X: 1
T: COTILLONS. Second set.
C: Composed by S. Knaebel
C: Figures adapted by A. White
B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.32-37
F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf
%: 2012 John Chambers <jc:trillian.mit.edu>
V: 1 nm="VIOLIN"
V: 2 nm="C CLARINET"
V: 3 nm="POST HORN or\nCORNOPEAN IN G"
V: 4 clef=bass middle=d nm="BASE"
%%staves [1 2 3 4]
M: 2/4
L: 1/16
K: D
P: 1
% -------------------------
V: 1
K: D
[|\
%"^p32s1v1"
"_2. Balance and turn partners."\
!f!.d2z2 .d2.f2 | (A3B/c/) .d2.f2 |\
"_4. 1-2 promenade, 1-2 right and left to places."\
d2f2b2a2 | (a3g/f/) e2z2 |\
e4 g4 | b6 _b2 | a2g2e2f2 | d2z2 "^>"[d2F2A,2]z2 H|]|\
"_1. Right and left four."\
!p!D4!trem1!A,4 | D4!trem1!A,4 | E2A,2 C2A,2 |\
%"^p32s2v1"
D4!trem1!A,4 |
D4!trem1!A,4 | D4!trem1!A,4 | E2A,2 C2A,2 | D2z2 "_D.C. 2.""^>"[d2F2A,2]z2 |[|\
"_3. Ladies chain."\
!p!B2c2d2e2 | f4 d2f2 | g4 d2g2 | f4 d2b2 |\
B4 d2c2 | d2c2d2g2 | f2e2d2c2 | B2z2 "_D.C. 4.""_>"[b2B2D2]z2 |]
% -------------------------
V: 2
K: D
[|\
%"^p32s1v2"
!f!f2z2 f2d2 | f6 d2 | f2d2g2f2 | (e4 c2)z2 |\
"^>"B4 "^>"e4 | "^>"g8 | f2e2 G2A2 | F2z2 d2z2 H|]|\
!p!f2z2 A2z2 | Tf4 g2f2 | {f}e2.^d2.e2.^e2 |
%"^p32s2v2"
(f4 d2)z2 |
f2z2 A2z2 | Tf4 g2f2 | {f}e2.^d2.e2.f2 | =d2z2 "^>"d2z2 |[|\
!p!B2^A2B2c2 | (d4 B2)z2 | Td8- | d8- |\
d2 B4 ^A2 | B2^A2B2e2 | d2c2B2^A2 | B2z2 B2z2 |]
% -------------------------
V: 3
K: G
[|\
%"^p32s1v3"
!f!d2z2 d2z2 | d2dd d2d2 | z2d2 z2d2 | z2dd d2d2 |\
"_>"c4 "_>"e4 | "_>"A8 | ^F4 F2F2 | G2z2 "_>"G2z2 H|]|\
!p!G2z2 B2z2 | d4 e2d2 | {d}c2.B2.c2.^c2 |
%"^p32s2v3"
(d4 B2)z2 |
G2z2 B2z2 | d4 e2d2 | {d}c2.B2.c2.d2 | B2z2 "^>"B2z2 |[|\
!p!z2G2 z2G2 | z2G2 z2G2 | z2G2 z2G2 | z2G2 z2G2 |\
z2G2 z2G2 | z2G2 z2G2 | z2 E4 A2 | G2z2 "^>"G2z2 |]
% -------------------------
V: 4
K: D
[|\
%"^p32s1v4"
!f!d2z2 d2z2 | d6 d2 | d2z2 d2z2 | .c2.e2.A2z2 |\
"_>"g4 "_>"e4 | c6z2 | d4 d2d2 | d2z2 d2z2 H|]|\
!p!d2z2 d2z2 | d2z2 d2z2 | c2z2 A2z2 |
%"^p32s2v4"
d2z2 d2z2 |\
d2d2d2d2 | d2d2d2d2 | c2c2 A2A2 | d2z2 "^>"d2z2 |[|\
!p!B2z2 B2z2 | B2z2 B2z2 | B2z2 B2z2 | B2z2 B2z2 |\
B2z2 B2z2 | B2g2f2e2 | f4 f2f2 | B2z2 "^>"B2z2 |]
% ------------------------- -------------------------
P: 2
% ------------------------- -------------------------
V: 1
M: 6/8
L: 1/8
K: D
[|!p!\
%"^p33s1v1"
"_3. Balance and turn partners."\
Adf a2b | a2d' fdb | c2b (ba).^g | b3 afd |\
!f!cBA efg | fed fba | ege cBA | def d2z H|]
%"^p33s2v1"
[K:G]!p!|:\
"_1. First two forward and back, cross over."\
"_2. Chasse de chasse,   cross back."\
G,B,D G,B,D | G,B,D G,B,D | G,B,D G,B,D | G,B,D CDF |\
G,B,D G,B,D | CEA CEA | B,DG A,DF | G,DB, "_D.C. 3."G,2z :|
% -------------------------
V: 2
M: 6/8
L: 1/8
N: The high notes in bars 29-31 are written in small notes; they're presumably alternatives.
K: D
[|!p!\
%"^p33s1v2"
f2d f2g | f3 a2g | e2g gfe | (^e3 f2)z |\
!f!e3 cde | def agf | gzc edc | def d2z H|]
K: G
%"^p33s2v2"
!p!|:\
BzG Bze | dzb g3 | BzG Bzd | dcB A3 |\
BzG Bzg | ez^g azc' | dzb cza | ab.f g2z :|
% -------------------------
V: 3
M: 6/8
L: 1/8
K: G
[|!p!\
%"^p33s1v3"
G3 G3 | zG/G/G GGG | d3 d3 | G2G G2z |\
!f!d3 zd/d/d | d3 zd/d/d | dd/d/d ddd | Bcd B2z H|]
N: Part 2, phrase 3: Voice 3 is marked K:G; it's obviously K:C.
K: C
%"^p33s2v3"
!p!|:\
czG cz=f | ezc e3 | czG cze | edc B3 |\
czG cze | fze fzd | czc BzB | czc c2z :|
% -------------------------
V: 4
M: 6/8
L: 1/8
K: D
[|!p!\
%"^p33s1v4"
!/!d6 | !/!d6 | A2z c3 | dfa d'2z |\
!f!a2z A2z | d2z d2z | A2z a2z | dzd d2z H|]
K: G
%"^p33s2v4"
!p!|:\
gzg gzg | gzg gzg | gzg gzg | dzd dzd |\
gzg gzg | c'2z czc | d2z d2z | gdB G2z :|
% ------------------------- -------------------------
P: 3
%M: 2/4
%L: 1/16
%K: D
% -------------------------
V: 1
M: 2/4
L: 1/16
K: D
[|!p!\
%"^p34s1v1"
"_2. Lead up to the couples on the right, chassez out and form two lines."\
"_4. All forward and back, all turn partners to places."\
A2Tf2 A2Tf2 | a2de f4 | (fe)e2 (fe)e2 | B4 A4 |\
A2Tf2 A2Tf2 | a2de f4 | e2ba aegf | d6 z2 H|]|!f!\
"_1. First four forward and back, back to back."\
.B2.c2 d3^A | .B2.c2 d3^A | B2.c2.d2.e2 | f8 |
%"^p34s2v1"
g2f2 e2g2 | f4 b4 | f2e2d2c2 | "_D.C. 2."B4 z4 |]|[K:G]!p!\
[D2B,2][D2B,2] [D2B,2][E2C2] | [D2B,2][D2B,2] [D2B,2][E2C2] | D2D2 [D2C2][D2C2] | [D2B,2][D2B,2] [D4A,4] |\
[D2B,2][D2B,2] [D2B,2][E2C2] | [D2B,2][D2B,2] [D2B,2][E2C2] | D2E2 D2[D2C2] | [D2B,2][D2B,2] "_D.C. 4."[D2B,2]z2 |]
% -------------------------
V: 2
M: 2/4
L: 1/16
K: D
[|!p!\
%"^p34s1v2"
z2d2 z2d2 | z2dd d2d2 | z2g2 z2g2 | g4 f4 |\
z2d2 z2d2 | z2dd d2d2 | g4 g2e2 | f6 z2 H|]|\
!f!d2e2 f4 | d2e2 f4 | d2c2B2B2 | ^A8 |
%"^p34s2v2"
e8 | d8 | d2c2B2^A2 | B4 z4 |]|[K:G]!p!\
BDGB dBce | BDGB dBce | dbdb caca | BgdB A4 |\
BDGB dBce | BDGB dBce | (db)(ca) (Bg)(Af) | (ag)dB G4 |]
% -------------------------
V: 3
M: 2/4
L: 1/16
K: G
[|!p!\
%"^p34s1v3"
z2d2 z2d2 | z2dd d2d2 | z2d2 z2d2 | z2GG G2G2 |\
z2d2 z2d2 | z2dd d2d2 | ^f4 f2f2 | g6 z2 H|]|\
!f!E2E2E2z2 | E2E2E2z2 | E2F2G2A2 | B2BBB2z2 |
%"^p34s2v3"
c2B2A2c2 | B4 e4 | z2c2 z2A2 | G4 z4 |]|[K:C]!p!\
c4 z2c2 | c4 z2c2 | z2c2 z2c2 | c2c2 B4 |\
c4 z2c2 | c4 z2c2 | z2 c4 B2 | c2c2c2z2 |]
% -------------------------
V: 4
M: 2/4
L: 1/16
N: MS has K:D for part 2, 3rd phrase; obviously a typo.
K: D
[|!p!\
%"^p34s1v4"
d2z2 d2z2 | d4 z4 | c2z2 c2z2 | d2d2d2d2 |\
d2z2 d2z2 | d4 z4 | A2c2e2a2 | d2A2d2z2 H|]|\
!f!B2B2B2z2 | B2B2B2z2 | B2z2 g2z2 | f8 |
%"^p34s2v4"
e2f2g2e2 | f4 g4 | e4 f2f2 | B4 z4 |]|[K:G]!p!\
g2g2g2g2 | g2g2g2c'2 | b2b2 a2a2 | g2g2 d4 |\
g2g2g2g2 | g2g2g2c'2 | b2c'2 d'2d2 | g2G2g2z2 |]
% ------------------------- -------------------------
P: 4
% -------------------------
V: 1
M: 6/8
L: 1/8
K: D
[|!p!\
%"^p35s1v1"
[FA,]z[FA,] [FA,]z[FA,] | [FA,]z[FA,] [FA,]z[FA,] | [FA,]z[FA,] [FA,]z[FA,] | [FA,]z[FA,] [FA,]z[FA,] |\
[GA,]z[GA,] [GA,]z[GA,] | [FA,]z[FA,] [FA,]z[FA,] | [EA,]z[EA,] [GA,]z[GA,] | [FA,]z[FA,] [F2A,2]z H|]|\
%"^p35s2v1"
"_1. First two right hand across, left hand back and form a line."\
!f!\
e2f g2a | f3 fed | c3 cBA | (df).b a3 |
e2f g2a | b2a "_>"d'3 | aef gfe | d3- "_D.C. 2."d2z |]|\
[K:G]\
%"^p36s1v1"
"_Forward and back two, 1-2 promenade."\
!p!\
[DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\
[DB,][DB,][DB,] [DB,][DB,][DB,] | [DB,][DB,][DB,] [DB,][DB,][DB,] |\
[D2C2]z [D3C3] | [D2B,2]z [G3B,3] | [DA,][DA,][DA,] [DA,][DA,][DA,] | [DB,][DB,][DB,] "_D.C. 4"[D2B,2]z |]
% -------------------------
V: 2
M: 3/8
L: 1/8
K: D
[|!p!\
%"^p35s2v2"
"_2. Balance in line, 1-2 promenade."f2d A2f | (a3 d')zf |\
"_4. Forward and back four, 1-2 right and left to places."(ad').f (ad').f | a3- a.g.f |\
!p!\
^d3 egf | c3 dcB | ABA EGF | D3- D2z H|]|\
%"^p35s2v2"
!f!\
c2d e2c |  d3 agf | e3 (ed)c | (fd)g f3 |\
c2d e2c | g2f "^>"^f3 | ^fa2 (ba).g | f3- f2z |]|\
[K:G]\
%"^p36s1v2"
!p!\
dze dzb | azg fzg | dze dzb | azg fzg |\
azd "_>"d'3 | bzg "_>"d'3 | c'ba {g}f.e.f | g3- g2z |]
% -------------------------
V: 3
M: 6/8
L: 1/8
K: G
%"^p35s1v3"
[|!p!\
GzG GzG | GzG GzG | GzG GzG | GzG GzG |\
d2z F2z | G2z B2z | c2z F2z | GzG G2z H|]|\
%"^p35s2v3"
!f!\
d6 | zd/d/d ddd | zdd zdd | zd/d/d ddd |\
d6 | d2d "^>"e3 | zd/d/d ddd | d3- d2z |]|\
[K:C]\
%"^p36s1v3"
!p!\
GzA Gze | dzc Bzc | GzA Gze | dzc Bzc |\
dzG "_>"g3 | ezc "_>"g3 | =fed {c}BAB | cGe c2z |]
% -------------------------
V: 4
M: 6/8
L: 1/8
K: D
[|!p!\
%"^p35s1v4"
dzd dzd | dzd dzd | dzd dzd | dzd dzd |\
c2z A2z | d2z d2z | c2z A2z | dfa d2z H|]|\
%"^p35s2v4"
!f!\
A2z A2z | d2z d2z | a2z a2z | d2z d2z |\
A2z A2z | d2z "^>"^g3 | a2z a2z | dfa d2z |]|\
[K:G]\
%"^p36s1v4"
!p!\
ggg ggg | ggg ggg | ggg ggg | ggg ggg |\
f2z "^>"f3 | g2z "^>"g3 | d2z d'2z | gbd' g2z |]
% ------------------------- -------------------------
P: 5
% -------------------------
V: 1
M: 2/4
L: 1/8
K: D
[|!p!\
%"^p36s2v1"
"_2. Balance at the corners, turn partners."\
A>B A>B | A>f d2 |\
"_4. All Promenade."\
A>B A>B | A>f d2 |\
(3cd^d "^>"e2 | (3de^e "^>"f2 | a>g f>e | dz [dFA,]z H|]|\
%"^p37s1v1"
"_1. Forward and back four, four hands round."\
!p!\
c>A ^G>A | d>A ^G>A | e>A ^G>A | (f2 d2) |
!f!g>e ^d>e | f>d c>d | e>A f>e | dz "_D.C. 2."[dFA,]z |]|\
[K:G]\
%"^p37s2v1"
!p!\
[DG,]z [DG,]z | [DG,]z [DG,]z | [DA,]z [DA,]z | [DG,]z [DG,]z |\
[DG,]z [DG,]z | [DG,]z [DG,]z | [DA,]z [DC]z | [DB,]z "_D.C. 4."[DB,]z |]
% -------------------------
V: 2
M: 2/4
L: 1/8
K: D
[|!p!\
%"^p__s_v2"
fz fz | fz fz | fz fz | fz fz |\
ez "^>"g2 | fz "^>"a2 | f>e (3dAG | Fz dz H|]|\
%"^p37s1v2"
!p!\
ez "_CRES."ez | fz fz | gz gz | (a2 f2) |\
!f!e2 a2- | a2 f2 | g4 | fz fz |]|\
[K:G]\
%"^p37s2v2"
"_3. Ladies grand chain."\
!p!\
B>c B>c | B>d d>g | f>g a>d | ("_>"b2 g)z |\
B>c B>c | B>d d>g | f>g b>a | gz gz |]
% -------------------------
V: 3
M: 2/4
L: 1/8
K: G
[|!p!\
%"^p__s_v3"
Gz Gz | Gz Gz | Gz Gz | Gz Gz |\
dz "^>"d2 | Gz "^>"G2 | ^Fz F>F | Gz Gz H|]|\
%"^p37s1v3"
!p!z2 "_CRES."^F2 | z2 G2 | z2 A2 | zG/G/ GG |\
!f!dz dz | dz dz | zd/d/ dF | Gz Gz |]|\
[K:C]\
%"^p37s2v3"
!p!\
G>A G>A | G>e e>c | d>e =f>d | ("_>"g2 e)z |\
G>A G>A | G>e e>c | d>c B>B | cz cz |]
% -------------------------
V: 4
M: 2/4
L: 1/8
K: D
[|!p!\
%"^p__s_v4"
dz dz | dz dz | dz dz | dz dz |\
Az az | dz dz | Az Az | dz dz H|]|\
%"^p37s1v4"
!p!Az "_CRES."Az | Az Az | Az Az | d2 z2 |\
!f!cz cz | dz dz | cz Az | dz dz |]|\
[K:G]\
%"^p37s2v4"
!p!\
gz gz | gz gz | dz dz | gz gz |\
gz gz | gz gz | dz dz | gz gz |]


[P=get.cgi V=1/1 B=0 scale=0.60 512x512 ]
filesizedescription
Tune-45691-0321_COTILLONS_Second_set.abc 0 ABC music file with the extracted tune(s)
Tune-45691-0321_COTILLONS_Second_set.txt 0 Plain-text file with the extracted tune(s)
Tune-45691-get.log 7699 Log file, useful mostly for debugging
These files should be available for 24 hours.