "ending" in voice 1. N: What does the "C key" annotation mean? M: C L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 clef=treble c3c c2c2 | c2c2 c2e2 | d2c2 B2A2 | G3G G2G2 |\ E2G2 D2G2 | c2F2 G2gg | e2a2 def2 | e3d c4 | e3e e2e2 | e2e2 e2g2 | f2ef d2c2 | d2G2 d2d2 |\ e2d2 e2d2 | e2d2 d2cB | c2A2 d2B2 | c3d e4 | gggg g2gg g2gg g2G2 | A3A B2c2 | B6 AB | c2B2 c2B2 |\ c2d2 B2AG | A2F2 G3G | "_C key"[c6C4] gg | e2a2 def2 | e3 d c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=treble z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 || c3c c2c2 | c2c2 c2e2 | d2c2 B2A2 | G3G G2G2 | E2G2 G2G2 | c2F2 G2gg | e2a2 def2 | e3d c4 || eeee e2ee | e2ee e2g2 | f2ef d2c2 | d2G2 d2d2 | %p.61 e2d2 e2d2 | e2d2 f2cB | c2A2 d2B2 | c3d e4 || A2F2 G3G | [c8C8] |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20632 T: The FLOWERS OF THE FOREST Q: "Andante" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.63 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: A E2 |\ c4 d3B | e4 c2A2 | B3c (de)(fd) | c4 {dc}B2 E2 |\ c4 d3B | e2c2 (Bc)(dB) | A4 TB3A | A4 z2A2 |\ B4 GBdB | c4 Acec | d4 cedc | c4 B2GA |\ B4 GBdB | c4 Acec | d4 cedc | Hc4 HB2 EE |\ A4 (Gd)(BG) | BAA2 z2E2 | c4 Bfed | d2c2 z2cd |\ e2c2A2c2 | (F2B2) c2d2 | c4 (B3c/d/) | d4 ({ed}c2cd) |\ e2c2 A2=G2 | F2B2 c2d2 | c3A B4 | A6 |] %%sep 2 1 500 %%sep 1 1 500 X:20641 T: POOR JOE THE MARINE Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.2 p.64 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C G |\ (c>ed) (cBA) | (G>AF) E2c | B>G^G A<fd | (c3 B2)d |\ dcB {c}BAB | c<EA {G}^F2E | D>E^F G>AB | c2z d3 |\ ecB cA^F | G3- Gz B | B>cd dcB | c>BA ^G2e |\ c>BA {B}A^GA | E3- E2z =G/F/ | EGc e2d/c/ | c>AA HA2 B/c/ |\ G<Ec Hc2 c | B>Gd H=F2 G | (c>de) (d>cB) | c3- c2 |] %%sep 2 1 500 %%sep 1 1 500 X:20642 T: A FROG HE WOULD A WOOING GO Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.2 p.64 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A |\ d2d A2A | F2A D3 | d3 f2d | c2e z2A | B2B d2B | A2G F3 |\ BAB dcB | ABG FGA | G2B F2A | EFG ABc | d2A ABG | F3 D2z |] %%sep 2 1 500 %%sep 1 1 500 X:20643 T: YE SONS OF FREEDOM T: (la Marseillaise) Q: "Pomposo" %R: march B: "Edinburgh Repository of Music" v.2 p.63 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Changed 1/2-note G to 1/4 note in bar __ to fix the rhythm. M: C L: 1/8 K: A "_F."z/E/E>E |\ A2A2 B2B2 | e3c A2A>G | F2d2 d2B>G | A2z2 zz/A/A>B |\ c2c2 c2(d>c) | c>BB2 zBBc | d2d2 d2(e>d) | c2c2 zeee | e2(cA) e2(cA) | E4 z>EE>E | B2B2 d2B>G | (A>G)A2 z>A=G>G |\ F2A2 A2G>A | {c2}B4 z2B2 | =c2c2 Bcdc | {c2}B2z2 z3B | =c3B AcBA | (AG)G2 z2e2 | e4- eB=cA | B4 z2ze2 |\ e4- eBcA | B2(3EEE E2E2 | A6 A2 | c8 | d4 e2f2 | B4 z2f2 | e4- e>cd>B | A2A>A A2E2 |\ A6 A2 | c8 | d4 e2f2 | B4 z2f2 |\ e4- e>cd>B | A4 z |] %%sep 2 1 500 %%sep 1 1 500 X:20661 T: FLOW THOU REGAL PURPLE STREAM Q: "Bold but not too Fast" %R: reel B: "Edinburgh Repository of Music" v.2 p.66 - p.67 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bar 74: flag added to 2nd d note to fix the rhythm. M: C L: 1/8 K: D [|\ d4 Te4 | {de}f2d2 (fe)(dc) | {c2}d4 g3f | (fe) zd c2Td2 |\ {d2}e4 z4 | d4 Te4 | {de}f2d2 (fe)(dc) | {c2}d4 f3f | fefd c2B2 | A4 a3^g | (f^g)(fe) (de)(dc) | B2z2 B3A |\ ^GAGF EFED | A2z2 E2(F^G) | (A^G)(AB) (cB)(cd) | e2z2 (dc)(Bc) | (dc)(de) (fe)(f^g) | a2z2 (fe)(dc) | (dB)(cd) (ed)(cB) | cABc dBcd |\ e2f2 d2e2 | a4 (fe)(dc) (dB)(cd) e2E2 | A4 "_sym:"ba^fa | fTa^ga baga | e2Ta^g/a/ c'bag | fedc B2^g2 | a2zA A3B | c3d e3f |\ =g3z g3g | f2(3gfe d2c2 | B2zB f3e | (ed)(cB) (B^A)(^GF) | B3z f3e | (ed)(cB) (B^A)(^GF) | B2zB g3f | g2zg f2f2 |\ f4 e3e | e2d2 (fe)(dc) | A4 g3g | (gf)(ed) (fe)(dc) | "[p.67]"B2(dc) (BA)(GF) | E2(gf) (ed)(cB) | c2ed (cB)(AG) | F2ag fedc |\ Bcdc BAGF | GABA GFED | A2z"_F."A d2d2 | c3A d2d2 | HA4 z4 | "_P."d4 Te4 |{de} f3d (fe)(dc) | d2z2 g2f2 |\ {f}e2zd c2d2 | {d2}e4 z4 | d4 Te4 | {de}f2d2 (fe)(dc) | d2zd (gf)(ed) | c2zd (fe)(dc) | d4 z4 | z4 d2(fe) |\ (de)(dc) (BA)(GF) | E2z2 e2(gf) | (ef)(ed) (cB)(AG) | F2z2 F2A2 | d3A d2f2 | d2zD F2A2 | d2zA d2f2 | d2z2 (ag)(fe) |\ (dc)(BA) (GF)(ED) | A2zA d2f2 | B2d2 (fe)(dc) | d2z2 g3g | f2d2 (fe)(dc) | d2zd g3g | f2zd fedc | d4 f4 |\ g4 e4 | f4 f4 | g4 e4 | d4 "_sym"d'2d'2 |\ d'2d'2 d'2d'2 | d'd'd'a d'd'd'a | d'4 d'4 | d'4 z4 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20681 T: TYROLESE SONG OF LIBERTY Q: "Allegro Moderato" %R: waltz, mazurka B: "Edinburgh Repository of Music" v.2 p.68 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D |:\ D>D F>F A>A | f2 d2 d>d | (e2 g2) c>c | (d2 f2) z2 |\ D>D F>F A>A | f2 d2 d>d | (e2 g2) c2 |[1 d2z :|[2 d2 || |: d>d |\ (c2 e2) (d>c) | (d2 f2) (e>d) | (c2 e2) (d>c) | (d2 f2) z2 |\ D>D F>F A>A | f2 d2 d>d | (e2 g2) c2 | d4 :| %%sep 2 1 500 %%sep 1 1 500 X:20682 T: PAUVRE JACQUE Q: "Adagio ma non troppo" %R: march B: "Edinburgh Repository of Music" v.2 p.68 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: G [|\ b2bb | d'2(c'b) | (abc'a) | g2z2 |\ .d(dgb) | a3a | Tb4 |{c'b} a2z2 |\ b2bb | d'2c'b | abc'a | g2z2 |\ d'2c'b | a2c'a | g2a2 | ^a2b2 |\ d'd'c'b | ae' d'/c'/b/a/ | ~g2b>a | g2z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20683 T: JOCK OF HAZELDEAN %R: march B: "Edinburgh Repository of Music" v.2 p.69 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: G g |\ dB AG | GB D>E | GG c>B | B2 Ag |\ dB AG | GB D>E | GB A>G | G2 z |] B |\ c>B cd | ed g>e | dB A/B/d | e3 g |\ dB AG | GB D>E | GB A>G | G3 |] %%sep 2 1 500 %%sep 1 1 500 X:20692 T: SICILIAN AIR. __ Known as "HOME! SWEET HOME!" O: Sung by Miss M. Tree. Q: "Andante" %R: _ B: "Edinburgh Repository of Music" v.2 p.69 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D d |\ (f>g) (g>a) | (a2 f) a | (g>f) (ge) | f3 d |\ (f>g) (g>a) | (a2 f) a | g>f (ge) | d3 "_P."a |\ (d'>c') (b>a) | a2 fa | (g>f) (ge) | {^e}f3 a | (d'>c') (b>a) | a2 fa | a g2 e | d4 |\ a4 | (g2 e2) | .d2 .e2 | f3 "_a tempo."a |\ d'>c' b>a | a2 (fa) | "_Largo."(ab) (ge) | d2 d |] %%sep 2 1 500 %%sep 1 1 500 X:20702 T: The COUNTRY CLUB Q: "Allegro" %R: march B: "Edinburgh Repository of Music" v.2 p.70 #2 - p.71 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 % Actually 3/4, but that's totally wrong. L: 1/8 K: D a/g/ |\ .f.f.f.g | (fe)(ef) | .d.c.d.B | (ec)(BA) |\ (fd)(cB) | e2c2 | d2z2 | z2z(a/g/) |\ fffg | fe(ef) | dcdB | ecBA | (fd)(cB) | e2z2 | d2 "_Fine."z2 |]\ z2zd/e/ |\ f2gg | aaag | fffg | aa za |\ f2a2 | a2^g2 | a2 z2a/b/ | "_sym:"c'aaa | b^ggg | a^gaf | b^gfe | "_song."c'a^gf |\ b2^g2 | az aa | aaaa | aggg |\ gfed | dcee | a2ff | e2f2 |\ e2Hz2 "_D.C."|] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20712 T: SOFTLY SWEET IN LYDIAN MEASURES %R: reel, hornpipe B: "Edinburgh Repository of Music" v.2 p.71 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D de f3cd2A2 |\ B2A2 z2dc B2(AG) F2(ED) | f2e2 z2ef e4 zfed |\ (cd)e2 z2AA f3e (dc)(BA) | ^GFE2 z2eG A4 z2Af |\ e4- e>fe>f e>fe>f e>fe>f | e4- e>fd>c d>Bc>d T^G4 |\ A4 z2d>e f2c2d2A2 | B2A2 z2d>c B2(AG) F2(ED) |\ f2e2 z2e>f (g>f)(f>e) (e>d)(d>c) | (c>BA2) z2Ad B4- B>Bc>d |\ c4 c{dc}BcA d4- dfe>d | c2B2 z2AB A>BA>B A>dA>B |\ A>dA>B A>BG>F G6 ze | (fdB)e Tc4 d4 z4 |\ A2f>e g>fe>d c>AG>F G4 | G4 z2e2 (fcdB) Tc4 |\ d4 z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20721 T: VIVE HENRI QUATRE %R: reel, march B: "Edinburgh Repository of Music" v.2 p.73 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Dm [|\ d4 d2d2 | c6 f2 |\ e2d2^c2d2 | A2AB (c=BcA) |\ d4 d2d2 | c6 f2 |\ e2(d2^c2)d2 | A4- A4 |]\ f4 e2d2 | e6 e2 |\ d2d2^c2d2 | A4 A2B2 | F6 F2 | G2G2A2A2 | d4- d4 |]\ d3e ({g}fefd) | a6 (ac') |\ (d'c')(d'a) (aag)(gf) | (f4 e4) |\ d3e ({g}fefd) | a6 (ad') |\ (d'c')(d'a) (ag)(gf) | (f4 e4) |]\ a3b/a/ g2^f2 | ^f4 g2(ag) | (g^fef) (gfed) | ^c2c'b agfe |\ (fgab) a2f2 | e2b2a2^c2 |\ d4 d4 | a2(ba) g2^f2 |\ ^f4 g2ag | (g^fef) (gfed) |\ ^c2c'b (agfe) | (fgab) c'2f2 |\ e2b2a2^c2 | d4 "_D.C."d4 |] %%sep 2 1 500 %%sep 1 1 500 X:20731 T: OH NO WE NEVER MENTION HER Q: "Larghetto" %R: hornpipe, shottish B: "Edinburgh Repository of Music" v.2 p.73 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: Bb F |\ B>A B>c | d>d f>d | {d}c>B c<d | B2 zF |\ {Ac}B>A B>c | d>d f>{=e_e}d | {d}c>B c>d | B2 zf | f>A A>c | c>B {ABc}Bz/G/ | FA B>c | d>d f{=e_e}d | {d}c>=B c("_>"e/d/) | B2 z H|] %%sep 2 1 500 %%sep 1 1 500 X:20732 T: The SWISS BOY Q: "Andante" %R: shottish, hornpipe B: "Edinburgh Repository of Music" v.2 p.73 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 2/4 L: 1/16 K: G B>c |\ d2B>c d2B>c | d2"_>"b>a g2d>d |\ d2"_>"c'>b a2b>a | g6 :|\ |: d>d |\ d2a>g f2d>d | d2b>a g2d>d | (cfa)g {g}f2({f}ed) | (dg)(ba) g2Bc |\ (ed).B.c (ed).B.c | (dgb).a g2d2 |\ {ed^c}d2c'>b a2b>a | g6 H|] %%sep 2 1 500 %%sep 1 1 500 X:20741 T: SUL MARGINE DUN RIO Q: "Andante con espress:" %R: reel B: "Edinburgh Repository of Music" v.2 p.74 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: F c2 |\ f2a>g f2a2 | (c'3b)g2 g2 | (ac')(bg) (gf)(fe) | ("_>"g4 f2)c2 |\ f2a>g f2a2 | (c'=b_ba) g2zb | (ac')(ba) (gf)(fe) | ("_>"g4 f2) :| |: c2 |\ g4 (fedc) | (a4 f2)c2 | b4 ({a}agab) | a4 g2c2 |\ f2a>g (fad'c') | (c'=b_ba) g2zb | (ac').b.g (gf)(fe) | g4 f2 H|] %%sep 2 1 500 %%sep 1 1 500 X:20742 T: The PLOUGH BOY Q: "Vivace" %R: march B: "Edinburgh Repository of Music" v.2 p.74 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/4 K: D a/g/ |\ fa df | (B2 A)d | ce gf | (f2 e)a/g/ |\ fa df | (B2 A)d | ce gc | e2 "_Fine."d H:| (a |\ ^g)g gg | (aA) z(a | ^g)g gg | a3 (a |\ ^g)g gg | a(e f)(c | d)(B e)^G | "_D.C."A3 |] %%sep 2 1 500 %%sep 1 1 500 X:20751 T: La SUISESSE DU BORD DU LAC Q: "Andantino con Espress:" %R: jig B: "Edinburgh Repository of Music" v.2 p.75 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C [|"_P."\ e3 (d2e) | c3- cGc | e2e {f}ede | ("_>"g2f) e2z |\ d3 (fed) | A3- A2"_mF"B | c2c (de)d | c2e c2z \ "^Air."|:\ "_P."e3 (d2e) | c3- cGc | e3 {f}ede | ("_>"g2f) e2z | d3 {eg}fed | A3- A2B | c2c (cd)e | d6 |\ g3 (GA)B | c3- c2c | "_>"edc "_>"edc | "_>"g2f "_>"d2^d |\ "_dol:"e2d f2e | d3- d2c | B(dc) A(cB) | G3 z2z | g3 e2c | d3 {fe}d2z | g3 (a/g/^f/g/e/c/) | d6 |\ e3 efg | (A^c)d ({eg}fe)d | (c2({d}c/B//c//)) (e2d) | c3- c2 ||\ ("_F."g |\ "_>"B)g(g "_>"c)g(g | "_>"d)g(g "_>"e)g(g | c'2)g b2g | c'c'c'c'2 :| %%sep 2 1 500 %%sep 1 1 500 X:20761 T: LA CI DAREM LA MANO C: Mozart Q: "Allegretto" %R: march B: "Edinburgh Repository of Music" v.2 p.76 - p.77 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G [|"_P."\ g2ga b2g2 | e2 "_>"a4 g2 |\ f2ff g2a2 | d2("_F."c'2b2a2) |\ g2ga b2g2 | (fe) "_>"a4 g2 |\ g(fed) d2ef | g2("_F."d'2c'2a2) |\ "_P."g3ab2g2 | e2 "_>"a4 g2 | f3f g2a2 | d2 (c'2b2a2) |\ g3a b2g2 | e2 a4 g2 |\ g(fed) d2(ef) | gb d'4 a2 |\ (c'b).a.g g2ba | a2g2 |][| d'2b2 |\ a2fd b2d'b | a3f a2a2 | (^gaba) (ga=ge) | (g2f2).d2.f2 |\ ("_F."a2f)d (b2d')b | a3f a2z2 |\ "_P."a2aa (^ga)(=ga) | (fa).a.a (^ga)(=ga) |\ (fa).a.a (^ga)(=ga) | f2d2 (a2f2) |\ c'3b (ac').b.a | g2ga b2g2 |\ e2 a4 g2 | f3f(g2a2) |\ .d2("_F."c'2b2a2) | ~g3"_P"a{c'}b2{a}g2 |\ e2 "_>"a4 g2 | g(fed) .d2(ef) |\ gb d'4 a2 | c'bag g2ba | g2b2g2z2 H|] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20772 T: WHEN PENSIVE I THOUGHT OF MY LOVE Q: "Andante" %R: jig B: "Edinburgh Repository of Music" v.2 p.77 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G B/c/ |\ (d>e)d (dBG) | g3 z2d | e>fg (ge)a | (g3 f2)B/c/ |\ (d>ed) (dBG) | g3 z2e | f>ed (AB)^c | d3 z2d/d/ |\ (d>e)d (def) | {a}g3 z2d | e>fg (ge)a | g3 f2d |\ b>ag (gf)e | d3 z2d | (ec').a ({g}fe).f | {a}g3 e3 |\ d3- Hd2- d//(e//d//c//) | B3 d3 | (e>f)g (g>a)f | {a}g3 z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20781 T: MALBROOK O: French Air Q: "Allegretto" %R: jig B: "Edinburgh Repository of Music" v.2 p.78 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G g/a/ |\ b2b bab | c'3 {c'}bc'b | a2a {b}aga | b3 g(ga) |\ b2b bab | c'3 b2d' | b2g {b}aga | g3- g2 |]\ (b/c'/) |\ d'2be'2e' | d'3- d'2b/c'/ | d'2b e'2e' | d'3- d'2g/a/ |\ b2b bab | c'3 {c'}bc'b | a2a {b}aga | b3 gga |\ b2b {c'}bab | c'3 b2d' | b2g {b}aga | g3 g2 |] %%sep 2 1 500 %%sep 1 1 500 X:20782 T: AU CLAIR DE LA LUNE Q: "Allegretto" %R: march B: "Edinburgh Repository of Music" v.2 p.78 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 2/4 L: 1/8 K: G |:\ ggga | b2a2 |\ gb aa/b/ | g2z2 :|\ |:\ aaaa | e2e2 |\ agfe | dc'ba |\ ggga | b2a2 |\ gb aa/b/ | g2z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20791 T: La NEIGE T: The Snow Q: "Allegro" %R: jig B: "Edinburgh Repository of Music" v.2 p.79 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D a !segno!|"_P."\ (a2d') (f2a) | (df)d A2f | "_>"(age) "_>"(age) | "_>"(b2a) f2a | (ad')a (fa)f | (df)d A2f | "_>"(ag)e (ba)f | d3- d2 H|] f | f3- (f^e)^g | f3- (f^e)^g | (f^g)^a (bc')b | (^a^g)f ^efg | f3- f^e^g | f3- f^e^g | fff fff | =ggg "_D.C. dal segno"^ggg !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:20792 T: O DEAR WHAT CAN THE MATTER BE Q: "Vivace" %R: jig B: "Edinburgh Repository of Music" v.2 p.79 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D |:"_F."\ a3 a3 | afd' afd | {a}g3 g3 | gef gfe |\ a3 a3 | afd' afd | Bdg fge | d2z d2z :| |:\ "_P."(af).g (af)g | afd' afd | gef gef | gef gfe |\ afg afg | afd' afd | Beg fge | d2z d2z H:| %%sep 2 1 500 %%sep 1 1 500 X:20801 T: AND YE SHALL WALK IN SILK ATTIRE Q: "Affettuoso" %R: reel B: "Edinburgh Repository of Music" v.2 p.80 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C (cd) |\ e2g2 (fe)(dc) | c'3b (d'c')(ba) |\ g3g (ag)(fe) | (e4 d2) cd |\ e3g (fe)(dc) | c'3b (d'c')(ba) |\ g2e2 ~d3e | c6 g2 | c'2b2 a2(bc') | d'2b2 g2gg |\ (a2b2).c'2.d'2 | (c'4 b2)g2 |\ (fe)dc g2g2 | (ag)(ab) c'2a2 |\ (g2e2) d2(ed) | c4 z2g2 | c'3b (d'c')(ba) | g2e2c2g2 |\ c'2ba d'3c' | (c'4 b2)g2 |\ (fe)(dc) g2g2 | a2b2 c'3a |\ g2e2 d3B | c6 |] %%sep 2 1 500 %%sep 1 1 500 X:20802 T: MY FRIEND AND PITCHER Q: "Largo" %R: air B: "Edinburgh Repository of Music" v.2 p.80 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A "_dolce"A |\ A3"_P."c e3f | ecac {c}B3c |\ A3c e3f | a3b (c'<a) (ea) |\ (ag)(gf) f3e | (ec)(ef) {gab}a3f |\ (ec) {d}c{B}A {c}B3c | A3B c<A z2{g}"_F."a |\ a3b c'<a |] %%sep 2 1 500 %%sep 1 1 500 X:20811 T: VEDRAI CARINO Q: "Slow" %R: waltz B: "Edinburgh Repository of Music" v.2 p.81 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/8 K: D |:\ ddd | {de}f>ed | .c(cd) | (cB)A |\ ddd | {de}f>ed | (de).c | (c2d) |\ (ef).d | f2e | (ef).d | (f2e) | eee | e>dc | (cd).B | (AB).c |\ ddd | {de}f>ed | .c(cd) | (cB).A |\ ddd | {de}f>ed | (de).c | (c2d) :| %%sep 2 1 500 %%sep 1 1 500 X:20812 T: KATTY O LYNCH Q: "Briskly" %R: jig B: "Edinburgh Repository of Music" v.2 p.81 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D f/e/ |\ dAA AFA | BGB A2f/e/ | dAA AFA | g2B A2f/e/ |\ dAA AFA | Bdg b2b | aba gfe | (e3 d2) :| |: a |\ (f/g/).a.a (b2a) | (f/g/).a.a (b2a) | (f/g/)aa (f/g/)aa | e2f {a}gfe |\ (f/g/)aa (b2a) | (f/g/).a.a (b2a) | aba {b}agf | e3 d2 :| %%sep 2 1 500 %%sep 1 1 500 X:20821 T: C'EST L' AMOUR T: (It's Love) %R: jig B: "Edinburgh Repository of Music" v.2 p.82 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F [|"_P."\ c2c c2c | c2c c2c | f2f {g}fef | (^f3 g2)z |\ "_P."c2c c2c | c2c c2c | g2g gag | f2z cde |\ f2f (fg)f | e3 "_Cres:"(ef^f) | g2g (gag) | f2z (c"_F."de) | f2f (fgf) | e3 (ef^f) | g2g gag | f3 zz"_P."c |\ b3 (gab) | a3- a2f | e2e ({f}ede) | (f3 c2)c |\ (b3 g)gb | a3- agf | e2e {f}ede | (f3 f2) |] %%sep 2 1 500 %%sep 1 1 500 X:20822 T: GO GEORGE I CAN'T ENDURE YOU O: From "No song no supper." %R: march B: "Edinburgh Repository of Music" v.2 p.82 #2 - p.83 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: C (e/f/) |\ ggga | ag z(e/f/) | ggga | {b}ag zg |\ c'bc'd' | (f'e')d'c' | (ba)gf | (ed) z(e/f/) | ggga | {b}ag z(e/f/) | ggga | {b}ag zg |\ (c'b) c'd' | (f'e').d'.c' | (e'd').c'.b | c'2 zg | ff ({g}f/e/f/g/) | e2 zc' | ff ({g}f/e/f/g/) | c2 zg |\ ff ({g}f/e/f/g/) | e2 zg | ff (f/d/c/B/) | c2 zc' | (e'd').c'.b | (ag).f.e | ff dd | c2 zc' |\ .e'.d'.c'.b | .a.g.f.e | .f.f .d.d | c2 z2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20832 T: NOS GALEN O: Welch Air N: "Deck the Halls" is the usual English title. %R: _ B: "Edinburgh Repository of Music" v.2 p.83 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: C [|\ "_P."g6f2 e4d4 | c4c2>d2 e4c4 | (d2e2)f2e2 e6d2 | c4B4 (cBcd) (edef) |\ g2>"_F."f2 e4d4 | c4c2>d2 (egdg) c4 | (d2e2) (gfed) e6d2 | c4TB4 {AB}c8 |] [|\ "_P."d6e2 {efg}f4d4 | e6f2 {^fga}g4d4 | e2^f2g4 f2g2a4 | b6a2 {^fga}Hg4z4 |\ (g2^g2a2f2) e4c4 | (dG^FG ABcd) e4c4 | d2e2 gfed g6f2 | e4Td4 {cd}"_D.C."c8 |] %%sep 2 1 500 %%sep 1 1 500 X:20841 T: FIN CH' HAN DAL VINO C: Mozart O: Don Giovanni Q: "Presto" %R: _ B: "Edinburgh Repository of Music" v.2 p.84 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The c in bar 46 should probably be sharp, but isn't marked. M: 2/4 L: 1/8 K: C |:\ c'2c'c' | (e'c')c'2 | g2gg | (c'g)g2 |\ (e{f}e/d/) ef | (ag)gg | g2{ag^fg}a>b | c'2"_Fine."z2 :|\ c'2d'e' | (d'2b2) | (a2bc') | b2g2 | d'2d'd' | ^c'2=c'2 | b2_b2 | a4 |\ "_P."a2aa | a2a2 | a2{ba^ga}b^c' | d'2a2 |\ ~a2b^c' | d'2a2 | a2b^c' | d'4 | "_FP"d'2d'd' | (b>a)g2 | "_FP"d'2d'd' | (b>a)g2 |\ "_FP"d'2(b>e') | (d'b)z2 | "_FP"d'2(be') | (d'b)z2 |\ "_FP"d'2be' | d'zd'2- | d'2 (^c'2 | =c'2b2) | (abc'd') | bgd'2- | d'2("#"c'2 | =c'2b2) |\ a(bc'd') | bgd'2- | d'2(^c'2 | =c'2b2) |\ (abc'd') | g4 | g^gab |]"<D.C."y %%sep 2 1 500 %%sep 1 1 500 X:20851 T: WHEN ARTHUR FIRST AT COURT BEGAN C: Dr.Calcott Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.2 p.85 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D f |\ f2f f2f | g2b b2b | a2a g>fe | f3- f2e |\ f2f e2e | d>ed c2^g | a2e d>cB | A3- A2 :| |: A |\ d2A e2A | f>ef d2e | f2e d>cB | f3 f2F |\ G2A B>AG | d3 D2a | a>ba (ag).f | (f3 e2)d | f2(f a2)(a | d')>^c'd' c'2(c' | b2)(a ^g2)g | a3 a2a |\ (a2d') b2g | e3 f2f | g>ab f>ge |[1d3 d2 :|[2 d3 d2z | b3 g3 | e3 f3 | g2f e>fg | g3 f3 |\ e3 g3 | f3 Hb3 | a>bg f>d'c' | d'3- d'2 |] %%sep 2 1 500 %%sep 1 1 500 X:20861 T: Voi che sapete T: (You who know) C: Mozart O: Le Nozze di Figaro N: The title is mostly off-image, but it can be found in the index. Q: "Andante" %R: air B: "Edinburgh Repository of Music" v.2 p.86 - p. 87 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G [|"_P."\ (g4 d2)d2 | (a4 d4) | b4 g>ab>c' | b4 a2z2 |\ b4 c'2^c'2 | d'3b g4 | (a4 _b2=b2) | c'2fg (abc'^c') |\ ("_Fz"d'2b)z ("_Fz"d'2b)z | (a2c')z (a2c')z | "_P."g4 f>ga>b | g2b2g2z2 H|] "_dol:"a4 a2a2 | (b^c'd')b a4 | e3fg2a2 | {g}f4 z4 |\ b4 ^c'2c'2 | d'3b g4 | f3b (a2^g2) | a4 z4 |\ a4 (a2d'2) | (^c'2a2) g4 | (f4 d2)g2 | {f}e4 z4 | a4 (ab)(^c'd') | (d'^c'ba) g4 | (=f4 e2d2) | a4 z4 |\ "_PP"a4 a2a2 | c'4 _b4 | (_b2g2) (e2_B2) | A4 z4 |\ (=c'2a)z (c'2a)z | g2_bz g2bz | =f4 {a}g3f | =f2a2f2z2 | a4 a2a2 | a=bc'b a4 | (c'4 b2)a2 | e8 |\ (c'4 b2^a2) | b4 g4 | (f4 b2b2) | e4 z"_P"ggg |\ (ag)g2 zggg | e4 zaaa | (baa2) zaaa | f4 zbbb | (c'bb2) b2bb | g2g2 c'2c'2 | (c'3{d'c'bc'}d' b4) | (_b4 a2g2) |\ d8 |] ">D.C."y8 y8 y8 y8 y8 y8 y8 y8 % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20872 T: Le PETIT TAMBOUR %R: march B: "Edinburgh Repository of Music" v.2 p.87 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: F ag !segno!|\ f2c2A2c2 | f6 ef | g2g2g2g2 | g3ag2 c2 |\ a2aa a2a2 | a2ba g2ag | (fa)gf (ef)ge | f6 H:| fe |\ d2{ed^c}d2e2f2 | g3f e2fe | d2{ed^c}d2e2f2 | {e}g6 fe |\ d2d2 e2f2 | g2(ag) f2(gf) | e2(fe) d2(ed) | c6 c2 | f2ff f2f2 | f6 c2 | f2c2A2F2 | c2c'2 z2c2 |\ f2ff f2f2 | f6 ef | (gf)ed (ed)c=B | cd(ef g^ga"_D.C."g) !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:20881 T: HUNGARIAN WALTZ Q: "Moderato" R: waltz B: "Edinburgh Repository of Music" v.2 p.88 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: C g2 !segno!|\ c'>g e3c | Bd f3f | af d2B2 | g3feg |\ c'g e3c | Bd f3f | (af) (fd) (dB) | "_Fine."c4 :| g2 |\ (^fa) d3f | (gb) d3g | a2abc'a | c'bag^fg |\ ^fa d3f | gb d3g | ^fgabc'a | gag=feg !segno!|]">D.C."y %%sep 2 1 500 %%sep 1 1 500 X:20882 T: I'VE KISS'D AND I'VE PRATTLE. Q: "Allegretto" %R: jig B: "Edinburgh Repository of Music" v.2 p.88 #2 - p.89 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: C G |\ (Gc).c (ce)c | (Bc)d g2e/c/ | AAA ABG | c3- c2 |: G |\ (Gc)c (ce)c | Bcd g2(e/c/) | AAA (AB)G | c"_F."c'c' c'2"_P."G | Gcc cec | Bcd g2B | AAA ABA | G"_F."gg "_P."g2G |\ Gce g>ag | gfe f2e | (ed)e (fg)a | c3 B2G | ABc f2d | (Bc).d {G}Hg2 (e/c/) | AAA ABG | c2z |] "_Sym:"(e2g) |\ c2g e2g | c2g e2"_F."c' | (c'a)a (ab).g | c'3- c'2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20892 T: NOBODY COMING TO MARRY ME Q: "Plaintive" %R: jig B: "Edinburgh Repository of Music" v.2 p.89 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F c |\ A2c c2f | f3 zza | agf {g}fef | g3 g2c |\ f2f gfg | a3- a2c' | c'af {g}fef | g3- g2c |\ f2f {a}gfg | abc' abc' | f2f {a}gfg | a3- a2c |\ fff {a}gfg | abc' abc' | c>dc cde | f3- fga |\ b3- bag | c'3- c'af | c>dc cde | f3 f2 |] %%sep 2 1 500 %%sep 1 1 500 X:20901 T: HOW SWEET IN THE WOODLANDS %R: waltz B: "Edinburgh Repository of Music" v.2 p.90 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 3/4 L: 1/8 K: C G2 |\ c2 (ed)(ed) | c2 c2 d2 | e2 (gf)(gf) | {f}e4 (ef) |\ g2 (ag)(ag) | f>g a2 zf | e2 (gf) (fe) | {e}d4 :|\ |: e2 |\ d2 (de) (de) | f2 f2 (gf) | e2 egag | g4 e2 |\ d2 c2 f2 | e2 d2 c'g | f2e2 (g/f/e/d/) | c4 zg |\ Ha2 Hg2 zf | e2 (defg) | {b}ag/f/ e2 d2 | c4 |] %%sep 2 1 500 %%sep 1 1 500 X:20902 T: SALLY IN OUR ALLEY Q: "Moderato" %R: _ B: "Edinburgh Repository of Music" v.2 p.90 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: F c |\ cf f2 {gf}ef | bg f2 ef | dc c3 B | Af2 z2c |\ cf f2 {gf}ef | bg f2 ef | (dc) c3 B | Af2 z2 c |\ cA c2 _e2 | dB d3 e | fc (bagf) | eg2 z2 c |\ BA G2 F2 | ba Ha2 {gba}Hgf | {fg}ad (fe)(dc) | c f3 z |] %%sep 2 1 500 %%sep 1 1 500 X:20911 T: LIGHT AS THISTLEDOWN Q: "Allegro" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.91 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no initial repeat; not fixed. M: C L: 1/8 K: D AA |\ Ad d2 Bd zd | c2 ea {g}f2 zA |\ Ad d2 B2 dd | g2 (f/e/d/c/) d2 :|\ zA |\ A2 AA A2 Bc | d2 FF F2 zf | b2 dd d2 ef | g2 fd Ha2 AA |\ Ad d2 Bd zd | c2 ea {g}f2 zA |\ Ad d2 B2 dd | g2 (f/e/d/c/) d2 H:| %%sep 2 1 500 %%sep 1 1 500 X:20912 T: BUNCH OF GREEN BUSHES or JOHNNY MACGILL Q: "Allegretto" %R: jig B: "Edinburgh Repository of Music" v.2 p.92 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A a |\ ecc cBA | ecc c2a | ecc {d}cBc | AFF F2a |\ ecc cBA | ecc c2A | Bcd cBc | AFF F2 :| |: e |\ aga bab | c'ba gfe | aga bab | c'af f2a/b/ |\ c'ac' bgb | afg Ha2(g/f/) | ecc {d}cBc | AFF F2 :| %%sep 2 1 500 %%sep 1 1 500 X:20921 T: The MORN RETURNS %R: march, reel B: "Edinburgh Repository of Music" v.2 p.92 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D a2 |\ a2 f>g a2 d'2 | a<f e>f d2 (ga) |\ b3 a "_>"(ag/)z/ "_>"(gf/)z/z/ | "_>"(fe/)z/ "_>"(ed/)z/ {d}^c3 a |\ a2 f>{gfef}g a2 d'2 | (a<f) e>f d2 (ga) | (bg)(af) (agfe) | ff'f'f' f'2"_P."a2 |\ a2 f>g a2 a2 | (gfef) g2(b2 |\ a2)gf e2d2 | ^c"_P."aaa a2a2 | "_P."a2 ~f>g a2d'2 | gfef (g2b2) |\ a2 gf f2 e>f | d4 "_Fz"b4 |\ (a/d/^c/d/) a>g f2 {f}e>d | d2 {e}f2 d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20922 T: La PIPE TABAC O: FRENCH AIR Q: "Allegretto" %R: reel B: "Edinburgh Repository of Music" v.2 p.92 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: C c>de>f |\ g2c'2 a3f | (ag)g2 (gf)(df) | e2g2 d2ed | c4 c>de>f |\ g2c'2 a3f | (ag)g2 (gf)df | (e2g2) (d2g2) | e4 (gf)(df) | e2c'2 {e}d>cde | c4 :| % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20932 T: FIVE TIMES BY THE TAPER'S LIGHT Q: "Andante" %R: march B: "Edinburgh Repository of Music" v.2 p.93 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D d2 |\ d6 d>d | e2e2 e2e2 | f4 a4 | e2e2 e2e2 |\ d4 z2d2 | f2f2 z2f2 | e4 d4 | c4 z4 |\ e2e>f g2zg | d2d>e f2z^g | a2e2 f2d2 | e4 e4 |\ c4 z4 :| d4 z4 | f4 z2f>g | a2a2 b2b2 | a4 z2ad' |\ c'2b2 a2g2 | f4 z2a2 | b2a2 g2f2 | e4 z2e2 |\ f4 z2e2 | f8 | a8 | e8 |\ d6 |] %%sep 2 1 500 %%sep 1 1 500 X:20941 T: FRA TANTE Q: "Scherzo" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.94 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: G %%slurgraces 0 %%graceslurs 0 [|\ b2ag | fed2 | Tg2ab | b>c'a2 |\ c'2ba | gfe2 | d2ef | a>bg2 |] [|\ a3/b//a// ^ga | c'^ga2 | b2gb | a2{^c'}d'2 |\ a3/b//a// ^ga | c'^ga2 | _b2gb | a(d'^c'=c') |] %%sep 2 1 500 %%sep 1 1 500 X:20942 T: MILL MILL O Q: "Moderato" %R: air, strathspey B: "Edinburgh Repository of Music" v.2 p.94 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D %%slurgraces 0 %%graceslurs 0 de |\ {de}f2A2 A2d>c | {c}B>AB>d {f}e2de |\ f2A2 (gfed) | B3c d2 :|\ A2 |\ d>ef>g (a3f) | (ba).g.f (f2e)A | d>ef>g a>ba>g | (f4 a2)A2 |\ d>ef>g (afd'c') | ({c'}ba{a}gf) He2de |\ f2A2 ({a}gf{f}ed) | B3c d2 |] %%sep 2 1 500 %%sep 1 1 500 X:20951 T: TINK A TINK Q: "Allegretto" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.95 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D |:\ d2af | d2af | g>agf | edce |\ d2af | d2af | gecA | d2z2 :|\ a2d'c' | bagf | efga | f2d2 |\ a2d'c' | bagf | efge | d2z2 |] %%sep 2 1 500 %%sep 1 1 500 X:20952 T: MY OWN DEAR SOMEBODY Q: "Larghetto" %R: air, waltz, jig B: "Edinburgh Repository of Music" v.2 p.95 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G d |\ e2e e>fg | d2d d2c | B2B B>^cd | A2A A2d |\ e2e e>fg | d2d d2c | B>cd g2B | {B}AGA G2 |] B |\ c3 A3 | B2d B2B | c3 A3 | B2d B2d |\ e2e e>fg | d2d Hd2c | B>cd g2b | aba g2 |] %%sep 2 1 500 %%sep 1 1 500 X:20961 T: DI PLACER MI BALZA IL COR T: (My heart leaps with pleasure) Q: "Moderato" %R: minuet B: "Edinburgh Repository of Music" v.2 p.96 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bar 3 has the cbc slur overlapping a slur over the cba triplet, so the triplet slurs are ignored here. M: 3/4 L: 1/16 K: D "_F."d3f |\ a7 d'c'3e' | d'4 z4 "_>"d'3c' |\ (c'4 "_P"b2(3c')ba (3bag (3agf | e2f2 e4 "_F."d3f |\ a7 d'c'3e' | d'4 z4 d'3a |\ f2(3gfe f2(ba) .e2(gf) | "_P."dAFA DAFA dAdf | "_F."ea^ga =gaea caAa | dAFA dAFA dAdf |\ ea^ga =gaea caAa | d4 zd'c'b agfe |\ d3{edcd}f A3{BA^GA}d F3{=GFEF}A | D8 H|] f3f |\ d'6 c'b (^a2bc') | b4 z4 b3f |\ d'2b2 z6 ef3g | a4 Hz4 e'3d' |\ c'7 b (3b2a2f2 | e8 e'3d' | d'4 c'2z^g (3b2a2f2 | e8 a3b |\ c'4 (c'e')(d'c') (ba) (eg) | Hf4 z6 f d'3b |\ e7 e f3^g | Ha8 "_D.C."y|] %%sep 2 1 500 %%sep 1 1 500 X:20971 T: The LAWLAND LADS THINK THEY'RE FINE %R: jig B: "Edinburgh Repository of Music" v.2 p.97 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F F |\ F>GF A>BA | c>dc c<ag | fcA {c}~B>cd | c<fA A{BA}GF |\ F>GF c>dc | f/e/f/g/a/b/ a<c'b | afc c/e//d//^c//d/e/{g}f | c>{e}dc/B/ A<F :| |: {E}F |\ {F}A2{cBA}B c2f | {f}a>gf gcB Ac~f/a/ agf | {f}e2f gcB |\ A2f fed | (c/d/e/f/g/a/) {c'}Hb2a/g/ | (a/b/c'/a/g/f/) d>ef | (c>{e}dc/B/) A<F H:| %%sep 2 1 500 %%sep 1 1 500 X:20972 T: BLYTHE WAS SHE BUT AND BEN %R: strathspey B: "Edinburgh Repository of Music" v.2 p.97 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Initial "pickup" rest added to fix the rhythm. M: C| L: 1/16 K: Em z |\ B4 E3F A2D2FA3 | B3AF2d2 BAGF E4 |\ B4 ~E3F A2D2 GFED | E3F d3c BAGF E3 :| |: F |\ D2d2d3e fed^c d2A2 | B2e2 e3f gfed B3d |\ A3B d3e fed^c d2A2 | B3A F2dc BAGF E3 :| %%sep 2 1 500 %%sep 1 1 500 X:20981 T: DI TANTI PALPITI %R: march B: "Edinburgh Repository of Music" v.2 p.98 - p.99 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D %%slurgraces 0 %%graceslurs 0 |:\ f4 f2f2 | f>ef>g a4 | (3(gag) (3(fgf) e2a2 | .f2.e2.d2z2 |\ f4 f2f2 | f>ef>g a4 | (3(gag) (3(fgf) e2a2 | d4 "_Fine."z4 :| e4 (^dege) | (c4 A4) | ~d4 (f2a2) | (e3fe2)z2 |\ e4 (^dege) | c4 A4 | ~d4 f2a2 | (e2"_ral:"a2^g2=g2) | "_Tempo 1mo."f4 f2f2 | {g}f>ef>g a4 | (3(gag) (3(fgf) e2a2 | f2e2d2z2 |\ f4 f2f2 | f>ef>g a4 | (3(gag) (3(fgf) e4a4 | d4 z4 |] =f4 f2f2 | =f2_ba gfed | =c4 (3(ced) (3(cde) | =f4 z2a2 |\ a3g/=f/ e2g2 | (g3=f/e/) d3_b/a/ | a3g/=f/ e2_b>a | g3=f/e/ d2d2 | (c2e2) z2d2 | (c2e2) z2=f>d | (c2e2) z2=f>d | HTa8 "_ad lib:"x{A^AB=c^cd^de^e}x "_D.C."|]\ y8 y8 y8 y8 y8 y8 y8 y8 % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:20992 T: HE LOVES AND HE RIDES AWAY Q: "Allegretto" %R: jig B: "Edinburgh Repository of Music" v.2 p.99 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 6/8 L: 1/8 K: C G |\ cdc efg | e2c {d}cBc | (de).d dgf | e3 z2G |\ (cd).c c'2b | a2g ^fed | (ga).b (de).^f | g3 z2 :| |: g |\ f2f agf | e2g c'2g | agf edc | c3 {dc}B2e |\ (fe).d (de).f | e2g g2e | (fe).d (de).f | g3 e2g | gbc' g2c' | g2e g2a | (gf).e (de).f | e3 g2g |\ c'2g c'2g | Hc'3 Ha3 | gfe efd | c3 z2 |] %%sep 2 1 500 %%sep 1 1 500 X:21001 T: FALL OF PARIS %R: reel B: "Edinburgh Repository of Music" v.2 p.100 - p.101 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The last strain has initial repeat but no final repeat; not fixed. M: 2/4 L: 1/16 K: D [|\ .d2"_P."(de) .d2(de) | d2(de) gfed | e2(ef) e2(ef) | e2ef agfe |\ f2fg f2fg | f2fg bagf | .e2(ef) .e2(ef) | efgf agfe | "_F.".d2(de) .d2(de) | .d2(de) gfed | .e2(ef) .e2(ef) | e2ef agfe |\ f2(fg) "_>"a3g | f2(fg) "_>"a3g | f2(fd) .e2(ec) | d2d2 d4 |] [|\ a8 | a2f2b2a2 | g2gf g2gf | g2gf g4 |\ g4 g2g2 | g2e2a2g2 | f2(fe) f2(fe) | f2(fe) f4 | d2(de) d2(de) | d2(de) gfed | .e2(ef) .e2(ef) | e2(ef) (ag)(fe) |\ f2(fg) a2g2 | f2fg a2g2 | f2(fd) .e2(ec) | d2d2 d4 |] |:\ abc'd' c'bag | fgab agfe | d2(df) e2(eg) | f2a2 e4 |\ abc'd' c'bag | fgab agfe | d2de f2e2 | d2d2 d4 :| |:\ c2d2 e2f2 | g2f2e2d2 | c2d2e2f2 | g2f2e2z2 |\ abc'd' c'bag | fgab agfe | d2de f2e2 | d2d2 d4 |] %%sep 2 1 500 %%sep 1 1 500 X:21012 T: MA CHERE AMIE Q: "Andantino" %R: march, reel B: "Edinburgh Repository of Music" v.2 p.101 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D [|\ d4 d2d2 | a4 e4 | f4 agfe | d3e/d/ c4 |\ d4 d2d2 | a4 e4 | f4 edec | A4 z2A2 |\ g3ag2f2 | (f2e2) d4 | cdef g2f2 | (f4 e2)A2 | g3ag2f2 | f2e2 d4 | (cdef) g2f2 | Hf4 {egf}He4 |\ f4 (gfge) | a2f2 d'4 | f4 gfge | a2f2 d'4 |\ a4 (gfed) | Hb8 | {c'2d'2}d4 egfe | d4 z4 |] %%sep 2 1 500 %%sep 1 1 500 X:21021 T: HARK: THE LARK Q: "Siciliano" %R: jig B: "Edinburgh Repository of Music" v.2 p.102 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Fixed a few missing dots. M: 6/8 L: 1/8 K: C [|\ c3 z2z | d3 z2f |\ e2c dcB | c3 z2z |\ c3 z2z | d3 z2f |\ e2c (ecB) | c3 c2d |\ e2e e2^f | g3 g2d | e3 e2e | d2B c2A |\ B2c d2c | B3 TA3 |\ G6 |] zGA BAG |\ c2c c2c | A2B cBA |\ d3- d2c | B2c dcB | e2e e2d | c2"_rallentando."d edc |\ f3- f2e | {e}Hd3 Hd2G |\ "_Tempo 1mo"c2c c2d | e2e e2f |\ g2c dcB | c3 cz G |\ c2G c2d | e3 e2d | e2d e2f | g3 z2g |\ a2a a2a | g2f e2f |\ g2c dcB | c3 z2G |\ c3 c2d | e3 e2f |\ gfe dcB | c3 z2c |\ c3 Hc3 |] %%sep 2 1 500 %%sep 1 1 500 X:21031 T: WITH VERDURE CLAD Q: "Andante" %R: waltz B: "Edinburgh Repository of Music" v.2 p.103 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/16 K: D A2 !segno!|:"_P."\ (d3c2)d2 e4f2 | (g2e2a2) (g2f2)d2 |\ c4d2 (e>f) g2f2 | e3{fe^de}fd2 d2c2A2 |\ d3cd2 e4f2 | (g2b2) (ag) (g2f2)a2 |\ (a2c2)a2 (a2d'2)f2 | (a2c2)c2 (d2f2)a2 | (a2c2).c2 d4dc | (B3"_Cres:"c/^d/ e/f/g/a/ "_F."bc'=d'bge) |\ (a2f2)d2 (A2B2)c2 | (d2A2)f2 d4 H|\ ] d2 | "_PP."(g3f)e2 (e2f2)g2 |\ {fg}a4f2 d4a2 | (a2^g2)f2 (f2e2)^d2 | (^d6 e2)f2^g2 | a6- a2f2d2 |\ c2=d2B2 Ac2e2^g- | ga2g{g}fe d2-(d/e/)(c/d/) (B/c/)(A/B/) |\ ^G2z(B/c/) (e/d/c/B/) Ac2e2^g- | ^ga2(c'/b/) (a/g/f/e/) d2z(f/e/ d/c/B/A/) | ^G2z(B/c/) (d/e/d/e/) (d2c2)f2 | "_dol:"(f2e2)d2 (d4c2) |\ (B2d2)^G2 (A2c2)e2 | f^gafdB (A2B2)^G2 |\ A6- HA4^A2 | B6- HB2 {c2d2e2f2g2f2e2d2}Hc2 A2 !segno!:| %%sep 2 1 500 %%sep 1 1 500 X:21041 T: DEAR TOM THIS BROWN JUG Q: "Moderato" %R: waltz B: "Edinburgh Repository of Music" v.2 p.104 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D d2 |\ a3 g f2 | {f}e2 d2 c2 | d3 e (3(fga) | A4 (dc) |\ B3 d c2 | (d2 f2 a2) | {b}a3 g f2 | e4 ag | {g}f3 e d2 | a2 A2 e>d | {d}c3 B A2 | e4 e2 |\ f4 b^g | a4 cd | e3 f e2 | A4 (ec) | A2 A2 (A/c/e/f/) | g2 f2 (3(dfa) | (ba) (gf) (ed) | a4 aa |\ d'2 c'2 b2 | {b}a2 (gf)(ed) | A4 (dc) | f>e d(fed) |\ e>d egfe | f/d/e/f/ g/a/b/c'/ Hd'2 g2 | fb(ag)(fe) | d4 :| %%sep 2 1 500 %%sep 1 1 500 X:21042 T: WHEN THE ROSY MORN APPEARING Q: "Moderato" %R: air, march B: "Edinburgh Repository of Music" v.2 p.104 #2 - p.105 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A [|\ e3f e2a2 | e2d2 d2c2 | A3c c2B2 | B2(3(Bcd) d2c2 |\ e3f e2a2 | (e2d2) (d2c2) | A3c B2(3(Bcd) | c2B2 A2z2 |] [|\ c3d c2c2 | {c}BABc A2A2 | E2E2 F3B | G2G2 A2z2 |\ c3d c2c2 | {c}BABc B2A2 | E3E F3B | A2G2 A2z2 |] [|\ e3f e2a2 | e2d2 d2c2 | A3c c2B2 | B2(3Bcd d2c2 |\ e3f e2a2 | (e2d2) (d2c2) | A3c B2(3(Bcd) | c2B2 A2z2 |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21052 T: GOD PRESERVE THE EMPEROR C: Haydn Q: "Andante" %R: march B: "Edinburgh Repository of Music" v.2 p.105 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C c3d |\ e2d2 f2e2 | dBc2 a2g2 | f2e2 d2ec | g4 :|\ d2e2 |\ dBG2 f2e2 | dBG2 g3f | e3e T^f3g | g4 c'3b | {b}a2g2 a3g | {g}f2e2 d3e/f/ | gafd c2{e}dc | .c.d/.e/ .f/.g/.a/.b/ c'3b |\ {b}a2g2 a3g | {g}f2e2 a/^g/a/g/ {b}a=g/f/ | edfa c2{e}dc | c4 H|] %%sep 2 1 500 %%sep 1 1 500 X:21061 T: The HEAVENS ARE TELLING C: Haydn Q: "Allegro" %R: march B: "Edinburgh Repository of Music" v.2 p.106 - p.107 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D A2 |"_F."\ d4 d2d2 | e4 e2e2 | (f2d2 B2)e2 | (d4 c2)AB |\ (c2d2 e2)f2 | (g6 f2 ) | e2(e2 d2c2) | (dd'c'b agfe) | d6 d2 | e6 e2 | f8 | e2A2 A2A2 |\ d6 d2 | e6 e2 | f2ba gfed | dced cBAG | ("_PP."F2G2 A2).F2 | (E2F2 G2).E2 | (F2G2 A2).F2 | (E2F2 G2).E2 |\ (f2g2 a2)f2 | e2z2 e2e2 | z2z2 f2f2 | e2f2 g2e2 | d4 c4 | d4 (ba gfed) | (dced cBAG) | (F2G2 A2).F2 |\ (E2F2 G2).E2 | (F2G2 A2).F2 | (E2F2 G2).E2 | (f2g2 a2).f2 | "_F."e2e2 z2z2 | f2f2 z2z2 | ("_P."e2f2 g2).e2 | d4 c4 |\ "_F."d4 d2d2 | z2z2 e2e2 | f6 d2 | a6 "_P."^d2 | (e2f2 g2)e2 | (d4 c4) | "_F."d4 d2d2 | e4 dcBA |\ f2{c}d2 {^A}B2{f}e2 | (d4 c2)(AB) | c2d2 e2f2 | (g6 f2) | e2(e2 d2c2) | d4 "_P."^d4 | e2(e2 =d2c2) | d4 ^d4 |\ ^defe =d2c2 | d2z2 e2z2 | f2z2 e2z2 | d2z2 d'2d'2 |\ d'2z2 d'2z2 | d'2z2 z4 H|] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21072 T: ADIEU MY NATIVE LAND ADIEU Q: "Slow" %R: air, reel B: "Edinburgh Repository of Music" v.2 p.107 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The use of segnos and an initial repeat with no end-repeat anywhere is a bid odd. M: C L: 1/8 K: C !segno!|:"_P."G |\ c3e (ed)(fe) | (edcB) c3(G | A2)(c2 G2c2) | (d/c/B/c/) de d3G |\ "_mF"c3e edfe | edcB c3G | A/B/c/B/ d/c/B/A/ Gceg | fdAB c3 H|] e |\ (dG)(^FA) G3e | ({e}dB/G/) ({d}cA/^F/) G3^d | eBc^G AEHF>"_PP"F | f3e d3c |\ B3c d3G | g "_>"f2 "_>"e2 "_>"d2 c | B2 (c3/d//e//) HG3 !segno!|] %%sep 2 1 500 %%sep 1 1 500 X:21081 T: MY MOTHER BIDS ME BIND MY HAIR C: Haydn %R: waltz B: "Edinburgh Repository of Music" v.2 p.108 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/16 K: C "_P."G2 |\ (c3ege) (c4B2) | (B2A2)A2 (A2G2)c2 |\ c2(Bcde) g2f2e2 | d3ed>e dcBAGF |\ (EG)(cege) (c4B2) | (B2A2)A2 (A2G2)c2 | {cd}e4d2 {d}c2B2A2 | Gd'(c'bag) ("_>"g2^f2)e2 |\ d4g2 ("_>"g2^f2)e2 | (d4c2) ({Bd}c2B2A2) |\ d4(cA) G4(AB) | (GG^FG.A.B) (cde=f)(g2 |\ ^f2)z2(=f2 e2)z2(_e2 | d2)z2(c2 B2)z2.G2 |\ c4d2 e4^f2 | (gb)(d'bd'b) gbd'bd'b |\ g4z2 z4(c2 | B2)z2(c2 B2)z2(c2 |\ d2)z2(e2 {de}Hf4)d2 | g4(fd) c4(de) | .c.E.F.G.A.B .c.d.e.f.g2 | f2z2(e2 d2)z2(c2 |\ B2)z2c2 {g2^f2=f2efg}Hf4d2 | g3(b/a/ g/f/e/d/c4) {dcBc}d>e |\ c4z2 ("_>"g4B2) | c2z2(e2 c4) |] %%sep 2 1 500 %%sep 1 1 500 X:21091 T: SWEET LITTLE BARBARA O: From the Iron Chest. %R: waltz B: "Edinburgh Repository of Music" v.2 p.109 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: G |:\ G2 G2 G2 | G3 ABc | d2 B2 e2 | d2 B2 zg |\ G2 G2 G2 | G3 ABc | (d>g) f2 e2 | d4 z2 :| |:\ (d2 B2) e2 | (c2 A2) d2 | (B2 G2) d2 | B2 A2 z2 |\ (dc)Bded | (cB)Acdc | BAGAB^c | d^ced=cA | G2 G2 G2 | G3 ABc | d2 B2 e2 | d2 B2 zg |\ G2 G2 G2 | G3 ABc | d>e B2 A2 | G4 z2 :| %%sep 2 1 500 %%sep 1 1 500 X:21092 T: O PESCATOR %R: reel, march B: "Edinburgh Repository of Music" v.2 p.109 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: F (c2 |\ f2)(f2g2)g2 | a2(ac') g2(ga) | f4 z2(c2 |\ f2)(f2g2)g2 | ~a2ac' ~g2ga | f4 z2 || |: c2 |\ b2b2b2d'2 | c'2ab Hc'3a | bagf gggb |\ agfe f2fg |[1 ac'bg f2 :|[2 ac' b/a/b/g/ f2 |] %%sep 2 1 500 %%sep 1 1 500 X:21101 T: SHE ROSE AND LET ME IN Q: "Sow, and Solemn." %R: _ B: "Edinburgh Repository of Music" v.2 p.110 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm %%slurgraces 0 %%graceslurs 0 B>A |\ {A}G2d>e (d2g2) | {g}^f3=e d2_e2 |\ (ed)cB AB{d}cB | B2{cB}A2 z2B>A |\ (G2d)>e d2(g2 | {g}^f3)g a2d>e |\ d2a2 (ba).g.^f | g6 |] g>{ag^fg}a |\ {ga}b2ag g^fed | g>^fg>a b2zd |\ (ce).d.c (Bd)cB | {c}B2A2 z2ga |\ {c'}b>abg ^f=efd | g>^fga Hb2d2 |\ c>Bc2 d2T^f2 | g6 |] %%sep 2 1 500 %%sep 1 1 500 X:21102 T: LADDIE LIE NEAR ME Q: "Plaintive" %R: waltz, minuet B: "Edinburgh Repository of Music" v.2 p.110 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: Gm |:\ d2 g2 ^f2 | ~g3 a b2 | d2 g2T^f3/e//f// | g4 ab |\ g=fedcB | ~B3 cdc | B2G2 ^F2 | G4 :| |: F/G/A |\ B3 c B2 | c4 Bc | (d2 b2) Ta2 | {ga}g3 {ag^fg}a b2 |\ (gf)(ed)(cB) | B3 cdc | B>A G2 ^F2 | G4 H:| %%sep 2 1 500 %%sep 1 1 500 X:21111 T: The BONNIEST LASS IN A' THE WARLD Q: "Cheerful" %R: reel, march B: "Edinburgh Repository of Music" v.2 p.111 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces 0 %%graceslurs 0 GA |\ B2D2 E2GB/d/ | cBAG E2DE |\ G2{f}g2 de/f/ gd | {f2}Te4 {de}d2ef |\ gfed ef gB/d/ | {d}cBAG {F}E3DE |\ G2g2 decd | B2TA2 {GA}G2 :|\ |: ef |\ gfed efg>b | agfe f>gaf | {a}gfga bgab | Te4 {de}d2ga |\ b>age de/f/ gB | {d}cBAG {F}E2DE |\ G2g2 dedc | B2TA2 {GA}G2 :| %%sep 2 1 500 %%sep 1 1 500 X:21112 T: DAINTY DAVIE %R: reel B: "Edinburgh Repository of Music" v.2 p.111 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: G g2 |\ d3cB2 AB AGFE G4 | G2d2 BcdB G2d2B2g2 |\ d3c B2AB AGFE G2D2 | E2ga bagf e3fg2 :| |: d2 |\ g2b2g2b2 g2b2 c'bag | f2a2d2a2 f2a2 bagf |\ g3ab2 ab (c'b).a.g (gf).e.d | (ef).g.a bagf e3fg2 :| %%sep 2 1 500 %%sep 1 1 500 X:21121 T: THRO' THE WOOD LADDIE Q: "Slow" %R: air, minuet, waltz B: "Edinburgh Repository of Music" v.2 p.112 - p. 113 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: C %%slurgraces 0 %%graceslurs 0 "_P."c>G |\ A2 c>d ({e}d3/c//d//) | e4 c'>g | a2 (c'a)(ge) | (e2 d2) c>d |\ e3 f ed | e2 (dc)(cd) | e>f eg(ed) | e2 (dc) (cG) | A2 c>d d3/c//d// | e4 c'd' | (e'd') (c'a) (ge) | d3 e (fg) |\ a2 {d'}c'(b/a/) {a}gf/e/ | g>a (gf)(ed) | e2 A2 TB2 | {AB}c4 :| |: c>G |\ A2 c>d (d3/c//d//) | e4 (cd) | e2 (fe)(dc) | {e}d4 c>d |\ e3 f (ed) | e2 (dc)(cd) | e>d (ef)(ed) | e2 dc c>G | A2 (c>d) (Td3/c//d//) | e4 c'd' | (e'd')(c'a)(ge) | d3 {^cd}e (fg) |\ a2 (c'a)(ge) | g>a (gf)(ed) | e2 A2 TB2 | {AB}c4 :| g2 |\ a2 c'age | g>a (gf)(ed) | ({cd}e>c) A2 TB2 | c4 H|] y8 y8 y8 y8 y8 y8 y8 y8 y8 y8 % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21132 T: BONNY JEAN OF ABERDEEN Q: "Slowly" %R: reel B: "Edinburgh Repository of Music" v.2 p.113 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: C| L: 1/16 K: G %%slurgraces 0 %%graceslurs 0 B3A |\ G4 G2AB D6 E2 | {A}G2F2G2A2 c2B2A2G2 |\ c4 c2e2 dB3A2G2 | ~A3B {d}cB{B}AG {F}E4 B3A | {F}G4 G2AB D4 E3F | G3AB2d2 {f}g4 f2e2 |\ d3e edcB ~A3B ce/d/ f/e/d/c/ | B4 {cB}TA4 {GBA}G4 :| |: d2ef |\ g4 g2ab d4 e3f | {a}g3f(f2a2) {g}b4 ~g3a |\ b3a agfe d2e>f g2(3GBd | {d}c2B2{B}A2G2 {F}E4 B3A | G4 (GABd) D4 E3F | G2AB cdef g3f agfe |\ ~d3e edcB ~A3B cd/g/ f/e/(3(d/e/c/) | B4 {cB}TA4 {GBA} G4 |] %%sep 2 1 500 %%sep 1 1 500 X:21141 T: JOHN ANDERSON MY JOE Q: "Slow and Solemn." %R: air, reel B: "Edinburgh Repository of Music" v.1 p.114 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Am AG |\ E2A2 A2B2 | c4 c2dc | B3A G2^F2 | G6 AG |\ E2A2 A2B2 | c2B2 c2d2 | e3d c2d2 | e6 g>f | e3d c2d2 | e3f g2fe | d3c B2c2 | d6 cd |\ e3c {e}d2cB | {d}c2BA e3AG | E2A2 A2^G2 | A6 |] %%sep 2 1 500 %%sep 1 1 500 X:21142 T: PIBROCH OF DONALD DHU Q: "Moderato" %R: jig B: "Edinburgh Repository of Music" v.1 p.114 #2 - p.115 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G [|\ d>cB Bdg | d>cB B2G | d>cB ABg | d<BG {B}TA2G |\ d>cB Bdg | d>cB B2G | A<AB c>de | d<BG TA2G |] [|\ d<BB e<BB | d<BB B2G | d<BB e<BB | dBG A2G |\ dBB ecc | dBB TB2G | A<AB ~c>de | dBG TA2G |] [|\ g<dd g<ee | g<dB B>AG | g<dd g<ee | dBG A2G |\ g<dd g<ee | g<dB | B>AG | A<AB ~c>de | dBG TA2G |] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21151 T: JOHN OF BADENYON %R: strathspey B: "Edinburgh Repository of Music" v.1 p.115 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added missing dot to the B in bar 8. M: C| L: 1/8 K: D d |\ B>AF>A B>AF>A | d>edB A3d | B>cd>e f>ed>f | d<Bd>e f3a | b>fa>e f>de>B | d>BA>F d3e | f>de>B d>BA>F | E<EF>^A B3 :| |: a |\ b>af>a b>af>b | a>fe>f {f}a3d' | b>af>a b>a {g}f>e | d>Bd>e f3a | b>fa>e f>de>B | d>BA>F d3e | f>de>c d/c/B/A/ d>F | E<EF>^A B3 :| %%sep 2 1 500 %%sep 1 1 500 X:21161 T: BOTHWELL CASTLE Q: "Slow" %R: air B: "Edinburgh Repository of Music" v.1 p.116 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added '3' to unlabelled triplets. M: C| L: 1/16 K: G d3c |\ B3c d3c B2g2(g2b2) |\ B3c dBAG FAdf a2b2 |\ B3c d>cd>c B2g2 d2bd' |\ (c'bag) (fe'd'c') b2g2g2 :| d2 |\ b2- (3bag (3fed (3cBA G2d2B2{f}g2 |\ d>Bg>d b>g (3(dBG) (F2A2).A2.d2 |\ b3a (gfg)e ({e}d^c)de (fde)f |\ (gef)g (a>fg)>e d2g2g2 ga | bgfg afef ge^de f=d^cd |\ e=cBc dGeG F2A2 A/G/A/B/ c/d/e/f/ |\ g4 e4 A3d {c}B2(3GBd |\ c3B (3ABG (3FGE D2G2G2 |] %%sep 2 1 500 %%sep 1 1 500 X:21162 T: WILLIE BREW'D A PECK O' MAUT Q: "Cheerful" %R: reel B: "Edinburgh Repository of Music" v.1 p.116 #2 - p.117 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G B>c |\ d2g>e (ed)(cB) | e2(ag) (gf).e.d | g3e (edc).B | (e2A2) A2Bc |\ d2g>e (edc)B | e2(c'a) (gfe)d | g3e edcB | d2G2 G2 |]\ g>a | b3g a3f | {a}gfed g3B | ~c3d edcB | e2A>B A2g>a |\ b3c' {b}a2fa | ({a}gf)ed {f}Hg3B |~c3e d2ga | b2g2 g2 H|] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21172 T: The CARDIN O'T Q: "Lively" %R: reel B: "Edinburgh Repository of Music" v.1 p.117 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G B>A |\ G3A B3c | d2ge dBAG | ~c3e dBAG | FGAB A3B |\ cBcd efge | dBAG GFED | G3A B<d A>c | B2G2 G2 :| |: ge |\ dBGB d3e | dBGB d2cB | {d}cBcd efga | f2d2 d2cB |\ {d}cBcd efge | dB{B}AG GFED | ~G3A B<d A<c | B2G2 G2 :| %%sep 2 1 500 %%sep 1 1 500 X:21181 T: GAVOT DE VESTRIS Q: "Moderato" %R: gavotte B: "Edinburgh Repository of Music" v.2 p.118 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: F |:"_F."\ f2 f2 | f3 "_P."(g/a/) |\ (ba)gf | {f}edec |\ "_F."f2 f2 | f3 "_P."g/a/ |\ {a}gfed | c4 :|\ |:\ g2 ~y b>g | e2 e2 | f2 ~y a>f | cc/d/ _e/=e/f/^f/ |\ g2 b/a/b/g/ | e2 e2 |\ f2 ~y af | c2 c2 |\ cege | bgfe |\ f2 f2 | "_Fine."f4 H:| K: Bb |:"_F."\ b2 b2 | b3 c'/d'/ |\ "_P."(e'd')c'b | {b}agaf |\ "_F."b2 b2 | b3c'/d'/ |\ "_P"c'bag | f4 :|\ |:\ "_P."c'2 ~y e'>c' | a2 a2 | b2 ~y d'b | (=e/f/^f/g/ ^g/a/b/=b/) |\ \ c'2 (e'/d'/e'/).c'/ | a2 a2 |\ b2 ~y d'>b | f2 f2 |\ fac'a | e'c'af |\ b2 b2 | b4 :| %%sep 2 1 500 %%sep 1 1 500 X:21191 T: COCK UP YOUR BEAVER Q: "Vivace" %R: jig B: "Edinburgh Repository of Music" v.2 p.119 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Converted 1/32-notes (BA) in bar 11 to 1/16-notes to fix the rhythm. M: 6/8 L: 1/16 K: G g2 |\ d4G2 {c2}B3AG2 | A3BA2 c4e2 | d4G2 B3AB2 | G2g2d2 B3cd2 |\ {d}cBcdef g2d2B2 | A3BA2 c4e2 | {e}d4c2 B2c2A2 | G2g2d2 B4 :| |: d2 |\ G2g2d2 Bcd2G2 | A2a2A2 {Bcd}c4BA | G2g2d2 Bcd3B | G2g2d2 {c}BABcdB |\ {d}cBcdef g2d2B2 | A2a2A2 c3def | g2agfe d2BcdB | G2g2d2 B4 :| %%sep 2 1 500 %%sep 1 1 500 X:21192 T: GAE TO THE KYE WI' ME JAMIE Q: "Briskly" %R: slip-jig B: "Edinburgh Repository of Music" v.2 p.119 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: Dm |:\ A>BA A2G FED | F>GF A2f e3 |\ A>BA A2G FED | F2G Ad^c d3 :|\ |:\ A>BA f2f ed^c | A>BA f2f e3 |\ A>BA f2f efg | {g}f>ed Ad^c d3 H:| %%newpage %%sep 2 1 500 %%sep 1 1 500 X:21201 T: The LONE VALE Q: "Slow with Expression" %R: jig, waltz B: "Edinburgh Repository of Music" v.2 p.120 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/16 K: Bb BG |\ "_P."F3GF2 {Bc}d3cB2 | {A}G3FG2 B2G2F2 | F3GF2 {Bc}d3cB2 | {d}c3Bcd B4F2 |\ F3GF2 {Bc}d3cB2 | G3FG2 B2G2F2 |F3GF2 {Bc}d3c~B2 | {d}c3Bcd B4 :| |: "_PP."Bc |\ d3cd2 e3dcB | {A}G3FG2 B2G2F2 | d3cd2 e4dc | ~B3cd=e f4F2 |\ d3cd2 e3dcB | G3FG2 B2G2F2 | F3GF2 d3cB2 | c3Bcd B4 :| %%sep 2 1 500 %%sep 1 1 500 X:21202 T: SAW YE NAE MY PEGGY Q: "Playfully" %R: minuet B: "Edinburgh Repository of Music" v.2 p.120 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Gm |:\ g3^f g>ab>g =f<dcB | f3g f>gfd edcB |\ g3^f g2(3gab =f<d{d}cB | {d}c2Bc {e}d2cB {A2}G4 :| |:\ F2B>c B3c {Bc}d2cB | G2c>d c3d edcB |\ F2B>c B3c {e}d2cB | cdbg f<d {d}cB {A2}G4 :| %%sep 2 1 500 %%sep 1 1 500 X:21211 T: BONNY PRINCE CHARLIE %R: jig B: "Edinburgh Repository of Music" v.2 p.121 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D [|\ F>ED D2B | AFd F>ED | FEE EFA | d>dc BAF |\ A>Bd e>dB | B>AF A>Bd | F>EF d>cB | A>DF {F}E2D |] [|\ d<dA e<eA | f>ed d<AB | AFD D2d/e/ | fg/f/e/d/ (fed) |\ d2A e>fg | f>ed d>cB | A>BA A<DE | F<AF {F}E2D |] %%sep 2 1 500 %%sep 1 1 500 X:21212 T: The LAIRD O' COCKPEN %R: jig B: "Edinburgh Repository of Music" v.2 p.121 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Am E |\ A>BA c2c | B>GG G2B | A>BA a2a | gee e2e/f/ |\ gcg g>fe | d>ec B2E | A>BA e<ed | c<AA A2z |] %%sep 2 1 500 %%sep 1 1 500 X:21221 T: ON A BANK OF FLOWERS %R: march B: "Edinburgh Repository of Music" v.2 p.122 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm DE |\ F2A2 A2=B^c | d2A2 A2f2 | e2d2 (fd).d.^c | [d6F6] DE |\ F2A2 A2=B^c | d2A2 A2f2 | e2d2 fed^c | d4- d2 :| |: fg |\ .a2.f2 .f2ga | .g2.c2 .c2de | .f2.d2 .d2ef | e2A2 A2FG |\ ({B}A^GA).B A2FG | ({B}A^GA).B A2f2 | e2d2 (fe)d^c | d4- d2 :| %%sep 2 1 500 %%sep 1 1 500 X:21222 T: BIDE YE YET %R: jig B: "Edinburgh Repository of Music" v.2 p.122 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Dm A |\ A2d d>ef | A2c c2B | A2d d>ef | A2d d2c |\ A2f f>ga | A2c c2B | {B}A2G F2G | A2d d2 :| |: c/B/ |\ A>GF F2G | A2c {c}B>AG | {B}AGF F2G | A2d d2c/B/ |\ A>GF F2G | A2c {c}BAG | A2d d>ef | A2d d2 :| %%sep 2 1 500 %%sep 1 1 500 X:21231 T: The SOUTERS O' SELKIRK %R: slip-jig B: "Edinburgh Repository of Music" v.2 p.123 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: A |:\ e>fe eca f/e/d/c/B/A/ | e>fe eca g2B |\ e>fe eca f/e/d/c/B/A/ | d>ef eca {a}g2B :| |:\ aAc af/g/a/f/ f/e/d/c/B/A/ | aAc af/g/a/f/ {a}g2B |\ aAc af/g/a/f f/e/d/c/B/A/ | d>ef eca {a}g2B :| |:\ c/d/ea c/d/ea f/e/d/c/B/A/ | c/d/ea c/d/ea g2B |\ c/d/ea c/d/ea f/e/d/c/B/A/ | d>ef eca {a}g2B :| |:\ aAa AaA f/e/d/c/B/A/ | aAa AaA {a}g2B |\ aAa AaA f/e/d/c/B/A/ | d>ef eca {a}g2B H:| %%sep 2 1 500 %%sep 1 1 500 X:21241 T: The BRISK YOUNG LAD %R: jig B: "Edinburgh Repository of Music" v.2 p.124 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Gm D |\ G>AG B2c | {Bc}d>cB {B}A2G | F>GF A2B | cfd cAF |\ G>AG B2c | dcB ABc | d2G GA^F | (G3 d2) :| |: A |\ B>cd/e/ f2g | fdB fdB | F>GA/B/ c2d | cfd cAF |\ B>cd/e/ f2g | fdB ce^f | g2G G>A^F | (G3 d2) :| %%sep 2 1 500 %%sep 1 1 500 X:21242 T: MY MITHER'S AYE GLOWERIN' O'ER ME %R: jig B: "Edinburgh Repository of Music" v.2 p.124 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Gm D |\ G>AG ^F2D | B3 ABc | d>ed c2B | f3 d2g |\ fdB Bfd | cAF Fdc | {c}B>AG A^FD | (B3 A2) :| |: d |\ g>ag {g}^f2d | g>ab {b}a2g |fdb dcB | f3 g>ab |\ fdB Bfd | cAF Fdc | {c}B>AG A^FD | (B3 A2) :| % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21252 T: O GIN YE WERE DEAD GUDEMAN %R: reel, Scots measure B: "Edinburgh Repository of Music" v.2 p.125 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F C/D/E |\ F2F2 c2F2 | A2G2 G2C>D | F2~F2 c2F2 | A2f2 c3f |\ defc ABcA | dcBA {A}G2FD | F2f2 c>dB>c | A2F2 F2 :| |: c/d/e |\ fefg fgaf | {a}gfga agfd | cdfg fgag | fgfc ABcA |\ defc ABcA | fdcA {A}G2FD | F2f2 c>dB>c | A2F2 F2 :| %%sep 2 1 500 %%sep 1 1 500 X:21261 T: BONNY CHRISTIE %R: shottish, strathspey B: "Edinburgh Repository of Music" v.2 p.126 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: In bar 11, the high f probably needs a natural sign, as in bar 3. M: C| L: 1/8 K: G g>e |\ d<BA>G D>EG>A | B2G2 G2c_B | _BAG=F ~=f3g | {=fg}a2A2 A2g>e |\ d<BA>G D>EGA | B2G2 G3B | {B}A>GA>B dega | g2G2 G2 :| |: c>B |\ {B}AGAB dega | {ga}b2d2 d2c>_B | _BAG=F ~f3g | {fg}a2A2 A2GA |\ {c}B2AB {d}c2Bc | d2ef {a}g2fe | d<gB<d A>Bc{e}d | B2G>A G2 :| %%sep 2 1 500 %%sep 1 1 500 X:21262 T: CRAIGIEBURN WOOD Q: "Slow" %R: jig, waltz B: "Edinburgh Repository of Music" v.2 p.126 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D A/>G/ |\ F>ED EFA | B>cd A<FD | d>cB AFD | E3 A2A/G/ |\ F>ED EFA | B>cd AFD | {c}d>cB AFD | E3 A2 :| |: A |\ ~Bdc d>ef | edc cB^A | Bdc ~d>ef | {f}e3 d2c/d/ |\ ef/e/d/c/ de/d/c/B/ | AFA d2d/c/ | ~B>cd A<FD | E3 D2 :| % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21272 T: O'ER THE MUIR TO KITTY Q: "Moderato" %R: reel, Scots measure B: "Edinburgh Repository of Music" v.2 p.127 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D F>E |\ D3F A>BAF | A2d2 d3B | ABde gfed | e2E2 E2F>E |\ D3F A>BAF | A2d2 d3B | ABde fgef | d2D2 D2 :| |: d>e |\ fedB ABdF | A2d2 d3F | G3A BAGF | E2e2 e2ag |\ fedf edce | dcB^A B=AGF | EFGE AGFE | D2d2 d2 :| %%sep 2 1 500 %%sep 1 1 500 X:21281 T: The RUNAWAY BRIDE %R: jig B: "Edinburgh Repository of Music" v.2 p.128 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D ag |\ f2f {f}ede | d3 a3 | b2a {a}g2f | f3 e2a/g/ |\ f2f {f}ede | d3 a3 | bc'd' c'e'c' | a3 a2 :| |: a |\ bc'd' c'd'e' | a3 agf | b2a g2f | e3 e2a/g/ |\ f2f {f}ede | d3 a2a | bc'd' c'e'c' | a3 a2 :| %%sep 2 1 500 %%sep 1 1 500 X:21282 T: CARLE NOW THE KING'S COME %R: march B: "Edinburgh Repository of Music" v.2 p.128 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G |:\ B2A>G G3{B}A | G4 D4 | c2A2 A2B2 | G4 E4 |\ D3E G2G2 | A2B2 g2fe | d2ef g2B2 |[1{A}A4 G4 :|[2 A4 G2 |] ga |\ b2{b}ag g3a | bage dega | b2a2 a3b | abag {f}e3g |\ d3e g3a | bage g3a | g/a/b G2 ABcB | {B2}A4 G2 |] %%sep 2 1 500 %%sep 1 1 500 X:21291 T: WILT THOU BE MY DEARIE, or the Souter's Daughter Q: "Slow, and with much Expression" %R: _ B: "Edinburgh Repository of Music" v.2 p.129 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Version for ABC software without voice overlays, etc. M: 2/4 L: 1/16 K: G [|"_P."\ G3D {F}"_Dolce."E3D | G4 D3D |\ ~G2A2 (cB).A.G | (B2A2) (Ac).B.A |\ G3D {F}E3D | (G4 D4) |]\ ~G3A B2d2 | ({d}c2B2) B4 |\ ({B}A2G2) A2Bd | e6 (fg) |\ "_F."d3e (edcB) | (e2A2) (Ac).B.A |\ "_P."G3D E3D | G4 D4 |\ e3d (ed).B.G | (B2A2) (Ac).B.A |\ G3D {F}E3D | ("_PP."G4 D4) |] %%sep 2 1 500 %%sep 1 1 500 X:21292 T: The CAIRNEY MOUNT %R: march, reel B: "Edinburgh Repository of Music" v.2 p.129 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D d>B |\ A2D2 F2A2 | BAGF E2d>B | A2D2 F2A2 | BcdA F2A2 |\ D2d2 ~d3e/f/ | e2E2 E2D2 | F2A2 BcdB | A2D2 F2 :| |: A2 |\ d3e defd | gfed e2f>e | d2A2 F2A2 | BcdA F2A2 |\ D2d2 ~d3e/f/ | e2E2 E2D2 | F2A2 BcdB | A2F2 A2 :| %%sep 2 1 500 %%sep 1 1 500 X:21301 T: Le PANTALON N: "HERZ QUADRILLES." %R: _ B: "Edinburgh Repository of Music" v.2 p.130 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G [|\ b4 g4 | d6 ^ce | d2^ce d2ce | d2g2 b4 |\ bc'aa a4 | abgg g4 | e2ag {g}fefd | g2b2g2z2 H|] A4 B2^c2 | d2e2 f4 | age2 age2 | a2d'2 a4 |\ A4 B2^c2 | d2e2 f4 | age2 age2 | defg a2^a2 |] [|\ b4 g4 | d6 ^ce | d2^ce d2ce | d2g2 b4 |\ bc'aa a4 | abgg g4 | e2ag {g}fefd | g2b2g2z2 |] G4 c2e2 | G4 c2e2 | g=fd2 gfd2 | e>=fd>e c4 |\ Tg3^f/g/ c'2e'2 | Tg3^f/g/ c'2e'2 | b3c' d'c'd'b | c'3e'/d'/ c'4 |]"D.C."y %%sep 2 1 500 %%sep 1 1 500 X:21311 T: L'ETE N: "HERZ QUADRILLES." %R: _ B: "Edinburgh Repository of Music" v.2 p.131 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G [|\ D2DD D2E2 | D2G2 B2G2 |\ {B}A2^G2 A2F2 | G2B2d2 BG |\ D2DD D2E2 | D2G2 B2G2 |\ {B}A2^G2 A2F2 | G2GG G4 H|] [|\ .A.A.B2 .A.A.^c2 | .A.A.B2 .A.A.d2 |\ .A.A.B2 .A.A.e2 | d2f2 a2fd |\ .a.a.b2 .a.a.^c'2 | .a.a.b2 .a.a.d'2 |\ .a2.^c'2.e'2.a2 | (d'3f'/e'/ d'2)z2 | (3(A^GA).B2 (3(A^GA).^c2 | (3(A^GA).B2 (3(AGA).d2 |\ (3(A^GA).B2 (3(AGA)e2 | dz/(e/f)z/(g/ a)z/(b/c')z/(d'/ | (3(a)^ga).b2 (3(aga).^c'2 | (3(a^ga)b2 (3(aga)d'2 |\ e'z/(d'c')z/(b/ a)z/(g/f)z/(e/ | d2)f2d2"D.C."z2 |] %%sep 2 1 500 %%sep 1 1 500 X:21321 T: La POULE N: "HERZ QUADRILLES." %R: jig B: "Edinburgh Repository of Music" v.2 p.132 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C (ef |\ gag dfe | c3 Gce) | .d({e}d^c) .d({e}dc) | dag fd^d |\ (eag dfe | c3 Gce) | dag Tfde | c3- c H|] Bc |\ d^fg efg | dba {a}g^fg | ade d{^f}ed | d^fg dBc |\ d^fg efg | dba {a}g^fg | ade d{^f}ed | gdb g |] (ef |\ gag dfe | c3 Gce) | .d({e}d^c) .d({e}dc) | dag fd^d |\ eag dfe | c3 Gce | dag fde | c3 c |] "^Minore."cd |\ e2e agf | e2e edc | B2c dcB | cdB Acd |\ e2e agf | e2e edc | B2c dBc | A3- "D.C."A2 |] %%sep 2 1 500 %%sep 1 1 500 X:21331 T: La TRENISE N: "HERZ QUADRILLES." %R: _ B: "Edinburgh Repository of Music" v.2 p.133 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added rests the ends of the 2nd and 3rd strains to fill out the measures. M: 2/4 L: 1/16 K: Bm [|\ B2(3(F^G^A) B2(3(FGA) | B2c2d2B2 |\ e2d2c2B2 | ^A2B2c4 |\ B2(3(F^G^A) B2(3(FGA) | B2c2d2B2 |\ e2g>g f2^A2 | B2B2B4 |] [|\ d2dd d2e2 | f2g2a4 |\ a2e'd' c'2e'2 | a2f'e'd'4 |\ d2dd d2e2 | f2g2a4 |\ a2e'd' c'2a2 | d'2f'2d'2z2 |] [|\ B2(3(F^G^A) B2(3(FGA) | B2c2d2B2 |\ e2d2c2B2 | ^A2B2c4 |\ B2(3(F^G^A) B2(3(FGA) | B2c2d2B2 |\ e2g>g f2^A1 | B2d2B2z2 |] [|\ dz/(A/F)z/(A/ d)z/(A/e)z/(A/ | f)z/(A/g)z/(A/ a)z/(A/b)z/(a/ |\ g)z/(e/A)z/(e/ g)z/(e/e')z/(c'/ | d')z/(a/f')z/(e'/ d')z/(a/g)z/(e/ | d)z/(A/F)z/(A/ B)z/(A/e)z/(A/ | f)z/(A/g)z/(A/ a)z/(A/b)z/(a/ |\ g)z/(e/A)z/(e/ g)z/(e/e')z/(c'/ | d')z/(a/f')e' d'2z2 |] %%sep 2 1 500 %%sep 1 1 500 X:21341 T: La FINALE N: "HERZ QUADRILLES." %R: reel B: "Edinburgh Repository of Music" v.2 p.134 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Dmix [|\ D2.E.F .G.A.B.c | .d2.g2 B4 | .d.c.A2 .d.c.A2 | .d2.g2 d4 |\ D2EF GABc | d2g2 B4 | dcA2 dcA2 | G2B2G2z2 |] "^8va _ _ _"D2EF GABc | d2g2 B4 | dcA2 dcA2 | d2g2 d4 |\ D2EF GABc | d2g2 B4 | dcA2 dcA2 G2B2"_ _ _8va"G2z2 H|] [| "loco."\ a4 g2e2 | f2d'2 a4 | baa2 baa2 | f2a2d'2f'2 |\ a4 g2e2 | f2d'2 a2zf | edef gab^c' | d'2d'2d'2z2 | f2ff f2e2 | d2^c2 B4 | e2ee e2d2 | ^c2B2 A2(3(Ace) |\ a2aa a2g2 | f2e2d2B2 | A2(3(FAd) f2(e2 | d2)f2d2z2 |]"<D.C."y %%sep 2 1 500 %%sep 1 1 500 X:21351 T: MUIRLAND WILLIE %R: jig B: "Edinburgh Repository of Music" v.2 p.135 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Gm D |\ G2A B2c | d>ed f3 | cAc f2d | {d}c2B AG^F |\ G2A B2c | d>ed b2b | {b}a^ga dg^f | {f}Tg3 {^fg}G2 :| |: d |\ g2a b2b | d2e f3 | cAc f2d | {d}c2B AG^F |\ G2A B2c | d>ed b2b | {b}a^ga d<g^f | {f}Tg3 {^fg}G2 :| %%sep 2 1 500 %%sep 1 1 500 X:21352 T: BONNY WEE THING Q: "Slow, with Expression" %R: strathspey B: "Edinburgh Repository of Music" v.2 p.135 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: B |:\ fd3 {d}c3B G3A B4 | fd3 {d}c2B2 {ef}g4 f4 |\ {f}e2d2 {d}c2B2 G3A B4 | F4 G3A B8 :|\ B6 g2 fd3c3B | fd3c2B2 c3d/e/ d4 | B6 A2 B2c2d2e2 | f4 {f}e3d d4 c4 |\ B6 g2 fd3 g4 | fd3 g4 fd3 c2B2 |\ {f}e2d2{d}c2B2 G3A B4 | F4 G3A B8 |] %%sep 2 1 500 %%sep 1 1 500 X:21361 T: The COBLER OF CASTLEBERRY %R: waltz, minuet B: "Edinburgh Repository of Music" v.2 p.136 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 3/4 L: 1/8 K: Bb fdf |\ d2 BBGB | F2 DBAB | cd/e/ dfGe | d2 c fdf |\ d2 BBGB | F2 D c=Bc | c>BAffc | d3 dc=E |\ FG/A/ c/B/A/G/ F=E | F3 :| |: fff |\ f2 dfge | f2 dfge |\ f>d Bfed | d2 c fdf | d2 BBGB | F2 D BAB |\ cd/e/ dBcd | e3 gfA | Bc/d/ f/e/d/c/ BA | B3 |] %%sep 2 1 500 %%sep 1 1 500 X:21362 T: MAGGIE'S TOCHER Q: "Tenderly" %R: slip-jig B: "Edinburgh Repository of Music" v.2 p.136 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: Am E |\ {d}c>Bc dcB cBA | ^GAB B2A ^G^FE | cBc {e}dcd e2e |\ EAA A2B cBA :||: G2g g>ag {a}gfe | d2c BcA ^G2E | A2a a2b c'ba | e2a a2b c'ba | g2g ~g>ag gfe |\ d2c BcA ^G^FE | c>Bc {e}d>cd e2e | E<AA A2B {d}cBA :| % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21372 T: I LOVE MY LOVE IN SECRET Q: "Playfully" %R: reel B: "Edinburgh Repository of Music" v.2 p.137 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G d>c |\ cBAG G2D2 | E2A>B A2dc | cBAG d2G2 | c>ded cBAG |\ cdec BcdB | cBAG A3G | BdeG dBAG | E2G>A G2 :| |: dc |\ cBAG d2D2 | E2A>B A2d>c | {c}B2AG d2G2 | e2G2 d2G2 |\ ~c>dec BcdB | {d}cBAG A2Bd | e>fgG dB{B}AG |{F}E2G>A G2 :| %%sep 2 1 500 %%sep 1 1 500 X:21381 T: And I WONDER WHEN I'LL BE MARRIED Q: "Slowly" %R: slip-jig B: "Edinburgh Repository of Music" v.2 p.138 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 9/8 L: 1/8 K: Dm A |\ Add d>ed cA2 | B3 A2G FDD | G>AB A=B^c d2 :|\ |: A/d/ |\ f2f efd cA2 | B3 A2G F<Df | e>fd ^c>de d2A/d/ | f>ff e2d c<AA | B3 A2G F<Df |\ e>fd ^cde d2A/A/ | B2B A>BG F<D |] %%sep 2 1 500 %%sep 1 1 500 X:21382 T: POLWART ON THE GREEN Q: "Slowly" %R: reel B: "Edinburgh Repository of Music" v.2 p.138 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D AG |\ F3E DEFG | A4 d3e | f3e defd | e2 E4 AG |\ F3E DEFG | A4 a2-ag | f3e defe | d2D2 D2 :| |: ag |\ fg~a>b {b}a2gf | ef~g>a {a}g2fe | d3e fdgf | e2 E4 AG |\ F3E DEFG | A4 a3g | f3e defe | d2D2 D2 :| %%sep 2 1 500 %%sep 1 1 500 X:21391 T: The BOTTOM OF THE PUNCH BOWL Q: "Lively" %R: reel B: "Edinburgh Repository of Music" v.2 p.139 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Bar 7: The A needs a natural sign. M: C| L: 1/8 K: D FE |\ D2D2 d3e | d2D2 FG AF | E2E2 efgf | e2E2 FGAF |\ D2D2 d3e | fedB d3A | {^A}B3G {^G}A3E | F2D2 D2 :| |: de |\ fedB ABde | fedB d3B | A3B ABde | f2e2 e2de |\ fedB ABde | fedB d3A | B3G A3E | F2D2 D2 :| %%sep 2 1 500 %%sep 1 1 500 X:21392 T: JENNY DRINKS NAE WATER %R: reel B: "Edinburgh Repository of Music" v.2 p.139 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The final repeat : is obscured by being over the D's stem, but it's there. M: C| L: 1/8 K: D B>c |\ dcBA d3f | e2 E4 Bc | dAcA d3A | F2D2 D2a2 |\ fa{c'}ba ~f>gaf | {a}g>f {f}e>d {f}e2de | f2ed BdAd | F2D2 D2 :| |: Bc |\ dcBA BcdB | edcB cdec | {e}dcde defg | abag fgaf |\ gabg fgaf | {a}gfed e2de | {de}f2ed B<d A<d | F2D2 D2 :| %%sep 2 1 500 %%sep 1 1 500 X:21401 T: WEBER'S LAST WALTZ R: waltz B: "Edinburgh Repository of Music" v.2 p.142 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: A ea |\ (ag)(gf)(df) | feeEAc | cBcBcB | (Ac)(ce)(ea) |\ (ag)(gf)(df) | feeEAc | (cB)(cB)(cB) | A4 :| |: E^D |\ =DB=FBEB | DB=FBEB | aAcAcA | ^BABAac |\ DB=FBEB | DB=FBEB | EAEcEB | A4 :| |:[K:D] AG |\ TF3FG2 | B2A2Af | (fe)(fe)(fe) | dfdfdf |\ F3FG2 | B2A2Af | fefefe | d4 H:| %%sep 2 1 500 %%sep 1 1 500 X:21402 T: MARCH IN MASANIELLO C: Auber R: march B: "Edinburgh Repository of Music" v.2 p.140 #2 - p.141 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G [|\ d2 B>A G2 B>c | d6 e>f | g2 f>g B2 c>d | e4 d2 z2 |\ d2 c>B A2 e>d | d2 e>f g2 f>e | a2 A>B ^c2 B>A | d2 (3ddd d'2 z2 | d2 B>A G2 B>c | d6 e>f | g2 f>g B2 c>d | e4 d2 z2 |\ d2 c>B A2 e>d | d2 e>f g2 f>e | a2 A>B ^c2 B>A | d2 (3ddd d'2 z |] d |\ a2 a>^g =g>fe>d | b2 b>^a =a>gf>g | a2 a>^g =g>fe>d | b2 b>^a =a>gf>g | d2 B>A G2 B>c | d6 e>f | g2 f>g B2 c>d | e4 d2 z2 |\ d2 c>B A2 e>d | d2^c>d f2 e>=c | e2d>B d2 c>A | G2 (3GGG g2 |] %%sep 2 1 500 %%sep 1 1 500 X:21412 T: O WALY WALY %R: mazurka, minuet B: "Edinburgh Repository of Music" v.2 p.141 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: Added dots to last notes of both strains to fix the rhythms. M: 3/4 L: 1/16 K: F F2 |\ A3B c6 f2 | g3a g6 G2 | A3B c6 f2 | agfe f4 F4 |\ A3B c6 f2 | g3a g6 G2 | A3B c6 f2 | agfe f6 :| |: _e2 |\ d3c B6 c2 | d3c _e4 d2c2 | d2f2 c4 a4 | c'bag f4 z2f2 |\ d3c A6 f2 | dcBA G6 _e2 | d3c f6 A2 | cBAG F6 :| %%sep 2 1 500 %%sep 1 1 500 X:21421 T: BARCAROLE from MASANIELLO C: Auber %R: jig, march, tarantella B: "Edinburgh Repository of Music" v.2 p.142 - p.143 #1 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: This version arranged for ABC software that doesn't understand voice overlays, but has double stops. M: 6/8 L: 1/8 K: G B |\ B3 BzB | BzB Bcd | (e3 d3-) | d2d d2B |\ d2c A3- | A2A A2A | cBA Gzb | agf edc |\ B3- B2B | B zB Bcd | e3 d3- | d2d d2B | d2c A3 | A2A A2A | cBA Gzg | AzA AzA |\ cBA GzD | D3 DDD | D3- D2g | AzA AzA |\ cBA GzB | B3- B^AF | B3- B2B | A3 d3 | d3 g3 | gfe edc | B(ed) B(ed) | A3 d3 |\ d3 g3 | g2d dcA | [GG2]ed G(ed) | A3 d3 |\ d3 g3 | gfe edc | Bed Bed | A3 d3 | d3 g3 | g2d dcA | G2z z2D | D3- DDG |\ B6 | B3- BBG |D3 Dzg | A2A A2A |\ cBA G2D | D3 DDD | D2z z2g | A2A A2A | cBA G2B | B3- B^AF | B3 B2B | A3 d3 |\ d3 g3 | gfe edc | Bed Bed | A3 d3 |\ d3 g3 | g2d dcA | [GG2]ed Ge[dB] | A2-A/B//c// d2-d/e//d// |\ d3 g3 | gfe edc | Bed Bed | A2-A/B//c// d2-d/e//d// |\ d2-d/e//f// g3 | g2d dcA | G2z f2z | g2z z2 H|] % - - - - tune continued onto next page - - - - % %%sep 2 1 500 %%sep 1 1 500 X:21432 T: BOYNE WATER %R: march, reel B: "Edinburgh Repository of Music" v.2 p.143 #2 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat; not fixed. M: C| L: 1/8 K: Am A2 |\ e3^d e2g2 | d>e dB G2AB | c2BA e2d>B | A3G E2A2 |\ e3^d e2g2 | dedB G2AB | c2BA e2dB | A3G E2 |] |: A2 |\ G2g>a g3a | g>age d3g | e2a>b a>bc'>b | a3g e2g2 |\ d>eg>a {ga}b2ab | g2G>A B2AG | c2B>A e2d>B | A3G E2 |] %%sep 2 1 500 %%sep 1 1 500 X:21441 T: MARSELLOES HYMN %R: march B: "Edinburgh Repository of Music" v.2 p.144 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87776133 Z: 2015 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D A/A>A |\ d2d>d e2e>e | a3f d>dd>c | B2g>g g>ge>c | d4 d>dd>e |\ f2f>f f2{ef}g>f | f>ee2 z>ee>f | g2g>g g2{fg}a>g | g2f2 z>aa>a | a2fd a2fd | A4 A>AA>A | e2e>e {ef}g2e>c | e>dd2 z>d=c>c |\ B2d2 d2^c>d | e4 z3e | =f7/f/ e>fg>f | e7 d | =f7/e/ dfed | dc c4 za | a4 a>e=f>d | e(3A/A/A/ AA A2za |\ a4 a>e=f>d | e(3A/A/A/ AA A2A2 | d6 d2 | f6 f2 | g4 a2b2 | e4 z2b2 | a4- a>(fg)>e | d4 z2A2 |\ d6 d2 | f6 f2 | f2Tgf/g/ a2b2 | e4 z2b2 |\ a4 a>fg>e | d4 z2 |]

[get.cgi V=1/1 B=0 scale=0.55 512x512 ]

file	size	description
Tune-23888-ERM-V1.abc	257879	ABC music file with the extracted tune(s)
Tune-23888-ERM-V1.txt	257879	Plain-text file with the extracted tune(s)
Tune-23888-get.log	228057	Log file, useful mostly for debugging

These files should be available for 24 hours.