CR4-abc2 [TXT]

% %newpage X:4000 T: Gow's COMPLETE REPOSITORY (Fourth Part) B: Niel Gow & Sons "Complete Repository" Z: 2021 John Chambers <jc:trillian.mit.edu> F:http://john-chambers.us/~jc/music/book/Gow/CR4-abc2.abc 2024-12-18 180003 UT K: %%center PART FOURTH %%center of the %%center COMPLETE REPOSITORY %%center of %%center Original Scots Slow %%center Strathspey and Dances %%center (the Dances arranged as Medleys) %%center for the %%center Harp, Piano-forte, Violin and Violoncello &c. %%center Respectfully Dedicated to the %%center Dutchess Nobility and Gentry %%center of %%center Scotland %%center by %%center NIEL GOW & SONS %%center Entered at Stationers Hall. %%center -------------------------------- %%center Edinburgh. % %sep 5 5 500 % %sep 5 5 500 % %newpage X:4011 T: Charlie he's my Darling. Original Set. %R: air B: Niel Gow & Sons "Complete Repository" v.4 p.1 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOWLY" K: Dm % - - - - - - - - - - V: 1 staves=2 ~A, |\ D>E FG A=BcA | G>FED ~C>D EC | D>E FG A=BcA | ([AF][GE])([FD][E^C]) [D3A,3F,3] :: d | cAAc ~d2f>d | cAA^c H[d2A2F2] ~=c>d | e>dc=B ABcA | [EG][FD][EC][D=B,] ~C>DEC | D>E FG A=Bc_B | ([AF][GE])([FD][E^C]) [D3A,3F,3] :| % - - - - - - - - - - V: 2 clef=bass middle=d z | d>^c de fgaf | efgG cGC2 | f>^c de f3g | a2A2 d2D :: z | [c'2a2][c'2a2f2] [d'4b4f4] | [a2f2][g2e2] H[f2d2] z2 | c>de2 fgaf | efgG cGC2 | !p!d>^c de f3g | a2A2 d2D :| X:4012 T: Charlie he's my Darling. Modern Set. %R: air N: This is version 2, for ABC software that understands voice overlays and diminuendo symbols. U: Q=!diminuendo(! U: q=!diminuendo)! B: Niel Gow & Sons "Complete Repository" v.4 p.1 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> N: The book has bass bar 5 in treble clef. M: C L: 1/8 Q: "SLOW" K: Dm % - - - - - - - - - - V: 1 staves=2 ~A, |\ D>EFG Q(A2q.d) z/A/ | Q(B2q.d) z/B/ Q(A2q.d) z/F/ | ~D>EFG A2~d>e | [f2d2A2] T[e^cG]>[dF] [d3A3F3] :: d | .^c(AQ=Bc) ~d>efdq | .^c(QA=Bc) d2qT[e2_B2G2] | [fcA]>efd =cA ~F(G/A/) | QB>G A>F EA/G/ FqE | !p!D>EFG Q(A2q.d) z/A/ | Q(B2q.d) z/B/ Q(A2q.d) A/F/ | ~D>EFG A2~d>e | [f2d2A2] T[e^cG]>[dF] [d3A3F3] :| % - - - - - - - - - - V: 2 clef=bass middle=d z |\ d>^c de "^dim..."(f2.d) z/^f/ | "^dim..."(g2.e) z/e/ "^dim..."(f2.d)z | z>^cde f>e f>g | a2A2 d2D :: z | z2"^dim..."(^g'=g' f'>e') d'2 | z"^dim..."(a^g=g) f2"^sf"=c2 | [fF]>[gG][aA][bB] [a2A2][f2F2] | "^dim..."g>e f>d ^c2 A2 | !p!d>^cde "^dim..."(f2.d) z/^f/ | "^dim..."(g2.d) z/e/ "^dim..."(f2.d)z | d>^cde f>ef>g | a2A2 [d3D3] :| % %newpage % %vskip 4.5cm % %center --- 4019 spacer --- % %sep 1 1 500 % %newpage % %vskip 3.0cm % %center --- 4019 spacer --- %%sep 1 1 300 %%begintext align %% As the Sets of the old Tunes here given differ from those formerly published, & as this 4th Part not only contain %% many Ancient Airs that never before appeared but also a number of new Tunes Composed purposely for this work. __ %% The Book is therefore entered in Stationers' Hall agreeable to Act of Parliament. %% Walker & Anderson Engravers & [Printers?]. %%endtext %%sep 1 1 300 X:4021 N: This is version 2, for ABC software that understands voice overlays and diminuendo symbols. T: the Days o' Yore C: by Nath.Gow %R: air, slip-jig N: This is version 2, for ABC software that understands voice overlays and diminuendo symbols. U: Q=!diminuendo(! U: q=!diminuendo)! B: Niel Gow & Sons "Complete Repository" v.4 p.2 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 Q: "SLOWLY" K: Dm % - - - - - - - - - - V: 1 staves=2 clef=treble ~^c |\ d2D D>ED FA=B | {d}c=Bc GEc C2~^c | d2D D>ED FAd | f>ed Ad^c d2e | ~f>ed Ad^c dA=B | ~c>=BA GEc C2E | FED GFE AGF | GFE A2^C [D2A,2F,2] |]| e | ~f>ed A2A def | edc ege c2e | ~f>ed A2A def | g>fe {^g}a2f d2e | ~fed A2A def | edc ege c2a/g/ | Qfed ed^c qHd2 !p!=c/B/ | A>GF E<A^C [D2A,2F,2] |] % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | d3 D3 d2{g}f | g3 x3 c2A & e3 c'3 x3 | d3 D3 d3 | a3 A3 d2z | d3 e3 f3 | e3 c3 C3 | [D3d3] [E3e3] [F3f3] | [G3g3] a2A [D2d2] |]| z | d'3 f'3 d'3 | c'3 g3 c3 | d3 f3 fed | g3 a2A d2z | d'3 f'3 d'3 | c'3 g3 c2z | [D3d3] [E3e3] H[F2f2] !p!G | A3 A,3 [D2d2] |] X:4022 T: the Highland Brigade at Waterloo C: by John Gow %R: air, jig, march B: Niel Gow & Sons "Complete Repository" v.4 p.2 #2 (and all of p.3) Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "SLOWLY" K: Ador % - - - - - - - - - - % Voice 1 reformatted with mostly 8-bar lines, to fit on single page. V: 1 staves=2 "^A"[|] g |\ Te>dB ABd | Te>dB dBG | e>dB ABd | e>ge/d/ TB2A |\ Te>dB ABd | Te>dB dBG | e>dB ged | edB A2 :| "^B"|: ^g |\ (aA)a (aA)a | gdg TB>AG | (aA)a (aA)a | (aA)a Ta>ge |\ (aA)a (aA)a | gdg TB>AG | e>dB ged | edB "^Fines"A2y :| "^C"|: e |\ .A.B/.d/.e .A.B/.d/.e | AB/d/e d2G | AB/d/e AB/d/e | AB/d/g Te2d |\ AB/d/e AB/d/e | AB/d/e d2G | Te>dB ged | edB A2 :| "^D"|: g |\ aA/e/a aA/e/a | gd/e/g TB2G | aA/e/a aA/e/a | aA/e/a Ta2g |\ aA/e/a aA/e/a | gd/e/g TB2G | Te>dB ged | edB A2 :| "^E"|: e |\ AB/d/e/d/ AB/d/e/d/ | AB/d/e/d/ TB2G | AB/d/e/d/ AB/d/e/d/ | AB/d/g/d/ Te2d |\ AB/d/e/d/ AB/d/e/d/ | AB/d/g/d/ TB2G | e>dB g>ed | edB A2 :|"^F"|: e |\ aA/e/a/e/ aA/e/a/e/ | gd/e/g/d/ TB2G | aA/e/a/e/ aA/e/a/e/ | aA/e/a/^g/ Ta2e |\ aA/e/a/e/ aA/e/a/e/ | gd/e/g/d/ TB2G | Te>dB ged | edB A2 :|\ "^G"|: g |\ (e/g/).e/(d/e/).d/ (e/g/).e/(d/e/).d/ | (e/g/).e/(d/g/).d/ TB2G | (e/g/).e/(d/e/).d/ (e/g/).e/(d/e/).d/ | (e/g/).e/(d/g/).d/ TB2A | (e/g/).e/(d/e/).d/ (e/g/).e/(d/e/).d/ | (e/g/)e/.d/g/.d/ TB2G | Te>dB g>ed | edB A2 :|\ "^H"|: e |\ (a/b/)a/.^g/(a/e/) (a/b/)a/.^g/(a/e/) | (=g/a/)g/.d/(g/d/) TB2G | (a/b/)a/.^g/(a/e/) (a/b/)a/.^g/(a/e/) | (a/b/)a/.^g/(a/e/) ~a2g |\ (a/b/)a/.^g/(a/e/) (a/b/)a/.^g/(a/e/) | (=g/a/)g/.d/(g/d/) TB2G | Te>dB g>ed | edB A2 :| % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [A3e3a3] [A3e3a3] | [A3e3a3] [G3d3g3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [A3e3a3] [G3d3g3] | [A3e3a3] [D3d3] | [E3e3] [A2e2a2] :||: z | [A3a3] [A3a3] | [G3g3] [G3g3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [G3g3] [G3g3] | [A3a3] [D3d3] | [E3e3] "^Fines"[A2A,2]y :||: z | [A3a3] [A3a3] | [A3a3] [G3g3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [A3a3] [G3g3] | [A3a3] [D3d3] | [E3e3] [A2A,2] :||: z | [A3a3] [A3a3] | [G3g3] [G3g3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [G3g3] [G3g3] | [A3a3] [D3d3] | [E3e3] [A2A,2] :||: z | [A3a3] [A3a3] | [A3a3] [G3g3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [A3a3] [A3a3] | [A3a3] [G3g3] | [A3a3] [D3d3] | [E3e3] [A2A,2] :||: z | [A3e3a3] [A3e3a3] | [G3g3] [G3g3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [G3g3] [G3g3] | [A3a3] [D3d3] | [E3e3] [A,2A2] :||: z | [A3e3a3] [A3e3a3] | [A3e3a3] [G3g3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [A3e3a3] [G3g3] | [A3a3] [D3d3] | [E3e3] [A,2A2] :||: z | [A3e3a3] [A3e3a3] | [G3g3] [G3g3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [A3e3a3] [A3e3a3] | [G3g3] [G3g3] | [A3a3] [D3d3] | [E3e3] "^D.C."[A,2A2] |] % Page 3 is a continuation of the 2nd tune on page 2. X:4041 T: Lamentation for the Fallen Heroes of Waterloo O: Communicated by Mrs McNiel of Collonsay %R: air, strathspey N: This is version 2, for ABC software that understands voice overlays and cresc/dininuento symbols. % dim/cres..endo symbols: U: p=!crescendo(! U: P=!crescendo)! U: Q=!diminuendo(! U: q=!diminuendo)! U: S=!arpeggio! B: Niel Gow & Sons "Complete Repository" v.4 p.4 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "PATHETIC" K: Eb % - - - - - - - - - - V: 1 staves=2 B |\ x2 e>[dF] Tc>B HG2 & (G<e) x2 E2 E2 | x2 {e}[dF]>[cE] {c}BG HF2 & Q(Ge) xqx GE D2 |\ G<G ~F>E FG He2 & EE B,2 DE G2 | !p!c>G (Bc) [GB,]T[FA,] H[E2B,2G,2] |] !f!x2 [eG]>[dF] c>B HG2 & Ge x2 E2 E2 | pGe ~ed/e/ fG PH[F2D2] |\ !p![GE]<[GE] [FD][EB,] [FA,][GB,] H[e2c2G2] | "_Expr."c>G ~Bc/E/ [GB,]~[FA,] H[EB,G,] |] % - - - - - - - - - - V: 2 clef=bass middle=d z |\ S[e'2b2g2e2] g>b ~a>g He2 | Qec' bqa ge H[b2B2] |\ bb a>g ag He2 | !p! A2 GA BB, HE2 |] !f![e2B2G2E2] [c'c][bB] [aA][gG] H[e2E2] | x4 [fd][ge] Hx2 & pe2 ga/g/ B2 P[a2f2B2] |\ !p!b<b ag de Hc2 | "_Espr."A2 GA BB,HE |] X:4042 T: Kenmure's on an' awa Willie %R: jig, air N: This is version 2, for ABC software that understands crescendo symbols. U: p=!crescendo(! U: P=!crescendo)! U: S=!arpeggio! B: Niel Gow & Sons "Complete Repository" v.1 p.4 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> N: The clef changes might be better if left as bass clef. M: 6/8 L: 1/8 Q: "SLOW" K: Eb % - - - - - - - - - - V: 1 staves=2 G/F/ |\ ~E>FG (eB).G | [B2G2][BG] [B2G2][cA] | ~E>FG (eB).G | {F}F3- F2G || TE>FG (eB).G | pBcd P{G}Te2d/c/ | {c}B>AG {B}A>GF | E3 z2 :| d | e2B (cB).G | [B2G2][BG] [B2G2]~d | e2B (cB).G | F3- F2Td || e2B (cB).G | [BD][cE][dF] H[e2B2G2] d/c/ | {c}B>AG {B}A>GF | [E3B,3G,3] [E2B,2G,2] ~d || e2B (cB).G | [B2G2][BG] ([BG][cA][dB]) | e2B (cB).G | F3- F2~d || e2B (cB)G | pBcd PHe2d/c/ | {c}B>AG {B}A>GF | [E3-B,3G,3] [E2B,2G,2] |] % - - - - - - - - - - V: 2 clef=bass middle=d z |\ S[E3G3B3e3] S[e3g3b3e'3] | (e/g/)(b/e'/)(g/b/) e2d | e3 S[E3G3B3e3] | (B/d/)(f/b/)(d/f/) B2z || ede E3 | pb=a_a PHg2a | ga2 b2B | (E/G/)(B/e/)(G/B/) E2 :| [K:Eb clef=treble]\ A | G3 (AG).E |\ [K:Eb clef=bass middle=d] (e/g/)(b/e'/)(g/b/) e2a | g3 (ag).e | (B/d/)(f/b/)(d/f/) B2a || g3 .a(d'e') | b=a_a Hg2a | ga2 b2B | (E/G/)(B/e/)(G/B/) E2 [K:Eb clef=treble]\ A || G2G (AG).E | \ [K:Eb clef=bass middle=d] (e/g/)(b/e'/)(g/b/) e3 | g2g (ag).e (B/d/)(f/b/)(d/f/) B2a || g2g (ag).e | pgaf PHe2A | GA2 B2B, | (E/G/)(B/e/)(G/B/) E2 |] X:4043 T: the Marchioness Cornwallis's Strathspey C: by Mr Marshall %R: strathspey, air N: This is version 2, for ABC software that understands voice overlays and crescendo notation. U: p=!crescendo(! U: P=!crescendo)! B: Niel Gow & Sons "Complete Repository" v.4 p.4 #3 (and top 2 staves of p.5) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOWLY" K: Eb % - - - - - - - - - - % Voice 1 reformatted for 3 4-bar lines; the book scrunches the notes too much for current formatting software. V: 1 staves=2 B,/A,/ |\ (G,//A,//B,3/)~B,>C TE2G,E | (B,EB).E [GE][FD][FD]B,/A,/ |\ (G,//A,//B,3/)~B,>C TE2Ee | Tc>BA>B GEE :| B |\ (e/d/).c/.B/ e>B d>BeB | f>Ba>g {g}f2Tfg |\ (a>g)f>e (ed).c.B | {E}e>cB>G B,EEc/d/ | (e.E)(c.E) (B.E)(G.E) | pa>fg>e d<fPHf>~B, |\ C>ED>F E>BG>e | Tc>BA>B GE[EB,G,] |] % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [G2e2][G2e2] GBx2 & x2GA x2e2 | g2eg bB B/A/G/F/ |\ E2GA (G/B/)(e/g/) EG | A>Bcd e2D :| z |\ [B2a2][B2g2] [B2f2][B2g2] | d2fe x4 & B4 B/d/f/b/ Be | f>edc cBAG | A2B2 EeEz |\ [c2c'2][A2a2] [G2g2][E2e2] | [D2d2][E2e2] [B2b2]H z>g |\ a2f2 gd eG | A>Bc>d e2E |] X:4051 T: Miss Forbes' Farewell C: by Mr Isaac Couper of Banff %R: reel, march B: Niel Gow & Sons "Complete Repository" v.4 p.5 #1 (top 2 staves continued from p.4) Z: 2021 John Chambers <jc:trillian.mit.edu> N: Some double-bar lines were added to clarify the phrasing, mostly for N: proofreading, but then kept because it made the music easier to read. M: C L: 1/8 Q: "SLOW" K: Eb % - - - - - - - - - - % Voice 1 reformatted for 3 8-bar lines, to fit the music on 3 lines for assorted software. % (The books has it on 3 lines, but some available formatters didn't accept it as published.) V: 1 staves=2 TE>F \ | G3B (AG)(FE) | G2B2 c2{d}e2 | B3c (BG)TF>E | {EF}G2[F2D2] [F2D2]EF |\ | ~G3B (AG)(FE) | G2B2 c2{d}e2 | ~B3c (B<G)TF>E | {EF}G2[E2B,2G,2] [E2B,2G,2] :| (B/c/d) | | (ed)(ef) (ed)(cB) | (cde).c ~B3_A | .G(BcB) (AG)TF>E | {ED}[G2E2][F2D2] [F3D3]~d |\ | (ed)(ef) edcB | c=Bcd {d}e3c | B3c (BG) TF>E | {EF}G2[E2B,2G,2] [E2B,2G,2] || (B/c/d) \ | (ed)(ef) (ed)(cB) | (cde).c ~B3_A | (GB)(cB) (AG)(TF>E) | {EF}G2[F2D2] [F2D2]TE>F |\ | ~G3B (AG)(FE) | G2B2 c2{d}e2 | ~B3c (B<G)(TF>E) | {EF}G2[E2B,2G,2] [E2B,2G,2] |] % - - - - - - - - - - V: 2 clef=bass middle=d "LEGATO"z2 \ | E2e2 (c'b)(ag) | e2g2 a4 | g2a2 g2=a2 | b2B2 bagf |\ | (ebe'd') (c'b)(ag) |e2g2 a2A2 | G2A2 B2B,2 | (EG) (Be) E2 :| a2 | | (gf)(gd) (eb)(ag) | a4 [g2e2][f2d2] | e2AG (FGA).=A | B2B,2 B3a |\ | (gf)(gd) ebag | agaf efga | g2a2 b2B2 | (EB) (Be) E2 || a2 \ | (gf)(gd) (eb)(ag) | abc'a g2[f2d2] | e2AG FGA=A | B2B,2 (ba)(gf) |\ | (ebe'd') (c'b)(ag) | e2g2 a2A2 | G2A2 B2B,2 | (EG) (Be) E2 |] X:4052 T: Kind Robin lo'es Me O: Very Old %R: air, march N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.2 p.5 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 Q: "POMPOSO" K: Gm % - - - - - - - - - - % Voice 1 reformatted for 2 8-bar staves, for compactness and proofreading. V: 1 staves=2 D |\ [G2D2B,2][G2D2B,2] [G3D3B,3]B | A>BAG {F}E2DE | [G2D2B,2][G2D2B,2] [G3D3B,3]B | A>GAB (d2e2) |\ | G2~G2 g3B | (cB)(AG) {F}TE2DE | G2~G2 "^sf"{cd}e2dB | ([d4A4F4] [G3D3B,3]) :| |: d |\ ~d2ed B2gB | (cB)(AG) E3d | ~d2ed (cB)(AG) | A2Bd e3[ec] |\ | [d2B2]ef Hg3B | (cB)(AG) {F}E2DE | G2~G2 {cd}"^sf"e2dB | ([d4A4F4] [G3D3B,3]) :| % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [g2G2][e2E2] [B2B,2][G2G,2] | (FG)(AB) c2dc | B2G2 GBdg | f>gc'b ([g2b2d'2][g2c'2e'2]) || [g2b2][e2g2] (Bd) (bd') | (e'd')(c'b) c'2bc' | b2g2 "^sf"(ce)(fg) | f2d2 g2G :: z |\ [g2b2d'2][g2c'2e'2] [g4b4d'4] | (e'd')(c'b) c3[d'af] | x2 e'[d'b] d'4 & [g2b2d'2][c'2g2] fgab | d'2d'2 x4 & c'2bg (cdef) || g2e2 HB3G | (FG)(AB) c2Bc | B2G2 "^sf"(ce)(fg) | f2d2 [g3G3] :| X:4061 T: the Royal Highlanders welcome from Waterloo O: Communicated by Mr McLeod of Rasa. %R: air, strathspey B: Niel Gow & Sons "Complete Repository" v.4 p.6 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOWLY" K: G % - - - - - - - - - - % Voice 1 reformatted for 3 staves, for compactness and proofreading. V: 1 staves=2 B |!p!\ d2d>B ~d>e d>B | e<e e>d e3 Tf | "^sf"g>edB TA>GAB | E<E TE>D [G3D3B,3] B || d2d>B ~d>ed>B | e<e e>^d e3 Tf | g>edB TA>GAB | E<E TE>D [G3D3B,3] |]| d | !f![g2B2D2G,2] gb TB>ABG | EAA>B .A(afa) | (g/f/).e/.d/ Bg dB AG | (F/G/A) D>c BGGd || !f![g2B2D2G,2] gABG | EA A>B .A(afa) | (g/f/e/d/) B>g (e/d/c/B/ c/B/A/G/) | (6:4(F/G/A/G/F/E/ D)>c BGG |] % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |!p!\ [g2B2][g2B2] [g2B2][g2B2] | [g2c2][g2c2] [g2c2]A2 | "^sf"B>cBG d2(fg) | c2d2 g2G2 || [g2B2][g2B2] [g2B2][g2B2] | [g2c2] [g2c2] [g2c2]A2 | B>cBG d2(fg) | c2d2 g2G |]| z | !f!G2g2 G4 | c2A2 d2=c'2 | b2g2 g2fe | d2D2 G2g2 || !f!G2g2 G2B2 | c2A2 d2=c'2 | b2g2 c2c'2 | d'2d2 g2G |] X:4062 T: There'll ne'er be peace till Jamie come Home. %R: air, waltz B: Niel Gow & Sons "Complete Repository" v.4 p.6 #2 (and top 4 staves of p.7) Z: 2021 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "SLOW" K: Gm % - - - - - - - - - - % Voice 1 reformatted for 4 i-bar lines, for compactness and proofreading. V: 1 staves=2 ~G>A |\ ~B2(cB)(AG) | A2(BA)(GF) | C>DF2F2 | [F4C4A,4]~G>A |\ (~Bc/d/) (cB)(AG) | (A2d2)T^F>=E | D2G2G>A | G4"_sf"GA | (TBA)(Bc)(de) | f3ed2 | dcBA f(g/a/) | HF4 GA |\ ~B2(cB)(AG) | (A2d2)T^F>=E | D2G2GA | [G4D4B,4] :| |: ~g>a |\ b2a2g2 | {b}a2g2f2 | cdf2f2 | f4~g>a |\ {ga}b2a2g2 | {b}a2g2f2 | d2g2~g>a | {a}g4"_sf"GA | (TBA)(Bc)(de) | f3ed2 | (dc)(BA) fg/a/ | HF4 ~G>A |\ B2(cB)(AG) | (A2d2)T^F>=E | D2G2~G>A | [G4D4B,4] :| % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ G2g2z2 | f2g2a2 | b2a2f2 | F2f2z2 | G2g2z2 | D2d2z2 | B>ABc dD | G2g2"_sf"e2 | d3ABc | d2c2B2 | A4f2 | F2Hf2z2 | G2g2z2 | D2d2c2 | B>ABc dD | G2g2 :||: z2 | g2a2b2 | f2g2a2 | b2a2g2 | f2F2z2 | g2a2b2 | c'2d'2d2 | b>abc'd'd | g2G2"_sf"e2 | d3ABc | d2c2B2 | A4f2 | F2Hf2z2 | G2g2z2 | D2d2c2 | B>ABc d>D | G2g2 :| X:4062 T: There'll ne'er be peace till Jamie come hame. %R: air, waltz B: Niel Gow & Sons "Complete Repository" v.4 p.6 #2 (and top 4 staves of p.7) Z: 2021 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "SLOW" K: Gm % - - - - - - - - - - % Voice 1 reformatted for 4 i-bar lines, for compactness and proofreading. V: 1 staves=2 ~G>A |\ ~B2(cB)(AG) | A2(BA)(GF) | C>DF2F2 | [F4C4A,4]~G>A |\ (~Bc/d/) (cB)(AG) | (A2d2)T^F>=E | D2G2G>A | G4"_sf"GA | (TBA)(Bc)(de) | f3ed2 | dcBA f(g/a/) | HF4 GA |\ ~B2(cB)(AG) | (A2d2)T^F>=E | D2G2GA | [G4D4B,4] :| |: ~g>a |\ b2a2g2 | {b}a2g2f2 | cdf2f2 | f4~g>a |\ {ga}b2a2g2 | {b}a2g2f2 | d2g2~g>a | {a}g4"_sf"GA | (TBA)(Bc)(de) | f3ed2 | (dc)(BA) fg/a/ | HF4 ~G>A |\ B2(cB)(AG) | (A2d2)T^F>=E | D2G2~G>A | [G4D4B,4] :| % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ G2g2z2 | f2g2a2 | b2a2f2 | F2f2z2 | G2g2z2 | D2d2z2 | B>ABc dD | G2g2"_sf"e2 | d3ABc | d2c2B2 | A4f2 | F2Hf2z2 | G2g2z2 | D2d2c2 | B>ABc dD | G2g2 :||: z2 | g2a2b2 | f2g2a2 | b2a2g2 | f2F2z2 | g2a2b2 | c'2d'2d2 | b>abc'd'd | g2G2"_sf"e2 | d3ABc | d2c2B2 | A4f2 | F2Hf2z2 | G2g2z2 | D2d2c2 | B>ABc d>D | G2g2 :| X:4071 T: Green Sleeves %R: air, jig B: Niel Gow & Sons "Complete Repository" v.4 p.7 #1 (top 4 staves continued from p.6) Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "SLOWLY" K: Gm % - - - - - - - - - - % Voice 1 reformatted for 4 i-bar lines, for compactness and proofreading. V: 1 staves=2 F \ [B2D2][BD] TB>cd | c<AF F2G/A/ | TB>AG GAB | A^FD D2A ||\ B2B TB>cd | cAF F2d/c/ | [B3G3D3] [A3^F3D3] | [G3-D3B,3] [G2D2B,2] :| |: =e |\ Tf>gf f=ed | cAF A2^f | gdg gab | a^fd d2=e ||\ ~f>gf f=ed | cAF F2d/c/ | [B3G3D3] [A3^F3D3] | [G3-D3B,3] [G2D2B,2] :| |: B/c/ |\ !f!dBG dBG | cAF cAF | dBG dBG | A^FD A^FD ||\ fdB fdB | cAF Adc | TB>AG A^FD | {F}[G3-D3B,3] [G2D2B,2] :| |: d/c/ |\ !p!(Bd).f (Bd).f | (Ac).f (Ac).f | (GB).d (GB).d | .^F.A.d D2(b ||\ a)d(g f)B(e | d)BG (^F/G/HA)D | (GB)d (D^F)A | [G3-D3B,3] [G2D2B,2] :| % - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ Bdf b3 | FAc f2z | G2g e3 | dA^F D2e || dBf b3 | FAc f2^F | Gdg DAd | GBd g2 :| |: z | [a3c'3] [b3c'3] | [a3c'3] [f2a2c'2]d | Gdg e3 | dA^F D2[bc'] || [a3c'3] [b3c'3] | [a3c'3] [f2c'2]^F | Gdg DAd | GBd g2 :| |: z | !f!GBd g3 | FAc f3 | GBd g3 | D^FA d3 || Bdf b3 | FAc f2^f | [G3g3] [D3d3] | GBd g2 :| |: z | !p!Bdf b3 | FAc f3 | GBd g3 | D^FA d2(g' || f'2)(e' d'2)(c' | b2)g d'2z | [G3g3] [D3d3] | GBd g2 :| % - - - - - - - - - - %%begintext align %% * The two first Strains of the Old Tune were chosen by the Author of the Beggar's Opera for one of Captain Macheath's %% songs, beginning "Since Laws were made for every Degree" &c. %%endtext X:4081 T: Weel may the Boatie row %R: air, march N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.8 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 Q: "SLOW" K: D % - - - - - - - - - - % Voice 1 arranged as 4 i-bar staves: V: 1 clef=treble staves=2 D2 |\ (F2A2) AB3 | A2d2 (ed).c.B | (AF3) F3D | (F4 E3)D & D4 C2z2 |\ (FA3) A3B | A2d2 (ed).c.B | (A2F2) TE3F | [D6A,6F,6] :| |: A2 |\ d2A2 A2~c2 | d2A2 A2d2 | {c}TB3A B2d2 | H[e6c6A6] ~c2 |\ (df3) (Bd3) | A3c (BA)(GF) | {F}TE3D E2F2 | [D6A,6F,6] :| |: "8vo. alto _ _ _" !p!D2 |\ ~F3G A2F2 |TB3c {e}d2{c}B2 | (AF3) F3D | (F4 E3)D & D4 C2z2 |\ TF3G .A2F2 & D6 D2 | TB3c H[d2A2F2]cB | [A3F3][F^D] [G2E2][E2C2] | [D6A,6F,6] :| |: "^loco."(A/B/c) |\ !f!d2A2A2~c2 | d2A2 A2dc | {c}TB3A B2d2 | {cd}He6 ~c2 |\ (df3) (Bd3) | A3d (BA)(GF) | {F}TE3D E2F2 | [D6A,6F,6] :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout: V: 2 clef=bass middle=d z2 | x4f2g2 & d8 | f4 b2g2 | f4 d4 | zAdf a4 | x4f2g2 & d8 | f4 b2g2 | f2d2 a2A2 | DFAd D2 :||: z2 | [d'6a6f6] [g'2e'2c'2a2] | [f'4d'4a4] [d'4a4f4] | d'8 & g2f2g2f2 | Acea HA2z2 | [d'2f2]z2 [d'2g2]z2 | [d'4f4] (gf)(ed) | g3f g2a2 & A8 | DFAd D2 :||: !p!z2 | d3e f2d2 | g3a {c'}b2{a}g2 | [f4F4] [d4D4] | zAdf a4 | [d3a4]e .f2[d2a2=c'2] | [d3g3b3][ea] H[f2a2]g2 | f2b2 e2a2 | zDFA d2 :||: [G2g2] | !f![F6f6] [G2g2] | [F4f4] [D2d2][F2f2] | [G3g3][Ff] [G2g2]z2 | zAce Ha2 [a2e'2g'2] | [a4d'4f'4] [g4d'4] | x4 (gf)(ed) & [f4d'4] d4 | g3f g2a2 & A8 | zDFA d2 :| % - - - - - - - - - - %%text The "8vo. alto _ ... _ loco." is an octave higher symbol with lots of dashes over the 3rd strain. X:4082 T: Steer her up an' had her gaun %R: air, march N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.8 #2 (and top 2 staffs of p.9) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOWLY" K: D % - - - - - - - - - - % Voice 1 arranged for 2 staffs rather than the book's 3. V: 1 staves=2 Tf>e |\ !f!d2d2 Tf3e | x6 AG & defg a2!p!E2 | F2A2 (BA)(GF) | E2E2 ~c3e |\ d2d2 {de}f3e | defg a2ga | (ba).g.f (ed).e.c | ~d4 D2 :| |: fe |\ d2A2 TF3A | (dA) (GA) (GF)ED | E2=c4 E=F | G=FED =C2 T^f>e |\ d2A2 TF3E | (DEFG) A2gf | (ef)(gf) (ec)(Ac) | ~d4 D2 :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout: V: 2 clef=bass middle=d z2 | !f!d2fa d'2c'2 | d'c'd'e' f'2!p!c2 | d2f2 gfed | c2A2 zage | d2fa d'2c'2 | d'2de f2ef | g4 a2A2 | DFAd D2 :: z2 | D2d2 D2d2 | D2d2 D4 | =C2c2 C2cd | e=fgA =c2z2 | d4 d2c2 | dcde f2ef | g4 a2A2 | DFAd D2 :| X:4101 T: the Island of Mull C: by the Earl of Eglintonn %R: jig, air N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.10 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "SLOW" K: A % - - - - - - - - - - % Voice 1 is formatted as 2 staves, for compactness and proofreading. V: 1 staves=2 A/B/ |\ {AB}c>BA AFE | (EC).E (EC).E | c>BA (A<e)c | ([cA][BG])[BG] [B2G2] A/B/ ||\ {AB}c>BA AFE | (EC).E (EC).E | (Ae)c TB>AB | cAA [A2E2C2] :| |: E/D/ |\ (CEA) AcA | (EGB) BdB | (Ace) [eB2]d[cA] | [cA][BG][BG] H[B2G2] c/d/ ||\ ecA (Ac).A | BGE HE2 TD | (CE).A TB>AB | (cA).A [A2E2C2] :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [A3a3] cdc | [A2c2]z [A2c2]z | edc A2x & A3 x2a | egb e'2z || [A3a3] cdc | [A2c2]z [A2c2]z | [e3c'3] [e3g3d'3] | A2a A2 :||: G | A2[ac'] [a3c'3] | [e3g3] [g3b3] | [a3c'3] [g2e'2][ae'] | egb He'2z || A2a A3 | EGB He2 !f!g | a2c e2E | Ace a2 :| X:4102 T: Black Jock O: Irish %R: jig, air N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.10 #2 (and top 2 staves of p.11) Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 N: Bar 10 has some weird rhythmic notation. Ignoring the dot after the lower E fixes it. L: 1/8 Q: "SLOWLY" K: A % - - - - - - - - - - V: 1 staves=2 "_Original."E |\ E2A AGA | BcB TBAB | c>dc cBA | BcB BAF |\ A3 TF2E | EFA A2E/D/ | "_Modern."(CE).A AGA | (Bd).c BAG | (Ac).e edc | Bdc {c}BAG | ~A>Bc ~F>GA | EFG [A2E2C2] |[| "^Original."d |\ (c2d e2).e | fdf {f}e2d | c2d e>fe | Tf>ga edc | d2b c2a | BcB {c}BAB | ~c>dc cBA | B>cB BAF |\ A3~F2E | EFA A2d | "^Modern."(cA).c (ec).e | (fd).f e2d | (cA).c (ec).e | (fd).f {f}He2c | ddd ccc | Bdc HB2A |\ (Ac).e (ed).c | (Bd).c {c}BAG | ~A>Bc ~F>GA | EFG [A2E2C2] |] % - - - - - - - - - - V: 2 clef=bass middle=d z |\ [c2a2]z [c2a2]z | [e2b2]z [b2e2]z | [e2a2]z [e2a2]z | [e3b3] [e2b2]d |\ cea d2c | cdB A2g | a3 cBA | [G2e2][Ae] e3 & x3 Bcd | e6 & c3 A3 | e3 E2x & G2A x2d | [C3c3] [D3d3] | e2E A2 |]| z |\ a2b c'2c | dfg a2g | a2f c3 | [d3a3] [c3a3] | b2g a2A | e3- efg | [e2a2]z [e2a2]z | [e2b2]z [d2b2]d |\ cea d2c- | cdB A2[ge'] | [a3c'3e'3] [a3c'3e'3] | [a3d'3f'3] [a2c'2e'2][gbe'] | [a3c'3e'3] [a3c'3e'3] | [a3d'3f'3] H[a2c'2e'2]z | gbe' ac'e' | eba H[e2g2]z |\ e6 & c3 A3 | e3 E2x & G2A x2d | [C2c3] [D3d3] | e2E A2 |] X:4111 T: Johnnny Faa. the Gypsie Laddie. %R: air, march N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.11 #2 (with top 2 staves continued from p.10) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOW" K: A % - - - - - - - - - - V: 1 staves=2 |:\ E2~EF A2(c/B/A/G/) | {G}FEFA [B3G3][cA] | E2EF .A(cBA) | TF3E [E4C4] :: B2Bc e3f | ecTBA A>B (A/B/c) | B2TB>c e2f>e | (d2c2) B2A2 | B2TB>c e2f>e | (dc)(BA) AB {AB}Hc2 | E2~EF .A(cBA) | TF3E [E4C4] :| % - - - - - - - - - - V: 2 clef=bass middle=d |:\ a2a2 a2A2 & c2cd c2x2 | dcd[B^d] efga |\ a4 .c(ABc) & c3d x4 | (defg) a4 ::\ [g3e'3][ae'] [a2c'2e'2][a2d'2f'2] | c'a ga cea2 | [g3e'3][ae'3] [c'2e'2]d'>c' | x4 [g2d'2][a2c'2] & [g2b2e'2][a2e'2] e4 |\ [g3e'3][ae'] c'2d'>c' | f'e'd'c' c'g Ha2 |\ a4 .c(ABc) & c3d x4 | (defg) a4 :| X:4112 T: the Highland Secretary C: by Nath Gow. %R: air, march B: Niel Gow & Sons "Complete Repository" v.4 p.11 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOWLY" K: Am % - - - - - - - - - - % Voice 1 rearranged as 3 8-bar lines for compactness. V: 1 staves=2 |: "^*"\ e2A2 A3e | eaae eAe2 | e2A2 A2Bd | (e^fg).f {f}e2d2 || e2A2 A3e | eaae eAe2 | d2G2 ~G3B | ~d3e (ed) cB :| w: o o o o | o o o o o o o | o o o | | o o o o | o o o o o o o | | | a2e2 e3a | aeea gea2 | a2e2 e3^g | (abc').b a2^g2 || a2e2 e3a | aeea gea2 | g2G2 ~G3B | ~d3e {e}d2cB || a2e2 e3a | aeea gea2 | a2e2 e3^g | (abc').b a2^g2 || a2e2 {ab}c'3b | agea ge{^g}a2 | g2G2 ~G3B | ~d3e (ed)cB |] % - - - - - - - - - - % Voice 2 has the staff layout of the book. V: 2 clef=bass middle=d |:\ [a4A4] [a4A4] | [a4A4] [a4A4] | [a4A4] [a4A4] | [a4A4] [a4A4] || [a4A4] [a4A4] | [a4A4] [a4A4] | [g4G4] [g4G4] | [g4G4] [g4G4] :| [a4A4] [a4A4] | [a4A4] [a4A4] | [a4A4] [a4A4] | [a4A4] [e4E4] || [a4A4] [a4A4] | [a4A4] [a4A4] | [g4G4] [g4G4] | [g4G4] [g4G4] || [a4A4] [a4A4] | [a4A4] [a4A4] | [a4A4] [a4A4] | [a4A4] [e4E4] || [a4A4] [e'3e3]d' | [c'4c4] [a4A4] | [g4G4] [g4G4] | [g6G6] z2 |] %%text * The o show the open String may be used by the Violin Performer. % The book has an * before the first o in the w: line, but ABC makes it difficult to express this. X:4121 T: Thro' the wood Laddie. Original Set. %R: air, waltz N: This is version 2, for ABC software that understands voice overlays and diminuendo symbols. U: Q=!diminuendo(! U: q=!diminuendo)! B: Niel Gow & Sons "Complete Repository" v.4 p.12 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> N: What does that "Smora" mean in bar 8 of the 2nd strain? M: 3/4 L: 1/8 Q: "VERY SLOW" K: F % - - - - - - - - - - V: 1 staves=2 F>C | D2 F>G (TG3/F//)G// | A4fc | d2(fd)(cA) | (A2G2) TFG & F2E2C2 | A>G(AB)AG & C6 | (BA)(G>F)FG & x4C2 | A>G(AB)AG | (BA) {A}G>F ~F>C | D2 F>G (TG3/F//G//) | A4 Tf>g | {fg}a>gfdcA | G>FGABc | d2(fd)(cA) | c>d(cA)(GB) | A2 QD>E (TE3/D//E//) | [F4A,4]q :: f>c | d2 f>g (Tg3/f//g//) | a4fg | a2(ba)(gf) | ([a2f2][g2e2]) !p!Tf>g | a>g(ab)(ag) | (ba)(gf) Tf>g | a>g(ab)(ag) | (b>a)(gf) ~Hf>c | d2f>g (Tg3/f//g//) | a4f>g | a>g.f.d.c.A | ~G3 ABc | f2(fd)(cA) | ~c>d(cA)(GB) | QA2D2 (TE3/D//E//) | [F4A,4]q :| % - - - - - - - - - - V: 2 clef=bass middle=d a2 & f2 | b2a2c'2 & f2f2[g2e2] | f2F2A2 | B3baf | c'cc'bag | f3gfc | (ef)(ba)ae | f3gfc | ef b>a [a2f2] | b2a2c'2 & f2f2[g2e2] | f2F2a>c' | f'>e' d'baf | e3 fga | b3 baf | ab af [c'2e2] | f2 QB2c2 | F2f2q :: [f'2a2] | [f'2b2][f'2a2][c'2g2e2] | F2f2ac' | f'2g'f'e'd' | c'2c2 [K:F clef=treble] !p!A>c | f>c(eg)(fe) | (gf)(cA) A>c | f>c(fg)(fe) | "^Smora"g>fcA HA>[K:F clef=bass middle=d]a | b2a2[c'2g2e2] | f2F2a>c' | f'>e'd'baf | e2cfga | b2(d'b)(af) | a>baf[c'2e2] | Qf2B2cC | F2f2q :| X:4122 T: Fy let us a' to the Wedding O: Very Old. %R: slip-jig B: Niel Gow & Sons "Complete Repository" v.4 p.12 #2 (and top 2 staffs of p.13) Z: 2021 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 Q: "SLOWLY AND DISTINCTIVE" K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 C |\ F2F .A/.B/.cF cAF | G2G GAc ~d2f |\ ~F>GA fed cAF | ~G>AB AGF D2 :| a/g/ |\ fcf fgf {f}edc | dcA fga {a}g2a/g/ | fcf f>gf {f}edc | def cAF D2 a/g/ |\ fcf f>gf {f}edc | dcA f>ga {a}Hg2 e |\ Hf>ga g>af gec | (d/e/f).d cAF [D2A,2F,2] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ FAc f3 F2z | e3 f2A B2z | A2F dcB A2F | G2G A3 D2 :| d | f3 ab=b c'2a | b2d d'2=b c'2e' | f'3 ab=b c'2a | b3 a2f b2e | f3 ga=b c'2a | gaf d2=b Hc'2 [K:F clef=treble] _B | HA>GF E>FD [K:F clef=bass middle=d] c'2a | b3 a2A d2 |] X:4131 T: the Lass of Livingston. O: Scotch Measure. %R: Scotch measure, reel B: Niel Gow & Sons "Complete Repository" v.4 p.13 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOWLY" K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 (C/D/E) |\ ~F3G A3f | (cA)(cd) (cA)GF | {FG}A2G2 G2TF>G | A2G2 (AG)(FD) |\ (CD)(FG) A3f | (cA)GF .G(ABc) | {Bc}d2D2 D2(C/D/E) | F2D2 D2 :| (c/d/e) |\ Tf3g (fg)ag | fcdf cAGF | {FG}A2[G2E2] [G2E2]TF>G | A2G2 G2fg |\ (af)ga (fc)df | (cA)(GF) GABc | (B/c/d)D2 D2(C/D/E) | F2D2 D2 || (c/d/e) |\ ~f3g (fg)(ag) | (fc).d.f (cA)GF |(f/g/a)g2 g2fg | (f/g/a)g2 HTg3 f/g/ |\ .a(fg)a .f(cd)f | (cA)(G^F) GABc | {^c}d2D2 D2(=C/D/E) | F2D2 D2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d b2 |\ a2g2 f2F2 | f2e2 f2=B2 | c2c'2 c2z2 | c2c'2 c'2d'b | ab ag f2F2 | AcBA G^FGA | B2b2 B2AG | F2[B2F2-] [B2F2] :| b2 a2e2 f2c'b | a2b2 a2=b2 | c'2c2 c2z2 | c2c'2 c'2z2 | [f'4a4] [f'2a2][f'2b2] | [c'2a2]ba g^fga | b2B2 B2AG | F2[B2F2-][B2F2] || AG | F2Ac f3g | a2b2 a2=b2 | c'2c'2 c'2z2 | c2c'2 Hc'3z | f'2c'2 d'ab2 | [c'2a2]ba g^fga | b2B2 B2AG | F2[B2F2-] [B2F2] |] X:4141 T: Gudewife of Peebles C: Composed by Nath. Gow. %R: air, jig B: Niel Gow & Sons "Complete Repository" v.4 p.14 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "SLOW" K: Bb % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 B/c/ |\ (dB).B (AF).F | (G/F/)(G/A/)(B/G/) (FD).D | (dB).B (cA).F | GAB {d}[c2A2F2] (B/c/) ||\ (dB).B (AF).F | (~G/F/)G/A/B/G/ FDD | (dB)B (cA)F | GBTA [B2F2D2] :| |: d/e/ |\ (fd).f Tg>ab | f(g/f/)(e/d/) (cde) | (fd).f Tg>ab | a2Tg Hf2g ||\ (fd).g (ec).f | .d(e/d/)(c/B/) HA>BHc | (dB).d (cA).F | (GB)TA [B2F2D2] :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ Bbz Ffz | Eez d2B | [b3B3] Ffz | e2d Ff/e/d/c/ || Bbz Ffz | Eez d2B | [b3B3] Ffd | e2f B2 :||: b/c'/ | (d'b).d' e'>f'g' | d'(e'/d'/)(c'/b/) (abc') | (d'b).a g2=e | "^dim..."fc'c fHFz || [f'2d'2]"^sf"[d'=b] [e'2c'2][c'a] | be=e Hf>eHa | b2B f2d | e2f B2 :| X:4142 T: Tak' your auld Cloak about ye %R: air, waltz B: Niel Gow & Sons "Complete Repository" v.4 p.14 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "SLOW WITH EXPR.on" K: Bb % and Gm % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 !f!F |\ [BD]>[BD] [B3D3]d | c>B A3 c | BA G3 A | ^FG D3 A |\ [BD]>[BD] [B3D3][dF] | c>B A3 c | BA TGA/B/ AG | ^FG D3 |] "_Dolce"A | B>F ~F3 E | D>F ~F3 E | DG ~G3 A | Bc Hd3 c |\ [BD]>[BD] [B3D3]B | cd "_cresc..."Hf3 ^f | g>d e2 d>c | (c/B/)(A/G/) [G3D3B,3] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d !f!z |\ B2 b4 | ag f2 ^f2 | ga b2 c'^c' | d'2 d3 e |\ B2 G2 b2 | ag f2 ^f2 | g2 e4 | d2 D3 |] "_Dolce"e | d2 [d2B2] [c2A2] | [d4B4] [c2A2] | B4 ^F2 | GA HB3 e | d2 B2 b2 | AB Hd2 z2 | z>=b c'2 e'2 | d'd [g3G3] |] X:4143 T: Anwick Lodge %R: air, march B: Niel Gow & Sons "Complete Repository" v.4 p.14 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "VERY SLOW" K: Bb % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ [d2B2][dB]>[ec] [f2d2][fd]>[fd] | ([ge][fd])([ec][dB]) T[c2E2][B2D2] |\ [d2B2][dB]>[ec] [f2d2][fd]>[fd] | ([ge][fd])([ec]>[dB]) T[d2B2][c2F2] :|\ [d2F2][dF]>[dF] [c3E3][BD] | [cE]>[BD][cE][dB] ([e2c2][c2F2]) | [d2B2][dB]>[dB] [dB][fd][ec][dB] | T[c3E3][BD] [B4D4] ||\ [d2F2][dF]>[dF] {d}[c3E3][BD] | {d}[cE]>[BD][cE][dB] {f}[e2c2][c2F2] |\ [d2B2][dB]>[dB] ([dB][fd][ec]).[dB] | T[c3E3][BD] [B4D4] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ B2b2 B2b2 | E2e2 f2B2 | B2b2 B2B2 | e3=e f2f2 :| b2B2 A2B2 | f2f2 f2a2 | b2b2 d2e2 | f2F2 B4 || B2b2 a2b2 | f2f2 f2a2 | b2b2 d2e2 | f2F2 B4 |] X:4151 T: Lady Montgomerie C: by the Earl of Eglintonn %R: air, strathspey N: This is version 2, for ABC software that understands trailing grace notes and crescendo symbols. U: p=!crescendo(! U: P=!crescendo)! B: Niel Gow & Sons "Complete Repository" v.4 p.15 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOW WITH EXPR.N" K: Bb % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ [B2F2D2] B>F D>EFD | [B2F2D2] ~B>G pA>B cdP |\ [B2-F2D2]TB>F D>E (G/F/E/D/) | Cc Tc>B .A(Bcd) :|\ BB dBf2 | Be d>efg | BB dBf2 | {cd}e>d c>B pA>BcdP ||\ BB dB Tf2{=ef} | Be ~d>e f>(g |\ f)z/(d/ e)z/(c/ d)z/(B/ c)z/A/ | B>G (G/F/).E/.E/ Cc~cd |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ [B2b2]>>A2 B>c d2 | [B2b2]>>=e2 f>g a2 |\ [B2b2]>>A2 B>c dB | A2>>=E2 (FGA2) :|\ B2[d'2b2] [d'2b2][d'2b2] | d'2>>a2 b>c'd'>e' | d'2b2 b2d'2 |[K:Bb clef=treble] "^Exp.o"G>F E=E F>G A2 |[K:Bb clef=bass middle=d] d'2b2 b2d'2 | [b2d'2f'2] [ac'f']>a b>c' d'>(e' |\ d')z/(=b/ c')z/(a/ _b)z/(g/ a)z/(f/ | g)>e dB A2F2 |] X:4152 T: the Shepherd's Son O: Old. %R: air, reel N: This is version 2, for ABC software that understands diminuendo symbols. U: Q=!diminuendo(! U: q=!diminuendo)! B: Niel Gow & Sons "Complete Repository" v.4 p.15 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 Q: "SLOWLY." K: G %%score [1 {2 | 3}] % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 name=VIOLIN z2 |\ gdb2 gdb2 gdbd d'dbd | c'dbd adgd (fgag fedc) | BDGD BDGD ADGD ADBD | EGce d2([g2B2] [f2A2])D2 D2z2 | gdb2 gdb2 gdd'd gdbd | c'dbd adgd (fgag fedc) | BDGD BDGD ADGD ADBD | EGce d2([g2B2] [f2A2])D2 D2 |]| [D2B,2] | [D3B,3][EC] [D2B,2][E2C2] ([E2C2][D2B,2]) [D4B,4] | [B3D3][cE] [B2D2][G2B,2] [B4D4] [c4E4] |\ [B2D2][G2B,2] [F2C2][G2B,2] [G4B,4] H[E4C4] | [D3B,3][EC] [D2B,2][g2B2] z2[f2A2D2] [G2B2][D2B,2] | [D3B,3][EC] [D2B,2][E2C2] [E2C2][D2B,2] [D4B,4] | [B3D3][cE] [B2D2][G2B,2] [B4D4] [c4E4] |\ [B2D2][G2B,2] [F2C2][G2B,2] [G4B,4] H[E4C4] | [D3B,3][EC] [D2B,2][g2B2] z2[f2A2D2] [g2B2] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 name=PIANO clef=treble staves=2 brace=3 D2 |\ (D2G2) (.G2.G2) G6 G2 | {B}A2G2A2B2 c6c2 | (d2B2) B2G2 TA3GA2B2 | G3ED2G2 A6 B2 | (D2G2) (.G2.G2) G6 G2 | {B}A2G2A2B2 c6c2 | (d2B2) B2G2 TA3GA2B2 | G3ED2G2 A6 |]| B2 | ~G3AG2E2 (E2D2)D4 | ~d3ed2B2 d4 {ef}"_sf"g4 | Q(d2B2) TA3G (GAB2)q HE4 | D3E G2B2 TA4 G4 | ~G3AG2E2 E2D2D4 | ~d3ed2B2 d4 {ef}"_sf"g4 | Q(d2B2) TA3G (GAB2)q HE4 | D3E G2B2 {B2}TA4 G2 |] % V: 3 name=FORTE clef=bass middle=d z2 |\ [b4g4][b4g4] [b2g2][b2g2][b4g4] | (f2g2)(c'2b2) [a8f8] | g4g4 f2e2f2g2 | c4G2B2 d4D2z2 | [b4g4][b4g4] [b2g2][b2g2][b4g4] | (f2g2)(c'2b2) [a8f8] | g4g4 f2e2f2g2 | c4G2B2 d4D2 |]| z2 | G2g2 G2g2 G2g2 G2g2 | G2g2 G2g2 G2g2 G2g2 | G2g2 G4 B4Hc4 | G2g2 G4 d2D2 G2z2 | G2g2 G2g2 G2g2 G2g2 | G2g2 G2g2 G2g2 G2g2 | G2g2 G4 B4Hc4 | G2g2 G4 d2D2 G2 |] X:4161 T: the Flowers (Magistrates) of Edinburgh %R: air, reel N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.16 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> N: 2nd strain has final repeat but no initial repeat; fixed. M: C L: 1/8 Q: "SLOWLY" K: G % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 GE |\ D3E G3A | (BG)(dG) (cB)(AG) |\ (GF).E.D (DEF).G | (AF)(dF) [E3^C3]G |\ ~D3E ~G3A | (TBA)(Bd) e2!p!fg |\ (dB)AG TA2GA | B2G2 [G2B,2] :: (d/e/!f!f) |\ ~gfga (g/a/b) ag | fefg (f/g/a) gf | e^def gfe=d | B2e2 e2(fg) |\ (dB)AG (B/c/d) cB | (eg)(fa) Hg2dc |\ !p!(cB) AG (FA)(Dc) | B2G2 [G2D2B,2] :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout (and contains some voice overlays). V: 2 clef=bass middle=d bc' & g2 |\ b2c'2 b2x2 & g2g2 g2f2 | g2G2 e2^c2 | x2gf x4 & d2d2 f^cde | f2df a2z2 |b2c'2 b2x2 & g2g2 g2f2 | g3a c'cc'2 | d'2^c'2 d'2b2 & b2e2 f2g2 | d'2bc'x2 & x2g2g2 :: [d'2=c'2] | d'2 x6 & babf g2 ^c'2 | d'^c'd'e' f'2b^d' | e'bga b2B2 | eEGB e2=c'2 | b2fg G2ed | c2d2 He2f2 | g2^c2 d2F2 | GBdg G2 :| X:4162 T: Miss McLeod's Favorite C: by Mr Marshall %R: air, strathspey N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.16 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 Q: "SLOW" K: D % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 B,2 |\ (A,D3) D3E {DE}F3EF2D2 | (B,E3) TE3F {F}~G6A2 | (B3c/d/) (BA)(GF) TE3D E2F2 | A,3DC2E2 {E}D4 D2 :| (A/B/c) | {c}Td3Ad2f2 {c}Td3Ad2f2 | {c}d3A (defg) f2e2 e2"_sf"fe | {c}d3B (BA)GF A3d {d}f3e | {e}d3B {B}A3F [F2D2][E2C2][E2C2]B2 | Ad3d3e {de}f3ef2d2 | Be3Te3f {f}~g6 a2 | Tb2c'd' {b}a2gf Te3de2f2 | A3d c3e [d6A6F6] :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d g2 |\ x8 a3ga2f2 & f6[a2c2] d8 | g6f2 g4a4 & e6 ^d2 e4f4 |\ b4 x12 & g4f2d2 a4g4 | x8 [f4a4][f2a4D2] & f2d2 e2A2 d4 x2 :| [a2e'2g'2] | [a8d'8f'8] [a8d'8f'8] | [a4d'4f'4] f'2d'2 a2a'2a2 "^sf"^a2 |\ b2g2 f2d2 "^Exp.n"f3a d'3c' | b2g2 f2d2 A2a2A2 [K:D clef=treble] g2 | F6 [A2C2] A3GA2F2 & x8 D8 | G6F2 G4A4 & E6^D2 E4F4 |\ B4F2D2 A4G4 & G4 x12 |[K:D clef=bass middle=d] f'3d' e'2a2 dfad' d2 :| X:4163 T: the Hon.ble Mrs Leslie Cuming C: Composed & Communicated by Mr Boswell of Auchinleck %R: air, jig, waltz N: This is version 2, for ABC software that understands voice overlays and tremolo notation. B: Niel Gow & Sons "Complete Repository" v.4 p.16 #3 (and top staff of p.17) Z: 2021 John Chambers <jc:trillian.mit.edu> N: The book has some of the 2-note "chords" with both up- and down-stems. N: That's the only use of "voice overlay", and it's not significant here. N: See the "abc1" version if you want the simpler version of this tune. L: 1/8 Q: "SLOW" K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ ~F3 Ac2 | c>BA G2A & A>GF E2x | F>GF A<cd | cf[AC] (AG)F & F2 x4 |\ TF>GF A>cd | cfA G3 & x2F E3 | [a3A3] {a}g2f | dfA TG2HF & F2x E2x :| |:\ agf fed | (cf)A [G3E3] | .a.g.f {g}.f.e.d | cAc dTe{g}Hf |\ [a3A3] {a}g2f | [cF2]f[AC] T[G3E3] | HF3 Ac2 | (c>f)A T[G2E2]HF :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ [a3f3] [a3f3] | ab=b [c'3c3] | [a2f2][af] [a2f2][bf] | a2f [b2c2][af] |\ [a2f2][af] [a2f2][bf] | a2=b [c'3c3] | f2f e2d | B2f [b2c2]H[af] :| |:\ f'e'd' d'c'b | a2f [c'3c3] | f'e'd' d'c'b | afa bgHa |\ f'2f' e'2d' | a2f c3 | H[a3f3] [a3f3] | a2f [b2c2]H[af] :| X:4171 T: Wandering Willie %R: air, waltz N: This is version 2, for ABC software that understands voice overlays. and tremolo notation. %%autoclef no B: Niel Gow & Sons "Complete Repository" v.4 p.17 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> N: double bars added to make the phrasing visible. M: 3/4 L: 1/8 Q: "VERY SLOW" K: F % and Dm % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 [|\ c3 B AG | F3 G F2 | [G3E3] [FD][G2E2] | [A2F2] "_sf"d4 ||\ [c3A3] [BD] [AC][GB,] | [F3A,3] [GC] [A2F2] | A3 ^G A2 | [D6A,6F,6] || c3 BAG | F3 G F2 | G3 F G2 & E3 D E2 | A2 "_sf"x4 & F2 d4 ||\ [c3A3] [BD] [AC][GB,] | [F3A,3] [GC] [A2F2] | A3 ^G A2 | [D6A,6F,6] |]|\ !p!A2 d2 ^c2 | ~d3 e f2 | c3 dcB & G4 G2 | A3 B c2 & F3 G A2 || A2 d2 ^c2 | H~d3 e Hf2 | A3 ^G A2 | [D6A,6F,6] || A2 d2 ^c2 | d3 e f2 | c3 dcB & G4 G2 | A3 B c2 || A2 d2 e2 |\ H[f3D3] [gE] H[a2F2] | {^G}A3 ^G A2 | [D6A,6F,6] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d [|\ zF f4 | a2 b2 a2 & f6 | c'2 c2 c'2 | f2 (Bc)(de) || f2 F2 f2 | f2 e2 f2 | a3 ^g a2 | d2 .D(dcB) || A2 f2 z2 | a2 b2 a2 & f6 | c'2 c2 c'2 | f2 (Bc)(de) || f2 F2 f2 | f2 e2 f2 | a3 ^g a2 | zDFA d2 |]| [f'4d'4] [g'2e'2] | [a'3f'3] [g'e'] [f'2d'2] | e'2 c'2 [e'2e2] |\ c'6 & f2 e2 f2 || d'4 x2 & [f4a4] [g'2e'2] | H[a'3f'3] [g'e'] H[f'2d'2] | a3 ^g a2 | dDFA de || f2 (f'a)(e'a) | (d'a)(^c'a) d'2 | e'2 c'2 e'2 | f'2 fg a2 ||\ a4 ^c'2 & f4 a2 | a6 | {^g}a3 ^g a2 | dDFA d2 |] X:4172 T: the Rock and wee pickle Tow %R: jig N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.17 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> N: Moved several small notes for "chords" from treble down to bass voice. M: 6/8 L: 1/8 Q: "SLOW" K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 C | C/D/FF (AF).A | (cf)c G2c/B/ | (AF).G A2~G | AFF [F2C2A,2] :|\ f | .d(df) ~d2f | .d(df) (dc).A | .c(cd) c2d | (cf).A G2A | TB>cd dBd | {d}cBA HG2!p!B | (AF)G A2~G | AFF F2f | (f/e/)dd ~d2f | (f/e/)dd {de}f2d | (d/c/)cc c2a | {ga}b2a {a}HG2 (f//g//a/) | [bf][ae][gd] [fc][eB][dA] |\ ([cG][fA])A HG2 (g//a//b/) |!p! afg a3/b/g/b/ | aff [f2c2A2] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [f3F3] [f3F3] | a2f [e'2c'2]e | f2e f2c | FAc f2 :|\ z | [f'3d'3b3] [f'3d'3b3] | [f'3d'3b3] baf | [c'2a2f2][d'bf] [c'2a2f2][d'bf] | [c'2a2f2]f [c'2c2]z | [d2D2-][dD] [e2E2-][eE] |\ [f2F2][fF] H[c'2c2]!p!e | f2e f2c | FAc [a2c'2]x & x3 f2z | d3 d3 & (Bf)f Bff | d3 d3 & Bff Bff | c3 c3 & Aff Aff | g2f H[c2e2]z |[K:F clef=treble] dcB AGF |\ EF [K:F clef=bass middle=d] f H[e'2c'2c2]e |!p! f2e f2c | FAc f2 |] X:4181 T: Capt.n Simon Fraser of Knocky's Favorite %R: air, strathspey B: Niel Gow & Sons "Complete Repository" v.4 p.18 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOW with EXPR.n" K: Am % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 A |\ (E<A) A>^G A>B cA | (E<A) A>^G {G}[A3E3C3] [=G/D/]F/ | (E<A) A>[^GE] [AEC]>[BGE][cAE][ec=G] | [dB]>[cA][BG]>[A^F] | [G3D3B,3] :| |: ~B |\ (c<e) e>A (d/c/)(B/A/) eA | (c<e) ec A3 B | ce e>c e>^f Hg>[ec] | [dB]>[cA][BG]>[A^F] | [G3D3B,3] :| |: a |\ (e<a) a>^g Ta>bc'a | (e<a) a>^g {g}a3 {b}c' | (e<a) Ta>^g a>bHc' e' | {e'}d'>c' {c'}b>a ~g3 :| |: b |\ (c'<e') e'>a (d'/c'/)(b/a/) e'>a | (c'<e') e'>c' a3 b | (c'<e') e'>c' e'^f'Hg' e' | {e'}d'>c' {c'}b>a g2 g :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z | [c'2a2][d'2b2] [e'c'][b^g][c'2a2] | zc/d/ eE Ac/e/ ab | c'3b aea"^sf"c | B>c dD G/B/d/g/ G :| |: z | [e'2a2][e'2a2] z2 [e'2a2] | zc/d/ eE Ac/e/ a[b^ge] | [c'2a2e2] z2 c'>c' Hb>^f | g>c dD G/B/d/g/ G :| |: z | [c'2a2][d'2b2] [e'-c'][e'-b^g] [e'2c'2a2] | za/c'/ e'e a/A/c/e/ az | [c'2a2][d'2b2] [e'c'][b^g] Ha c' | b>c' d'd g2 G :| |: z | [e2A2] [e2A2] z2 [e2A2] zA/c/ eE A,C/E/ Az | [e2A2] [e2A2] [e2c2] H[dB] ^F | GC DD G,/B,/D/G/ G, :| N: The last bar of V:2 shifted back to bass clef, but staying in treble is simpler to read. %%begintext align %% * The Musical world is much indebted to this Gentleman for his %% successful labours in rescuing from oblivion many beautiful native %% Airs that must ever be dear to the Scot & the Highlander in his work %% entitled "The Airs & Melodies peculiar to the Highlands of Scotland". %%endtext %%center -------- The Isles -------- N: This is an ABC1 transcription of the tune, but the apparent use of multiple voices is essentially meaningles, N: and the tune is slightly easier to read in this version. The only fragments that are really different are the N: D in bar 2, which is an 8th note in the book, and the tied e' notes in the bass in bar 9, which are written as N: an E4 half note on the V:1 E line but clearly should be played by the bass player. The rest of the apparent N: multi-voice fragments are merely writing the bass "chords" with two stems (up & down) rather than one. N: So I didn't bother making a separate ABC2 transcription of this tune. N: Also, the last half-measure of the bass reverts to bass clef, but it's a bit clearer if left in treble clef N: (and this has nothing to do with the voices). X:4182 T: Duncan Gray %R: air, march, reel N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.18 #2 (and top 2 staves of p.19) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "SLOW" K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |: "_LEGATO"\ (EAGA) Bc{A}G2 | A2B>d cAA2 |\ (DAGA) Bc{A}G2 | A2 (B/c/)(d/B/) cAA2 ::\ ce (f/e/)(d/c/) dd d2 | cd/c/ BA (G~F) E2 | !p!E(AGA) Bc {A}G2 |\ A2 (B/c/)(d/B/) cA"_Fine"[A2E2C2] :|]\ [K:=f=c=g][K:Am]\ |: "MINORE."\ E(A^GA) Bc^G2 | A2B>d {d}cBHB2 | .E(A^GA) Bc ^G2 | ~A2B>d cAH[A2E2C2] :|\ ce ed/c/ Bd dc/B/ | ~AB/c/ BA (^GA) E2 | .E(A^GA) Bc {A}^G2 | ~A2 (B/c/)(d/B/) cA [A2E2C2] ||\ ce ed/c/ Bd dc/B/ | ~AB/c/ BA (^GA) E2 |\ .E(A^GA) Bc{A}^G2 | ~A2 (B/c/)(d/B/) cAA "_Da Capo."^G/^F/ |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |: c'2ba ga ed | cAGE Ac/e/ a c/e/ | xc'c'c' x4 & af^ef d^de^e | fc de AaA c/e/ :: A2 z2 eb (a/g/)(f/e/) | af/e/ d^d ef g2 | xc'c'c' x4 & af^ef d^de^e | fc de Aa"_Fine"Az :| [K:=f=c=g][K:Am]\ |: c'2 ba ^ga ed | cA ^GE Ae HE2 | c'2 ba ^ga ed | cA eE Aa HA2 :| zc c'2 zA g2 | a2 d^d e3 =d | c2 BA ^GA ed | cA eE Aa A2 || zc c'2 zA g2 | a2 d^d e3 =d | c2 BA ^GA ed | cA eE AaA "_Da Capo."e'/d'/ |] X:4191 T: Todlen Hame C: This elegant Accompaniment by the Immortal HAYDN. %R: jig B: Niel Gow & Sons "Complete Repository" v.4 p.19 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "SLOW" K: A %%score [1 {2 | 3}] % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 z | E>DC D3 | C2(3({C}^D/F/A/) G2z | E>DC D>EF | C>DF [E2C2] :: z | A6- | A3 {A}G2C/D/ | E>DC D>EF | C>DF [E2C2] :| c/d/ | e3- edc | B(3(c/A/F/) (3(^D/F/A/) [G2B,2] c/d/ | e3- edc | A>FD C2 c/>d/ || e3- edc | B(3(c/A/F/) (3(^D/F/A/) [G2B,2] c/d/ | e3- edc | A>FD C2 |] % - - - - - - - - - - % Voice 2 formatted for compactness and proofreading. V: 2 staves=2 A/>B/ | c>BA F>GA | E>FA {c}B2A/B/ | c>BA F>GA | E>FA A2 :: A | d>ed c2c | B>c (d/c/) {c}B2 (A/B/) | c>BA F>GA | E>FA A2 :| A/B/ | c>BA F>GA | EF A B2 A/B/ | c>BA F>GA | E>FA A2 A/>B/ || c>BA F>GA | EF A B2 A/B/ | c>BA F>GA | E>FA A2 |] % - - - - - - - - - - % Voice 3 preserves the book's staff layout. V: 3 clef=bass middle=d z | A6 | a2f e2z | A6 | a>fd A2 :: z | f2f' e'2e | d>e (f/^d/) e2z | A3 A3 | a>fd A2 :| z | A>Bc d>ef |(ga)f e2z | A>Bc d>ef | c'>d'b a2z || A>Bc d>ef |(ga)f e2z | A>Bc d>ef | c'>d'b a2 |] X:4201 T: Rasay House C: by Mr McLeod of Rasay. %R: air, strathspey N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.20 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 Q: "SLOW" K: E % - - - - - - - - - - % Voice 1 formatted to clarify the phrasing. V: 1 staves=2 G2 |\ E3G e3B (cBAG) (AGFE) | [F2D2]f2 Tf3g (ag)(fe) (edc)B |\ T[c3A3][BG] ([cA][dB][ec]).[dB] (cB)(AG) (AGFE) | ~B,3CE3F {EF}G2E2[E2B,2G,2] :| a2 |\ {a}gfga b3g (agfe) e2dc | B3ce3g a2f2f2 gf |\ e4 {d'}e'4 Tc'3bc'3e' | ~B3ce3f g2e2e2 || a2 |\ (gfga) b3a gfga b3e | e'3b (c'b)(ag) g2f2Hf3g |\ "_Expr."E4 e4 c2G2 HB4 | ~B,3C E3F {EF}G2E2[E2B,2G,2] & x4 B,4 x6 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout (and has an added || to show the phrasing). V: 2 clef=bass middle=d z2 |\ E4 e3g a2b2 c'2^a2 | x4 b4 x8 & b4 d3e fga^a b2c'd' | e'2e'2 e'4 agfe fedc | B2A2G2D2 E2e2E2 :| z2 | e3f g2b2 c'bag g2a2 | g2a2g2e2 B4 b2d'2 | e'2d'2c'2g2 a2g2 a4 | g2a2b2B2 e4 E2 || z2 | e2f2 g2d2 e4 E4 | g3g agfe B2b2 HB4 | "_Expr."e2d2 c2B2 A4 HG4 | B2A2 G2D2 E2e2e2 |] X:4202 T: Mrs Gordon's Favorite O: Ancient Irish. %R: air, strathspey B: Niel Gow & Sons "Complete Repository" v.4 p.20 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 Q: "SLOW" K: Em % - - - - - - - - - - % Voice 1 formatted for to show the phrasing better. V: 1 clef=treble staves=2 B,2 |\ E3DE2F2 | B3A F4 | B4 (EG)FE | D3^C B,4 |\ E3DE2F2 | (Bd3) T^c3B | B3B (BA)(FE) | [E6B,6G,6] :| B2 |\ e3e (dB)(de) | f3f (gf)(ed) | T.B3A (ABd).F | [D6A,6F,6] B2 |\ e3e (dB)(de) | f3f gfed | "^#tr"B3A (ABdf) | {f}e6 || B2 |\ e3e (dB)(de) | f3f (gf)(ed) | "^#tr".B3A (ABd).F | [D6A,6F,6] B,2 |\ (ED)(EF) B2AF | E2D2 {D}Hd3A | B3B (BA)(FE) | [E6B,6G,6] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z2 |\ [e8E8] | g2b^c' d'4 | g2f2 e4 | f2F2 B4 |\ [e8E8] | g2b2 a2g2 | z2a2 b2B2 | e4 E2 :| z2 |\ [e4E4] z(gf^c) | d2d'2 d'4 | g4 a2A2 | D2FA d2z2 |\ [e4E4] z(gf^c) | d4 e2f2 | g3a b2B2 | E2GB e2 || z2 |\ [e4E4] z(gf^c) | d2d'2 d'4 | g4 a2A2 | D2FA d2z2 |\ [e4E4] g2f2 | ^c2d2 HD4 | g2a2 b2B2 | e4 E2 |] X:4203 T: Carle an' the King come. %R: air, march N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.20 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> N: Bar 5 of the 2nd strain has the bass notes written on the treble staff. N: It's on the bass staff here to simplify treating the voices separately (e.g. for printing the two "parts"). N: Similarly, the diminuendo is transcribed in both voices. M: C L: 1/8 Q: "SLOWLY" K: G U: Q=!diminuendo(! U: q=!diminuendo)! % - - - - - - - - - - V: 1 staves=2 |:\ B2 G4 BA | G3E DEGA | B2 A4 B2 | {B}A3G E3G |\ D3E G2G2 | A2B2 Tg3a | (ba)ge (de)gB |1 A3G E2c2 :|2 A3G E2"^FINE."A2 |] |:\ G2g2 ~g3a | g3e d2g2 | e2a2 ~a3b | {b}a3g e2ga |\ b3a g2e2 | Qd2ef qHg2d2 | e2g2 d2B2 |1{B}A3G E2A2 :|2 {B}A3G E2"^D.C."c2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ G4 g2f2 | g2c2 B4 | D4 f2g2 | d2B2 c2z2 |\ b2c'2 b2g2 | f2g2 e2f2 | g2c2 B2G2 |1 d2B2 "^FINE."c4 :|2 d2B2 c2z2 |] |:\ b4 b2c'2 & g4 g4 | b2c'2 b4 & g4 g4 | c'4 ^c'4 & a4 e4 | [d'3d3]b =c'2z2 |\ g'3f' e'2c'2 | Qb2c'a qHb2B2 | c4 B2G2 |1 d2B2 c4 :|2 d2B2 c2"_D.C."z2 |] %%begintext align %% The following are a choice Collection of the best original Scotch Dances, arranged as Medleys, __ %% a Strathspey and Reel following alternately, in their respective Keys, as the frequent change %% ing the Key, more or less has been found to offend the Ear. %%endtext %%begintext align %% The Publishers thought it proper to keep the Slow Tunes by themselves that they might %% not interrupt the Medleys. %%endtext % (I don't quite understand those comments, either. [JC] ;-) X:4211 T: the Marquis of Hastings. a Strathspey. %R: strathspey, air N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.21 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 C !segno!|:\ F<F F<F Ac ~c2 | B>G A>F {EF}G>F EC |\ F<F F<F Ac ~c2 | d>f .e/.f/.g/.e/ .f/.g/.a/.g/ f<a :|\ f<f a>f Tg>f ec | d<d {e}f>d Tc>B AF | f<f a>f Tg>f ec | ~d>f (e/f/).g/.e/ Tf2 fg/a/ |\ b>g a>f Tg>f df | d/c/B/A/ f>A B/A/G/F/ G>A |\ F<F F<F B<d Td2 | c>f .e/.f/.g/.e/ .f/.g/.a/.g/ .f<.a || |:\ {B}A>Fc>F d/c/.B/.A/ cf | AFcF TG>ABd |\ A>Fc>F (d/c/).B/.A/ cf | ~d>f .e/.f/.g/.e/ .f/.g/.a/.g/ .f.a :|!p!\ f/az/ f/az/ e/gz/ c2 | ~d>efd Tc>BAF | (3fga (3fga (3efg ~c2 | d>f (e/f/).g/.e/ Tf2 fg/a/ |\ (.d.b) (.c.a) (.B.g) (.A.f) | {AB}c>BA>F {EF}G>FEC |\ (3FGA (3GAB (3ABc (3Bcd | x4 {g}f"or"x fa !segno!y & Tc>f a/g/f/e/ fe/d/ c/B/A/G/ y|] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z !segno!|:\ F2f2 F2f2 | e2f2 c'2b2 | a2f2 f2a2 | b2c'2 f2f'2 :| f2f2 c2c2 | B2de f2F2 | f2f2 c2c2 | B2c2 f2Fz | e2f2 c'2b2 | a2f2 c2B2 | A2F2 B2B2 | c2C2 (F2f2) || |:\ [f2F2][f2F2] [f2F2][f2F2] | [f2F2][f2F2] [c2C2] [e2E2] |\ [f2F2][f2F2] [f2F2]A2 | [B2B,2][c2C2] F2f2 :|!p! (f2a2 c'2)c2 | B2de f2F2 | (f2a2 c'2)A2 | B2c2 F2fz | b2a2 g2f2 | e2f2 c2B2 | A2E2 F2B2 | c2C2 F2F2 !segno!y|] X:4212 T: Lady Matilda Bruce's Reel C: by Nath:Gow. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.21 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 b |:\ a(bag) Tf2ed | cfAa gabg | abag Tf2ed | cdAf cFAF :| (ABc).A fAcA | dBfd gdec | (fga).f dBbg | afge fFAF | (ABc.A) fAcA | dBfd gdec | fcaf dBbg | afge Tf2F |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |:\ [f'2f2][c'2c2] [d'2d2][b2B2] | [a2A2][f2F2] [e2E2][c2C2] |\ [f'2f2][c'2c2] [d'2d2][b2B2] | [a2A2][f2F2] [f2F2][f2F2] :|\ [f2F2][f2F2] [f2F2][f2F2] | [b2B2][b2B2] "^sf"[=b2=B2][c'2c2] | [a2A2][a2A2] [b2B2][b2B2] | [c'2c2][c'2c2] [f2F2][f2F2] |\ [f2F2][f2F2] [f2F2][f2F2] | [b2B2][b2B2] [=b2=B2][c'2c2] |\ [a2A2][a2A2] [b2B2][b2B2] [c'2c2][c'2c2] [f2F2][fF] |] X:4221 T: the New Water Kettle. a Jig. C: by Nath.Gow P: Dedicated to A.Ballentine, Esq.r Kelso. %R: jig, air N: This is version 2, for ABC software that understands trailing grace notes. B: Niel Gow & Sons "Complete Repository" v.4 p.22 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F %%slurgraces 0 %%graceslurs 0 % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ cAF (TF3{EF}) | (TF3{EF}) (TF3{EF}) | cAF (TF3{EF}) | GAF EDC |\ cAF (TF3{EF}) | (TF3{EF}) cBA | def cBA | GAF EDC :| |:\ cBA f2c | f2c f2d | cBA f2A | GAF EDC |\ cBA f2c | fed cBA | dcB AGF | EGF EDC | cBA f2c | f2c f2d | cBA fcA | GAF EDC |\ cBA agf | edc fed | cBA dcB | AGF EDC |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ [a3f3] "^sf"[b3g3] | "^sf"[c'3a3] "^sf"[d'3b3] | [c'3a3] "^sf"[=b3d3] | c'3 c3 |\ [f3F3] "^sf"[g3G3] | "^sf"[a6A6] | [b3B3] a2f | e2d c3 :| f3 [f'3a3] | [f'3a3] [f'3b3] | [f'3a3] f3 | [=b3d3] [c'2c2]z |\ f3 [f'3a3] | [f'3a3] [f'3a3] | b3 =b3 | c'3 c3 | f3 [f'3a3] | [f'3a3] [f'3b3] | a3 f3 | =B3 c3 |\ f3 f'e'd' | c'3 d'c'b | a3 bag | f2=B cde |] X:4222 T: the Lass of Ballantrae. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.22 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 d |\ cFAc dfef | cFAF GDDd | cFAc dfeg | afce f3 :| c | fcfa gceg | (f/g/a) Tg>f ecce | fcfa gcgb | afce Tf3c | fcfa gceg | (f/g/a) Tg>f eccf | (d/c/B) fd cFAc | dfeg [f3c3A3] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ F2f2 B2b2 | a2f2 g2b2 | a2f2 b2c'2 | f'2c'2 f2f' :| z | f2f'2 c2c'2 | f2=b2 c'2c2 | f2f'2 c2c'2 | f2c2 F2f2 | f2f'2 c2c'2 | f2=b2 c'2c2 | B2b2 a2f2 | B2 c2 F2f |] X:4223 T: Go to Berwick Johnny. Jig time. %R: ??? B: Niel Gow & Sons "Complete Repository" v.4 p.22 #3 (and top staff of p.23) Z: 2021 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ c2F2 F2c2 dcBA | c2F2 F2c2 A2f2 | c2F2 F2c2 dcBA | B2G2 ~G3A B2d2 :| Tf3g f2F2 ABcA | Tf3g f2F2 A2c2 | Tf3g f2F2 ABcA | ~g3a g2G2 B2d2 | Tf3g f2F2 ABcA | Tf3g f2F2 A2c2 | f3g fgag agfe | d2g2 g2G2 B2d2 |: c3c .d.c.B.A dcBA | c3c dcBA c2f2 | c3c dcBA dcBA | B2G2 ~G3A (B2d2) :: !p!(c2.A2) (f2.A2) (a2.A2) | (c2.A2) (f2.A2) (c2.f2) | (c2.A2) (f2.A2) (a2.A2) | B2G2 ~G3A (B2d2) :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ f4 f4 f4 | f4 f4 f4 | f4 f4 f4 | g4 e4 c4 :| f4 f4 f4 | f4 f4 f4 | f4 f4 f4 | g4 e4 c4 | f4 f4 f4 | f4 f4 f4 | f4 f4 f4 | g4 e4 c4 |: F4 f4 f4 | F4 f4 f4 | F4 f4 f4 | g4 e4 c4 :: !p!F4 f4 f4 | F4 f4 f4 | F4 f4 f4 | g4 e4 c4 :| %%text Note between the staffs of the last 4-bar strain: %%begintext align %% In Part 2.d of Repository, "Go to Berwick Johnny" was %% printed but the two last parts were omitted. %%endtext X:4231 T: Banff Castle. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.23 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 [|\ TF>GAF CFAF | GABc {Bc}d2df | cf2a gefc | dfcA TG>FDG || TF>GAF CFAF | GABc {Bc}d2df | cf2a gefc | dfcA F/F/F F2 |]| fcfa Tgefc | Tdcdf g/g/g Tg2 | fcfa gefc | dfcA GABd || cAfa gefc | ~dcdf g/g/g Tg>a | fa-af eg-ge | .f(dTc)A F/F/F F2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d [|\ F2f2 f2f2 | g2a2 b2b2 | a2f2 c'2a2 | b2a2 c2B2 || A2F2 f2f2 | g2a2 b2b2 | a2f2 e2f2 | B2c2 F2F2 |]| f2f2 e2f2 | b2a2 g2e2 | f2a2 b2a2 | b2af e2c2 || f2f2 e2f2 | b2a2 g2e2 | f2F2 c2C2 | B2c2 F2F2 |] X:4232 T: Lady Binning's Strathspey %R: strathspey, air B: Niel Gow & Sons "Complete Repository" v.4 p.23 #2 N: This is version 2, for ABC software that understands voice overlays. Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A % - - - - - - - - - - V: 1 staves=2 |:\ (A/B/c) TB>A c<e c2 | {e}d>c {c}B>A GA c<e c2 |1 (A/G/F/E/ F)>G {G}A2 A,2 :|2 a/g/f/e/ Tf>g {g}a3 |] (e//f//g/) |\ a>eTf>e a>A d/c/.B/.A/ | G>BE>B G>B Ef/g/ |\ a>eTf>e a>A (d/c/)B/A/ | (3(GAB) EF/G/ A2 A || (e//f//g/) |\ a>eTf>e a>ATc>A | G>BE>B G>BE>B |\ A>cB>d cedf | (a/g/f/e/) Tf>g a3z |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. N: The high d' and c' "voice" in the bass bars 7,8 are small in the book. N: The similar "voices" in bar 10 aren't written as two voices. V: 2 clef=bass middle=d |:\ A2a2 A2e2 | f2^d2 e2E2 | A2a2 A4 |1 c2 dB c3z :|2c2 dB c2A |] z | [a2c2][a2d2] [a2c2][a2A2] | x2d'2 d'2d'2 & e2e2 e2e2 | c'2d'2 c'2x2 & a2a2 a2a2 | e2e2 A2a || z | [a2c2][a2d2] [a2c2][a2A2] | e2e2 e2d'2 | c'2g2 a2d2 | e2E2 A2az |] X:4241 T: the Stewarts Rant. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.24 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 e |\ (c/d/e) (f/g/a) {f}e2ce | dBfB bBfB | (c/d/e) (f/g/a) {f}e2ce | dBge {g}a2Ae || (c/d/e) (f/g/a) {f}e2ce | dBfB bBfB | cefa efce | defg {g}a2A |[| e | c>A A/A/A cAcA | B>E E/E/E BEBd | cA A/A/A cAcA | BE E/E/E (e2A)>e || cAeA fAeA | GEBE (GAB).d | cAeA aAbA | c'ad'c' Tb2a |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ A2a2 a2a2 | b2b2 b2b2 | a2a2 c2A2 | d2e2 A2A2 || a2a2 a2a2 | b2b2 b2b2 | a2e2 c2A2 | d2d2 c2A |[| z | a2a2 a2a2 | e2e2 e2g2 | a2a2 a2a2 | e2e2 A2A2 || a2c'2 d'2c'2 | e2e2 e2g2 | a2c'2 c'4 | e'2e'2 e2a |] X:4242 T: Teviot Bridge. a Jig. C: by A.Givan of Kelso %R: jig N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.2 p.24 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A % - - - - - - - - - - V: 1 staves=2 f |\ ecA E2A | F2A E2A | EFE E2c | d2c TB2A | ecA E2A | F2A E2A | ~d2f ecA | TB3 A2 :| f |\ ecA Ace | ~f>gf fga | ecA AcA | BGE E2f | ecA Ace | agf edc | ~d2f ecA | TB3 A2 || f |\ ecA Ace | Tf>gf fga | ecA AcA | BGE E2f | ece fdf | agf edc | dfa ecA | TB3 A2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [A3A,3] c'3 & x3 a3 | d'3 c'3 & a3 a3 | c'3 c'3 & a3 a3 | e'4 x2 & g2a b2c' |\ [A3A,3] c'3 & x3 a3 | d'3 c'3 & a3 a3 | b3 x3 & g3 a3 | e3 A2 :| z | A3 a3 | d3 d'3 | A3 a3 | E3 e3 | A3 a3 | A3 a3 | g3 a3 | e3 A3 || A3 A3 | d3 d'3 | A3 a3 | E3 e3 | c3 d3 | c3 A3 | d3 c3 | e3 A2 |] X:4243 T: Mr Compton of Carham-Hall's Reel C: by A.Givan of Kelso %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.24 #3 (and top staff of p.25) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A % - - - - - - - - - - V: 1 staves=2 E |\ A2cA ecac | A2cA BFFB | A2cA ecae | (fg/a/) ed cAA :| (e/f//g//) | aece dfce | aece fBBg | aece dfce | (fg/a/) ed cAAg || aece dfce | aece fBBc | AEFG ABcd | cedB cAA |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ a2a2 a2a2 | a2a2 b2b2 | a2a2 a2c'2 | d'2e'2 a2a :| z | a2a2 g2a2 | a2a2 b2b2 | a2a2 d'2c'2 | d'2e'2 a2a2 || a2a2 d'2c'2 | a2a2 b2e2 | c2d2 c2B2 | A2e2 A2A |] X:4251 T: Panmure House. a Strathspey. O: Very Old %R: strathspey, air B: Niel Gow & Sons "Complete Repository" v.4 p.25 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 c/B/ |\ A<A,A,>B, ~C>D~E>^F | G<GB>A ~G2 Gc/B/ |\ A<A,A,>B, ~C>DEc/d/ | e>cd>B A2 Ac/B/ ||\ A<A,A,>B, ~C>D~E>^F | G<GB>A ~G2 Gc/d/ | e>cd>B c>AB>G | E>A (c/B/).A/.^G/ A2A |[| c/B/ |\ Aa~a>b g>g (a/g/)^f/g/ | eaab (Tg3/^f//g//) .f>g |\ ea~a>b g>g (a/g/^f/)g/ | e>cd>B A3 c/B/ ||\ Aa~a>b g>g a/g/^f/g/ | ea~a>b (Tg3/^f//g//) f>g |\ (3ag^f (3gab (3edc (3Bcd | e>cd>B A2 A |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ A2A2 A2A2 | G2G2 G2G2 | A2E2 A>Bcd | e2E2 A2Az || A2A2 A2A2 | G2G2 G2Gz | A2B2 c2d2 | e2E2 A2A |[| z |\ [a2A2][a2A2] [a2A2][a2A2] | [a2A2][a2A2] [g2G2]z2 | [a2A2][a2A2] [g2G2][g2G2] | [e2E2][e2E2] [A2A,2][AA,]z || [a2A2][a2A2] [g2G2][g2G2] | [a2A2][a2A2] [g2G2]z2 |\ [A2A,2][B2B,2] [c2C2][d2D2] | [e2E2][e2E2] [A2A,2][AA,] |] X:4252 T: the Marquis of Tullybardine's Reel %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.26 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 c !segno!|\ A/A/A cA eAAf | eAAa (fe)dc | Bcde fBBg | aBBa {g}f2ea || A/A/A cA eAAf | eAAa (fe)dc | defa fecf | ecBc Tf2eg |[| aA A/A/A cAAg | aAAg (fe)dc | bB B/B/B dBB^a | bBB=a {g}f2eg || aA A/A/A cAAg | aAAa (fe)dc | defa fecf | ecBc Tf2ea !segno!y|] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z !segno!|\ [a2A2][a2A2] [a2A2][a2A2] | [a2A2][a2A2] [a2A2][a2A2] |\ b2b2 b2b2 | b2c'2 d'2c'2 || a2a2 a2a2 | a2a2 a2a2 | d'2d'2 c'2a2 | g2a2 d'2c'b |[|\ [a2A2][a2A2] [a2A2][a2A2] | [a2A2][a2A2] [a2A2][a2A2] |\ [b2B2][b2B2] [b2B2][g2G2] | [b2B2][c'2c2] [d'2d2]c'b ||\ [a2A2][a2A2] [a2A2][a2A2] | [a2A2][a2A2] [a2A2][a2A2] |\ [d'2d2][d'2d2] [c'2c2][a2A2] | [g2G2][a2A2] [d'2d2][c'2c2] !segno!y|] X:4261 T: Highland Whisky. a Strathspey. %R: strathspey B: Niel Gow & Sons "Complete Repository" v.4 p.26 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 E |\ A<A A<A A>Bce | Bc ~d>efa | [AC]<[AC] [AC]>B A>Bcd | ef/g/ a>f {d}c>BA :| e | {d}cB/A/ e>A f>AeA | G<BTB>A GBBe | (d/c/B/A/) eA fAeA | fg/a/ a>d {d}c>BAe | {d}cB/A/ e>A f>Ae>A | G<BTB>A GBB>c | A<cB<d cedf | ef/g/ a>d {d}c>BA |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ A2A2 A2A2 | B2B2 B2d2 | c2A2 A2B2 | c2d2 e2A :| z | a2c'2 d'2c'2 | e'2e2 e2g2 | a2c'2 d'2c'2 | c'2d'2 e'2a2 | a2c'2 d'2c'2 | e'2e2 e2g2 | a2g2 a2d2 | c2d2 e2A |] X:4262 T: Miss Stewart of Fasnacloich's Reel %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.26 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 may be formatted for compactness and or other layouts. V: 1 staves=2 e |\ A<A ec {f}e2ec | (f/g/a) ec fBBa | A<A ec {f}e2ce | {g}a>f ec eAA :: g | a2a>e Tfece | a2ae fBBg | a2ae Tf>ece | (f/g/a) ec eAA :: e | A<A eA fAeA | aAec fBBa | A<A eA fAAa | (f/g/a) ec eAA :: (e//f//g/) | aece fece | aece fBBg | aece fece | (f/g/a) ec eAA :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ a2a2 a2c'2 | d'2c'2 b2b2 | a2a2 a2c'2 | d'2e'2 a2a :: z | a2a2 a2a2 | a2a2 b2b2 | a2a2 a2c'2 | d'2e'2 a2a :: z | a2c'2 d'2c'2 | a2a2 b2b2 | a2c'2 d'2c'2 | d'2 e'2 a2a :: z | [a2A2][a2A2] [a2A2][a2A2] | [a2A2][a2A2] [b2B2][b2B2] |\ [a2A2][a2A2] [a2A2][a2A2] | [d'2d2][e'2e2] [a2A2][aA] |] X:4263 T: Mrs Grant of Lagan's Strathspey O: Communicated by Capt. Fraser of Knocky. %R: strathspey B: Niel Gow & Sons "Complete Repository" v.4 p.26 #3 (and top staff of p.27) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 Q: "This Tune may be played Slow." K: Am % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 e |\ (d/c/B/A/) ^GDE>^F G2GB |\ (A/B/c) (B/c/d) AA,A,B, | CDE^G A2AB ||\ (d/c/B/)A/ B>^G A>E =G>D | E<GTB,>A, G,2 G,A,/B,/ | (3CB,A, (3DCB, (3EDC (3B,CD | (3Edc (3BA^G A2 A |]|\ c/B/ |\ A<e Tc>B A/B/c/B/ AE | GD TB,2 G,c/B/ | A<e Tc>B (A/B/)(c/d/) ea | c>AB>^G A2 Ac/B/ || A<e d/c/B/A/ B>^GA>E | GD TB,2 G,A,/B,/ |\ (3CB,A, (3DCB, (3EDC (3B,CD | (3Edc (3BA^G A2 A |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ a2e2 A3B | c2c2 B2G2 | A2E2 A3^G | A2E2 A2z2 || a2e2 c2B2 | c2d2 G2Gz | A2B2 c2d2 | e2E2 A2A |]|\ z |\ [a2A2][a2A2] [a2A2][a2A2] | [g2G2][g2G2] [g2G2][g2G2] | [a2A2][a2A2] [a2A2][a2A2] | e2E2 A2Az || a2a2 e2c2 | B2e2 G2G>^G | A2B2 c2d2 | e2E2 A2A |] X:4271 T: Miss Wedderburn's Reel. T: or Burn of Carnie. %R: reel, air N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.27 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - V: 1 staves=2 F |\ E2TE>F E>FAc | TB>ABc TB>AFA | E2TE>F EFAc | TB>ABc A/A/A A :| d | {d}c>BAB ~c>dec | (d/c/B/A/) G>A TB>cdB | Tc>BAB ~c>dec | d>Be>c A/A/A A>d | {d}c>BAB ~c>dec | (d/c/B/A/) G>A TB>cdB | c>Ad>B e>cf>d | g>ea>c A/A/A A |] |: f |!p!\ e2Te>f efac' | Tb>abc' {c'}Tb>afa | e2Te>f efac' | Tb>abc' a/a/a a :| e | ~d2fd ~c2ec | TB>ABc TB>AFc | ~d2fd ~c2ac | TB>ABc A/A/A A>c | ~d2fd ~c2ac | TB>ABc TB>AFf | ef/g/ a>e (f/e/f/g/) a>c | TB>ABc A/A/A A |] % - - - - - - - - - - V: 2 clef=bass middle=d z |\ [a2c2][a2d2] [a2c2]A2 | e2E2 e2d2 | a4 x4 & c2d2 c2A2 | G2E2 A2a :|\ z |\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | e2[d'2b2e2] [d'2b2e2][d'2b2e2] |\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | d2e2 A2az |\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | e2[d'2b2e2] [d'2b2e2][d'2b2e2] |\ a2g2 a2d2 | e2E2 A2a |] |:[K:A clef=treble] z |\ !p![c2A2][d2A2] c2A2 | e2c2 e2d2 | c2d2 x4 & A4 c2A2 | e2E2 A2A, :| [K:A clef=bass middle=d] z | f2g2 a2c2 | e2c2 d2d'c' | b2g2 a2A2 | e2E2 A2=g2 |\ f2g2 a2c2 | e2c2 d2d'2 | c'2a2 d'2c'>a | e2E2 A2A |] X:4272 T: the Banks of Spey. a Strathspey C: by Mr Marshall %R: strathspey, air B: Niel Gow & Sons "Complete Repository" v.4 p.27 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 c2 |\ A3EA2c2 TB3AB2c2 | e2c2 TB3A TB3AF2B2 |\ A3EA2c2 TB3AB2c2 | e3cTB3c AAA2 A2 :| c2 |\ Aaga fedc ~d3e fedc | ~B3c (dcBA) B2F2F3B |\ A2a2 {f}e2dc .d.e.f.g a3c | TB3AB2c2 AAA2 A3B || Aaga (fedc) e3e fedc | TB3c (dcBA) B2F2F3B |\ A2c2E2c2 TB3AB2c2 | e3cTB3c AAA2 A2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z2 |\ a4A4 e4d4 | c4A4 B2c2d4 | c4A4 e4d4 | c4e4 A4A2 :| z2 |\ a4a4 b3c'd'4 | g4a4 d4d'4 | c'4a4 b4c'4 | e'4e4 a4A2z2 ||\ a4a4 c'4a4 | g4a4 d4d'4 | c'4a4 [e'4g4][e'4a4] | e'4e4 a4A2 |] X:4281 T: the Bridge of Perth. a Reel. C: by D.D. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.28 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ (A/B/c/d/) eA dAfA | cAec ae~c2 | (A/B/c/d/) ed ceA=c | Bd=GB gd{c}B2 :| Aaea caea | Aaef eA~c2 | Aaea caAa | =gbeg BG~B2 || Aaea caea | Aaef eA~c2 | Aa^ga eaca | B=gdg BG~B2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ a2a2 a2a2 | a2a2 a2a2 | a2a2 a2a2 | =g2g2 g2g2 :| a2a2 a2a2 | a2a2 a2a2 | a2a2 a2a2 | =g2g2 g2g2 || a2a2 a2a2 | a2a2 a2a2 | a2a2 a2a2 | =g2g2 g2g2 |] X:4282 T: Craig Ellachie Bridge. a Strathspey. C: by Mr Marshall %R: strathspey, air B: Niel Gow & Sons "Complete Repository" v.4 p.28 #2 (and top staff of p.29) Z: 2021 John Chambers <jc:trillian.mit.edu> N: Should the 2nd f note in the next-to-last bar be a g note? M: C L: 1/16 K: D % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 A,2 |:\ DD3 ~F3A dcBA F3D | E=C3 c3E G4 (~G2AB) | A3DF3D dcBA F2D2 | Ee3 c3A d4 ~d2f2 :|\ dd3 f3a d2a2f2a2 | =cg3e3f g4- Tg2ab | ad3f3d a2d2f2b2 | a3df2d2 (3f2g2a2 {g}Tf4 || dd3 f3a d3af3a | gfed =c3e g4 ~g2ag |\ fa3ef3 df3Bd3 | AF3d3F A4A2 |]| Bc |\ .d.c.B.A .G.F.E.D dcBA GFED | E=C3 c3E G4 ~G2FE | DEFG ABcd DEFG ABcd | Dd3Fd3 (B2A2)(G2F2) || Dd3 Ed3 Fd3 Dd3 | =C2c2c3E G4 ~G2FE | Dd3 Ee3 Ff3 Gg3 | A3g (fe)dc d4 ~d2f2 |]|\ dd3 f3a f2a2f2a2 | =cg3e3f g4- Tg2ab | ad3fd3 a2d2f2b2 | a3ef2d2 (3f2g2a2 {g}Tf4 ||\ dd3 f3a d3af3a | (gfed) =c3e g4 ~g2ag | fa3 ef3 df3 Bd3 | Af3 d3F A4 A2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z2 |:\ d4d4 d4d4 | =c4c4 c4c4 | d4d4 d4d4 | g4a4 d4d4 :| d'4d'4 d'4d'4 | =c'4c'4 c'4c'4 | d'4d'4 d'4d'4 | d'4d'4 d'4d'4 || d'4d'4 d'4d'4 | =c'4c'4 c'4c'2^c'2 | d'4c'4 b4g4 | f4a4 f4d2 |]| z2 | D4d4 D4d4 | =C4c4 C4c4 | D4d4 D4d4 | D4d4 D8 || d4c4 d4 f4 | e4=c4 c4^c4 | d4c4 d4e4 | f3g a2A2 d4 D4 |]| d'4d'4 d'4d'4 | c'4c'4 c'4c'4 | d'4d'4 d'4d'4 | d'4d'4 d'4d'4 || d'4d'4 d'4d'4 | =c'4c'4 c'4c'2^c'2 | d'4c'4 b4g4 | f4a4 d4d2 |] X:4291 T: Charlie Stuart. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.29 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 B |\ .A(FTED) G3B | A(FTED) [E3C3]B | AFTED GABd | AFdF D3 :| f | ~d>efd gfec | ~d>efd ecTBA | ~d>efd gfeg | (f/g/a) e>f d3f || ~d>efd gfec | defa ecTBA | d>efd gfeg | fae>f [d3F3] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ d2d2 b2g2 | d2d2 a2Az | d2=c'2 b2g2 | a2A2 d2D :| z | d2d'2 e'2a2 | f2d'2 a2g'2 | f'2d'2 a2c'2 | d'2a2 d2d'z || d2d'2 e'2c'2 | d'2d2 a2g2 | f2d2 e2c'2 | d'2a2 d2D |] X:4292 T: Hamilton Races. a Jig. %R: jig B: Niel Gow & Sons "Complete Repository" v.4 p.29 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 A |\ DFA ~d2f | ecA A2d | BdB AdF | GEE E2A | DFA d2f | eac d2B |cfe dcB | AAA A2 :| |: c/d/ |\ ecA Ace | fed cBA | dbd cac | dBB d2F/E/ | DFA d2f | eac d2B | AdF GEA | FDD D2 :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ D3 d3 | A3 a3 | g3 f2d | A3 c3 | d3 d3 | c2A B2^G | A3 e2E | Ace a2 :|\ |: z | A3 a3 | A3 a3 | ^g3 a3 | b3 B2c | d3 d'3 | c'3 b2g | a3 A3 | d3 D2 :| X:4293 T: There's nae luck about the House. a Reel. %R: reel, air B: Niel Gow & Sons "Complete Repository" v.4 p.29 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 (A//B//c/) |\ d>B AF GGGB | d>B AF E3c | d>B AF GABd | AGFE D3 :| D/E/ | F2FD G2GE | F2FD TE3D/E/ | F2FD G2GB | AGFE D3 d/e/ || ff(fd) gg(ge) | fffd Te3d/e/ | ff(fd) gg(gb) | a>gfe d3 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ d2a2 b2g2 | d2f2 a2A2 | d2=c'2 b2g2 | a2A2 d2D :| z | d2d2 e2c2 | d2D2 A2A,z | d2=c2 B2G2 | A2A,2 D3z || d'2d'2 e'2c'2 | d'2d2 a2A2 | d'2=c'2 b2g2 | a2A2 d2D |] X:4301 T: Miss Hope's Strathspey %R: strathspey, air B: Niel Gow & Sons "Complete Repository" v.4 p.30 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 ~D |\ [GB,]<[GB,] G>B {B}A>GEB | c<c ~c>e edBg | dG c>AB>G | A<ETD>F [G3B,3] :| (d//e//f/) | Tg2d>g Bgdg | g<g {ga}b>g {f}e3f | (3gab (3bgf (3efg (3dcB | (3cde (3def (3gdc (3BAG || g<g d>g B>gd>g | g<g {ga}b>g {f}e3f | (3gab (3agf (3efg (3dcB | A<ETE>F G3 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z | g2g2 d2c2 | A2B2 cfg2 | g2g2 f2g2 | c2d2 G3 :| [c'b] |\ [d'2b2]g2 G2g2 | b2g2 c'2c'2 | b2d'2 c'2b2 | c'2d'2 g4 |\ [d'2b2g2][d'2b2g2] [d'2b2g2][d'2b2g2] | [d'2b2g2][d'2b2g2] [e'2c'2g2][e'2c'2g2] |\ [b2B2][d'2d2] [c'2c2][b2B2] | [c2C2][c2D2] [G3G,3] |] X:4302 T: Johnny made a Wedding o't. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.30 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 (c |\ B)GdG BGGB | A=FcF AFFc | BGdG BGGg | egdg BGG :| g | bgaf gd-de | =fdTc>_B AFFg | (b/a/g) (a/g/f) gddg | (e/f/g) (f/g/a) gGGg || (b/a/g) (a/g/f) gdd>e | =fdTc>_B AFFA | GBAc Bdce | dgfa gGG |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [g2G2][g2G2] [g2G2][g2G2] | [=f2F2][f2F2] [f2F2][f2F2] |\ [g2G2][g2G2] [g2G2][B2B,2] | [c2C2][d2D2] G2G :| z | g2d2 g2g2 | a2_b2 =f2f2 | g2d2 g2b2 | c'2d'2 g2g2 || g2d2 g2g2 | a2_b2 =f2f2 | g2^f2 g2c'2 | d'2d2 g2G |] X:4303 T: Dumlanrig Castle. a Strathspey. %R: strathspey, air B: Niel Gow & Sons "Complete Repository" v.4 p.30 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 B |\ D>E G>A TB>ABe | d>A B>G E/E/E E>G | D>EG>A TB>ABd | (e/f/g) dg BGG :| e ( d/c/B/c/) dg d>BGB | (c/d/e) (B/c/d) AEEe | (d/c/B/c/) dg dBGB | (c/d/e) A>c BGGe || (d/c/B/c/) dg ~d>BGB | (c/d/e) (B/c/d) AEE>G | D>EG>A TB>ABd | (e/f/g) dg BGG |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ G2g2 g2g2 | f2g2 c2c2 | B2A2 G2B2 | c2d2 G2G :| z | g2g2 g2g2 | f2g2 c2c'2 | b2g2 g2B2 | c2d2 G2g2 || g2g2 g2g2 | f2g2 c2c2 | B2A2 G2B2 | c2d2 G2G |] X:4304 T: Johnny's friends are ne'er pleased. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.30 #4 (and top 2 staves of p.31) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 F |\ G3g BGB2- | BETB>A | GEEF | G3g B<GB2 | AEA>G FDDF || ~G3g BGB2- | BETB>A | GEEF | ~GFGA GAB^c | dABG FDD |] g | (e/f/g) dg BGB2- | BETB>A GEEg | (e/f/g) dg B<GB2 | AEAG FDDg || (e/f/g) dg BGB2- | BETB>A GEEg | egdg cgBg | Ad AG FDD |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [b2g2d2][b2g2d2] [b2g2d2][b2g2d2] | [b2g2e2][b2f2^d2] [b2g2e2][c'2c2] |\ [b2B2][g2G2] [g2G2][g2G2] | [c2C2][^c2^C2] [d2D2][d2D2] ||\ [b2g2d2][b2g2d2] [b2g2d2][b2g2d2] | [b2g2e2][b2f2^d2] [b2g2e2][c'2c2] |\ [b2B2][a2A2] [g2G2][e2E2] | [f2F2][g2G2] [d2D2][dD] |] z |\ [e'2c'2g2][d'2b2g2] [d'2b2g2][d'2b2g2] | [b2g2e2][b2f2^d2] [b2g2e2][b2g2e2] |\ [e'2c'2g2][d'2b2g2] [d'2b2g2][d'2b2g2] [a2e2c2][a2e2^c2] [a2f2d2][a2f2d2] ||\ [e'2c'2g2][d'2b2g2] [d'2b2g2][d'2b2g2] | [b2g2e2][b2f2^d2] [b2g2e2][b2g2e2] |\ [c'2c2][b2B2][a2A2][g2G2] | [f2F2][^c2^C2] [d2D2][dD] |] X:4311 T: Ayrshire Lasses. a Strathspey. C: by the Earl of Eglinton %R: strathspey B: Niel Gow & Sons "Complete Repository" v.4 p.31 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - V: 1 staves=2 c |\ G<cE<c Td>cd<e | d<de>d cAAc | G<c E<c Td>cd<e | c<AGF E<CC :| f | {ef}g>ec<g e<gc<g | {ef}g<ec<g d<DDf | {ef}g<ec<g e<gc<g | c<AG>F E<CCf || {ef}g>ec<g e>gcg | {ef}g>ec<g d<DDe/f/ | g<ec<e Td>cd>e | c>AG>F E<CC |] % - - - - - - - - - - V: 2 clef=bass middle=d z |\ c2c2 g2g2 | g2c2 f2f2 | e2c2 g2g2 | f2gG c2c :| z | c'2c'2 c'2c'2 | c'2c'2 b2g2 | c'2c'2 c'2c'2 | f2g2 c2c2 || c'2c'2 c'2c'2 | c'2c'2 b2g2 | c2c'2 g2g2 | f2e2 c2c |] X:4312 T: the Argyll Bowling Green. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.31 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 E !segno!|\ C2c2 Tc>ded | cdcA GFED | C2c2 Tc>dec | d>B c>E {E}D3E ||\ C2c2 Tc>ded | cdcA GFED | C2c2 Tc>dec | d>B c>E {E}D3 |] A |\ G<Ec>E GEEA | GEcG E3A | GEcE GEEF | GAGE D3a ||\ gec'e geef | gec'g {f}e3a | gec'e geef | gage d3!segno!e |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z !segno!|\ C2c2 c2c2 | c2c2 e2g2 | a2e2 c2c2 | B2c2 [b3g3G3]z || C2c2 c2c2 | c2c2 e2g2 | a2e2 c2c2 | B2c2 [b3g3G3] |] z | c2c2 c2c2 | c2c2 "^sf"c2c2 | c2c2 c2c2 | B2c2 G3z || c'2c'2 c'2c'2 | c'2c'2 "^sf"c'2c'2 | c'2c'2 c'2c'2 | b2c'2 g3 !segno!z |] X:4321 T: Glenbucket's Breeks. a Strathspey. O: Communicated by Mr McLeod of Rasay. %R: strathspey B: Niel Gow & Sons "Complete Repository" v.4 p.32 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: C % - - - - - - - - - - V: 1 staves=2 C |\ EG~G>E G/G/G G2 | Tc>dec d/d/d d2 |\ EG-Gg egde | (c/B/A/B/) cE C/C/C C :| E |\ (G/F/E/D/) C>E GEcE | GEce d/d/d dg | (a/g/f/e/) cg ecgc | f<aTg>e c/c/c cg ||\ a>egd ecge | f<aTg>e dDDF |\ EG-Gg | egde | (c/B/A/B/) cE C/C/C C |] % - - - - - - - - - - V: 2 clef=bass middle=d % Voice 2 preserves the book's staff layout. z | c2c'2 c2c2 | e2c'2 b2g2 | c'2b2 c'2g2 | afg2 c2c :| z | c2c2 c2c2 | e2c2 G2B2 | c2c2 c2e2 | f2g2 c2c2 | c'2b2 c'2e2 | f2ec g2b2 | c'2b2 c'2g2 | afg2 c2c |] %%text * Supposed to have been Composed when it was rare to see Breeches worn in the Highlands. X:4322 T: Kiss me Sweetly. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.32 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 g |\ (a/g/f/e/) cg egce | (a/g/f/e/) cg eddg | (a/g/f/e/) cg egde | c>AGE C/C/C C :| F | (E/F/G) cG AGcG | (E/F/G) ce dDDF | (E/F/G) cG EG ca | gede c/c/c cG || (E/F/G) cG AGcG | (E/F/G) ce dDDF | (E/F/G) cG EG ca | gede c/c/c c |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ c2c'2 c'2c'2 | c2c'2 g2b2 | c'2c'2 c'2g2 | f2g2 c2c :| z |\ [c2C2][c2C2] [c2C2][c2C2] | [c2C2][c2C2] [g2G2][g2G2] | [c2C2][c2C2] [c2C2][f2F2] | [g2G2][g2G2] [c2C2][c2C2] ||\ [c2C2][c2C2] [c2C2][c2C2] | [c2C2][c2C2] [g2G2][g2G2] |\ [c2C2][c2C2] [c2C2][f2F2] | [g2G2][g2G2] [c2C2][cC] |] X:4323 T: Orange and Blue. a Jig. %R: jig N: This is version 2, for ABC software that understands trailing grace notes. N: (Yes, this is an unimportant detail in this case.) B: Niel Gow & Sons "Complete Repository" v.4 p.32 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: C % - - - - - - - - - - V: 1 staves=2 f |\ e2c TcBc | ~G2c E2c | e2c ege | c3 c2e | f2d Td^cd | A2d d2c | B2G BdB | G3 G2f || e2c Tc3{Bc} | G2c E2c | e2c ege | c3 c2g | a2f g2e | f2d e2c | BdB GAB | c3 c2 |[| f | e2g gag | e2g gag | e2c ege | c3 c2e | f2a ac'a | f2a ac'a | f2d faf | d3 d2f || e2g gag | e2g gag | e2c ege | c3 c2g | afa geg | fdf edc | BdB GAB | c3 [c2E2] |] % - - - - - - - - - - V: 2 clef=bass middle=d z |\ [c3C3][c3C3] | [c3C3][c3C3] | [c3C3][c3C3] | [c3C3][c3C3] |\ [d3D3][d3D3] | [d3D3][d3D3] | [d3D3][d3D3] | [d3D3][d3D3] ||\ [c3C3][c3C3] | [c3C3][c3C3] | [c3C3][c3C3] | [c3C3][c3C3] |\ [f3F3][e3E3] | [d3D3][c3C3] | [g3G3][f3F3] | [e3E3][c2C2] |[| z |\ [c'3c3][c'3c3] | [c'3c3][c'3c3] | [c'3c3][c'3c3] | [c'3c3][c'3c3] |\ [d'3d3][d'3d3] | [d'3d3][d'3d3] | [d'3d3][d'3d3] | [d'3d3][d'3d3] ||\ [c'3c3][c'3c3] | [c'3c3][c'3c3] | [c'3c3][c'3c3] | [c'3c3][c'3c3] |\ [f'3f3][e'3e3] | [d'3d3][c'3c3] | [g3G3][f3F3] | [e3E3][c2C2] |] X:4331 T: Castle Campbell. a Reel. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.33 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 f |\ ecTc2 GcTc2 | ECGE cGEC | fd (Td3/^c//d//) Ad (Td3/^c//d//) | FDAF dAFD | ecTc2 GcTc2 | ECGE cGEC | egec dfdB | dCEG c2C |[| f | e>g (Tg3/^f//g//) c>g (Tg3/^f//g//) | ecfd gece | faTa2 daTa2 | fdge afdf | eg (Tg3/^f//g//) c>g (Tg3/^f//g//) | ecfd gecf | egec dfdB | cCEG c2C |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ C2c2 c2c2 | C2E2 G2c2 | D2d2 D2d2 | D2F2 A2d2 | C2c2 C2c2 | C2E2 G2c2 | c2c'2 b2g2 | c'ceg c'2c |[| z | c2c'2 c2c'2 | [c'2c2][d'2d2] [e'4e4] | d2d'2 d2d'2 | [d'2d2][e'2e2] [f'4f4] | c2c'2 c2c'2 | [c'2c2][d'2d2] [e'4e4] | c'2c'2 b2g2 | c'ceg c'2c |] % % Comment about the set of tunes starting with Appin House: %%sep 1 0 500 X: 88 % 4332 T: %%textfont Times-Italic 22 %%begintext align %% The Following are a Selection of favorite Common time Reels %% forming a Medley without introducing a Strathspey ____ and %% which are so much the present fashion. %%endtext K: % %%sep 1 0 500 % % %% Comment about the set of tunes starting with Appin House: %X: 0 %T: %K: %W: The Following are a Selection of favorite Common time Reels %W: forming a Medley without introducing a Strathspey ____ and %W: which are so much the present fashion. %W: X:4332 T: Apppin House %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.33 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - V: 1 staves=2 e |\ c>A A/A/A cAcA | B>F F/F/F BFBd | c>A A/A/A cAcA | B>F BG A2A, :: C |\ (A,CE).C ACDC | (A,CE).C ACB,C | (A,CE).C AFED | CAB,G {G}A2A, :: d |\ ceAe ceAc | BFdF BFBd | ceAe ceAc | BFBG A2A :| |: c |\ (A/B/c/d/) ec acec | (B/c/d/e/) fd bdfd | (A/B/c/d/) ec acea | (g/a/b) eg {g}a2a :: e |\ aec'e aec'e | bfd'f bfd'f | aec'e aec'a | (g/a/b) eg a2a :: E |\ (C/B,/A,) EA, AA,EA, | (D/C/B,) FB, BB,FB, | (C/B,/A,) EA, AA,EA | (G/A/B) EG A2A :| % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ a2a2 a2a2 | d2d2 d2g2 | a2a2 a2c2 | d2e2 A2A :: z | [A2A,2][A2A,2] [A2A,2][A2A,2] | [A2A,2][A2A,2] [A2A,2][e2E2] | [A2A,2][c2C2] [d2D2][d2D2] | e2E2 A2A :: z |\ [e'2a2][e'2a2] [e'2a2][e'2a2] | [b2f2d2][b2f2d2] [b2f2d2][b2g2e2] |\ [c'2a2e2][c'2a2e2] [c'2a2e2] [a2e2c2] | [b2f2d2][b2g2e2] | a2A :: z | [a2A2][a2A2] [a2A2][a2A2] | [b2B2][b2B2] [b2B2][b2B2] |\ [a2A2][a2A2] [a2A2][a2A2] | e2E2 A2A !f!::z | a2a2 a2a2 | b2b2 b2b2 | a2a2 a2a2 | e'2e2 a2A !f!:: z | [A2A,2][A2A,2] [A2A,2][e2E2] | [b2B2][b2B2] [b2B2][b2B2] |\ [A2A,2][A2A,2] [A2A,2][c2C2] | [e2E2][e2E2] [A2A,2][AA,] :| X:4341 T: Highland Laddie %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.34 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 f |\ eAcA {f}e2{d}c2 | fBBc fBBf | ecac Tf2ed | cAAB cAA :| a | fefa Tf2ec | fBBc fBBa | fefa f2ec | eAAB cAAa || fefa Tf2ec | fBBc fBBf | ecac efdf | eAAB cAA |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [a2A2][a2A2] [a2A2][a2A2] | [b2B2][b2B2] [b2B2][b2B2]| a2a2 d2d2 | e2e2 A2a :| z | a2a2 a2a2 | b2b2 b2b2 | a2a2 a2a2 | e2e2 a2a2 || a2a2 a2a2 | b2b2 b2b2 | a2a2 a2a2 | e2e2 A2A |] X:4342 T: Ca' the Wethers to the Hill %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.34 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 c |\ Aa-a>g Tfeac | Aa-ac TB>cdB | Aa-ag feac | dfec TB2A :| d | cAec A/A/A Te2 | dfec TBcdB | cAec A/A/A Te2 | dfec TB2Ad || cAec A/A/A Te2 | dfec TB>cdB | Aaga faea | dfec TB2A |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ a2a2 a2a2 | a2a2 b2b2 | a2a2 a2c2 | d2e2 e2A :| z | a2a2 a2c'2 | d'2c'2 b2b2 | a2a2 a2c2 | d2e2 e2A2 || a2a2 a2c'2 | d'2c'2 b2b2 | a2a2 a2c2 | d2e2 e2A |] X:4343 T: the Bridge of Garry %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.34 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 e |\ AA eA eAec | Bf-fe fBBa | AA ed cAec | EFAB cAA :| g | a2ea cAec | BfTfe fBBg | {g}a2ea cAec | EFAB cAAg || a2ea cAec | BfTfe fBBg | afbg afed | ceBd cAA |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [a2A2][a2A2] [a2A2][a2A2] | [b2B2][b2B2] [b2B2][b2B2] |\ [a2A2][a2A2] [a2A2][a2A2] | [e2E2][e2E2] A2A :| z | a2[c'2a2] a2a2 | b2b2 b2b2 | a2a2 a2a2 | e2e2 A2A2 || a2[c'2a2] a2a2 | b2b2 b2b2 | a2e2 a2d2 | e2E2 A2A |] X:4344 T: Charles Street Bath %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.34 #4 (and top staff on p.35) Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 (e//f//g/) |\ (ag)(ag) aecA | fgag Tf2 ef/g/ | aece fdBd | ce GB A2A :| c | EBGB EcAc | EBcd Tc2B>g | aece fdBd | ceGB A2Ac || EBGB EcAc | EBcd Tc2Bg | aece fdBd | ceGB A2A |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z | A2a2 a2c'2 | d'2d'2 d'2c'2 | a2c2 d2d2 | e2E2 A2A :| z | [e2G2][e2G2] [e2A2][e2A2] | [e2G2][e2A2] E2ez | a2A2 d2d2 | e2E2 A2A2 || [e2G2][e2G2] [e2A2][e2A2] | [e2G2][e2A2] E2ez | a2A2 d2d2 | e2E2 A2A |] X:4351 T: Gille Callum %R: strathspey, reel B: Niel Gow & Sons "Complete Repository" v.4 p.35 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ A<Ac>A d2B=G | A<AcA d2cA | BEEe d2B=G | A<AcA dBe2 :| A<A ce =g2BG | A<A ce a2af | =g2ge dgBG | A<AcA dBe2 || A<A ce =g2BG | AA ce abaf | =gage dg BG | Aa=ge dBe2 |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ [a2A2][a2A2] [=g2=G2][g2G2] | [a2A2][a2A2] [a2A2][a2A2] |\ [e2E2][e2E2] [=g2=G2][g2G2] | [a2A2][a2A2] [e2E2][A2A,2] :| a2a2 =g2g2 | a2a2 a2a2 | b2=c'2 b2=g2 | a2a2 e2A2 || a2a2 =g2g2 | a2a2 a2a2 | b2=c'2 b2=g2 | a2a2 e2A2 |] X:4352 T: Blair Drummond %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.35 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 |:\ A/A/A Tc2 Aaec | A/A/A Tc2 B=gBG | A/A/A Tc2 Aaef | =gbeg dgBG :| a2ec acec | a2ef =gdBG | a2ec acef | =gbeg dgBG | a2ec acec | a2ef | =gdBG | a2ec acef | =gbeg dgBG |: eA-AB cAca | cA-A=c B=gB=G | cA-AB caef | =gbeg dgBG :| {g}a2ec acec | {c}a2ef =gdBG | {g}a2ec acef | =gbef gdBG | {g}a2ec acec | {c}a2ef =gdBG | {g}a2ec acef | =gbef gdBG |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d |:\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [e'2c'2a2][e'2c'2a2] [d'2b2=g2][d'2b2g2] |\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [d'2b2][e'2=c'2] [d'2b2][b2=g2] :|\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [e'2c'2a2][e'2c'2a2] [d'2b2=g2][d'2b2g2] | [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [d'2b2][e'2=c'2] [d'2b2][b2=g2] |\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [e'2c'2a2][e'2c'2a2] [d'2b2=g2][d'2b2g2] |\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [d'2b2][e'2=c'2] [d'2b2][b2=g2] |: [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [e'2c'2a2][e'2c'2a2] [d'2b2=g2][d'2b2g2] |\ [e'2c'2a2][e'2c'2a2] [e'2c'2a2][e'2c'2a2] | [d'2b2][e'2=c'2] [d'2b2][b2=g2] :|\ [e2c2A2][e2c2A2] [e2c2A2][e2c2A2] | [e2c2A2][e2c2A2] [d2B2=G2][d2B2=G2] | [e2c2A2][e2c2A2] [e2c2A2][e2c2A2] | [d2B2][e2=c2] [d2B2][B2=G2] |\ [e2c2A2][e2c2A2] [e2c2A2][e2c2A2] | [e2c2A2][e2c2A2] [d2B2=G2][d2B2=G2] |\ [e2c2A2][e2c2A2] [e2c2A2][e2c2A2] | [d2B2][e2=c2] [d2B2][B2=G2] |] X:4361 T: Rasays Favorite. very old. O: Communicated by Himself. %R: strathspey N: This is version 2, for ABC software that understands voice overlays. B: Niel Gow & Sons "Complete Repository" v.4 p.36 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> Q: "May be played Slow when not Danced." M: C| L: 1/8 K: Am % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 [|\ e2 ee {f}Te3d | c<c c>e d<d d2 | {cd}e2 ee {f}Te3 d | c>AB>^G A<A A2 | e2 ee {f}Te3 d | c<c c>e d<c d2 | {cd}e2 ee {f}Te3 d | c>A B>^G A<A A2 |]| ~c2 g>e e<e e2 | ~c2 g>e g>e d2 | ~c2 ge e<e e>^g | ac e>d cA ~A>B | ~c2 ge e<e e2 | ~c2 g>e g>e d>e | c<c g>e e<e He>^g | a>c {cd}e>d cA [A2E2C2] |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d [c'2a2e2] [c'2a2e2] [c'2a2e2] [b2^g2e2] | [c'2a2e2] [c'2a2e2] [b2^g2e2] [b2^g2e2] | [c'2a2e2] [c'2a2e2] [c'2a2e2] B2 | c>d e>E A2 A2 | [c'2a2e2] [c'2a2e2] [c'2a2e2] [b2^g2e2] | [c'2a2e2][c'2a2e2] [b2^g2e2] [b2^g2e2] | [c'2a2e2] [c'2a2e2] [c'2a2e2] B2 | c>d e>E A2 A2 |]|\ "^f"=C2 EG c4 | C2 EG ce "^sf"g2 |\ [e'2c'2g2] [e'2c'2g2] [e'2c'2g2] [e'2b2] | [e'2a2] [e'2^g2] [e'2a2] [a2A2] |\ [e'2c'2g2] [e'2c'2g2] [e'2c'2g2] [e'2c'2g2] | x2e'c' e'c'x2 & [e'2g2] g2 g2 [d'2b2g2] |\ [e'2c'2g2] [e'2c'2g2] [e'2c'2g2] H[e'2b2] | [e'2a2] [e'2^g2] [e'2a2] [a2A2] |] X:4362 T: Miss Erskine of Alvas C: D.Dow %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.36 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - % Voice 1 formatted for compactness and proofreading. V: 1 staves=2 a |\ {f}e2A2 ce-e=g | fd=gd BGGf |\ {f}e2A2ce-e=g | fd=gf Te2A :| g |\ aefd ce-e=g | fd=gd BGG^g | aefd cAec | d=gBd Te2A^g |\ aefd ceAc | dB=gd BdGB |\ Acea (ga) ce | d=gBd Te2A |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ a2a2 a2c'2 | d'2b2=g2g2 | a2a2 a2c'2 | d'2e'2 a2a :| z | a2a2 a2c'2 | d'2b2=g2gz | a2a2 a2c'2 | d'2e'2 a2az | a2a2 a2c'2 | d'2b2 =g2g2 | a2a2 A2c2 | d2e2 A2A |] X:4363 T: Tha biodag aig Mac Thomais. "Mc Homas (Thomson) has a Dirk." %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.36 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - V: 1 staves=2 d |\ cA .c/.d/.e Tc2Ac | B=GdG TB2GB |\ cA .c/.d/.e Tc2Ac | B=G dB {B}A2A :| ^g |\ aeec aeef | =gddB gdd^g | aeeg aeed | cABG {G}A2Ag |\ aeec aeef | =gddB gdd^g |\ aeec aefa | cA BG {G}A2A |] % - - - - - - - - - - V: 2 clef=bass middle=d z |\ [a2A2][a2A2] [a2A2][a2A2] | [=g2=G2][g2G2] [g2G2][g2G2] |\ [a2A2][a2A2] [a2A2][a2A2] | [=g2=G2][g2G2] [a2A2][aA] :| z |\ [a2A2][a2A2] [a2A2][a2A2] | [=g2=G2][g2G2] [g2G2][g2G2] | [a2A2][a2A2] [a2A2][a2A2] | [e2E2][e2E2] [A2A,2][A2A,2] |\ [a2A2][a2A2] [a2A2][a2A2] | [=g2=G2][g2G2] [g2G2][g2G2] |\ [a2A2][a2A2] [c'2c2][d'2d2] | [e'2e2][e'2e2] [a2A2][aA] |] X:4371 T: McFarlane's Rant %R: reel B: Niel Gow & Sons "Complete Repository" v.1 p.37 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - V: 1 staves=2 g |\ f>A A/A/A {f}e>dBd | f>A A/A/A Te2 de |\ f>A A/A/A {f}e>dBf | aefd {f}e2d :| e |\ (fd)(fd) eBBg | (fd)(fd) {=f}Te2de |\ (fd)(fd) eBBf | aefd {f}e2d |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d c | d'4 a2g2 | f2d2 a3c' | d'4 a2g2 | c2d2 A2D :| z |\ [d'2f2][d'2f2] [e'2g2][e'2g2] | [f'2d'2a2][f'2d'2a2] [g'2e'2a2][f'2d'2a2] |\ [d'2f2][d'2f2] [e'2g2][^d'2^f2] | c'2d'2 a2d |] X:4372 T: Lady Elinora Homes Reel C: by D.Dow %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.37 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - V: 1 staves=2 A | (F/E/D) BG {B}A2FA | (G/F/E) =c2 ECCE | FDAF GBAg | (f/g/a) e>g fd~d :| g | fdad fddf | ge=cd egga | fdfa =cgeg | (a/g/f) (g/f/e) fddg | fdad fadg | e=cgc egcg | fdAd GBAg | (f/g/a) eg fd~d |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z |\ [d2D2][d2D2] [d2D2][d2D2] | [=c2=C2][c2C2] [c2C2][c2C2] |\ d2d2 g2fe | d2A2 D2D :| z | d'2d'2 d'2d'2 | =c'2c'2 c'2^c'2 | d'2d'2 =c'2^c'2 | d'2a2 d2d2 |\ d'2d'2 d'2d'2 | =c'2c'2 c'2c'2 | d'2f2 g2fe | d2A2 D2D |] X:4373 T: Earl of Kinnoull's Reel C: byCap.tn D.l Menzies %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.37 #3 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - V: 1 staves=2 c |\ ~d2AG TF2D=F | {F}E2=CE cGEg |\ fdAG {G}TF2DF | GECE FDD :|\ A |\ ~d2fa Tf2df | {f}e2=ce gece | ~d2fa Tf2df | gece fddA |\ ~d2fa Tf2df | e=ceg c'geg |\ fdAG FdAF | GEcE dDD |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z | d2c2 d2B2 | =c2c2 c2^c2 | d2c2 d2B2 | G2A2 D2d :| z | d'2d'2 d'2d'2 | =c'2c'2 c'2c'2 | d'2d'2 f2f2 | g2a2 d2dz | d'2d'2 d'2d'2 | =c'2c'2 c'2c'2 | d'2c'2 d'2f2 | g2a2 d2d |] X:4374 T: Dalkeith House C: by the late Mr James Macdonald %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.37 #4 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - V: 1 staves=2 f |\ ~d2 AB/c/ dAFD | GEed cAA=c | TB2GB AdFA | GEAG FDD :| f | Tf2df eace | dBed cAA=c | TB2GB AdFA | GBAG FDDg | (Tf>ef).d eace | dfed cAA=c | (TB>AB).G FGA=c | BGge fd d |] % - - - - - - - - - - % Voice 2 preserves the book's staff layout. V: 2 clef=bass middle=d z | d2d2 d2f2 | g2^g2 a2f2 | g2e2 f2d2 | c2A2 d2D :| z | d2d'2 c'2a2 | b2^g2 a2f2 | g2e2 f2d2 | e2c2 d2D2 | d'2b2 c'2a2 | b2^g2 a2f2 | g2e2 def2 | g2a2 d2d |] X:4381 T: Cheap Meal. T: or Good Harvest. %R: reel B: Niel Gow & Sons "Complete Repository" v.4 p.38 #1 Z: 2021 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - V: 1 staves=2 B |\ .A(FTE>D) d(FTE>D) | EB- TB>A BEEB | A(FTE>D) ~d>efe | dB AF ADDB | .A(FTE>D) d(FTE>D) | EB-TB>A BEEB | .A(FTE>D) ~d>efe | dB AF ADD |[| f | ~abaf defd | eb-b>a beef | ~a>baf ~d>efe | dB AF ADDf | ~a>baf defd | eb-b>a beef | abfa dg Tf>e | dB AF ADD |] % - - - - - - - - - - V: 2 clef=bass middle=d z | D2d2 d2d2 | [g2e2][f2^d2] e2Ez | d2c2 B2F2 | G2A2 D2D2 | D2d2 d2d2 | [g2e2][f2^d2] e2Ez | d2c2 B2F2 | G2A2 D2D |[| z | d2d'2 d'2f'2 | [g'2e'2][f'2^d'2] [g'2e'2][g'2e'2] | d'2c'2 b2a2 | g2a2 d2Dz | d2d'2 d'2f'2 | [g'2e'2][f'2^d'2] [g'2e'2][g'2e'2] | d'3c' b2a2 | g2a2 d2d |] X:4382 T: Elsie Marly. T: Country Bumpkin. %R: jig B: Niel Gow & Sons "Complete Repository" v.4 p.38 #2 Z: 2021 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G % - - - - - - - - - - V: 1 staves=2 |:\ (TB>AB) G2G | G2g- gdc | T(B>AB) G2G | =F2f- fcA |\ T(B>AB) G2G | G2g- gdB | cac BgB | A2=f- fcA :| |:\ Bcd ded | d2g- gdc | Bcd dcB | A2=f- fcA |\ Bcd ded | d2g- gdB | cac BgB | A2=f- fcA :| |:\ G2g- gdB | gdB gdB | =F2f- fcA | fcA fcA |\ G2g- gdB | gdB gdB | cac BgB | A2=f- fcA :| % - - - - - - - - - - V: 2 clef=bass middle=d |: g3g3 | g3g3 | g3g3 | =f3f3 | g3g3 | g3g3 | a3g3 | =f3f3 :| |: g3g3 | g3g3 | g3g3 | =f3f3 | g3g3 | g3g3 | a3g3 | =f3f3 :| |: g3g3 | g3g3 | =f3f3 | =f3f3 | g3g3 | g3g3 | a3g3 | =f3f3 :|

[get.cgi V=1/1 B=0 scale=0.55 512x512 ]

file	size	description
Tune-37223-CR4-abc2.abc	94295	ABC music file with the extracted tune(s)
Tune-37223-CR4-abc2.txt	94295	Plain-text file with the extracted tune(s)
Tune-37223-get.log	51110	Log file, useful mostly for debugging

These files should be available for 24 hours.